DOCSLIB.ORG

Local Live Music Calendar August 2017 Support Live Roots Music in N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Local Live Music Calendar August 2017 Support Live Roots Music in N celebrating our 25th year Traditional & Original Acoustic Roots Local Live Music Calendar August 2017 support live roots music in N. E. Ohio & let friends know you found it here Chris Isaak – some 40 years for this rockabilly singer/ actor to become the “Rock Star next door” – see 8/13 Northeast Ohio Folk & Traditional Music & Dance Society Inc. P O Box 201002, Shaker Heights OH 44120 donations are tax-deductible; we’re a member-funded 501(c)(3) educational corporation Members ? Yes, we do rely on the generosity of the funding by Folknet members – readers / musicians / dancers / listeners - - a few diverse, multi-dimensional folk, like yourself. We urge you, and your friends to join us, at: www.folknet.org/membership.html Donations to Folknet can be made securely from that page. Please visit us on the web, www.folknet.org, read our periodic newsletter Folknet Notes, like, follow & share us on <Facebook.com/folknetorg> This free local monthly guide to live (traditional and original) acoustic roots music is assembled by Larry Bruner and Wanda Finley, with various venue schedules collected by guitarist Joe Rollin Porter; Lake County and beyond from Ed Ollick; dance details by Heidi Nemeth; & a hearty much obliged to Guy Marentette. THANKS EVERYONE! These pages of selected calendar items are only a start. We urge you to support the growing number of other local events which also feature live traditional and original, acoustic roots music. We also are reminded these are future items subject to change. Legend 3”x3” pictures are cover art of a brand new CD from the artist please note that links to Facebook or ReverbNation do appear active, but their text must be entered manually in your browser outdoor music event, seating may or may not be provided house/small hall concert: an informal, up close and personal listening experience, often in someone’s home by invitation dance opportunity: contra, English country, swing, polka participatory event: open mike (take turns), jam (play with others), community sing Asterisks * = Some of these once-recurring events no longer exist. Your persistent feedback is essential. We need your help - - please, let us know corrections by email. ** = At “all ages” Beachland, Grog Shop and Musica shows, an additional $2 fee will be charged at the door for patrons under the age of 21. *** = A Wilbert’s show that is “Free admission, pay as you go.” There is no charge for admission and when the basket is passed, or when you leave, you pay whatever amount you think the artist deserves. ------------------------------------------------------------------------------------------------------------------ 2 August is Admit You're Happy month! And, thank our once-flammable Cuyahoga River which inspired National Water Quality month. It’s also What’ll Be Your Legacy month, Orange & Papaya, Celery & Fennel, Goat Cheese, and Peach month. Happy August! Tuesday, August 1 today would have been Jerry Garcia’s 75th birthday on this day in 1927, Ralph Peer made the Carter Family debut recordings (audio) ■ Kathleen McGinty of Cleveland Ceili Club offers set dancing lessons, St. Clarence Terrace Room, 30106 Lorain Rd., North