DOCSLIB.ORG

Uplighting Color Menu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Uplighting Color Menu RENT MY WEDDING RGB COLOR CHART Black Navy(16) Dark blue rgb (0, 0, 0) rgb (0, 0, 50) rgb (0, 0, 55) Medium blue Blue Dark green rgb (0, 0, 80) rgb (0, 0, 100) rgb (0, 39, 0) Green Teal Dark cyan rgb (0, 50, 0) rgb (0, 50, 50) rgb (0, 55 , 55) Deep Sky Blue Dark Turquoise Medium Spring Green rgb (0, 75, 100) rgb (0, 81, 82) rgb (0, 98, 60) Lime springgreen Cyan rgb (0, 100, 0) rgb (0, 100, 50) rgb (0, 100, 100) Aqua Midnight Blue Dodger Blue rgb (0, 100, 100) rgb (10, 10, 44) rgb (12, 56, 100) Light Sea Green Forest Green Sea Green rgb (13, 70, 67) rgb (13, 55, 13) rgb (18, 55, 34) Dark Slate Gray Dark Slate Grey Lime Green rgb (18, 31, 31) rgb (18, 31, 31) rgb (20, 80, 20) Me dium Sea Green Turquoise Royal Blue rgb (24, 70, 44) Rgb (25, 88, 82) rgb (25, 41, 88) Steel Blue Dark Slate Blue Medium Turquoise rgb (27, 51, 71) rgb (28, 24, 55) rgb (28, 82, 80) Indigo Dark Olive Gre en Cadet Blue rgb (29, 0, 51) rgb (33, 42, 18) rgb (37, 62, 63) Cornflower Blue Medium Aqua Marine Dim Grey rgb (39, 58, 93) rgb (40, 80, 67) rgb (41, 41, 41) Dim Gray Slate Blue Olive Drab rgb (41, 41, 41) rgb (42, 35, 80) rgb (42, 56, 14) Slate Grey Slate Gray Light Slate Gray rgb (44, 50, 56) rgb (44, 50, 56) rgb (47, 53, 60) Light Slate Grey Medium Slate Blue Lawn Green rgb (47, 53, 60) rgb (48, 41, 93) rgb (49, 99, 0) Chartreuse Aqua Mari ne Maroon(16) rgb (50, 100, 0) rgb (50, 100, 83) rgb (50, 0, 0) Purple Olive(16) Gray(16) rgb (50, 0, 50) rgb (50, 50, 0) rgb (50, 50, 50) Grey(16) Sky Blue Light Sky Blue rgb (50, 50, 50) rgb (53, 81, 92) rgb (53, 81, 98) Blue Violet Dark Red Dark Magenta rgb (54, 17, 89) rgb (55, 0, 0) rgb (55, 0, 55) Saddle Brown Dark Sea Green Light Green rgb (55, 27, 7) rgb (56, 74, 56) rgb (56, 93, 56) www.Rent My Wedding.com RENT MY WEDDING Medium Purple Dark Violet Pale Gr een rgb (58, 44, 86) rgb (58, 0, 83) rgb (60, 98, 60) Dark Orchid Yellow Green Sienna rgb (60, 20, 80) rgb (60, 80, 20) rgb (63, 32, 18) Brown Dark Gray Dark Grey rgb (65, 16, 16) rgb (66, 66, 66) rgb (66, 66, 66) Light Blue Green Yello w Pale Turquoise rgb (68, 85, 90) rgb (68, 100, 18) rgb (69, 93, 93) Light Steel Powder Firebrick Blue Blue rgb (70, 13, 13) rgb (69, 77, 87) rgb (69, 88, 90) Dark Goldenrod Medium Orchid Rosy Brown rgb (72, 5 3, 4) rgb (73, 33, 83) rgb (74, 56, 56) Dark Khaki Silver Medium Violet Red rgb (74, 72, 42) rgb (75, 75, 75) rgb (78, 8, 52) Indian Red Peru Chocolate rgb (80, 36, 36) rgb (80, 52, 25) rgb (82, 41 , 12) Tan Light Gray Light Grey rgb (82, 71, 55) rgb (83, 83, 83) rgb (83, 83, 83) Thistle Orchid Goldenrod rgb (85, 75, 85) rgb (85, 44, 84) rgb (85, 65, 13) Pale Violet Red Crimson Ga insboro rgb (86, 44, 58) rgb (86, 8, 24) rgb (86, 86, 86) Plum Burlywood Light Cyan rgb (87, 63, 87) rgb (87, 72, 53) rgb (88, 100, 100) Lavender Dark Salmon Violet rgb (90, 90, 98) rgb (91, 59, 48) rgb (93, 51, 93) Pale Goldenrod Light Coral Khaki rgb (93, 91, 67) rgb (94, 50, 50) rgb (94, 90, 