Zombie Apocalypse Written Response

Total Page:16

File Type:pdf, Size:1020Kb

Zombie Apocalypse Written Response Name_______________________________ Date__________Period____ Surviving a Zombie Apocalypse Creative Thinking & Writing Scenario: Greg Nicotero yells “cut” during filming of the Walking Dead in Senoia, Georgia. The director quickly realizes that his actors have become actual zombies. Quick thinking, he alerts Governor Kemp who alerts the president. In order to contain the virus, President Trump issues a state of emergency and closes Georgia’s borders. All borders are monitored. U.S. Navy patrols the coast. State militias man the borders. FAA has closed all airspace. All airports have been shut down. (30 points) Paragraph 1 • Where is your starting point? o school, home, etc. • How did you first learn about the Zombie Apocalypse? o TV, phone call, radio, etc. • Who will come with you? Are you going solo? o Think about your family, pets, friends, teachers, etc. • What will you bring? List a minimum of 10 survival items. Be specific food is scarce o food, clothing, shelter, blankets, weapons, tools, etc. • How will you get the survival items? o From your house, specific stores, etc. (20 points) Paragraph 2 • How will you get to your selected region of Georgia? o Study a map of Georgia o Specify your mode of transportation: bus/car/van/horse/motorcycle/bicycle/canoe/kayak/houseboat/motorboat o Specify major interstates, residential roads, rivers, etc. • Describe your travel experience: o Do you have any advantages or challenges? o Do you have to change course or mode of transportation for any reason? Explain. (30 points) Paragraph 3 • Which region is your ultimate destination? • Explain how you will use three specific push/pull factors to thwart the zombies and survive. • Now that you are in the region, what do you need to do to survive? (10 points)—Typed response & (10 points) Grammar & Mechanics—1 point deducted for every two errors .
Recommended publications
  • La Marche Des Morts
    1 La marche des morts Au commencement, il y avait un livre. Au commence- ment, il y a toujours un livre. Le comic book The Walking Dead paraît pour la première fois en 2003. D’abord pressenti pour être une bande dessinée de science-fiction sur fond d’invasion zombie et portant le joli nom de Dead Planet, le projet est revu et corrigé à maintes reprises. L’aspect SF est remisé au placard, et le cadre de l’histoire nous plonge dans une époque contemporaine, à ceci près qu’une épidémie galopante a transformé une très grande partie de l’humanité en zombies. Très vite, l’œuvre en noir et blanc remporte un énorme succès. Pensez donc, le premier numéro de la BD sorti en 2003 à seulement 7300 exemplaires est aujourd’hui vendu à plus de 10 000 euros. Les chiffres de vente donnent le vertige. Le numéro 100, édité avec 10 couvertures diffé- rentes, s’est vendu à près de 400 000 exemplaires rien qu’aux États-Unis. En France aussi, le phénomène TWD affole les compteurs. Tous les spécialistes le confirment : c’est le grand hit comics des 15 dernières années. Bien que 7 THE WALKING DEAD DÉCRYPTÉ TWD ne soit arrivé dans l’Hexagone qu’en 2007, chaque tome est aujourd’hui édité à plus de 100 000 exemplaires. Plus de 2 millions d’albums ont été écoulés en moins de 10 ans, et la licence représente près de la moitié des ventes de comics dans notre pays. Rien qu’en 2013, le numéro 1 a été acquis par plus de 50 000 curieux.
    [Show full text]
  • 1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
    29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form.
    [Show full text]
  • Creature Designers- the Frankenstein Complex Press Release.Indd
    31 Southampton Row, London WC1B 5HJ Tel: 0203 585 1396 Web: fetch.fm PRESS RELEASE Creature Designers: The Frankenstein Complex RELEASE INFORMATION Distributor Studiocanal “A wealth of pure ________________________________________________ Certifi cate 12 craftsmanship and magic” ________________________________________________ Release date 3rd October, 2016 Ain’t It Cool ________________________________________________ Extras Soundtrack / Designing On DVD from Monday 3rd Oct. 2016. the Opening Credits / A conversation with John Fast sell: Landis & Joe Dante / A conversation with Steve Like modern Frankensteins, special effects wizards create Johnson & John Vulich / life out of raw material, art and complex machinery, from Stills Gallery / Guillermo slavering werewolves to robots and zombies! Del Toro Masterclass This fascinating documentary, looking at the visionaries KEY TALENT INFORMATION responsible for some of cinema’s most fearsome and thrilling onscreen monsters, from King Kong climbing the Empire Director Gilles Penso / State through to the astonishing trickery of Terminator 2, is a Alexandre Poncet treat for creature feature fans and fi lm afi cionados alike. CONTACT/ORDER MEDIA Key talent: Thomas Hewson - [email protected] Rick Baker (Oscar-winning make up genius, An American Werewolf in London) Joe Dante (Director, Gremlin, The ‘Burbs) Guillermo del Toro (Director, Hellboy, Pacifi c Rim, Pan’s Labyrinth) Greg Nicotero (Special effects master, From Dusk Till Dawn, The Walking Dead, Kill Bill, Evil Dead 2) Steve Johnson (Creature designer, The Abyss) Gilles Penso/Alexandre Poncet (Directors, Ray Harryhausen: Special Effects Titan) Synopsis: From King Kong to Avatar, from Star Wars to Lord of the Rings, movie creatures have never been as popular as they are today! Yet the art of creating monsters for the big screen is as old as cinema itself..