Olmsted 440/734-2414, 7:30-10pm * ■ Jim Ales and Friends host acoustic open mike 7:30pm, The Grand River Manor, 1153 Mechanicsville Rd., Geneva 440/466-9229, with wing night starting 5pm * ■ Gretchen Pleuss hosts Tuesday open mike, Uncorked Wine Bar, 7-9pm, sign up at 6pm * ■ Tom Ball hosts weekly Just Plain Folk open stage, Charlie Shook's Houston Pub, 3069 Houston Rd., Norton, 7pm, sign up at 6:30pm with Tom 330/283-1212 ■ Rick Szekelyi and Fairmount School of Music host monthly Roots ‘n’ Ruckus traditional music picking circle (jam) Heights Music Shop, 2174 Lee Rd., Cleveland Hts. 860-4460, 7-9pm ■ Crash Coffin hosts a longstanding weekly open mike at The Red Onion, 522 Pearl Rd. at Grafton Rd., Brunswick Hills 330/225-8482, 7-9pm ■ Dave Nared hosts the weekly Jim Snively memorial singer songwriter workshop, Rider’s Inn, 7-10:30pm, free buffet with beverage purchase 3 ■ Andy Cyphert hosts weekly open mike, Muggswigz Coffee & Tea Co., 137 Walnut Ave.NE, Canton 330/452-6336, 7:30-11:30pm, sign-up in person, $1 cover ■ Xe La hosts weekly open stage, Root Café, 7:30pm * ■ Will Roth, others host weekly blues jam/open mike, Tonix Bar, 3090 S. Main St., Akron, 330/472-8612, 8-11pm * ■ Mike Starcher on drums, hosts weekly Cleveland Music Club blues & rock open jam, backline provided, Bullfrog’s Sports Café, 33137 Center Ridge Rd., North Ridgeville 440/327-3764, 8:30pm after trivia ends * ■ Jack & Josh host weekly open mike, The Mars Bar, 15314 Madison Ave., Lakewood 228-4500, 8:30pm ■ Austin ‘Walkin' Cane’ Charanghat blues, Nauti Mermaid happy hour, 1378 W. 6th St., 771-6175, 6-8pm ■ Chad Hoffman Parker’s Downtown, Kimpton Schofield Hotel, 2000 E 9 St. 357-2680, 6pm ■ Michelle Macbride CLE Urban Winery, 7-10pm ■ Travis Watson contemporary country, Reel Bar, 9pm Wednesday, August 2 National ice cream sandwich day ■ Cletus Black Revue Music in the Meadow concert series, Howe Meadow site, Cuyahoga Valley National Park, 4040 Riverview Rd., 4 miles south of Rt. 303, Peninsula, weather cancellation info: 330/650-4636x228, alcohol prohibited, music at 6:15pm, free children activities 5:30pm before the concert, free, donations accepted ■ Stan Mejac solo, polka, Old World Wednesday, Prosperity Social Club, 6-9pm * ■ Lyle Heath hosts acoustic open mike, Harassments Bar & Grill, 900 N. Market St., Jefferson 440/576-9396, 6-9pm * ■ Darrell Hudson hosts Acoustic Wednesday instrumental jam, players invited, listeners welcome, in the party room, Winking Lizard, 3634 Center Rd., Brunswick 330/220-9944, 6pm ■ Susie Hagan hosts weekly open mike, Old Mill Winery, 6:30-8:30pm ■ Todd Power hosts weekly open mike, Sonnets, 7-10pm - sign up starts at 6:30pm, no cover 4 * ■ weekly open jam, Campola's Italian Bistro, 7224 Center St., Mentor 440/290-8676, 7pm ■ John from Gattuso’s Music hosts weekly open mike (“Stark County’s longest running”), all ages, Karma Café, 4339 Dressler Rd., Canton 330/492-8900, 7-10pm ■ weekly open mike night, Sam Ash Music store, 5700 Mayfield Rd., Greens of Lyndhurst 440/446-0850, participants get a $10 gift card, 7-8:30pm ■ Kent Community Sing, Unitarian Universalist Church of Kent, 228 Gougler Ave., Kent 330/673-4247, [email protected], 7-8:30pm * ■ Kenny P hosts jam night, The Local Tavern-Willoughby Hills, 29007 Chardon Rd. (Rt. 6), 440/943-5926, 8-11pm, sign up 7:30pm ■ rotating hosts, weekly open mike, Bar 107, 