55) Alice Blue Honeydew Azure rgb (94, 97, 100) rgb (94, 100, 94) rgb (94, 100, 100) Sandybrown Wheat Beige rgb (96, 64, 38) rgb (96, 87, 70) rgb (96, 96, 86) Whitesmoke Mint Cream Ghost White rgb (96, 96, 96) rgb (96, 100, 98) rgb (97, 97, 100) Salmon Antique White Linen rgb (98, 50, 45) rgb (98, 92, 84) rgb (98, 94, 90) Light Goldenrod Yellow Old Lace Red rgb (98, 98, 82) rgb (99, 96, 90) rgb (100 , 0, 0) Fuchsia Magenta Deep Pink rgb (100, 0, 100) rgb (100, 0, 100) rgb (100, 8, 58) Orange Red Tomato Hot Pink rgb (100, 27, 0) rgb (100, 39, 28) rgb (100, 41, 71) www.Rent My Wedding.com RENT MY WEDDING Coral Dark Orange Light Salmon rgb (100, 50, 31) rgb (100, 55, 0) rgb (100, 63, 48) Orange Light Pink Pink rgb (100, 65, 0) gb(100, 71, 76) rgb (100, 75, 80) Gold Peach Puff Navajo White rgb (100, 84, 0) rgb (100, 85, 73) rgb (100, 87, 68) Moccasin Bisque Misty Rose rgb (100, 89, 71) rgb (100, 89, 77) rgb (100, 89, 88) Blanched Almond Papaya Whip Lavender Blush rgb (100, 92, 80) rgb (100, 94, 84) rgb (100, 94, 96) Seashell Cornsilk Lemon Chiffon rgb (100, 96, 93) rgb (100, 97, 86) rgb (100, 98, 80) Floral White Snow Yellow rgb (100, 98, 94) rgb (100, 98, 98) rgb (100, 100, 0) Light Yellow rgb (100, 100, 88) www.Rent My Wedding.com .
Load more

Recommended publications
  • Near Vermilion Sands: the Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard
    Near Vermilion Sands: The Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard Chris Beckett ‘We had entered an inflamed landscape’1 When Raine Channing – ‘sometime international model and epitome of eternal youthfulness’2 – wanders into ‘Topless in Gaza’, a bio-fabric boutique in Vermilion Sands, and remarks that ‘Nothing in Vermilion Sands ever changes’, she is uttering a general truth about the fantastic dystopian world that J. G. Ballard draws and re-draws in his collection of stories set in and around the tired, flamboyant desert resort, a resort where traumas flower and sonic sculptures run to seed.3 ‘It’s a good place to come back to,’4 she casually continues. But, like many of the female protagonists in these stories – each a femme fatale – she is a captive of her past: ‘She had come back to Lagoon West to make a beginning, and instead found that events repeated themselves.’5 Raine has murdered her ‘confidant and impresario, the brilliant couturier and designer of the first bio-fabric fashions, Gavin Kaiser’.6 Kaiser has been killed – with grim, pantomime karma – by a constricting gold lamé shirt of his own design: ‘Justice in a way, the tailor killed by his own cloth.’7 But Kaiser’s death has not resolved her trauma. Raine is a victim herself, a victim of serial plastic surgery, caught as a teenager in Kaiser’s doomed search for perpetual gamin youth: ‘he kept me at fifteen,’ she says, ‘but not because of the fashion-modelling. He wanted me for ever when I first loved him.’8 She hopes to find in Vermilion Sands, in its localized curvature of time and space, the parts of herself she has lost on a succession of operating tables.
