Summer 2019 Edition

Total Page:16

File Type:pdf, Size:1020Kb

Summer 2019 Edition The Musician Journal of the Musicians’ Union Summer 2019 theMU.org Music And Moral Panic Why UK drill artists are being criminalised for making music Discrimination At Work The negative impact of having children on women’s careers Kaiser Chiefs The Leeds indie rockers on why it’s tough for young musicians Zara McFarlane A singer who is rising through the ranks of the new jazz scene contacts Union HQ Regional Offices General Secretary Head of Communications London Horace Trubridge & Government Relations Regional Organiser: Jamie Pullman Isabelle Gutierrez Palfrey Place, London SW PE Deputy General Secretary t Naomi Pohl (Music Industry) In-House Solicitor e [email protected] Dawn Rodger Assistant General Secretary East & South East England Nick Forshaw (Finance & Administration) PR & Marketing Official Regional Organiser: Paul Burrows Keith Ames a Fentiman Road, National Organiser London SW LD Jo Laverty (Orchestras) Recording & Broadcasting Official t Michael Sweeney e [email protected] National Organiser Diane Widdison (Education & Training) Licensing & Distribution Official Midlands Annie Turner Regional Organiser: Stephen Brown National Organiser Sovereign Court, Phil Kear (Recording & Broadcasting) Sessions Official Graham Street, Geoff Ellerby Birmingham B JR National Organiser t Dave Webster (Live Performance) Live Performance Official e [email protected] Kelly Wood Wales & South West England Equality, Diversity & Inclusion Official Regional Organiser: Andy Warnock John Shortell Transport House, Cathedral Rd, Cardiff CF SD Orchestras Official t Morris Stemp e cardiff@theMU.org Campaigns & Social Media Official North of England Maddy Radcliff Regional Organiser: Matt Wanstall Bloom Street, Manchester M LY Union HQ t – Clapham Road e [email protected] London sw jj Scotland & Northern Ireland t Regional Organiser: Caroline Sewell f Suite A, st floor, e [email protected] / Woodside Place, Glasgow G QF w theMU.org t @WeAreTheMU e [email protected] REPORT Ensuring A Bright Future A revamped Conference and taking the Executive Committee on the road are just two of the new initiatives of the past two years, but there is more that needs to be done. a number of changes that we believe Conference Motions and Amendments to be will, over time, grow the membership and fully debated and for any questions on the ensure a bright future for our great union. Conference Report to be addressed. The Conference Report itself was very much in The Join for a Pound initiative, which was need of an overhaul, and as such we believe launched in January, has already proved that delegates will find the new format much very popular; the membership of the MU, easier to follow and the activities of the MU as I write, is already breaking through the over the previous two years will be set out in , barrier for the first time in many a far more user-friendly way. years. Of course, the proof of the pudding will be how many of these new joiners Stronger links continue with their membership after the During my campaign to win election to first year and that will depend very much the post of General Secretary, I spoke at on the MU staff and officials delivering length of the need to demystify the work tangible services and benefits to these of the Executive Committee and build newbies over the next few months. If you much stronger links between the EC and know someone who has joined the MU the Regional Committees. To that end we under this new scheme, please talk to have, over the past two years, been taking 3 them about all the benefits and services the Executive Committee meetings on the © Joanna Dudderidge Joanna © that we offer that make membership of road to the regions and enabling Regional Horace Trubridge, the MU unbeatable value for money. Committee members to witness first hand General Secretary the way in which the Executive Committee Radical changes deals with all the varied and often You will have read about the radical challenging issues that it has to face. Firstly, I want to say how pleased we all changes we have made to the format of are that the European Parliament has at the MU biennial Delegate Conference and This new initiative has proved very popular last adopted the Copyright Directive (see the Conference Report. These changes are and has also served to ensure that all our the lead news story on p). Despite the as a direct result of members’ comments invaluable activists and committee members best efforts of the tech industries, and the that Conference focuses too much on the feel that they are playing an important part faltering support for the Directive from the work of the previous two years instead in the work of the MU. I want to continue this major rights owners, the EU has recognised of debating and agreeing policy for the initiative in future years and also explore the