    [Show full text]
  • Ultimate Movie Collectables London - Los Angeles
    Ultimate Movie Collectables London - Los Angeles Prop Store - London Office Prop Store - Los Angeles Office Great House Farm 9000 Fullbright Ave Chenies Chatsworth, CA 91311 Rickmansworth USA Hertfordshire Ph: +1 818 727 7829 WD36EP Fx: +1 818 727 7958 UK Contact: Ph: +44 1494 766485 Stephen Lane - Chief Executive Officer Fx: +44 1494 766487 [email protected] [INTRODUCTION] Prop Store Office: London Prop Store Office: Los Angeles How do you best serve your greatest passion in life? the pieces that they sought, but also establish the standards for finding, You make it your business. acquiring and preserving the props and costumes used in Hollywood’s most beloved films. In 1998, UK native Stephen Lane did just that. Stephen’s love for movies led him ENTER: THE PROP STORE OF LONDON to begin hunting for the same props and Stephen and his team came to market already looking beyond the business costumes that were used to create his of simply collecting and selling movie props. Instead, the Prop Store team favorite films. It was the early days of the set out like a band of movie archaeologists, looking to locate, research internet and an entire world of largely and preserve the treasure troves of important artifacts that hid in dark, isolated collectors was just beginning to sometimes forgotten corners all over the world. And it’s now thanks to come together. As Stephen began making Stephen’s vision and the hard work of his dedicated team that so many of friends and connections all over the world— film history’s most priceless artifacts have found their way into either the relationships that continue today—he loving hands of private collectors or, as one of Stephen’s greatest movie realized that he was participating in the explosion of a hobby that would heroes would say, “into a museum!” soon reach every corner of the globe.
    [Show full text]
  • This Year's Emmy Awards Noms Here
    FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17).
    [Show full text]
  • Arnold Goldman
    >>> INTERVIEW BY MATT ZIMMER THETHE MMONSTERONSTER MMAKERAKER FOR ALMOST TWO DECADES NOW, The Monster Makers— Arnold Goldman’s family-owned FX supply company based in Ohio—has been providing materials, inspiration, and hearty doses of guidance and encouragement to a wide cross-section of experienced FX pros and young artists alike. For Arnold and his wife Kimberly, the real joy in their business comes from helping people achieve their creative visions, especially when it comes to latex maskmaking. HorrorShow: Tell us about your early inspirations and how bronze figurines on display, and they reminded me of those it all got started for you. full-size bronzes from the museum. So, every year for my Arnold Goldman: Well, when I think back on how I got into birthday, my dad would buy me a few of these plastic-injected this industry, three things instantly come to mind: art, mon- armies-in-a-box that came all connected on tree sprues; and ster movies, and toy figures. And, beginning at around the age of course you’d have to break them apart from the sprues and of five or six, my parents could see that I had a knack for art, clean off the little bits of flashing before you could start having and they decided to foster those abilities by enrolling me in fun with them. Nonetheless, it was the way they were arranged classes at the Cleveland Museum of Art. For anyone who is not in the box that gave me a clue that there was some sort of pro- familiar with the museum here, it is a treasure trove of master- cess involved in making the figures.
    [Show full text]
  • Nomination Press Release
    Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros.