    [Show full text]
  • COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
    COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry.
    [Show full text]
  • Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once.
    [Show full text]
  • Why-Is-The-Sky-Blue.Pdf
    WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. The sky is blue because it has to travel through Earth’s atmosphere, where QUESTION & ANSWER: there are lots of gases that absorb red, orange and yellow colors. Then, the blue What colors make up the white light of the sun? light gets scattered all across the sky, which is what we see when we look into the sky. If you see a blue car, what color/s does it reflect? If you see a red apple, what color/s does it absorb? WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors.
    [Show full text]
  • The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
    archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor.
    [Show full text]
  • S41 Why the Sky Is Blue
    PhyzLabSpringboard: Why the Sky is Blue • Demo and Lab Apparatus • __2 resonant tuning forks __optics tank (without insert) __access to scattering agent __mini Maglite (incandescent or LED) (or equivalent bright light source) __portable Bluetooth speaker + smart phone with FreqGen app (or equivalent) • Discussion • INITIAL IDEAS 1. Why is the sky blue? What are some of the ideas you’ve heard? What might people say if you were to take a survey of the general public? 2. Can you think of any problems with these ideas? BLUE SKY INGREDIENTS 3. What is “the sky” and what is it made of? 4. Which of those materials—if any—are blue? 5. What color is the sky at night? 6. What is different during the day? 7. The daytime sky on a clear day appears to be blue. On the moon, the sky is on the illuminated side is black. What are the essential “ingredients” for a blue sky? The Book of Phyz © Dean Baird. All rights reserved. 5/26/20 db TUNING FORKS LESSON 8. To understand how these “ingredients” interact to create a blue sky, consider the following demonstration. A tuning fork is struck. a. What happens when the tuning fork is struck? Why? b. How can a tuning fork be silenced? c. A second tuning fork (or portable Bluetooth speaker) is added to the arrangement. What is the surprising observation this time? d. What is the name and explanation of this effect? e. Imagine a huge collection of tuning forks with a wide range of different notes. Suppose they were all struck.
    [Show full text]
  • Page 1 of 5 Printed 2/1/2014
    E:\My Documents Zipped\Colorwork Deck The Halls\Deck_the_halls_DST Page 1 of 5 Printed 2/1/2014 1. Blue Black (Sul-R:1182) 1. Blue Black (Sul-R:1182) 2. Goldenrod (Sul-R:1024) 2. Goldenrod (Sul-R:1024) 3. Poppy (Sul-R:1317) 3. Poppy (Sul-R:1317) 4. Rust (Sul-R:1181) 4. Rust (Sul-R:1181) 5. Nile Green (Sul-R:1274) 5. Nile Green (Sul-R:1274) 6. Garden Green (Sul-R:569) 6. Garden Green (Sul-R:569) 7. Xmas Green (Sul-R:1051) 7. Xmas Green (Sul-R:1051) 8. Drab Green (Sul-R:1228) 8. Drab Green (Sul-R:1228) 9. Toast (Sul-R:1266) 9. Toast (Sul-R:1266) 10. Brick (Sul-R:1081) 10. Brick (Sul-R:1081) 11. Putty (Sul-R:1508) 11. Putty (Sul-R:1508) 12. Med. Dk. Ecru (Sul-R:1054) 12. Med. Dk. Ecru (Sul-R:1054) 13. (Sul-R:1290) 13. (Sul-R:1290) 14. Duck Wing Blue (Sul-R:1250) 14. Duck Wing Blue (Sul-R:1250) Deck_the_halls_01-5x7.dst Deck_the_halls_01-6x10.dst 5.00x6.91 inches; 27,935 stitches 5.82x8.08 inches; 32,504 stitches 14 thread changes; 14 colors 14 thread changes; 14 colors 1. Blue Black (Sul-R:1182) 1. Blue Black (Sul-R:1182) 2. Goldenrod (Sul-R:1024) 2. Goldenrod (Sul-R:1024) 3. Poppy (Sul-R:1317) 3. Poppy (Sul-R:1317) 4. Rust (Sul-R:1181) 4. Garden Green (Sul-R:569) 5. Nile Green (Sul-R:1274) 5. Drab Green (Sul-R:1228) 6. Garden Green (Sul-R:569) 6.
