Pca 2019 Conference Program
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Amer Ic Anc in Ematographer • Ja Nuary 2 0 1 8
8 1 0 2 Y R A U N A J AMERICAN CINEMATOGRAPHER • JANUARY 2018 • THE SHAPE OF WATER – DARKEST HOUR – DOWNSIZING – CURB YOUR ENTHUSIASM – THE DISASTER ARTIST • VOL. 99 NO. 1 J A N U A R Y 2 0 1 8 V O L . 9 9 N O . 1 An International Publication of the ASC On Our Cover: Elisa (Sally Hawkins) shares a warm embrace with an amphibious creature (Doug Jones) in the feature The Shape of Water, shot by Dan Laustsen, ASC, DFF. (Image courtesy of Fox Searchlight Pictures.) FEATURES 36 The Shape of Water – Love on the Run 54 Dan Laustsen, ASC, DFF limns an unconventional romance 54 Darkest Hour – At All Costs Bruno Delbonnel, ASC, AFC paints a portrait of Churchill at war 68 Downsizing – Get Small Phedon Papamichael, ASC, GSC and a cohort of 68 collaborators size their craft to scale 80 Curb Your Enthusiasm – No Filter Patrick Alexander Stewart steps behind the camera for the series’ ninth season 90 The Disaster Artist – Burden of Dreams Brandon Trost captures the agony and ecstasy of creative ambition 80 DEPA R T M E N T S 14 Editor’s Note 16 President’s Desk 18 Shot Craft: Aspect ratios • Anamorphic • Super 35 • VistaVision 90 30 Short Takes: ASC Student Heritage Award winners 100 Post Focus: Expo 67 Live 106 New Products & Services 114 International Marketplace 115 Classified Ads 116 Ad Index 117 In Memoriam: Harry Stradling Jr., ASC 118 Clubhouse News 120 ASC Close-Up: Stephen McNutt — VISIT WWW.ASCMAG.COM — Love on the Run Dan Laustsen, ASC, DFF illuminates the depths of director Guillermo del Toro’s romantic creature feature The Shape of Water. -
Uradni List C 187 E Zvezek 51 Evropske Unije 24
ISSN 1725-5244 Uradni list C 187 E Zvezek 51 Evropske unije 24. julij 2008 Slovenska izdaja Informacije in objave Obvestilo št. Vsebina Stran IV Informacije INFORMACIJE INSTITUCIJ IN ORGANOV EVROPSKE UNIJE Evropski parlament ZASEDANJE 2007—2008 Seje: 3. september—6. september 2007 Ponedeljek, 3. september 2007 (2008/C 187 E/01) ZAPISNIK POTEK SEJE . 1 1. Nadaljevanje zasedanja . 1 2. Izjava predsednika . 1 3. Sprejetje zapisnika predhodne seje . 2 4. Predložitev dokumentov . 2 5. Sestava Parlamenta . 7 6. Sestava odborov in delegacij . 8 7. Podpis aktov, sprejetih v postopku soodločanja . 8 8. Predložitev skupnih stališč Sveta ............................................... 8 9. Posredovanje besedil sporazumov s strani Sveta . 8 10. Peticije . 9 11. Prerazporeditev sredstev . 14 12. Vprašanja za ustni odgovor in pisne izjave (predložitev).............................. 15 13. Nadaljnje obravnavanje stališč in resolucij Parlamenta . 16 14. Razpored dela . 16 15. Enominutni govori o zadevah političnega pomena . 16 SL (Nadaljevanje) Obvestilo št. Vsebina (nadaljevanje) Stran 16. Gozdni požari v Grčiji, njihove posledice in ugotovitve glede ukrepov za preprečevanje in opozarjanje (razprava) . 16 17. Boljša pravna ureditev – Boljša priprava zakonodaje 2005: načeli subsidiarnosti in sorazmernosti – Poenostavitev zakonodajnega okolja – Uporaba „mehkega prava“ (razprava) . 17 18. Poročilo o dejavnosti EURESa za obdobje 2004–2005: skupnemu evropskemu trgu dela naproti (razprava) . 18 19. Dnevni red naslednje seje . 19 20. Zaključekseje ............................................................ 19 SEZNAM NAVZOČIH .......................................................... 20 Torek, 4. september 2007 (2008/C 187 E/02) ZAPISNIK POTEK SEJE . 22 1. Otvoritev seje . 22 2. Razprava o primerih kršitev človekovih pravic, demokracije in načela pravne države (vloženi predlogi resolucij) . 22 3. Revizija enotnega trga (razprava) . 23 4. Statut družbe v zasebni lasti, pravo gospodarskih družb (razprava) . -
Youtube and the Vernacular Rhetorics of Web 2.0
i REMEDIATING DEMOCRACY: YOUTUBE AND THE VERNACULAR RHETORICS OF WEB 2.0 Erin Dietel-McLaughlin A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Kristine Blair, Advisor Louisa Ha Graduate Faculty Representative Michael Butterworth Lee Nickoson ii ABSTRACT Kristine Blair, Advisor This dissertation examines the extent to which composing practices and rhetorical strategies common to ―Web 2.0‖ arenas may reinvigorate democracy. The project examines several digital composing practices as examples of what Gerard Hauser (1999) and others have dubbed ―vernacular rhetoric,‖ or common modes of communication that may resist or challenge more institutionalized forms of discourse. Using a cultural studies approach, this dissertation focuses on the popular video-sharing site, YouTube, and attempts to theorize several vernacular composing practices. First, this dissertation discusses the rhetorical trope of irreverence, with particular attention to the ways in which irreverent strategies such as new media parody transcend more traditional modes of public discourse. Second, this dissertation discusses three approaches to video remix (collection, Detournement, and mashing) as political strategies facilitated by Web 2.0 technologies, with particular attention to the ways in which these strategies challenge the construct of authorship and the power relationships inherent in that construct. This dissertation then considers the extent to which sites like YouTube remediate traditional rhetorical modes by focusing on the genre of epideictic rhetoric and the ways in which sites like YouTube encourage epideictic practice. Finally, in light of what these discussions reveal in terms of rhetorical practice and democracy in Web 2.0 arenas, this dissertation offers a concluding discussion of what our ―Web 2.0 world‖ might mean for composition studies in terms of theory, practice, and the teaching of writing. -
Istar 2011 – Proceedings of the 5Th International I* Workshop
iStar 2011 – Proceedings of the 5th International i* Workshop 29-30 th August, 2011 Trento, Italy http://www.cin.ufpe.br/~istar11/ Jaelson Castro Xavier Franch John Mylopoulos Eric Yu (eds.) a CEUR Workshop Proceedings, ISSN 1613-0073 © 2011 for the individual papers by the papers' authors. Copying permitted for private and academic purposes. This volume is published and copyrighted by its editors. Index Preface Keynote talk. Governing Sociotechnical Systems. Munindar P. Singh , p. 1 Scientific Papers Session 1. Framework Evaluation 1. Eight Deadly Sins of GRL . Gunter Mussbacher, Daniel Amyot, Patrick Heymans , p. 2-7 2. iStarML: Principles and Implications. Carlos Cares , Xavier Franch , p. 8-13 3. Empirical Evaluation of Tropos4AS Modelling. Mirko Morandini, Anna Perini, Alessandro Marchetto , p. 14-19 Session 2. Model Analysis and Evaluation 4. Detecting Judgment Inconsistencies to Encourage Model Iteration in Interactive i* Analysis. Jennifer Horkoff, Eric Yu , p. 20-25 5. Towards a Declarative, Constraint-Oriented Semantics with a Generic Evaluation Algorithm for GRL. Hao Luo, Daniel Amyot , p. 26-31 6. A Flexible Approach for Validating i* Models. Ralf Laue, Arian Storch , p. 32-36 Session 3a. Ontologies and Foundations 7. Ontological Analysis of Means-End Links. Xavier Franch, Renata Guizzardi, Giancarlo Guizzardi, Lidia López , p. 37-42 8. Supporting i* Model Integration through an Ontology-based Approach. Karen Najera, Anna Perini, Alicia Martínez, Hugo Estrada , p. 43-48 9. The Mysteries of Goal Decomposition. Scott Munro, Sotirios Liaskos, Jorge Aranda , p. 49-54 Session 3b. Enterprise and Software Architectures 10. Development of Agent-Driven Systems: from i* Architectural Models to Intentional Agents Code. -
Ana Aragão, Toni Grilo, Space Inverters, Undandy