need to modernise copyright in favour of next two years. We have shortened the more ways of recognising and celebrating performers and creators. The next step is to Delegate Conference to one day and the vital role that our committee members ensure that the UK government implements added a Members’ Conference, open to all play in the success of our union. the Directive in such a way as to ensure members, which will enable you to shape the maximum benefits and rewards for the the policy and decision making of the MU’s I can’t overemphasise how much I have performer/creator community. Executive Committee going forward. enjoyed the past two years and I thank you all for having the trust and confidence in me I’ve been in post now for two years and I am Through discussions with Regional to lead this fantastic union. There is much very pleased to say that with the help of my Committees and Section Committees, it is more that needs to be done and I have no colleagues I have been able to implement clear that members have overwhelmingly intention of taking my hand off the throttle. welcomed these changes and support In the meantime and more than ever, keep the new format as an important step telling people what a strong, progressive, towards ensuring that all members have pragmatic and listening union the MU is the opportunity to shape the MU’s future. and have a great summer. By significantly reducing the number of speakers that we will programme for the Horace Trubridge TO HEAR MORE FROM HORACE, Delegate Conference, we are confident VISIT THEMU.ORG that we have dedicated enough time for The usician • ummer Contents Summer 2019 4 30 “Jazz is a live music art form and the MU has always championed that.” Zara McFarlane The usician • ummer 16 Frontline Features MEPs give final approval Focus on the vibrant to Copyright Directive music scene in Coventry MU at TUC Young Why I joined the MU Workers’ Conference MU supports People’s Vote Your Voice Exclusive Interacting with MU members interview with Reports and supporters on Twitter indie rockers MU General Secretary Kaiser Chiefs. Deputy General Secretary Profile MU Women in Music The enduring appeal of Conference Leeds band Kaiser Chiefs How drill music artists The MOBO-winning singer- are being criminalised songwriter Zara McFarlane Union Notices MU research reveals profound 5 Cover star – session Key MU contacts Getty / Images Fireman Tabatha © inequality in music education drummer Ellie Daymond Ask Us First The discrimination faced by Tributes mothers in the workplace Reviews Statement of Accounts Maintaining your instrument Albums, EPs and downloads year ending ¢ The MU Theatre Section released by MU members 5 Member benefits 5 MU Contributors Duncan Katie Henry Neil Seaman Nicholls Yates Crossley Duncan is a Katie is a Henry is a A journalist and journalist and sub- freelance journalist freelance writer from editor who has written editor who regularly and editor whose Gloucestershire for The Independent, writes about music features and reviews who has written for The Daily Telegraph, for publications such have appeared in publications as diverse The Guardian and The as The Yorkshire Post, titles such as Mojo, as Classic Rock, Financial Times. Neil the i newspaper and The Guardian Total Guitar, NME and also fronts the band Louder Than War. p and Kerrang! p Record Collector. p Furlined. p Pete Ben Neil Maddy Chambers Jones Churchman Radcliff Pete received An ex-MU Neil is an Campaigns & a British Empire Medal Official and long- experienced journalist Social Media Official at for “volunteering time member, Ben in broadcasting and the Musicians’ Union, services to Coventry is now a freelance print. A former BBC Maddy also works on music”. He writes for music business national newsroom the Union’s Safe Space The Coventry Observer consultant and project assistant editor, he initiative and with the and runs Coventry manager for British now writes on music MU’s §, young Music Museum. p Underground. p and the media. p members. p Cover: Ellie Daymond elliedaymonddrums.co.uk Photo: Joseph Branston. © MU 2019 Photographed at Pirate Studios, Bristol Photo: Joseph Branston. © MU 2019 The usician • ummer BREXIT AND YOU The MU is fighting to protect musicians’ right to travel when working in the EU post-Brexit. We want to hear from you about how Brexit has ! affected your working plans for . #WorkingInTheEU bit.ly/ AzdUAV Summer ­ frontlineThe MU in action, working on behalf of professional musicians. European Parliament Gives Final Approval to Copyright Directive Images Getty / kamisoka © The MU is delighted that MEPs have finally voted in favour of the Copyright Directive, following years of lobbying and work under the UK Music umbrella promoting the benefits 6 of the new laws for musicians and creators. The legislation makes streaming services and user-upload sites liable for copyright infringements rather than users.
