To the Lighthouse Virginia Woolf (1882-1941)
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
AWAR of INDIVIDUALS: Bloomsbury Attitudes to the Great
2 Bloomsbury What were the anti-war feelings chiefly expressed outside ‘organised’ protest and not under political or religious banners – those attitudes which form the raison d’être for this study? As the Great War becomes more distant in time, certain actions and individuals become greyer and more obscure whilst others seem to become clearer and imbued with a dash of colour amid the sepia. One thinks particularly of the so-called Bloomsbury Group.1 Any overview of ‘alter- native’ attitudes to the war must consider the responses of Bloomsbury to the shadows of doubt and uncertainty thrown across page and canvas by the con- flict. Despite their notoriety, the reactions of the Bloomsbury individuals are important both in their own right and as a mirror to the similar reactions of obscurer individuals from differing circumstances and backgrounds. In the origins of Bloomsbury – well known as one of the foremost cultural groups of the late Victorian and Edwardian periods – is to be found the moral and aesthetic core for some of the most significant humanistic reactions to the war. The small circle of Cambridge undergraduates whose mutual appreciation of the thoughts and teachings of the academic and philosopher G.E. Moore led them to form lasting friendships, became the kernel of what would become labelled ‘the Bloomsbury Group’. It was, as one academic described, ‘a nucleus from which civilisation has spread outwards’.2 This rippling effect, though tem- porarily dammed by the keenly-felt constrictions of the war, would continue to flow outwards through the twentieth century, inspiring, as is well known, much analysis and interpretation along the way. -
The Warrior, Is to Enlighten the Minds and Hearts of Its Members!
TEXAS LONE STAR CHAPTER / KOREAN WAR VETERANS RRIOR WA THE Volume 19 - Issue 6 JUNE 2009 Formed - February 1991 By Lee & Charlotte Henderson, Publishers / Editors Our Mission as Editors of the Warrior, is to Enlighten the Minds and Hearts of its Members! MEMORIAL DAY SERVICES . Memorial Day 2009, was a beautiful, blue sky day, with a few white wispy clouds. As we en- tered the hallowed grounds at the Houston VA National Cemetery, there were two fire trucks with ladders extended, forming an arch, for visitors to drive through, with a flag a flying high from the top of the arch, at the entrance. The roads throughout the cemetery were proudly flying American flags. There was a huge standing room only crowd in attendance, all paying homage to the veterans, and the fallen heroes. The program for the mornings activities began with a fly over of a US Coast Guard Rescue Helicopter, fol- lowed with a Cannon Salute by the Sons of the Confederate Veterans and Sons of the Union Veterans. The Parade of Colors was, as always, an impressive sight. Our Color Guard, of approximately 14 members, in- cluding John Pedraza, who drove in from San Antonio, just to be with his friends and march with the colors, was one of the largest groups. Stoney Stone did a wonderful presentation of the POW/MIA Ceremony. Something new was added this year. White Dove Memo- ries, released a covey of beautiful white doves that flew up and circled the field several times. This was truly impressive. Frances and David Velasco carried the wreath during the Parade of Wreaths. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
True Blue and Trusted
TRUE BLUE AND TRUSTED By R. A. Anderson and R. L. Sweeney Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © By Eldridge Publishing Company Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=349 True Blue and Trusted -2- STORY OF THE PLAY It’s fun, it’s laughs, it’s “let-down-your-hair.” Here’s an old- time melodrama in which everyone has a good time. J. Tamarack Gargle, who is the villain and landlord of the heroine’s home, threatens to evict the entire family unless Lily Lackamoney, the heroine, promises to marry him. Perplexed as what to do, Lily decides to go to the big city to find the hero, Balderdash Trustworthy, who is in the city trying to find a rich friend that will help in the plight of the Lackamoneys. The first person that Lily meets is Maxine Mascarra, the villainess. Gargle employs Maxine to help him get rid of Trustworthy. They unknowingly attempt to “polish off” a wrong victim. Eventually they manage to dump Trustworthy into the river. When Maxine asks Gargle to pay her off for her help, he casts her aside. -
Was-Jesus-A-Wizard-With-Dr-Shaily-Patel Tue, 3/30 12:22PM 50:12
was-jesus-a-wizard-with-dr-shaily-patel Tue, 3/30 12:22PM 50:12 SUMMARY KEYWORDS jesus, christianity, texts, christian, magic, wizard, people, magician, ancient, world, religion, question, tradition, practices, religious traditions, thought, christians, deeply, new testament, megan SPEAKERS Dr. Shaily Patel, Megan Goodwin, The King and I, Life of Brian, Simpsons, Ilyse Morgenstein Fuerst, Detox Ilyse Morgenstein Fuerst 00:17 This is Keeping It 101: a killjoy's introduction to religion podcast. This season our work is made possible in part through a generous grant from the New England Humanities Consortium, and with additional support from the University of Vermont's Humanities Center. We are grateful to live, teach, and record on the ancestral and unseeded lands of the Abenaki, Wabenaki, and Aucocisco peoples and our guest is coming to us from the lands of the Tutelo/Monacan. M Megan Goodwin 00:42 What's up, nerds? Hi, hello, I'm Megan Goodwin, a scholar of American religions, race, and gender. And this episode arrives precisely when it means to. Ilyse Morgenstein Fuerst 00:51 Hi, hello, I'm Ilyse Morgenstein Fuerst scholar of religion, Islam, race and racialization, and history and it's leviOHsa, not levioSAH. M Megan Goodwin 00:58 was-jesus-a-wizard-with-dr-shaily-patel Page 1 of 40 Transcribed by https://otter.ai I like- I like this so much. Like, A) because just straight dork. Dork life, but also because you hate all of these movies. You don't hate the Harry Potter but you hated the Lord of the Rings so much. -
