Indigo: Sources, Processes and Possibilities for Bioregional Blue
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Indigo Fructose Dye Vat
Kraftkolour Pty Ltd Factory 2, 99 Heyington Ave THOMASTOWN Vic 3074 Tel: 1300 720 493 Web: Kraftkolour.net.au Indigo Fructose Dye Vat The fructose indigo vat was developed by Michel Garcia. The addition of the fructose sugar acts as a reducing agent to the Indigo. The sugar removes one of the oxygen molecules from the indigo making it soluble in water. The addition of the Calcium Hydroxide (slaked or hydrated lime) changes the pH from an acid to a base. The proper pH to get good colour on wool should be about +9 and for cotton and cellulose +10. When the yarn or fabric is dipped into the indigo dye vat, it turns a green colour. When the yarn is raised into the air, the oxygen molecules from the air, bind with the indigo and turn the green into blue. To get darker and more intense blues, the yarn needs to be dipped into the indigo vat and raised into the air to oxidize several times. The colour builds up onto the yarn or cloth in layers. Keep dipping and airing out the yarn until the desired level of colour is achieved. An Indigo vat can be re-used and kept alive for several weeks until all of the indigo has been exhausted. If the Vat still has indigo but has turned blue, reheat the Vat to 50 deg C. Check the pH. Add about a teaspoon of fructose crystals and wait 15-30 minutes. The Vat should turn green. If it is still blue add some Calcium Hydroxide. -
Tyrian Purple (6,6'-Dibromoindigo)
Tyrian Purple (6,6’-dibromoindigo) A New Twist on the Dye of Old An Ancient Process The Current Way The base chemical of 6,6’-dibromoindigo dye is Dow Chemical Company was the first company to make found naturally in mollusks and certain other crustaceans. Fabric can be dyed through synthetic indigo dye. 6,6’-dibromoindigo soon followed. Indigo direct dyeing, where the fabric or fiber is dyes (including 6,6’-dibromoindigo) are no longer made in the coated with the paste of the mollusk’s mucus U.S., because it is cheaper to import them from other countries. gland. The pasted fabric is allowed to sit in the Today, indigo dye is produced using laboratory chemical sun so that the purple can develop. Fabric can processes. These processes are highly efficient and cost-effective also be dyed using vat dyeing. In this process, the saliva of the mollusk is combined with for the companies that use them, but there are a growing paste of the mucus gland and allowed to dry. number of environmental concerns that are associated with their This residue is ground into a powder and put manufacture and use, as the dying process creates a large into a warm solution of sodium hydroxide or amount of chemical waste that must be disposed of carefully. At lye, away from sunlight, and fabric this time, both lawmakers and chemists are investigating simpler, is immersed in it. Finally, the dyed fabric is put through a finishing process (for safer, and more efficient ways to get the vividly colored clothing example, an acid wash), and washed with soap and water. -
H'mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 H’mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat CAT Village, Hoang Lien Commune, SAPA Town, Lao Cai Province, Vietnam Le Thi Hanh Lien1*, Nguyen Thi Hai Yen2, Dao Thi Luu3, Phi Thi Thu Hoang4, Nguyen Thuy Linh5 1, 2, 3, 4 Institute of Geography, Vietnam Academy of Science and Technology, 18 Hoang Quoc Viet Road, Nghia Do, CauGiay District, Ha Noi, Vietnam 5Management Development Institute of Singapore *Corresponding author: lehanhlien2017[at]gmail.com Abstract: Indigo dyeing and beeswax batik are the two traditional crafts that have long been associated with the H’Mong people in Sa Pa in general, Cat Cat village in particular and still preserved until the presentday. Through many stages of making indigo dye combined with sophisticated techniques and the ingenuity, meticulousness of the artisans in each motif and pattern, unique beeswax batik and indigo dyeing products have been created bringing the cultural identity of the H’mong people. These handicraft products have become a highlight to attract tourists to learn and discover local cultural values and they are meaningful souvenirs for visitors after each trip. In recent years, the development of the community-based tourism model in Cat Cat village has brought many benefits to the local community. Meanwhile, it has also contributed to creating opportunities for the development and restoration of H’mong traditional crafts. Keywords: indigo dyeing, beeswax batik, H’Mong, Cat Cat, Sa Pa 1. Introduction cultural and religious life of the H'Mong. -