Recommended publications
  • Download (2399Kb)
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth
    [Show full text]
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • (Public Pack)Agenda Document for Licensing Committee, 05/12/2017 10:00
    Public Document Pack LICENSING COMMITTEE MEETING TO BE HELD IN CIVIC HALL, LEEDS ON TUESDAY, 5TH DECEMBER, 2017 AT 10.00 AM MEMBERSHIP Councillors N Buckley Alwoodley; R Downes Otley and Yeadon; J Dunn Ardsley and Robin Hood; B Flynn Adel and Wharfedale; B Gettings Morley North; M Harland Kippax and Methley; G Hyde Killingbeck and Seacroft; A Khan Burmantofts and Richmond Hill; B Selby (Chair) Killingbeck and Seacroft; C Townsley Horsforth; G Wilkinson Wetherby; A Garthwaite Headingley; K Groves Middleton Park; S McKenna Garforth and Swillington; J Pryor Headingley; Agenda compiled by: John Grieve Tel No: (0113) 37 88662 Governance Services Civic Hall LEEDS LS1 1UR Produced on Recycled Paper A A G E N D A Item Ward/Equal Item Not Page No Opportunities Open No 1 APPEALS AGAINST REFUSAL OF INSPECTION OF DOCUMENTS To consider any appeals in accordance with Procedure Rule 15.2 of the Access to Information Procedure Rules (in the event of an Appeal the press and public will be excluded) (*In accordance with Procedure Rule 15.2, written notice of an appeal must be received by the Head of Governance Services at least 24 hours before the meeting) 2 EXEMPT INFORMATION - POSSIBLE EXCLUSION OF THE PRESS AND PUBLIC 1 To highlight reports or appendices which officers have identified as containing exempt information, and where officers consider that the public interest in maintaining the exemption outweighs the public interest in disclosing the information, for the reasons outlined in the report. 2 To consider whether or not to accept the officers recommendation in respect of the above information.
    [Show full text]
  • BHLHS Gazette March and April 2014
    THE GAZETTE APRIL 2014 CHRIS SUTTON: St. Paul’s Trust, Hertford St, Balsall Heath, B12 8NJ. Tel: 0121 464 1890 Email: [email protected] Web: balsallheathhistory.co.uk & www.digitalbalsallheath.org.uk Facebook: Balsall Heath Local History Society The Balsall Heath Local History Society was founded in 1979 with the aim of promoting interest in our local history. We feel pride in our area and value its strengths – past and present. To meet our aims we work with local schools and community groups organising exhibitions and events. We have also produced several publications. We are a registered charity and rely on grants and donations to achieve our aims. For more information on our work, or to volunteer and help please contact us. MEMORY LANE WAS A RIOT! BEWARE THE IDES OF “A wonderfully MARCH entertaining and enjoyable There was no issue of this newsletter in March due to production” my unexpectedly booking into Solihull and Heartlands hospitals! Thanks to all who sent their best wishes. WEEKEND WARRIORS: Chris,Derek and Raj go on the warpath The Birmingham History Theatre company production “Memory Lane” delighted audiences over three performances in March at St Paul’s Trust. It was inspired by Thankfully normal service is the successful Ladypool Road trail which we put on last year. This was a walking now resumed! The picture is trail along the road stopping for historic interludes showcasing the rich heritage of me as the Inspector of the road through hundreds of years. Val Hart worked on an adaption of that trail Nuisances from the Balsall for the stage with the central framework being herself as a speaker giving a talk on Heath Board of Health, Ladypool Road.