107 Front St., Berea 440/973-4431, 8pm-midnight ■ Brent Kirby hosts “10x3” Songwriter Showcase, a pre-arranged open mike, sign up online (find guidelines and submit message from Brent’s site on the “BK10x3” drop- down) Brothers Lounge-Wine Bar, 8pm * ■ Marco Ciofani (of the Moxies) hosts Werewolf Wednesday open mike, Coda, the basement below Dante Next Door, 2247 Professor Ave., Tremont 274-1200, 8pm- midnight ■ Charlie & The Poor Boys host weekly musicians' open jam, trading off instruments and vocals, Getaway Pub, 1462 N. Portage Path, Akron 330/867-8700, 8pm ■ Istvan Medgyesi hosts open mike, The Millard Fillmore Presidential Library 15617 Waterloo Rd. 481-9444, 8pm * ■ Shawn & Shelby: Shawn Brewster & Shelby Lynn Sangdahl host weekly open mike, Touch Supper Club, 2710 Lorain Ave. 631-5200, 8pm-1am ■ The Mason Jars host weekly Jam Night, amps and drums available, Fort’s Old Town Tavern, 122 W. Herrick Ave.(Rt.18), Wellington 440/647-3520, 8:30-11:30pm 5 ■ Michael Bay & the Bad Boys of Blues (with a new guest host each week) host blues jam, house backline includes drum set and Hammond B3, Parkview, 9pm * ■ Eroc, Cy Sulak & guest host weekly blues jam, Sly Fox Lounge, 4755 Great Northern Blvd., North Olmsted 440/777-0961, 9pm-12:30am ■ Bethany Joy hosts open mike, Venice Café, 163 W. Erie St., Kent 330/968-4603, 9pm ■ Chad Hoffman The Brew Garden-Strongsville, 16555 Southpark Ctr., 440/234-1002, 6pm ■ Travis ‘Moonchild’ Haddix Blues Band Rusty Anchor Restaurant at the Music Box Supper Club, 6pm, free, happy hour concert series broadcast live on oWowNow.com, all ages, $20 prix fixe 3-course dinner available ■ John Gall Debonne Vineyards, 6:30-9:30pm ■ Keith Rea singer-songwriter, The Root Cafe, 7-9pm ■ The Hollywood Slim Band Glenwillow Grille, 29765 Pettibone Rd, Solon 440/786-0100, 8-11pm ■ Lonesome Stars (Chris Allen, Tom Prebish & Austin ‘Walkin' Cane’ Charanghat) The Harp, 8-11pm ■ Western Reserve Folk Arts Association presents: Jerry Douglas & The Earls of Leicester dobro-led bluegrass, The Kent Stage, 8pm, $30, $40, reserved, all ages Thursday, August 3 Richard Shindell’s 47th birthday National watermelon day ■ Richie Kindler hosts monthly Irish Pub Night: Celtic Jam (seisiún) Jupiter Studios & Jupiter Moons Pizzeria, 346 E. Main St., Alliance 330/829-3399, 6pm open & learning tunes, 7pm seisiún, all musicians and listeners welcome 6 ■ Lorne Franklin & Andy Oster host monthly Hot Licks acoustic jam session, Coffee Phix Café, (video) 4485 Mayfield Rd., parking in rear, South Euclid 381-5705, 6:30pm ■ Xe La & Birddog host the unpredictable weekly jam, The B Side Liquor Lounge & Arcade, 2785 Coventry Rd., Cleveland Hts. 932-1966, 7pm * ■ Jefferson Rice hosts open mike, Barmacy Bar & Grill, 1714 Merriman Rd. Akron 234/571-1636, 7:30pm ■ Plaid Sabbath weekly workshop for performance-based traditional, and not-so- traditional Celtic music, acoustic musicians and visitors welcome, Browning Senior Center, 38032 Brown Ave., Willoughby 440/951-2832, 7:30-9pm * ■ Rick King hosts acoustic open jam night, Geppetto’s Pizza / Johnny Malloy's Sports Pub, 33475 Lake Rd., Avon Lake 440/933-7000, 7:30-11pm ■ Gary Hall hosts weekly open mike, P.J.Marley’s, 119 Public Sq., Medina 330/722-6328, sign up 7:30pm, 8pm feature set, late-comers welcome * ■ Chad Ely hosts first Thursday open mike, Cebars Madison Restaurant & Lounge, 6884 N.