Roadmap of Solid-State Lithium-Organic Batteries Toward 500 Wh Kg−1 † † Lihong Zhao, Alae Eddine Lakraychi, Zhaoyang Chen, Yanliang Liang, and Yan Yao*
Focus Review http://pubs.acs.org/journal/aelccp Roadmap of Solid-State Lithium-Organic Batteries toward 500 Wh kg−1 † † Lihong Zhao, Alae Eddine Lakraychi, Zhaoyang Chen, Yanliang Liang, and Yan Yao* Cite This: ACS Energy Lett. 2021, 6, 3287−3306 Read Online ACCESS Metrics & More Article Recommendations *sı Supporting Information ABSTRACT: Over the past few years, solid-state electrolytes (SSEs) have attracted tremendous attention due to their credible promise toward high-energy batteries. In parallel, organic battery electrode materials (OBEMs) are gaining momentum as strong candidates thanks to their lower environmental footprint, flexibility in molecular design and high energy metrics. Integration of the two constitutes a potential synergy to enable energy-dense solid- state batteries (SSBs) with high safety, low cost, and long-term sustainability. In this Review, we present the technological feasibility of combining OBEMs with SSEs along with the possible cell configurations that may result from this peculiar combination. We provide an overview of organic SSBs and discuss their main challenges. We analyze the performance-limiting factors and the critical cell design parameters governing cell-level specific energy and energy density. Lastly, we propose guidelines to achieve 500 Wh kg−1 cell-level specific energy with solid-state Li−organic batteries. Downloaded via Yan Yao on August 25, 2021 at 16:56:41 (UTC). rganic battery electrode materials (OBEMs) have molecules (<2 g cm−3) penalizes the energy density received considerable attention in the past few years. (volumetric) of assembled cells; second, low electronic O With a chemical composition derived from naturally conductivity imposes the use of large amount of conductive abundant elements (C, H, N, O, and S), a real possibility of agents which lower the cell-level specific energy (gravimetric); being generated from renewable resources (biomass), and an See https://pubs.acs.org/sharingguidelines for options on how to legitimately share published articles. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Effect of Indigo Dye Effluent on the Growth, Biomass Production and Phenotypic Plasticity of Scenedesmus Quadricauda (Chlorococcales)
Anais da Academia Brasileira de Ciências (2014) 86(1): 419-428 (Annals of the Brazilian Academy of Sciences) Printed version ISSN 0001-3765 / Online version ISSN 1678-2690 http://dx.doi.org/10.1590/0001-3765201420130225 www.scielo.br/aabc Effect of indigo dye effluent on the growth, biomass production and phenotypic plasticity of Scenedesmus quadricauda (Chlorococcales) MATHIAS A. CHIA1 and RILWAN I. MUSA2 1Laboratório de Cianobactérias, Escola Superior de Agricultura Luiz de Queiroz, Universidade de São Paulo, Av. Pádua Dias, 11, 13418-900 Piracicaba, SP, Brasil 2Department of Biological Sciences, Ahmadu Bello University, Zaria, Postal Code 810001, Nigeria Manuscript received on June 26, 2013; accepted for publication on October 14, 2013 ABSTRACT The effect of indigo dye effluent on the freshwater microalga Scenedesmus quadricauda ABU12 was investigated under controlled laboratory conditions. The microalga was exposed to different concentrations of the effluent obtained by diluting the dye effluent from 100 to 175 times in bold basal medium (BBM). The growth rate of the microalga decreased as indigo dye effluent concentration increased (p <0.05). The EC50 was found to be 166 dilution factor of the effluent. Chlorophyll a, cell density and dry weight production as biomarkers were negatively affected by high indigo dye effluent concentration, their levels were higher at low effluent concentrations (p <0.05). Changes in coenobia size significantly correlated with the dye effluent concentration. A shift from large to small coenobia with increasing indigo dye effluent concentration was obtained. We conclude that even at low concentrations; effluents from textile industrial processes that use indigo dye are capable of significantly reducing the growth and biomass production, in addition to altering the morphological characteristics of the freshwater microalga S. -