    [Show full text]
  • English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
    English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • I Think We're All Writing Very Politically Charged Music
    JAZZ 9 Garcia, 26, sitting in her local cafe in New horn-fuelled West African sound. There’s the American art form. (For his sold-out gig at Cross, southeast London, a vibrant creative I THINK WE’RE hip-hop and Afrobeat influenced Ezra Collec- London’s Roundhouse, Washington brought hub that includes Peckham and Deptford and tive, which picked up the British jazz act of the Hutchings onstage to improvise fierce sax happening DIY club/jam nights with names ALL WRITING year award at the recent Jazz FM Awards. And squalls alongside him). such as Steez and Steam Down, at which the Maisha ensemble, with Garcia on sax and London is one of the world’s most culturally acclaimed Californian saxophonist and band VERY POLITICALLY flute alongside guitarist Shirley Tetteh, blending integrated cities; little wonder, then, that sounds leader Kamasi Washington was spotted during free jazz over West African rhythms and serving from Britain’s former colonies are being his recent visit to the capital. CHARGED MUSIC, it up with raw spiritual intensity. This isn’t jazz as embraced — reclaimed — by the scene. “The press are calling it new but we’ve been we know it, if jazz as we know it is doo-wop and Perhaps inevitably, with the spectre of Brexit, doing this for a while,” she continues, her head- WHETHER WE LIKE black tie and the Great American Songbook, but wildly unpopular among British youth, looming phones around her neck, her laptop on the then the album’s musical director, Shabaka large, and the effects of the Windrush immi- table in front of her.
    [Show full text]
  • Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
    eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival
    [Show full text]
  • Ghost Gig: Redskins Programme
    13th December 2019 marks slick, The Redskins were Chris Dean was not keen the anniversary of the highly your band’ and lead singer on broader pop and politics politically charged band Chris Dean once claimed allegiances. Discussing Red Redskins playing our New that his ambition was to Wedge, the Labour Party SETLIST Cavendish Street site. The have his band ‘sing like affiliated movement, he noted original concert took place the Supremes and walk that ‘if the Labour Party are in 1985, only a week after like the clash’ (from NWNM organising a tour, the one thing Lean on Me (second single on CNT, 1982)* 6.15 New Order played the same reissue sleevenotes). Their you can be sure about is that Reds strike the blues* 4.34 venue, and were the subject first single Lev Bronstein it’ll sell out’. He in fact talked Hold on!* 3.18 of a ghost gig last year. As (Trotsky’s real name) was about setting up a Redder Unionise (b side of Lean on Me) 4.53 we noted then, 1985 was a released in 1982, followed by Wedge. Certainly they would Kick over the statues! (single, Decca/London 1985)* 2.27 curious and eclectic musical Lean on Me (‘a love song to have not been interested in decade. For Redskins though workers’ solidarity’ said the the Live Aid event that took Ninety nine and a half won’t do (reissue NWNM) 4.20 1985 would have been seen NME) before the band signed place earlier that summer. Take no heroes!* 5.33 as the year of the SDP/ for Decca/London Records.
    [Show full text]
  • Aladdin Movie 2019” Based on Disney’S Aladdin
    AN ANALYSIS OF MORAL VALUES IN GUY RITCHIE’S MOVIE “ALADDIN MOVIE 2019” BASED ON DISNEY’S ALADDIN THESIS BY DONNA TARULI AGUSTIA SILABAN NIM 372016024 UNIVERSITAS MUHAMMADIYAH PALEMBANG FACULTY OF TEACHER TRAINING AND EDUCATION ENGLISH EDUCATION STUDY PROGRAM AUGUST 2020 i AN ANALYSIS OF MORAL VALUES IN GUY RITCHIE’S MOVIE “ALADDIN MOVIE 2019” BASED ON DISNEY’S ALADDIN THESIS Presented to Universitas Muhammadiyah Palembang In partial fulfillment of the requirement For the degree of Sarjana in English Language Education By Donna Taruli Agustia Silaban NIM 372016024 UNIVERSITAS MUHAMMADIYAH PALEMBANG FACULTY OF TEACHER TRAINING AND EDUCATION ENGLISH EDUCATION STUDY PROGRAM August 2020 ii iii iv v ABSTRACT Donna Taruli Agustia Silaban, 2020. An Analysis of Moral Values in Guy Ritchie’s movie “Aladdin Movie 2019” Based on Disney’s Aladdin. Thesis, English Education Study Program, Sarjana Degree (S1), Faculty of Teacher Training and Education, Universitas Muhammadiyah Palembang. Advisor: (I) Kurnia Saputri,M.Pd. (II) Masagus Sulaiman, M.Pd. Keywords: Movie, Moral Values, Aladdin 2019 Movie The objectives of the research were to find out the types and meanings of moral values and the dominant moral value in Guy Ritchie’s movie “Aladdin 2019”. The researcher used a qualitative method in this research. The sources of this data were primary data and secondary data. In this research, the researcher used a documentation technique. In analyzing the data, the researcher used a literary analysis.There were some procedures in doing this research, such as identifying the conflict in the characters, classifying and categorizing of the conflicts found in the movie, identifying the important points related research, classifying the characters personalities and moral values in the movie, identifying the development of the plot and describing the conclusion.There were 7 moral values found in the “Aladdin 2019” movie directed by Guy Ritchie such as kindness, empathy, self-control, wisdom, cooperation, loyalty, and justice.