    [Show full text]
  • Filters Lighting Filter Comparator
    UK_Comparator_AW 2:UK_Comparator_AW 16/5/08 12:01 Page 1 LEE Filters Lighting Filter Comparator ROSCOLUX / ROSCO LEE FILTERS ROSCOLUX / ROSCO LEE FILTERS ROSCO CINEGEL (CONT) LEE FILTERS GAMCOLOR (CONT) LEE FILTERS GAMCOLOR CINEFILTER LEE FILTERS (CONT) SUPERGEL SUPERGEL (CONT) BEST CLOSE BEST CLOSE BEST CLOSE BEST CLOSE BEST CLOSE MATCH MATCH MATCH MATCH MATCH MATCH MATCH MATCH MATCH MATCH 00 Clear 130 371 Theatre Booster 1 201 3812 Featherflex S/G 272 68 Light Gam Silk 228 1543 Full CTO 204 01 Light Bastard Amber 176 372 Theatre Booster 2 202 3813 Thin Mirror-S 271 103 Blue Rose 341 1546 3/4 CTO 285 02 Bastard Amber 162 373 Theatre Booster 3 203 3814 Thin Mirror-G 274 104 Broadway Rose 794 10-10 Ten-Ten Diffusion 258 03 Dark Bastard Amber 108 374 Sea Green 115 3830 Spun Silver 273 105 Antique Rose 039 10-20 Ten-Twenty Diffusion 452 04 Medium Bastard Amber 004 375 Cerulean Blue 354 3840 Cinebounce White-Black 280 105X 3/4 Antique Rose 247 10-30 Ten-Thirty Diffusion 257 05 Rose Tint 154 376 Burmuda Blue 143 3840 Cinebounce White-Black 460 106 1/2 Antique Rose 248 10-40 Ten-Forty Diffusion 252 06 No Color Straw 212 377 Iris Purple 142 4215 15 Blue 708 107 1/4 Antique Rose 248 10-50 Ten-Fifty Diffusion 251 07 Pale Yellow 007 378 Alice Blue 200 4230 30 Blue 709 108 1/8 Antique Rose 279 10-55 Ten-Fifty-Five Diffusion 255 08 Pale Gold 103 382 Congo Blue 181 4260 60 Blue 199 109 Naked Pink 279 10-60 Ten-Sixty Diffusion 250 09 Pale Amber Gold 009 383 Sapphire Blue 120 4290 90 Blue 142 110 Dark Rose 328 10-70 Ten-Seventy Diffusion 416 10 Medium
    [Show full text]
  • UV-LED-OPTIONS-COLOUR-CHART-WEB.Pdf