Load more

Recommended publications
  • Capitol Records Began Using a Different Filing System to Indicate Its Mono and Stereo Albums
    Capitol Albums, 2101 to 2200 and the Split Dot By Request Capitol (S)T-2101 Ferlin Husky First advertised June 20, 1964 Merle Travis & Joe Maphis Capitol (S)T-2102 Merle Travis & Joe Maphis First advertised June 20, 1964 The Great Roy Acuff Capitol (D)T-2103 Roy Acuff First advertised June 20, 1964 The Best of George Shearing Capitol Star Line (S)T-2104 George Shearing Quintet First advertised June 1964 The Best of Buck Owens Capitol Star Line (S)T-2105 Buck Owens First advertised June 20, 1964 The Fabulous Favorites Capitol Star Line (S)T-2106 Kay Starr First advertised June 1964 I Love You More and More Every Day/Tears and Roses Capitol (S)T-2107 Al Martino First advertised June 1964 Something New Capitol (S)T-2108 The Beatles First advertised August 8, 1964 Jazz Story Capitol WEO-2109 Various Artists First advertised October 17, 1964 Contains albums 2137 to 2141 (see below), packaged in an outer slipcase. All Summer Long Capitol (S)T-2110 Beach Boys First advertised July 11, 1964 First cover misspells “Don’t Break Down.” Later covers correct to “Don’t Back Down.” Summer Surf Capitol (S)T-2111 Dick Dale First advertised July 11, 1964 Packaged with a 7” single, “Racing Waves”/ “Moving Surf” (Capitol PRO-2648/9), from album T-2112. Surf Age Capitol (S)T-2112 Jerry Cole First advertised July 18, 1964 Packaged with a 7” single, “Spanish Kiss”/ “Thunder Wave” (Capitol PRO-2646/7), from album T-2111. Surf Route 101 Capitol (S)T-2113 Super Stocks First advertised July 18, 1964 Packaged with a 7” single, “Doin’ the Surfink”/ “Finksville USA” (Capitol PRO-2644/5), from the album T-2114.
    [Show full text]
  • May 19, 1976 (PDF)
    A ' . as * > Mark Your Calendar... Sat., June 26 Call I I ** FDIG 8K5 ATTEND OUR BICENTENNIAL CIVIC FAIR 224-6811 rf* Clinton County News MAY 19,1976 22 Pages-2 Sections ST. JOHNS, MICHIGAN 48879 20 Cents Bicentennial Their home is THURSDAY, MAY 20-The Clinton County Bicentennial Committee and the Clinton County Historical Society will their pride and joy meet at 8. p.m. for the dedication of the Campau Trading Post site at Maple >• By Patrice Hornak his hedges trimmed, his grass mowed and 'Wve worked hard," she adds, and they Rapids. A Tri-County historical marker :•: County News Feature Writer his shrubbery cut. have also'been active in their church. Mr. will be placed at the location, now owned They have a small garden and Mr, Sehlke Sehlke was an elder in their church for 11 by Mr. and Mrs. Joseph Gavenda, at 511 § Driving down Morton Street in St. Johns, still manages to get away to do some fishing years. W. Main Street. Councilman Al Brunner, ji people cannot but help notice one particular . now and then. At age 84 and 85, they have many happy ' is uncharge of placing the marker. S residence with finely manicured trees and moments to remember. They are thankful S flower beds. This is the 110 N. Morton St. they have been able to be together for 62 Dr. Dee Allen, a life-long resident of But, the Sehlke's pride and joy is their the village, verified the site, and :•: residence of Edward and Alvina Sehlke, who years, and when asked what their secret to.
    [Show full text]
  • The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM
    GuitarPlayer: The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM | Sign-In | GO HOME NEWS ARTISTS LESSONS GEAR VIDEO COMMUNITY SUBSCRIBE The 50 Greatest Rhythm Guitarists Darrin Fox Tweet 1 Share Like 21 print ShareThis rss It’s pretty simple really: Whatever style of music you play— if your rhythm stinks, you stink. And deserving or not, guitarists have a reputation for having less-than-perfect time. But it’s not as if perfect meter makes you a perfect rhythm player. There’s something else. Something elusive. A swing, a feel, or a groove—you know it when you hear it, or feel it. Each player on this list has “it,” regardless of genre, and if there’s one lesson all of these players espouse it’s never take rhythm for granted. Ever. Deciding who made the list was not easy, however. In fact, at times it seemed downright impossible. What was eventually agreed upon was Hey Jazz Guy, October that the players included had to have a visceral impact on the music via 2011 their rhythm chops. Good riffs alone weren’t enough. An artist’s influence The Bluesy Beauty of Bent was also factored in, as many players on this list single-handedly Unisons changed the course of music with their guitar and a groove. As this list David Grissom’s Badass proves, rhythm guitar encompasses a multitude of musical disciplines. Bends There isn’t one “right” way to play rhythm, but there is one truism: If it feels good, it is good. The Fabulous Fretwork of Jon Herington David Grissom’s Awesome Open Strings Chuck Berry I don"t believe it A little trick for guitar chords on mandolin MERRY, MERRY Steve Howe is having a Chuck Berry changed the rhythmic landscape of popular music forever.
    [Show full text]
  • 2017RSD PUBLIC(Version
    THE TITLES BELOW ARE BEING RELEASED EXCLUSIVELY FOR RECORD STORE DAY (v.1 updated 3-21-17) HOW ARTIST TITLE LABEL FORMAT MANY? ¢ Against Me! Stabitha Christie Total Treble 7" picture4000 disc ¢ Air Le Soleil Est Pres de Moi Parlophone/Rhino 12" 2000 ¢ AJJ Decade of Regression: Live At SideOneDummySideOneDummy LP 1200 ¢ Alice in Chains Get Born Sony Legacy 2 x 7" 4000 ¢ All Time Low MTV Unplugged Hopeless Records LP 1300 ¢ Andre 3000 All Together Now Sony Legacy 7" 5000 ¢ Animal Collective Meeting Of The Waters Domino Recording Co.10" 1200 ¢ Atomic Bomb Band The Atomic Bomb Band (Performing theLuaka Music Bopof William Onyeabor)12" EP 1400 ¢ Avenged Sevenfold Waking The Fallen Hopeless Records 2 x LP picture1300 disc ¢ Banks and Steelz Wild Season (featuring Florence Welch) Warner Bros. 7" 2800 ¢ Big L Devil's Son EP (From The Vaults) Sony Legacy LP 3000 ¢ Big Star Complete Third: Vol 3: Final Masters Omnivore Recordings2 x LP 2500 ¢ Blind Mr. Jones Stereo Musicale (Expanded) Graveface Records 2 x LP 1500 ¢ Blitzen Trapper Unreleaed Recordings Series: Waking BulletsLidkercow at Breakneck SpeedLP 1400 ¢ David Bowie BOWPROMO Parlophone/Rhino LP Box 5000 ¢ David Bowie Cracked Actor (Live Los Angeles '74) Parlophone/Rhino 3 x LP 5000 ¢ Brother Ali The Undisputed Truth Rhymesayers 3 x LP 1500 ¢ Danny Brown Ain't It Funny Warp Records 12" Picture1300 disc ¢ Bullet For My Valentine Don't Need You Spinefarm 10" 1530 ¢ R.L. Burnside Long Distance Call Fat Possum Records LP 2500 ¢ The Cadillac Three Live at Abbey Road Big Machine Records 10" 1500 ¢ The Cars Live at the Agora, 1978 Elektra Catalog Group2 x LP 4000 ¢ Johnny Cash Children's Album Sony Legacy LP 3000 ¢ Cheap Trick The Epic Archive Vol.
    [Show full text]
  • Phil Spector and the Wall of Sound by Steven Quinn a Thesis Presented To
    Phil Spector and the Wall of Sound by Steven Quinn A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2019 Phil Spector and the Wall of Sound by Steven Quinn APPROVED: ____________________________ Name of Project Advisor List Advisor’s Department ____________________________________ Name of Chairperson of Project Advisor List Chair’s Department ___________________________ Name of Second Reader List Second Reader’s Department ___________________________ Dr. John Vile Dean, University Honors College OR (NOT BOTH NAMES) Dr. Philip E. Phillips, Associate Dean University Honors College 2 Acknowledgments A special thank you to my thesis mentor John Hill and my second reader Dan Pfeifer for all of their help and support. I also want to say thank you to the faculty at MTSU who helped me out along the way. A thank you to my parents for all of their encouragement and everyone who helped me create this project by playing a part in it. Without your endless support and dedication to my success, this would have never been possible. Abstract Phil Spector was one of, if not the most influential producer of the 1960s and was an instrumental part in moving music in a new direction. With his “Wall of Sound” technique, he not only changed how the start of the decade sounded but influenced and changed the style of some of the most iconic groups ever to exist, including The Beach Boys and the Beatles. My research focused on how Spector developed his technique, what he did to create his iconic sound, and the impact of his influence on the music industry.