Best Plants for Problem Clay Soils: Perennials
Visit us on the Web: www.gardeninghelp.org Best Plants for Problem Clay Soils: Perennials Perennials Amsonia tabernaemontana — Bluestar This Missouri native features uptight clusters of light blue star-like flowers in late spring. Its narrow willow-like leaves turn yellow to peach-colored in fall. Bluestar may require staking if grown in shade and may be pruned after flowering to maintain a compact shape. It is most attractive when grown massed, in native plant gardens, shade gardens, open woodland areas, and borders. Asclepias incarnata — Swamp milkweed Despite its common name and native habitat, swamp milkweed may be grown in the average garden. Its fragrant white, pink or mauve flowers attract butterflies and mature into slender pods with silky-haired seeds. Swamp milkweed is a good choice for sunny, low or moist areas such as stream or pond banks, borders, and butterfly gardens. Baptisia australis — Blue false indigo Blue false indigo has beautiful purplish blue lupine-like flowers borne in erect spikes above the trifoliate leaves. The flowers mature into black seed pods that rattle in the breeze and are an interesting addition to dried flower arrangements. This herbaceous perennial does best in full sun as plants grown in part shade may grow taller and need support. Due to an extensive root system, blue false indigo will tolerate drought, but it should not be disturbed once it is established. Attractive in almost any situation including borders, prairies, cottage gardens, and native plant gardens, this plant is best used as a single specimen plant or in small groups. Baptisia australis var. -
(12) United States Patent (10) Patent No.: US 8,546,502 B2 Shimanaka Et Al
USOO8546502B2 (12) United States Patent (10) Patent No.: US 8,546,502 B2 Shimanaka et al. (45) Date of Patent: Oct. 1, 2013 (54) METHOD FOR PRODUCING DYE POLYMER, JP 2000-500516 A 1, 2000 DYE POLYMER AND USE OF THE SAME JP 2000-514479. A 10, 2000 JP 2000-515181 A 11, 2000 JP 2005-345512 A 12/2005 (75) Inventors: Hiroyuki Shimanaka, Chuo-ku (JP); JP 2005-352053 A 12/2005 Toshiyuki Hitotsuyanagi, Chuo-ku (JP); JP 2006-16488 * 1, 2006 Yoshikazu Murakami, Chuo-ku (JP); JP 2006-016488 A 1, 2006 JP 2006-167674 * 6, 2006 Atsushi Goto, Uji (JP); Yoshinobu JP 2006-0167674. A 6, 2006 Tsujii, Uji (JP); Takeshi Fukuda, Uji JP 2007-277533 A 10/2007 (JP) WO WO97, 18247 A1 5, 1997 WO WO98/O1478 A1 1, 1998 (73) Assignees: Dainichiseika Color & Chemicals Mfg. WO WO 98.01480 A1 1, 1998 Co., Ltd., Chuo-ku, Tokyo (JP); Kyoto WO WO99,05099 A1 2, 1999 University, Kyoto-shi, Kyoto (JP) OTHER PUBLICATIONS (*) Notice: Subject to any disclaimer, the term of this Shimizu Itaru, JP2006016488 (Jan. 2006), English Translation.* patent is extended or adjusted under 35 Shimizu Itaru et al., JP2006 167674 (Jun. 2006), English Transla U.S.C. 154(b) by 0 days. tion. Hawker, C., et al., New Polymer Synthesis by Nitroxide Mediated (21) Appl. No.: 12/737,239 Living Radical Polymerizations, Chemical Review, vol. 101, No. 12, 2001, pp. 3661-3688. (22) PCT Filed: Jun. 26, 2009 Kamigaito, M., et al., Metal-Catalyzed Living Radical Polymeriza tion, Chemical Review, vol. 101, No. -
Indigo Chromophores and Pigments Structure and Dynamics
Dyes and Pigments 172 (2020) 107761 Contents lists available at ScienceDirect Dyes and Pigments journal homepage: www.elsevier.com/locate/dyepig Indigo chromophores and pigments: Structure and dynamics T ∗ V.V. Volkova, R. Chellib, R. Righinic, C.C. Perrya, a Interdisciplinary Biomedical Research Centre, School of Science and Technology, Nottingham Trent University, Clifton Lane, Nottingham, NG11 8NS, United Kingdom b Dipartimento di Chimica, Università degli Studi di Firenze, Via della Lastruccia 3, Sesto Fiorentino, 50019, Italy c European Laboratory for Non-Linear Spectroscopy (LENS), Università degli Studi di Firenze, Via Nello Carrara 1, Sesto Fiorentino, 50019, Italy ARTICLE INFO ABSTRACT Keywords: In this study, we explore the molecular mechanisms of the stability of indigo chromophores and pigments. Indigo Assisted with density functional theory, we compare visible, infrared and Raman spectral properties of model Raman molecules, chromophores and pigments derived from living organisms. Using indigo carmine as a representative