Jupiter Coyote Bands, but These Don't Really In- Terest Me
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Matt Hires Emerged As a Golden-Voiced Troubadour with a Penchant for Setting Heart-On-Sleeve Lyrics to Sweetly Infectious Melody
www.matthiresmusic.com www.facebook.com/matthires http://twitter.com/matthires BIOGRAPHY On his debut album, Matt Hires emerged as a golden-voiced troubadour with a penchant for setting heart-on-sleeve lyrics to sweetly infectious melody. Now, on his sophomore release entitled This World Won't Last Forever, But Tonight We Can Pretend, Hires weaves in grander arrangements, brighter hooks, and a more richly textured sound to assert himself as a formidable new force in the singer-songwriter realm. “My favorite artists are the ones who keep making records that give you something different from what came before, but still hold onto their own unique sound overall,” says the 27-year-old Tampa-based singer/guitarist. “With this album, I pushed into the direction of making music that’s more fun and pop-oriented but also retains that sense of honesty that I’ve always valued as a songwriter.” Indeed, the album offers up more than its share of sing-along-worthy melodies and sunny harmonies, all while elegantly showcasing Hires’s warm yet masterful vocal work. At the same time, the album bears a bigger, more bombastic energy that reveals the deep-seated influence of rock-and-roll heroes like The Band and Bruce Springsteen. And all throughout the album (the follow-up to 2008’s Take Us To The Start), Hires delivers delicately rendered lyrics that shift between sharp-eyed social commentary and strikingly intimate storytelling. “Even though I broke out of the traditional singer-songwriter mold, there are still some songs that are very confessional,” Hires notes. -
Country Music Trivia Questions Ii
COUNTRY MUSIC TRIVIA QUESTIONS II ( www.TriviaChamp.com ) 1> What country artist scored his first country number one Billboard hit in over a decade and became the oldest artist to top the charts in 2000? 2> In March of 2011 this female country superstar from Windsor, Ontario was inducted into the Canadian Music Hall of Fame. Name her. 3> Vince Gill won a Grammy Award for Best Country Album in 2008. What was the name of the album? 4> What country artist or group won back to back Grammy Awards for Best Country Album in 2011 and 2012? 5> Who had a number one U.S. Country Billboard hit in October of 2011 with the song, "Made in America"? 6> Who had a number one U.S. Country Billboard hit in February of 2000 with the song, "Cowboy Take Me Away"? 7> Who collaborated with Willie Nelson to record the number one hit "Beer for My Horses" in 2003? 8> What well-known country legend has a guitar named "Trigger"? 9> What number one country hit from 2002 has the lyrics, "Who's your buddy, who's your friend"? 10> What country song had the longest chart run for a country single in the 1990s? 11> Finish the song title to this well-known number one hit of 2011, God Gave Me ______? 12> Who made their debut as a country singer with the album "Who Needs Pictures" in 1999? 13> Chely Wright's only song to chart number one on the Billboard charts is? 14> The music duo Jennifer Nettles and Kristian Bush are known as? 15> Who has won the Grammy Award for Best Country Album the most times? Answers: 1> Kenny Rogers - The song to reach number one was "Buy Me a Rose". -
Sugarland Sugarland
NOVEMBER 2010 ISSUE MMUSICMAG.COM ’80s pop culture like John Hughes’ fi lms and U2’s cinematic sound during that era. “We were teenagers then, and a lot of the pop culture was about archetypes of what it was like to be that age,” Bush says. “And that’s what really inspired us to become musicians. A lot of the songs came from conversations about that.” While the powerful, anthemic sound of The Incredible Machine won’t surprise anyone who knows its origins, it might shock country fans used to more down-home sounds. But reinvention is almost as much part of Sugarland’s identity as any one genre. The group grew out of the Atlanta singer-songwriter scene but found immediate success in mainstream country music with its 2004 multiplatinum debut, Twice the Speed of Life. “We’ve turned over a whole lot of new leaves since starting this Stewart Volland band,” says Bush. The trio became a duo when founding member Kristen Hall abruptly Jennifer Nettles, Kristian Bush quit while Sugarland was still riding high on the first album’s success, and some wondered if the shift would upset the group’s unique chemistry.chemistry. But SUGARLANDSUGARLAND NeNettlesttles and Bush made the transitiontransition The country duo turns over another new leaf seamlessly,l l andd subsequent b albumslb haveh proved so successful that they’re now with its new album’s arena-rocking sound headlining arena tours—which comes with its own challenges. IF SUGARLAND’S NEW ALBUM, The result, “Wide Open,” appeared “Our touring and writing cycles have to The Incredible Machine, sounds grand on AT&T’s digitally released Team USA happen at the same time, and that changes and full of ambition, that’s because its Soundtrack, and served as the jumping-off the process a little,” Bush says. -
REPORTED in the COURT of SPECIAL APPEALS of MARYLAND No. 2105 September Term, 2014 LABRIA
REPORTED IN THE COURT OF SPECIAL APPEALS OF MARYLAND No. 2105 September Term, 2014 ______________________________________ LABRIA PAIGE v. STATE OF MARYLAND _____________________________________ Wright, Graeff, Moylan, Charles E., Jr. (Retired, Specially Assigned), JJ. ______________________________________ Opinion by Wright, J. ______________________________________ Filed: November 30, 2015 Appellant, Labria Paige, was convicted by a jury in the Circuit Court for Howard County, Maryland, of theft under $1,000.00 in connection with a shoplifting case. After she was sentenced to 18 months, with all but six months suspended, appellant timely appealed and presents the following questions for our review: 1. Did the motions court err in denying Appellant’s motion to suppress a statement obtained in violation of Miranda?1 2. Did the trial court abuse its discretion in permitting Loss Prevention Officer Salley to narrate the events depicted in the Macy’s closed-circuit camera footage? For the following reasons, we shall affirm. BACKGROUND Motions Hearing On April 14, 2013, Thea Salley, a loss prevention agent with the Macy’s Department store located in the Columbia Mall, testified that appellant and two juveniles were stopped by Macy’s loss prevention agents as they exited the store carrying concealed merchandise. Because appellant fought with the loss prevention agents in the Macy’s parking lot, the agents handcuffed her, for her safety as well as their own. Appellant and the two juveniles were then escorted to the Macy’s loss prevention office, located in an area of the store that otherwise was not accessible to the general public. Salley testified that the dimensions of the office was equal to half the size of the well in the courtroom, or approximately 20 feet by 20 feet. -
Body in the Lyrics of Tori Amos
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2014 "Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos Megim A. Parks California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Parks, Megim A., ""Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos" (2014). Electronic Theses, Projects, and Dissertations. 5. https://scholarworks.lib.csusb.edu/etd/5 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition ______________________ by Megim Alexi Parks March 2014 “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Megim Alexi Parks March 2014 ______________________ Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Dr. Mary Boland, Graduate Coordinator © 2014 Megim Alexi Parks ABSTRACT The notion of a “feminine” style has been staunchly resisted by third-wave feminists who argue that to posit a “feminine” style is essentialist. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Rita Wilson & Kristian Bush Embark on Joint U.S. Tour
RITA WILSON & KRISTIAN BUSH EMBARK ON JOINT U.S. TOUR KICKING OFF JUNE 5 RITA WILSON’S NEW ALBUM, HALFWAY TO HOME, OUT NOW Download hires images here Rita Wilson and Kristian Bush will embark on a joint concert tour kicking off June 5 in Atlanta (see complete itinerary below). Musical collaborators and good friends, Wilson and Bush will share both of their intimate and authentic songs with audiences, making for a memorable evening of live music. Wilson singer/songwriter, actress and producer just released her forth and acclaimed studio album, Halfway To Home (Sing it Loud/The Orchard), and was also recently honored by The Hollywood Chamber of Commerce with a star on the Hollywood Walk of Fame. Oprah.com called the new album, “deeply personal,” and said it “highlights Wilson's songwriting skills,” while CMT raved, “it’s genuine, and she’s poured her heart into every song.” “Throw Me A Party,” the first single, was premiered by Rolling Stonewho called it “evocative,” and Taste of Country noted the song has “touched everyone who has heard it.” The “moving” (People) music video was directed by AwardwinningPatrick Tracy; watch it HERE. Halfway to Home was largely recorded in Nashville, and coproduced by Rita and Nathan Chapman (Taylor Swift, Keith Urban), with Ron Aniello (Bruce Springsteen) and John Shanks (Bon Jovi, Sheryl Crow) also contributing as producers. Many of the songs were cowritten with an AList group including Kristian Bush, Grammy winner Liz Rose, Mozella (Kelly Clarkson, Miley Cyrus), Mitch Allan (Demi Lovato), Kara DioGuardi (Pink, Kelly Clarkson) and Emily Schackleton. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Study Guide Darlin' Cory Created As Part of The