    [Show full text]
  • March 2015: the Wrecking Crew
    AFM LOCAL 47 Vol. 1 No. 3 March 2015 online LA studio musicians who recorded the soundtrack of the 1960s profiled in Denny Tedesco’s feature documentary Live at the 87th Academy Awards Musicians are Athletes, Too! Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Hollywood, CA 90038-3779 Adverting Manager p 323.462.2161 f 323.461.3090 Linda A. Rapka www.afm47.org Lead Graphic Designer Nate Herrera Titled Officers Hearing Board President: John Acosta Alan Estes, Chuck Flores, Overture Online is the official electronic Vice President: Rick Baptist Jon Kurnick, Jeff Lass, monthly magazine of the American Federa- Secretary/Treasurer: Gary Lasley Norman Ludwin, Allen Savedoff, tion of Musicians Local 47, a labor union for Marc Sazer Trustees professional musicians located in Hollywood. Judy Chilnick, Dylan Hart, Hearing Representative Bonnie Janofsky Vivian Wolf Formed by and for Los Angeles musicians Directors Salary Review Board over a century ago, Local 47 promotes and Pam Gates, John Lofton, Rick Baptist, Stephen Green, protects the concerns of musicians in all areas Andy Malloy, Phil O’Connor, Bill Norman Ludwin, Marie Matson, Reichenbach, Vivian Wolf Paul Sternhagen of the music business. Our jurisdiction includes all counties of Los Angeles (except the Long Delegates to AFM Convention Fair Employment Practices John Acosta, Rick Baptist, Committee Beach area). With more than 7,000 mem- Pam Gates, Bonnie Janofsky, Ray Brown, Beverly Dahlke-Smith bers, Local 47 negotiates with employers to Gary Lasley, Norman Ludwin establish fair wages and working conditions Grievance Committee 1st Alternate Delegate Ray Brown, Lesa Terry for our members.
    [Show full text]
  • Surf 45'S/Lp's
    John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, February 23, 2021 at 7:00 p.m. PT See #4 See #14 Original 1960’s Surf / Hot Rod / Rockin’ Instro LP’s & 45’s Auction I’ve seen! Made for Radio Station KFXM in SAN BERNARDINO, CALIFORNIA with DEAR POTENTIAL BIDDERS: lots of local Southern California Surf bands!!! MB $200 It has been a year and a half since my last Surf/Instro auction. With Covid and restricted travel, it has taken a LONG time to put together a SUPER RARE decent Surf/Instro auction. Yes, there are some LP’s in this auction, some very rare and collectable LP’s, including The Satans’ “Raising Surf / Rockin’ Instro / Hell” — the ONLY COPY I’ve ever seen! Hot Rod 45’s The 45’s have two MEGA RARITIES — The Nodaens “Beach Girl” 16. Mike Adams And The Red Jackets — “So Blue/For Me And My Gal” MARCO on Gold and Mel Taylor And The Ventures on Toppa — both of 103 M- Produced by Herb Alpert and Lou Adler MB $20 these are LEGENDARY RARE and offered by me for the FIRST TIME 9. Unknown — “The Monster Album” 17. Al And Nettie — “San Francisco Twist/ in all my 45+ years in records! DCP INTERNATIONAL DCL 3805 M-/M- Now You Know” GEDINSON’S 6159 M- WHITE LABEL PROMO COPY, Radio MB $20 Station call letters are written on the front 18.