Infrared model system, we characterize the structure and dynamics of the chromophore in the first electronic excited Density functional theory state using femtosecond visible pump-infrared probe spectroscopy. Results of experiments and theoretical stu- Excited state dies indicate that, while the trans geometry is strongly dominant in the electronic ground state, upon photo- excitation, in the Franck-Condon region, some molecules may experience isomerization and proton transfer dynamics. If this happens, however, the normal modes of the trans geometry of the electronic excited state are reconfirmed within several hundred femtoseconds. Supported by quantum theory, first, we ascribe stabilization of the trans geometry in the Franck-Condon region to the reactive character of the potential energy surface for the indigo chromophore when under the cis geometry in the electronic excited state. -
Red, Blue and Purple Dyes
Purple, Blue and Red Dyes We have discussed the vibrant colors of flowers, the somber colors of ants, the happy colors of leaves throughout their lifespan, the iridescent colors of butterflies, beetles and birds, the attractive and functional colors of human eyes, skin and hair, the warm colors of candlelight, the inherited colors of Mendel’s peas, the informative colors of stained chromosomes and stained germs, the luminescent colors of fireflies and dragonfish, and the abiotic colors of rainbows, the galaxies, the sun and the sky. The natural world is a wonderful world of color! The infinite number of colors in the solar spectrum was divided into seven colors by Isaac Newton—perhaps for theological reasons. While there is no scientific reason to divide the spectral colors into seven colors, there is a natural reason to divide the spectral colors into three primary colors. Thomas Young (1802), who was belittled as an “Anti-Newtonian” for speaking out about the wave nature of light, predicted that if the human eye had three photoreceptor pigments, we could perceive all the colors of the rainbow. He was right. 751 Thomas Young (1802) wrote “Since, for the reason assigned by NEWTON, it is probable that the motion of the retina is rather of a vibratory [longitudinal] than of an undulatory [transverse] nature, the frequency of the vibrations must be dependent on the constitution of this substance. Now, as it is almost impossible to conceive each sensitive point of the retina to contain an infinite number of particles, each capable of vibrating -
Opaque Colors
When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray . -
Ozone: Twilit Skies, and (Exo-)Planet Transits
Astronomical Science Ozone: Twilit Skies, and (Exo-)planet Transits Robert Fosbury1 the atmosphere, can be rich and varied. This article is about the effect of ozone George Koch 2 The processes that result in this palette on the colour of the twilit sky and, in the Johannes Koch 2 are geometrically complex, but comprise same vein, its appearance as the strong- a limited number of now well-understood est telluric absorption feature in the visi- physical effects. This understanding was ble spectrum of the Earth as it would be 1 ESO not gained easily. From the time when seen by a distant observer watching it 2 Lycée Français Jean Renoir, München, early humans first consciously posed the transit in front of the Sun. We present and Germany question: “What makes the sky blue?”, to analyse spectrophotometric observations the time when the processes of scatter- of sunset and also discuss observations ing by molecules and molecular density of the eclipsed Moon reported by Pallé et Although only a trace constituent gas fluctuations were elucidated, thousands al. (2009). in the Earth’s atmosphere, ozone plays of years passed, during which increas- a critical role in protecting the Earth’s ingly intensive experiments and theories surface from receiving a damaging flux were developed and carried out (Pesic, Ozone of solar ultraviolet radiation. What is not 2005). generally appreciated, however, is that Ozone (O3 or trioxygen) is an unstable the intrinsically weak, visible Chappuis Most physicists, if asked why the sky is allotrope of oxygen that most people can absorption band becomes an important blue, would answer with little hesitation: detect by smell at concentrations as influence on the colour of the entire sky “Because of Rayleigh scattering by mole low as 0.01 parts per million (ppm).