    COLOUR CHART NAILS PERFECTED – Only from Akzentz www.akzentz.com NAILS PERFECTED – Only from Akzentz UV/LED COLOURS P = pearl C = cream F = frost UV/LED ICE I = ice SATIN PEARL (P) BUTTERCUP (C) FIESTA YELLOW (C) SEAFOAM GREEN (C) GREEN SPLASH (C) GLACIER BLUE (C) BLUEBELLE (C) LAVENDER CREAM (C) APRICOT (I) BLUE (I) CHARCOAL (I) PINK (I) GOLD (I) CORAL (I) WHITE (I) VIOLET (I) VIOLET HUE (C) PURPLE LOTUS (C) MAJESTIC VIOLET (C) PINK PEARL (P) PINK INNOCENCE (C) BLISSFUL PINK (C) TENDER PINK (C) LAVENDER PINK (C) TURQUOISE (I) SILK (I) PEWTER (I) MARINE BLUE (I) LIME (I) LATTE (I) UV/LED BRIGHTS B = bright FLAMINGO (C) VIVID PINK (C) SIMPLY PINK (C) TICKLED PINK (C) BRONZE MIST (F) PINK POPPY (C) HIBISCUS PINK (C) MAUVELLA (F) LIME TWIST (B) BLUE ORBIT (B) HYPNOTIC CORAL (B) ORANGE FIX (B) SIZZLING PINK (B) PINK FLIRT (B) YELLOW FLARE (B) CLASSIC RED (C) PINK CHINTZ (C) CHARMING PINK (C) SALMON PINK (C) SOFT CORAL (F) CORAL PINK (C) GLAMOUR PINK (C) CHIFFON (P) UV/LED SPARKLES S = sparkle POWDER PINK (C) PEACH WHISPER (C) SWEET MANDARIN(C) ELECTRIC ORANGE(C) ROSE BISQUE (C) DUSTY ROSE (C) ROSY TAN (C) DREAM PINK (P) STAR DUST (S) CLEAR (S) SUNLIT SNOW (S) SILVER TWINKLE (S) GOLDEN TWILIGHT (S) GOLD (S) BRONZE (S) LILAC (S) CHOCOLAT (C) PRETTY IN PINK (C) CORAL ROSE (C) CHAI (P) TROPICAL SAND (P) PEACHY KEEN (C) MYSTIC MAUVE (F) DESERT ROSE (F) RASPBERRY (S) RAVISHING RED (S) PINK (S) TANGELO (S) CARIBBEAN TEAL (S) BLUE (S) MIDNIGHT DUST (S) UV/LED GEL ART C = cream CHAMPAGNE (P) SIENNA SUNRISE (F) TUSCAN SUNSET (F) BARE (C) VINTAGE BUFF (C) ROSETTE (C) CORAL ESSENCE (C) SHEER MIKAN (C) WHITE (C) CLEAR YELLOW (C) YELLOW (C) GREEN (C) CREAMY GREEN (C) CLEAR BLUE (C) BLUE (C) NAVY BLUE (C) LATTE (C) WILD ROSE (C) WINDSWEPT TAN (C) SMOKEY TAUPE (C) SHADOW GREY (C) PURPLE (C) CREAMY PURPLE (C) RED (C) CHARCOAL (C) BLACK (C) COPYRIGHT © HAIGH INDUSTRIES INC.
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • Omnicolor™ Multipurpose Color Concentrates U.S
    OMNICOLOR™ MULTIPURPOSE COLOR CONCENTRATES U.S. COLOR SELECTOR ™ OMNICOLOR™ multipurpose color concentrates OMNICOLOR deliver consistently brilliant batch-to-batch color across a broad range of polymers with U.S. COLOR exceptional reliability and quality. The low usage rate, low minimum order quantities, and pelletized form for easy handling and storage CHART make these concentrates a versatile and cost- effective choice. White Pumpkin Mulberry Fern Green US OC0UFB US OC2SAF US OC4SAA US OC6UFC Bright White Nectarine Sky Blue Springtime US OC0UFC US OC2SAG US OC5UFB US OC6SAD Polar White Strawberry Red Powder Blue Racing Green US OC0UFD US OC2SAE US OC5SAD US OC6SAE Coconut Rose Pink Mid Blue Fresh Green US OC0SAD US OC3SAF US OC5UFD US OC6SAF Magnolia Flesh Pink Royal Blue Sage Green US OC0UFF US OC2SAH US OC5UFF US OC6UFG Vanilla Cherry Red Pale Blue Marine Blue US OC0SAE US OC3SAH US OC5SAF US OC5UFQ Sunflower Yellow Pastel Pink Navy Blue Lime Green US OC1SAE US OC3SAI US OC5SAG US OC6SAG Daffodil Yellow Flame Red Ultra Blue Olive Green US OC1SAF US OC3SAJ US OC5UFI US OC6SAH Citrus Lobster Red Pacific Blue Light Grey US OC1UFD US OC3SAK US OC5UFJ US OC7SAE Banana Tomato Red Baby Blue Dark Grey US OC1UFE US OC3UFJ US OC5SAI US OC7UFD Jasmine Fuchsia Purple Ash Grey US OC1SAG US OC3SAL US OC4UFB US OC7SAF Canary Yellow Admiral Red Ice Blue Mid Grey US OC1UFG US OC3SAM US OC5UFS US OC7UFF Marigold Cardinal Red Midnight Blue Dove Grey US OC1SAH US OC3UFM US OC5SAH US OC7UFG Ivory Fire Engine Red Cornflower Blue Soft Grey US OC8SAF US OC3SAN US OC5UFM US OC7UFJ Cream Rocket Red Alpine Green Graphite US OC8SAG US OC3SAP US OC6UFL US OC9SAG Seville Orange Raspberry Spearmint Green Moonstone US OC2UFB US OC3SAQ US OC6SAK US OC7SAH Mandarin Orange Burgundy Leaf Green Pebble US OC2SAE US OC3SAR US OC6UFN US OC7UFN Due to printing or monitor variations, color shown may vary from actual color.
    [Show full text]
  • DMC-Color-Families-Listing.Pdf
    Color Families DMC® Embroidery Floss Colors Color Description Color Description Color Description 3713 Very Light Salmon 225 Ultra Very Light Shell Pink 155 Medium Dark Blue Violet 761 Light Salmon 224 Very Light Shell Pink 3746 Dark Blue Violet 760 Salmon 152 Medium Light Shell Pink 333 Very Dark Blue Violet 3712 Medium Salmon 223 Light Shell Pink 157 Very Light Cornflower Blue 3328 Dark Salmon 3722 Medium Shell Pink 794 Light Cornflower Blue 347 Very Dark Salmon 3721 Dark Shell Pink 793 Medium Cornflower Blue 353 Peach 3880 Medium Very Dark Shell Pink 792 Dark Cornflower Blue 352 Light Coral 221 Very Dark Shell Pink 158 Medium Very Dark Cornflower Blue 351 Coral 778 Very Light Antique Mauve 791 Very Dark Cornflower Blue 350 Medium Coral 3727 Light Antique Mauve 3807 Cornflower Blue 349 Dark Coral 316 Medium Antique Mauve 3840 Light Lavender Blue 817 Very Dark Coral Red 3726 Dark Antique Mauve 3839 Medium Lavender Blue 3708 Light Melon 315 Medium Dark Antique Mauve 3838 Dark Lavender Blue 3706 Medium Melon 3802 Very Dark Antique Mauve 800 Pale Delft Blue 3705 Dark Melon 902 Very Dark Garnet 809 Delft Blue 3801 Very Dark Melon 3743 Very Light Antique Violet 799 Medium Delft Blue 666 Bright Red 3042 Light Antique Violet 798 Dark Delft Blue 321 Red 3041 Medium Antique Violet 797 Royal Blue 304 Medium Red 3888 Medium Dark Antique Violet 796 Dark Royal Blue 498 Dark Red 3740 Dark Antique Violet 820 Very Dark Royal Blue 816 Gamete 3836 Light Grape 828 Ultra Very Light Sky Blue 815 Medium Garnet 3835 Medium Grape 162 Ultra Very Light Blue 814
    [Show full text]