    [Show full text]
  • Media Documentation Incl
    Media Documentation incl. Line-up Session Basel AG, Grenzacherstrasse 79, 4058 Basel BALOISE SESSION 2016 21 October - 8 November 2016 _________________________________________________________________________________ Contents Page Long media text 3 Short media text 6 Fairwell Matthias 7 Concerts and Admission Prices 8 Advance Ticket Sales 9 Artist Photos 9 Contact BALOISE SESSION 9 Social Media 9 Sponsors / Media Partners 10 Emeli Sandé / Joris 11 Jeff Beck / Sivert Høyem 13 Alvaro Soler / Rodrigo y Gabriela 15 Seven / Laura Mvula 17 Culture Club / Parov Stelar 19 John Newman / Milow 21 Brian Wilson / Donavon Frankenreiter 23 Kaiser Chiefs / Boy 25 Marcus Miller / Stacey Kent 27 Kenny Rogers / Brandi Carlile 29 Norah Jones / Damian Lynn 31 Silbermond / Max Jury 33 Session Basel AG 21 October 2016 2 BALOISE SESSION 2016 21 October - 8 November 2016 _________________________________________________________________________________ Long media text BALOISE SESSION 2016 – 24 musical highlights in an intimate, candlelight club atmosphere From 21 October to 8 November it's time again for the 31st BALOISE SESSION. In a series of 12 concerts 24 world-famous acts and exciting newcomers will be appearing on stage in the unique intimate club-like setting with candlelight and small tables. The programme includes the finest soul-pop from Emeli Sandé, blues-rock from Jeff Beck, Latin-pop by Alvaro Soler, soul by Seven and country from Kenny Rogers. The future of the popular music festival is assured: Baloise Insurance has ex- tended its partnership as Presenting Sponsor until 2020. A positive signal in a difficult year marked by a major loss: last July festival founder and President Matthias Müller died at the age of 51 after a serious illness.
    [Show full text]
  • DOSSIER JAZZ 2019.Cdr
    El pianista Michel Reis, el bajista Marc Demuth y el baterista Paul Wiltgen son tres de los músicos de jazz más destacados de Luxemburgo. Formaron el Trío Reis-Demuth-Wiltgen en 1998 mientras todavía estaban en la escuela secundaria y actuaron regularmente en Luxemburgo y sus alrededores durante un par de años. El trío se reunió en el año 2011, ansiosos por compartir sus experiencias y nuevas composiciones. Su primer álbum homónimo fue lanzado en Laborie Jazz con gran éxito de crítica. Desde el lanzamiento, la banda ha realizado numerosas giras por todo el mundo y ha aparecido en los principales festivales internacionales de Jazz en Europa, Asia, América del Norte y del Sur y África occidental. El segundo álbum de la banda, "Places In Between", fue grabado en la ciudad de Nueva York y lanzado en Double Moon Records en 2016 (Mocloud Records en Japón). Su tercer y último trabajo se titula "Once In A Blue Moon" y fue lanzado en CAM JAZZ el 11 de mayo de 2018. El repertorio de "Places In Between" se estrenó en un festival en Luxemburgo donde el trío contó con el saxofonista de renombre mundial Joshua Redman. Desde 2014, Redman ha estado tocando varias de las composiciones del trío con sus propias bandas. Joshua Redman dice que se enamoró de su música desde el momento en que la escuchó cuando su propio cuarteto tocaba un doble con REIS / DEMUTH / WILTGEN en el Festival Charlie Free en Francia. En marzo de 2018, el trío viajó por Europa con Joshua Redman como invitado destacado.
    [Show full text]