    [Show full text]
  • Un Anno Di Zapping Guida Critica Family Friendly Ai Programmi Televisivi STAGIONE TELEVISIVA - 2015/2016
    Osservatorio Media del Moige Movimento Italiano Genitori a cura di Elisabetta Scala Palmira Di Marco Francesco La Rosa un anno di zapping guida critica family friendly ai programmi televisivi STAGIONE TELEVISIVA - 2015/2016 prefazione di On. Antono Martusciello indice Prefazione 7 Marida Caterini Introduzione 9 Maria Rita Munizzi, Elisabetta Scala Legenda dei simboli 11 Schede di analisi critica dei programmi 13 Indice dei programmi 323 Glossario dei termini tecnici 335 Note professionali degli autori 337 5 prefazione Una stagione televisiva molto controversa punteggiata, troppo frequentemente, da imbarazzanti cadute di stile. Palinsesti costruiti per catturare la curiosità del pubbli- co facendo leva su istinti degradanti ma ritenuti forieri di audience e quindi appetibili agli investitori pubblicitari. La tv mostra un sensibile e progressivo deterioramento dei valori etici, meno attenta al rispetto per i telespettatori e, soprattutto, per i minori. Fortunatamente, uno spiraglio esiste. E la speranza che si possa invertire il trend, fidando in un piccolo schermo a misura di famiglia, diventa visibile come un faro nella nebbia. Un anno di zapping ha, da sempre, il compito di analiz- zare i palinsesti individuando i meriti e la qualità dei pro- grammi, delle fiction, degli spot pubblicitari, dei talk show, dell’informazione e dell’intrattenimento in tutti i settori. Un lavoro lungo un anno, mai fazioso, attento e gratifi- cante, pronto a indicare la strada giusta per un’inversio- ne di tendenza verso una tv propositiva per un pubblico trasversale. Un lavoro che conosco da vicino nel quale io stessa sono stata impegnata lo scorso anno. La famiglia è la maggior fruitrice del piccolo schermo sia nelle forma convenzionale, ancora in grado di riunire tut- ti dinanzi al vecchio caro elettrodomestico, sia nella sua evoluzione resa possibile dalle nuove tecnologie.
    [Show full text]
  • The Zen of Daryl: a New Masculinity Within AMC's the Walking Dead
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-12-2015 The Zen of Daryl: A New Masculinity within AMC's The alW king Dead Sarah Jane Mulvey Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Broadcast and Video Studies Commons, and the Critical and Cultural Studies Commons Recommended Citation Mulvey, Sarah Jane. (2015). The Zen of Daryl: A New Masculinity within AMC's The alW king Dead. In BSU Honors Program Theses and Projects. Item 104. Available at: http://vc.bridgew.edu/honors_proj/104 Copyright © 2015 Sarah Jane Mulvey This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Zen of Daryl: A New Masculinity Within AMC’s The Walking Dead Sarah Jane Mulvey Submitted in Partial Completion of the Requirement of Departmental Honors in Communication Studies Bridgewater State University May 12, 2015 Dr. Jessica Birthisel, Thesis Director Dr. Jason Edwards, Committee Member Dr. Maria Hegbloom, Committee Member Mulvey 2 Chapter 1: Post-Apocalyptic Entertainment As New American Past-Time AMC’s The Walking Dead (TWD) is a pop culture phenomenon that reaches millions of viewers each week, ranging in age from 18 to 50 years old. Chronicling the trials and tribulations of a fictional group of survivors within a horror-fueled post-apocalyptic America, The Walking Dead follows in a long line of zombie- centered texts that reveal some of society’s deepest anxieties: the threat of overwhelming disease, the fall of societal infrastructure, and the breakdown of ideologies that we live our daily lives by.
    [Show full text]
  • 2012 Promax North America
    2012 PROMAXBDA PROMOTION & MARKETING NORTH AMERICA AWARDS WINNERS LIST MARKETING TEAM OF THE YEAR – IN HOUSE FX NETWORK CREATIVE AGENCY OF THE YEAR – OUT OF HOUSE BPG RON SCALERA ROCKET AWARD JEFF PINILLA CINEMATIC SPECIFIC PROMOS AT THE MOVIES GOLD GETTYSBURG ‐ CINEMA HISTORY VP OF CREATIVE: KRISTA LINEY DIRECTOR OF STRATEGY: SAEVAR HALLDORSSON SR. CREATIVE DIRECTOR: PABLO PULIDO PRODUCER FOR HISTORY: PABLO PULIDO DESIGN & PRODUCTION CO: METAPHRENIE CREATIVE DIRECTOR: ANDREA DIONISIO PRODUCER: ELAINA PORTER 2D ARTISTS: GIUSEPPE AMBROSIO 2D ARTISTS: MICHAEL OLEA 3D ARTISTS: AMR MOHAMMED ABDELHAMED 3D ARTISTS: RAYJOHN FERNANDEZ EDITOR: ANDREA DIONISIO MUSIC EDITING AND SOUND