SÉRIE IV • ANO 12 • N.º 59 • JAN-FEV-MAR 2016 ENTREVISTAS Ana Aragão, arquiteta / ilustradora Toni Grilo, designer Space Inverters, design de ambientes Undandy, calçado personalizado TRIMESTRAL • N.º59 • €4,50 Lenny TRENDSETTER Fórmulas de sucesso Success formulae Quando a conjuntura internacional se apresen- When the international situation wasn’t particu- tava pouco propícia ao empreendedorismo, a larly favourable to entrepreneurialism, creativity criatividade e a capacidade de pensar out of the and the ability to think out of the box arrived in box chegaram em força para provar que adotar force to prove that adopting innovative formu- Cella Bar fórmulas inovadoras pode ser o segredo para o lae can prove the secret to success, even in SKETCH sucesso, mesmo em momentos adversos. E são difficult times. And it is these cases, made of 16 estes casos, feitos de perseverança e imagina- perseverance and imagination, which we bring ção, que lhe trazemos nesta edição. Casos como you in this issue. Cases such as that of Undandy, o da Undandy, plataforma portuguesa de calçado a Portuguese custom footwear platform, of the personalizado, do automóvel elétrico portu- Portuguese electric vehicle Veeco, which is set to guês Veeco, que deverá chegar brevemente às hit the road soon, of Space Inverters, a national estradas, da Space Inverters, empresa nacional company specialising in interior design, or of especialista em design de ambientes, ou da ar- architect Ana Aragão, who swapped designing quiteta Ana Aragão, que trocou os projetos para buildings for drawings illustrating imaginary construção por desenhos que ilustram cidades cities. It is success stories such as these, which imaginárias. -
Results of the Ontology Alignment Evaluation Initiative 2020⋆
Results of the Ontology Alignment Evaluation Initiative 2020? Mina Abd Nikooie Pour1, Alsayed Algergawy2, Reihaneh Amini3, Daniel Faria4, Irini Fundulaki5, Ian Harrow6, Sven Hertling7, Ernesto Jimenez-Ruiz´ 8;9, Clement Jonquet10, Naouel Karam11, Abderrahmane Khiat12, Amir Laadhar10, Patrick Lambrix1, Huanyu Li1, Ying Li1, Pascal Hitzler3, Heiko Paulheim7, Catia Pesquita13, Tzanina Saveta5, Pavel Shvaiko14, Andrea Splendiani6, Elodie Thieblin´ 15,Cassia´ Trojahn16, Jana Vatasˇcinovˇ a´17, Beyza Yaman18, Ondrejˇ Zamazal17, and Lu Zhou3 1 Linkoping¨ University & Swedish e-Science Research Center, Linkoping,¨ Sweden fmina.abd.nikooie.pour,patrick.lambrix,huanyu.li,[email protected] 2 Friedrich Schiller University Jena, Germany [email protected] 3 Data Semantics (DaSe) Laboratory, Kansas State University, USA fluzhou,reihanea,[email protected] 4 BioData.pt, INESC-ID, Lisbon, Portugal [email protected] 5 Institute of Computer Science-FORTH, Heraklion, Greece fjsaveta,[email protected] 6 Pistoia Alliance Inc., USA fian.harrow,[email protected] 7 University of Mannheim, Germany fsven,[email protected] 8 City, University of London, UK [email protected] 9 Department of Informatics, University of Oslo, Norway [email protected] 10 LIRMM, University of Montpellier & CNRS, France fjonquet,[email protected] 11 Fraunhofer FOKUS, Berlin, Germany [email protected] 12 Fraunhofer IAIS, Sankt Augustin, Germany [email protected] 13 LASIGE, Faculdade de Ciencias,ˆ Universidade de Lisboa, Portugal [email protected] 14 TasLab, Trentino Digitale SpA, Trento, Italy [email protected] 15 Logilab, France [email protected] 16 IRIT & Universite´ Toulouse II, Toulouse, France [email protected] 17 University of Economics, Prague, Czech Republic fjana.vatascinova,[email protected] 18 ADAPT Centre, Dublin City University, Ireland beyza.yamanadaptcentre.ie Abstract. -
Warming up to User-Generated Content
Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship January 2008 Warming Up to User-Generated Content Edward Lee IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Intellectual Property Law Commons Recommended Citation Edward Lee, Warming Up to User-Generated Content, 2008 U. Ill. L. Rev. 1459 (2008). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/358 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. LEE.DOC 9/3/2008 4:50:06 PM WARMING UP TO USER-GENERATED CONTENT Edward Lee* Conventional views of copyright law almost always operate from the “top down.” Copyrights are understood as static and fixed by the Copyright Act. Under this view, copyright holders are at the center of the copyright universe and exercise considerable control over their exclusive rights, with the expectation that others seek prior permission for all uses of copyrighted works outside of a fair use. Though pervasive, this conventional view of copyright is wrong. The Copyright Act is riddled with gray areas and gaps, many of which persist over time, because so few copyright cases are ever filed and the majority of those filed are not resolved through judgment. -
HELLBOY Production Notes
HELLBOY Production Notes All publicity materials can be downloaded at www.vvsfilmsmedia.com Username: media Password: vvsmedia1 PUBLICITY CONTACT Claire Peace-McConnell Head of Publicity and Promotions VVS Films [email protected] 416.929.8887 ext. 404 Genre: Action, horror, fantasy Rating: This film is not yet rated Release Date: April 12, 2019 Running Time: 120 minutes Cast: David Harbour, Milla Jovovich, and Ian McShane, Sasha Lane, Penelope Mitchell, with Daniel Dae Kim Directed by: Neil Marshall Written by: Andrew Cosby Based on the Dark Horse Comic Book "Hellboy" created by Mike Mignola Produced by: Lawrence Gordon, Lloyd Levin, Mike Richardson, Philip Westgren, Carl Hampe, John Thompson, Matt O’Toole, Les Weldon, Yariv Lerner Executive Producers: Christa Campbell, Jeffrey Greenstein, Lati Grobman, Marc Helwig SYNOPSIS: Hellboy is back, and he’s on fire. From the pages of Mike Mignola’s seminal work, this action packed story sees the legendary half-demon superhero (David Harbour, “Stranger Things”) called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue (Milla Jovovich, Resident Evil series), a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world. Hellboy also features Ian McShane (John Wick), Daniel Dae Kim (“Hawaii Five-0” and “Lost”), and Sasha Lane (American Honey). TRAILER: https://www.youtube.com/watch?v=5pTVSFceeS8 Official Site: https://hellboy.movie/ Facebook: https://www.facebook.com/hellboymovie/ Twitter: https://twitter.com/hellboymovie/ Instagram: https://www.instagram.com/hellboymovie/ Hashtags: #Hellboy Publicity Materials www.vvsfilmsmedia.com Username: media Password: vvsmedia1 VVS Films Social Channels: Facebook: https://www.facebook.com/vvsfilms Twitter: https://twitter.com/vvs_films Instagram: https://www.instagram.com/vvsfilms 2 Hellboy is back, and he’s on fire. -
El Hollywood: Alejandro González Iñarritu
EL HOLLYWOOD : ALEJANDRO GONZ ÁLEZ I ÑARRITU, ALFONSO CUAR ÓN, AND GUILLERMO DEL TORO By ANA-MARIA LUNGU Bachelor of Arts in Film Edinburgh Napier University Edinburgh, United Kingdom 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, 2018 EL HOLLYWOOD : ALEJANDRO GONZ ÁLEZ I ÑARRITU, ALFONSO CUAR ÓN, AND GUILLERMO DEL TORO Thesis Approved: Dr. Jeff Menne Thesis Adviser Dr. Stacy Takacs Dr. Graig Uhlin ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee, Dr. Jeff Menne, Dr. Stacy Takacs, and Dr. Graig Uhlin for their guidance throughout my time at Oklahoma State, especially during the thesis writing process. I would like to thank my colleagues Dillon Hawkins, Jared Ashburn, Skyler Osburn and my husband Jacob for their continuous support and their dedication to reading my work and providing helpful comments. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: ANA-MARIA LUNGU Date of Degree: AUGUST, 2018 Title of Study: THESIS Major Field: ENGLISH Abstract: The three Mexican filmmakers, Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro, dubbed The Three Amigos by scholar Deborah Shaw, have received a lot of critical attention in recent years. While the term Three Amigos and the scholarship that analyzes their early works from a transnational perspective seeks to other them and distinguish them from Hollywood, I argue that the three filmmakers did not depart from a place of difference, and that they embraced Hollywood filmmaking all along, from the beginning of their careers, to the most recent Academy Award recognitions. -
A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide. -
Translation Rights List
TRANSLATION RIGHTS LIST FICTION AUGUST 2021 O U R I M P R I N T S 2 T H E R I G H T S T E A M Kate Hibbert RightsDirector US, worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, and the Indian Subcontinent [email protected] Andy Hine RightsDirector Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] Sarah Birdsey Rights Manager France, Greece, Turkey, Hebrew and Arabic rights, and all of Eastern Europe except Poland. [email protected] Ruth Case-Green Rights Executive [email protected] Jessica Callaghan Rights Assistant [email protected] 3 C O N T E N T S Contemporary Fiction 5 Highlights THE RIVIERA HOUSE (page 8) HERE AGAIN NOW (page 10) THE PATRON SAINT OF SECOND CHANCES (page 12) Historical Fiction 14 Highlights THE HEMLOCK CURE (page 14) Literary Fiction 16 Crime, Mystery and Thriller 18 Highlights RABBIT HOLE (page 18) HOSTAGE (page 22) PAYDAY (page 24) Sci-Fi and Fantasy 26 Highlights THE JUSTICE OF KINGS (page 28) FAR FROM THE LIGHT OF HEAVEN (page 29) Titles in CAPITALS are published by Little, Brown, titles in Italics are not. 4 C o n t e m p o r a r y F i c t i o n The new novel from Daisy Buchanan, the queen of the unconventional love story. What's the most toxic love story in your CAREERING life... what about the one with your job? Harri has poured her life into her job at Panache magazine, losing friendships, the love of her life, and increasingly, her sanity. -
FOX SEARCHLIGHT PICTURES Presents A
FOX SEARCHLIGHT PICTURES Presents A DOUBLE DARE YOU Production A GUILLERMO DEL TORO Film SALLY HAWKINS MICHAEL SHANNON RICHARD JENKINS DOUG JONES MICHAEL STUHLBARG and OCTAVIA SPENCER DIRECTED BY ............................................................. GUILLERMO DEL TORO SCREENPLAY BY ....................................................... GUILLERMO DEL TORO & ....................................................................................... VANESSA TAYLOR STORY BY .................................................................... GUILLERMO DEL TORO PRODUCED BY ........................................................... GUILLERMO DEL TORO, p.g.a. ....................................................................................... J. MILES DALE, p.g.a. DIRECTOR OF PHOTOGRAPHY .............................. DAN LAUSTSEN, DFF PRODUCTION DESIGNER ......................................... PAUL DENHAM AUSTERBERRY FILM EDITOR .............................................................. SIDNEY WOLINSKY, ACE ASSOCIATE PRODUCER ........................................... DANIEL KRAUS VISUAL EFFECTS SUPERVISOR .............................. DENNIS BERARDI MUSIC BY .................................................................... ALEXANDRE DESPLAT COSTUME DESIGNER ............................................... LUIS SEQUEIRA CASTING BY ............................................................... ROBIN D. COOK, CSA www.foxsearchlight.com/press Rated R Running time 123 minutes Publicity Contacts: Los Angeles New York Regional