Study Guide Darlin’ Cory Created as part of the Dramaturgy by Students program by: Liz Davis, Head of Secondary Curriculum & Partnerships Book by Phillip DePoy Music by Kristian Bush Lyrics by Phillip DePoy and Kristian Bush Directed by Susan V. Booth September 8 – October 3, 2021 Coca-Cola Stage Recommended for Grades 9-12 Content Warning: Please be advised that DARLIN’ CORY addresses potentially triggering topics including sexual assault, domestic violence, and the oppression of women. Table of Contents Georgia Standards of Excellence.................................................... 3 Synopsis.......................................................................................... 4 Author Study................................................................................... 4 Vocabulary (Stage Directions)…..................................................... 5 Source Text: An Ancient Folk Song................................................. 6 Allusions.......................................................................................... 7 Setting............................................................................................. 8 Character Analysis........................................................................... 9 Appalachian Music: Research, Listen, Reflect................................ 10 Pre-Show Discussion Questions and Journal Prompt..................... 11 Post-Show Discussion Questions and Journal Prompt.................... 12 Works Cited..................................................................................... -
Toys & Stories
Childhood Memories Part One: Toys & Stories History | Health | Happiness Let’s Reminisce: Our Childhoods Every single one of us has unique and special memories of our formative childhood years. This booklet will help remind us of this magical time of adventure, exploration and fun. We will look at Toys, Comic Books, Nursery Rhymes and Schools across generations, because it’s interesting to share and compare our childhood experiences with that of others. You will find a mixture of puzzles throughout the booklet for a bit of fun but also as an opportunity to reflect on the memories that were important to you. We would also love to hear about your own childhood experiences and ask that you email [email protected] with anything you might like to share. Childhood Our own childhood experiences are shaped by factors such as location, education, expectation, responsibility and conflict. For example, the experiences of Roman children were very different from the children born today. Throughout history our experiences of childhood have been shaped by various influences, in classrooms, factory floors, mines, family homes, orphanages, battlefields, in front of television sets and so on. Over the last 200 years we have seen significant transformations that have taken place surrounding children’s lives, in the ways they are thought about, and how they are treated. For example, a hundred years ago, a twelve-year-old working in a factory in Britain would have been perfectly acceptable. Now, it would cause social services' intervention, causing both the parents and factory owner to face charges of exploitation and neglect. -
Word Balloons in Children's Picture Books
Portland State University PDXScholar Book Publishing Final Research Paper English 5-2015 Imagine That! Word Balloons in Children's Picture Books Erika Schnatz Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_bookpubpaper Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Schnatz, Erika, "Imagine That! Word Balloons in Children's Picture Books" (2015). Book Publishing Final Research Paper. 3. https://pdxscholar.library.pdx.edu/eng_bookpubpaper/3 This Paper is brought to you for free and open access. It has been accepted for inclusion in Book Publishing Final Research Paper by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. IMAGINE THAT! Word Balloons in Children’s Picture Books Erika Schnatz May 15, 2015 Research question When did speech bubbles first appear in children’s picture books? In what ways have speech bub- bles been co-opted from comic books to serve picture book narratives? What does this example suggest about the future of children’s books co-opting the visual language of comic books? 2 Schnatz The visual language of comics has slowly permeated American popular culture since the first regular newspaper strip, Richard Felton Outcault’s The Yellow Kid, back in 1895. From the on- omatopoetic visuals in the campy ’60s Batman television series and pop art paintings of Roy Lichtenstein, to the never-ending string of superhero-based blockbuster movies today, comics have been co-opted and adapted to almost every medium imaginable.