    [Show full text]
  • A Preferential Introduction to WESTERN MUSIC For
    A Preferential Introduction to WESTERN MUSIC for EFL Students VOCABULARY: band, artist, singer, composer, musician, instrument, instrumental, style, (sub)genre, rhythm, beat, melody, acoustic, electric, lyrics, lip-synch, album, Pop Charts /Top40, live music, concert, bootleg, teenybopper, boy band, "one-hit wonder", hit song/album, catchy, (Sth. gets) stuck in Sb.'s head, know Sth. by heart, (Be) into Sth., dig Sth., feel Vs. not feel Sth., record, vinyl, cassette tape, compact disc (CD), streaming service, MP3, playlist, mixtape, remix, round, verse, chorus, music snob, hipster, (music) scene, record label, collection VS. library, pretentious, backup band/singers Classical (Pre-20th Century): Includes subgenres baroque, renaissance, opera, etc. Some call more recent orchestral music "modern classical" or "avant-garde" farther below. Very serious stuff! Examples of composers: Mozart, Beethoven, Brahms, Handel, Bach, Chopin, Mendelsson, Mussorgsky, Ravel, Bizet, Grieg, Rachmaninoff,Coplin, Haydn,Strauss, Wagner, Tchaikovsky, Lizst, etc. A Cappella: The opposite extreme of orchestral music is made using only the human voice as an instrument. A cappella groups are very popular on college campuses and TV singing pageantry shows. The Youtube era has ensured every popular song has an a cappella version. Beatboxing is a percussive variation. Examples: Chanticleer, Hyperpotamus, Rockapella, and various "barbershop" groups. Easy Listening: Includes polkas, waltzes, "show tunes" (from vaudeville acts and musicals), lounge music, as well as some "new age", smooth jazz, and ambient music. Some refer to these styles as "background" music or disparagingly as "elevator" music. It is never loud, but many still find it annoying! Most U.S. cities have one or more radio stations which play these kinds of music, but they are usually on AM radio, not in "stereo" sound, and not listened to by young people.
    [Show full text]
  • FIDELITY 2/2013, the Wrecking Crew
    Warten auf das nächste Rotlicht Mitglieder der Wrecking Crew während einer Aufnahmepause icht immer ist das, was draufsteht, auch drin. Das gilt gleichermaßen Akkord- für Lebensmittel wie für Tonträger. In der Musikbranche war es durchaus schon vor dem Milli-Vanilli-Aufreger Ende der 80er Jahre Usus, dass eine Aufnahme nicht vom Interpreten selbst, sondern pas- N sagenweise oder sogar komplett von Studiomusikern Arbeiter eingespielt wird. Die fleißigen Musikarbeiter unter Kaum jemand kennt den Tage liefern auf Anforderung in höchster Qualität das, unglaublich talentierten Haufen was der Produzent hören will oder der Song erfordert. von Topmusikern, der auf Wahre Akkordarbeiter! zigtausend Platten zu hören ist: Die Szene der musikalischen Dienstleister im Studio- betrieb ist seit jeher ein echter „inner circle“. Offizielle The Wrecking Crew Eintrittskarten gibt es nicht, das Motto heißt: „Don’t call us, we call you!“ Glücklich darf sich schätzen, TEXT: BERNHARD GALLER wer weiterempfohlen wird, weil er die musikalischen BILDER: DENNY TEDESCO Schubladen schneller und besser zieht als andere. 122 FIDELITY-MAGAZIN.DE ROCKIDELITY THE WRECKING CREW (ohne Anspruch auf Vollständigkeit) Gitarre: Glen Campbell, Barney Kessel, Tommy Tedesco, Al Casey, Billy Strange, René Hall, James Burton, Jerry Cole, Ray Pohlman Saxofon: Steve Douglas, Jay Migliori, Jim Horn, Plas Johnson, Nino Tempo Trompete: Tony Terran, Ollie Mitchell, Chuck Findley Posaune: Lou Blackburn, Richard Hyde, Lew McCreary Keyboard: Leon Russell, Mac Rebennack, Don Randi, Larry Knechtel, Al De Lory, Mike Rubini Bass: Carol Kaye, Joe Osborn, Max Bennett, Chuck Berghofer, Ray Pohlman, Larry Knechtel Schlagzeug: Hal Blaine, Earl Palmer, Jim Gordon Percussion: Sonny Bono 35 000 Titeln beteiligt, und er war es auch, der seiner Clique ihren Spitznamen „The Wrecking Crew“ ver- passte – mehr dazu weiter unten.