Oblivion's Edge Jeremy Strandberg
Lawrence University Lux Lawrence University Honors Projects 5-12-1998 Oblivion's Edge Jeremy Strandberg Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Fiction Commons, and the Liberal Studies Commons © Copyright is owned by the author of this document. Recommended Citation Strandberg, Jeremy, "Oblivion's Edge" (1998). Lawrence University Honors Projects. 53. https://lux.lawrence.edu/luhp/53 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. ivion's Jeremy Strandberg Submitted for Honors in Independent Study 5/12/98 Prof. Candice Bradley, Advisor The year is 2042 ... ( Tech no Io g y i s a part of us ... High tech is stylish and chic. Computers have crept into every aspect of life, and billions of users are jacked brain frrst into the internet. Biosculpting can make people look any way they desire. Cybernetic implants-eyes, ears, and prosthetic limbs-break the limits of the human form. Biotechnology feeds billions while saving the lives of millions more. The train from New York to Miami takes under three hours, and there's a bustling tourist trade on Luna. The Veil has thinned ... Supernatural and paranormal phenomena are on the rise. There has been a resurgence of spirituality and superstition. Meditation is taught in grade school Psychic powers are accepted as fact, and most people have encountered a ghost or spirit at least once. Alchemists and fringe scientists are kept on salary by corporations. -
True Blue and Trusted
TRUE BLUE AND TRUSTED By R. A. Anderson and R. L. Sweeney Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © By Eldridge Publishing Company Download your complete script from Eldridge Publishing https://histage.com/true-blue-and-trusted True Blue and Trusted -2- STORY OF THE PLAY It’s fun, it’s laughs, it’s “let-down-your-hair.” Here’s an old- time melodrama in which everyone has a good time. J. Tamarack Gargle, who is the villain and landlord of the heroine’s home, threatens to evict the entire family unless Lily Lackamoney, the heroine, promises to marry him. Perplexed as what to do, Lily decides to go to the big city to find the hero, Balderdash Trustworthy, who is in the city trying to find a rich friend that will help in the plight of the Lackamoneys. The first person that Lily meets is Maxine Mascarra, the villainess. Gargle employs Maxine to help him get rid of Trustworthy. They unknowingly attempt to “polish off” a wrong victim. Eventually they manage to dump Trustworthy into the river. When Maxine asks Gargle to pay her off for her help, he casts her aside. -
New Information from Hearings That Were
REQUESTS FOR DETERMINATION Greenberg/Morachnick 17 Pocomo Road Laurentide Environmental, LLC 14 South Shore Road Nantucket, MA 02554 e-mail: [email protected] (508) – 332 – 9722 Field Inspection Report Date: September 1, 2015 Applicant / Owner: Mark Greenberg & Tami Morachnick Location: 17 Pocomo Road Agent: Blackwell & Associates - Art Gasbarro Comments: Developed lot off Pocomo Road. Due to time constraints, I was unable to visit the property on 9/1. Will be able to inspect on 9/16. The project narrative has the limit of work at the 25-foot buffer and the proposed garage no closer than 50 feet to the wetland boundary. These setbacks have usually required the filing of a NOI. However, the submitted plans show the limit of work in excess of 50-feet to the wetland boundary and the proposed garage partially outside the 100-foot buffer. Questions and Recommendations: Clarify the wetland setbacks for the project. Wait for the results of the wetland boundary review on 9/16. Inspector: B. Perry CERTIFICATES OF COMPLIANCE Otto 4 Brant Point Road SE48-2712 Draft Minutes Proposed Minutes for September 2, 2015 CONSERVATION COMMISSION PUBLIC MEETING 2 Bathing Beach Road Nantucket, Massachusetts 02554 www.nantucket-ma.gov Wednesday, September 2, 2015 4:00 P.M. 4 Fairgrounds Road, Training Room Commissioners: Ernie Steinauer (Chair), Andrew Bennett (Vice Chair), Ashley Erisman, David LaFleur, Ben Champoux, Ian Golding, Joe Topham Called to order at 4:00 p.m. Staff in attendance: Jeff Carlson, Natural Resources Coordinator Attending Members: Steinauer, Bennett, Erisman, LaFleur, Champoux, Golding, Topham Absent Members: None Late Arrivals: None Earlier Departure: None Agenda adopted by unanimous consent *Matter has not been heard I. -
John Halperin Bloomsbury and Virginia W
John Halperin ., I Bloomsbury and Virginia WooH: Another VIew . i· "It had seemed to me ever since I was very young," Adrian Stephen wrote in The Dreadnought Hoax in 1936, "that anyone who took up an attitude of authority over anyone else was necessarily also someone who offered a leg to pull." 1 In 1910 Adrian and his sister Virginia and Duncan Grant and some of their friends dressed up as the Emperor of Abyssinia and his suite and perpetrated a hoax upon the Royal Navy. They wished to inspect the Navy's most modern vessel, they said; and the Naval officers on hand, completely fooled, took them on an elaborate tour of some top secret facilities aboard the HMS Dreadnought. When the "Dread nought Hoax," as it came to be called, was discovered, there were furious denunciations of the group in the press and even within the family, since some Stephen relations were Naval officers. One of them wrote to Adrian: "His Majesty's ships are not suitable objects for practical jokes." Adrian replied: "If everyone shared my feelings toward the great armed forces of the world, the world [might] be a happier place to live in . .. armies and suchlike bodies [present] legs that [are] almost irresistible." Earlier a similarly sartorial practical joke had been perpetrated by the same group upon the mayor of Cam bridge, but since he was a grocer rather than a Naval officer the Stephen family seemed unperturbed by this-which was not really a thumbing·of-the-nose at the Establishment. The Dreadnought Hoax was harder to forget. -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon.