CORE Metadata, citation and similar papers at core.ac.uk Provided by Scholarship at UWindsor University of Windsor Scholarship at UWindsor Communication, Media & Film Publications Department of Communication, Media & Film 10-8-2018 Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy Leslie M. Meier University of Leeds Vincent R. Manzerolle University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/communicationspub Part of the Arts and Humanities Commons, Communication Technology and New Media Commons, and the Mass Communication Commons Recommended Citation Meier, Leslie M. and Manzerolle, Vincent R.. (2018). Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy. New Media & Society. https://scholar.uwindsor.ca/communicationspub/18 This Article is brought to you for free and open access by the Department of Communication, Media & Film at Scholarship at UWindsor. It has been accepted for inclusion in Communication, Media & Film Publications by an authorized administrator of Scholarship at UWindsor. For more information, please contact
[email protected]. Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy New Media & Society Authors Leslie M Meier, University of Leeds, UK (corresponding author,
[email protected]) Vincent R Manzerolle, University of Windsor, Canada Abstract This article examines the roles of platform-based distribution and user data in the digital music economy. Drawing on trade press, newspaper coverage, and a consumer privacy complaint, we offer a critical analysis of tech-music partnerships forged between Samsung and Jay-Z (2013), Apple iTunes Store and U2 (2014), Tidal and Kanye West (2016), and Apple Music and Drake (2017).