    [Show full text]
  • Approaching Sound: a Sonicological Examination of the Producer's Role
    Approaching Sound: A Sonicological Examination of the Producer’s Role in Popular Music. Peter O’Hare Master of Philosophy (Research) University of Glasgow Faculty of Education June 2008 © Peter O’Hare June 2008 Contents Introduction 3 Chapter One History of Production Technology and Practice 7 Chapter Two Sonicology 13 Chapter Three The Role Of The Producer 23 Chapter Four Controlling The Sound 35 Chapter Five Case Study 1: Phil Spector 47 Chapter Six Case Study 2: Mike Stock 63 Chapter Seven Case Study 3: Steve Albini 75 Conclusion 87 Notes 90 Appendix 93 Bibliography 96 Discography 102 Glossary of technical terms 103 2 Introduction The recorded song has been the dominant carrier of popular music for the last 50 years, with recordings being relayed to the public through a variety of mediums (Radio, Television, and Internet) and numerous formats (vinyl, cassette tape, minidisk, MP3). As Frith points out “Twentieth-century popular music means the twentieth-century popular record” (1992: 50). The final recorded song is the end product of a recording process, a process that includes technical and creative input from a variety of personnel. These can include the artist, recording engineers, sound mixers and the record producer, what Hennion refers to as the “creative collective” (1990: 186). Additionally, Theberge notes that within this recording practice “The process of multitrack recording has become the primary mode of production in popular music” (2001: 11). Given this acknowledgement and the importance placed on the recording process it is surprising that there is still relatively little detailed academic research regarding the recording process, or those involved in it.
    [Show full text]
  • The Champ's Instrumental Songs "Train to Nowhere" & "Tequila"
    History of The Champs (1958-1960): References: http://www.sealsandcrofts.com/champs.html http://www.rockabillyhall.com/gvjohnny.html The Champ’s instrumental songs "Train to Nowhere" & "Tequila" were both written by Daniel Flores (aka "Chuck Rio" because he was under another contract with RPM records). "Tequila" was based on a stage vamp the Flores Trio {Dan Flores (sax, keyboards/singer), Gene Alden (Drums), Buddy Bruce (Guitar)} used to play. Cliff Hills was a session bass player on the recording of "Tequila". "Tequila" was essentially recorded as an afterthought at an instrumental recording session (organized by Dave Burgess) on December 23, 1957 at Goldstar Studios in Hollywood. It was done in three takes. "Tequila" hit number one on the pop charts on March 28, 1958. The Champs received a Grammy award for best instrumental song of 1958 for "Tequila". Original Champs band members (formed in aftermath of this recording)/ Original Champs band members *touring* lineup (Left to Right) were: Joe Burnas (Bass), Dave Burgess, aka "Dave Dupree" (soloist/singer/songwriter, rhythm guitar & Challenge Records executive), Gene Alden (Drums), Daniel Flores, aka "Chuck Rio" (Tenor Sax/keyboards/singer) and Dale Norris (lead guitar – {n.b. Buddy Bruce declined to go on tour}). The Champs tour in the first half of 1958 was a disaster, Burgess & Flores/Rio feuded w/ each other. Flores/Rio (Tenor Sax) and Alden (Drums) quit the band. They were replaced by young Jimmy Seals (Tenor Sax) and Dash Crofts (Drums). 1 Later that same year, Joe Burnas (Bass) was replaced by Van Norman, who died shortly thereafter in a car crash in November, 1958 - he was immediately replaced by Bob Morris.
    [Show full text]
  • Chanticleer-March-3-1988.Pdf
    The Chanticleer 15 No 18 Jacksonville State Universihr Jacksonville, AL 36265 March3,1988 1 Season ends prematurely By JEFFREY ROBINSON GSC tournament because ot the Chanticleer Senior Editor danger that it could violate NCAA The Jacksonville State University rules. According to Jones and ath- men's basketball team found out letic director Jerry Cole, JSU had earlier this week that they will not considered playing in the tour- be able to participate in the Gulf nament and appealing the rule, but South Conference tournament due to it was decided that this could cause a misunderstanding of an NCAA problems down the road. rule. Had Jacksonville State played in The problem deals with the the tournament, appealed the rule, number of games Jacksonville State and lost the appeal, there was a played during the regular season chance that the automatic bid to the this year. When planning this year's NCAA tournament which goes with basketball schedule, Jax State mis- the Gulf South Confemme refphr interpreted a rule in the NCAA season title could have been taken manual which they felt excluded the from the GSC for as many as two games played in a conference tour- years. Officials at JSU decided that ( A JSU student tests his design. See details and related pictures on Page 6. 1 nament from the maximum number taking a chance on the appeal was of games a team can play. The rule putting Jacksonville State and all of actually says that the games played the schools in the GSC in too much in a conference tournament do fig- jeopardy.
    [Show full text]