DESIGN: BLAKE ALTHEN SILVER BAG OF BONES TEASER A&E TELEVISION NETWORKS SVP MARKETING: GUY SLATTERY VP BRAND CREATIVE: VALERIE ALBANESE CREATIVE DIRECTOR BRAND CREATIVE: MARIA PECORARO SENIOR PRODUCER BRAND CREATIVE: JOSE LEIVA DIRECTOR: RAMA ALLEN AGENCY: BLT COMMUNICATIONS PRODUCTION COMPANY: THE MILL NY SILVER VIETNAM IN HD ‐ CINEMA HISTORY VP OF CREATIVE: KRISTA LINEY DIRECTOR OF STRATEGY: SAEVAR HALLDORSSON CREATIVE DIRECTOR: KIM FERRARO WRITER/PRODUCER: ERIK BLAIR AUDIO: JOHN TERELLE EDITING: JESS GEORGE EDITING: MATT RABINOWITZ EDITING: BILL JOHNSON GRAPHICS: CURT NEUMANN BRONZE SWAMP PEOPLE S2 ‐ CINEMA HISTORY VP OF CREATIVE: KRISTA LINEY DIRECTOR OF STRATEGY: SAEVAR HALLDORSSON CREATIVE DIRECTOR: MIKE SCALERE DIRECTOR: STEVEN F. MOYER PRODUCER: OUALID MOUANESS DP: STEVE MOYER POST PRODUCER: SHASA ROGERS EDITOR: BILL JOHNSON GRAPHIC COMPANY: CURT NEUMANN VOICE
    [Show full text]
  • Academy of Motion Picture Arts and Sciences
    Academy of Motion Picture Arts and Sciences Reminder List of Eligible Releases for Distinguished Achievements during 2006 http://www.oscars.org/79academyawards/reminder/ Reminder List of Productions Eligible for Awards All films that have qualified for consideration for 2006 Academy Awards in the non-specialized categories are listed alphabetically by title. Voters making selections in their own branch categories list only film titles on their ballots, not the individuals responsible for the various achievements. For that reason, as well as for reasons of printing time and convenience of using this pamphlet, full credit rosters are not provided for the listed films. An exception to the above exists in the four Acting categories, where simply listing titles would not provide enough voting information. Actors Branch members filling out their Nominations ballots must indicate both titles and the particular performers they are voting for. For that reason, the Reminder List provides a listing of up to fifty cast members for each film. Pictures eligible in the Animated Feature Film, Documentary Feature and Foreign Language Film categories are also eligible in the Best Picture category, provided they meet the qualifications for the category. Foreign Language films are eligible for awards in other categories provided they meet the requirements of Awards Rules Two and Three. Copyright © 2006 by the Academy of Motion Picture Arts and Sciences Oscar statuette copyright 1941 by, and registered trademark of, Academy of Motion Picture Arts and Sciences. All rights reserved. ISBN 0-942102-49-5 First published in 2006 Printed in the United States of America ABOMINABLE Matt McCoy.
    [Show full text]
  • OUTSTANDING MAKEUP for a SINGLE-CAMERA SERIES (NON- PROSTHETIC) Boardwalk Empire: "New York Sour" (HBO) Michele Paris
    OUTSTANDING MAKEUP FOR A SINGLE-CAMERA SERIES (NON- PROSTHETIC) Boardwalk Empire: "New York Sour" (HBO) Michele Paris, department head makeup artist Steven Lawrence, key makeup artist Anette Lian-Williams, key makeup artist Breaking Bad: "Ozymandias" (AMC) Tarra Day, department head makeup artist Corey Welk, key makeup artist Game Of Thrones: "Oathkeeper" (HBO) Jane Walker, department head makeup artist Ann McEwan, makeup artist Mad Men: "The Runaways" (AMC) Lana Horochowski, department head makeup artist Ron Pipes, key makeup artist Ken Neiderbaumer, makeup artist Maurine Burke, additional makeup artist Jen Greenberg, additional makeup artist True Detective: "The Secret Fate Of All Of Life" (HBO) Felicity Bowring, department head makeup artist Wendy Bell, key makeup artist Ann Pala, makeup artist Kim Perrodin, makeup artist Linda Dowds, personal makeup artist OUTSTANDING MAKEUP FOR A MULTI-CAMERA SERIES OR SPECIAL (NON-PROSTHETIC) Dancing With the Stars: "Episode 1703" (ABC) Zena Shteysel, department head makeup artist Angela Moos, key makeup artist Patti Bortoli, additional makeup artist Barbara Fonte, additional makeup artist Sarah Woolf, additional makeup artist Julie Socash, additional makeup artist Key & Peele: "East/West Bowl Rap" (Comedy Central) Scott Wheeler, department head makeup artist Suzy Diaz, key makeup artist David L. Anderson, makeup artist Georgia Allen, makeup artist Saturday Night Live: "Host: Jimmy Fallon" (NBC) Louie Zakarian, department head makeup artist Amy Tagliamonti, additional makeup artist Sara Egan, additional
    [Show full text]