The Grand Budapest Hotel
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JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
2017 Information & Record Book
2017 INFORMATION & RECORD BOOK OWNERSHIP OF THE CLEVELAND INDIANS Paul J. Dolan John Sherman Owner/Chairman/Chief Executive Of¿ cer Vice Chairman The Dolan family's ownership of the Cleveland Indians enters its 18th season in 2017, while John Sherman was announced as Vice Chairman and minority ownership partner of the Paul Dolan begins his ¿ fth campaign as the primary control person of the franchise after Cleveland Indians on August 19, 2016. being formally approved by Major League Baseball on Jan. 10, 2013. Paul continues to A long-time entrepreneur and philanthropist, Sherman has been responsible for establishing serve as Chairman and Chief Executive Of¿ cer of the Indians, roles that he accepted prior two successful businesses in Kansas City, Missouri and has provided extensive charitable to the 2011 season. He began as Vice President, General Counsel of the Indians upon support throughout surrounding communities. joining the organization in 2000 and later served as the club's President from 2004-10. His ¿ rst startup, LPG Services Group, grew rapidly and merged with Dynegy (NYSE:DYN) Paul was born and raised in nearby Chardon, Ohio where he attended high school at in 1996. Sherman later founded Inergy L.P., which went public in 2001. He led Inergy Gilmour Academy in Gates Mills. He graduated with a B.A. degree from St. Lawrence through a period of tremendous growth, merging it with Crestwood Holdings in 2013, University in 1980 and received his Juris Doctorate from the University of Notre Dame’s and continues to serve on the board of [now] Crestwood Equity Partners (NYSE:CEQP). -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
La Marche Des Morts
1 La marche des morts Au commencement, il y avait un livre. Au commence- ment, il y a toujours un livre. Le comic book The Walking Dead paraît pour la première fois en 2003. D’abord pressenti pour être une bande dessinée de science-fiction sur fond d’invasion zombie et portant le joli nom de Dead Planet, le projet est revu et corrigé à maintes reprises. L’aspect SF est remisé au placard, et le cadre de l’histoire nous plonge dans une époque contemporaine, à ceci près qu’une épidémie galopante a transformé une très grande partie de l’humanité en zombies. Très vite, l’œuvre en noir et blanc remporte un énorme succès. Pensez donc, le premier numéro de la BD sorti en 2003 à seulement 7300 exemplaires est aujourd’hui vendu à plus de 10 000 euros. Les chiffres de vente donnent le vertige. Le numéro 100, édité avec 10 couvertures diffé- rentes, s’est vendu à près de 400 000 exemplaires rien qu’aux États-Unis. En France aussi, le phénomène TWD affole les compteurs. Tous les spécialistes le confirment : c’est le grand hit comics des 15 dernières années. Bien que 7 THE WALKING DEAD DÉCRYPTÉ TWD ne soit arrivé dans l’Hexagone qu’en 2007, chaque tome est aujourd’hui édité à plus de 100 000 exemplaires. Plus de 2 millions d’albums ont été écoulés en moins de 10 ans, et la licence représente près de la moitié des ventes de comics dans notre pays. Rien qu’en 2013, le numéro 1 a été acquis par plus de 50 000 curieux. -
This Cover and Their Final Version Extended
then this cover and their final version extended and whether it is group 1 or Peterson :_:::_.,·. ,_,_::_ ·:. -. \")_>(-_>·...·,: . .>:_'_::°::· ··:_-'./·' . /_:: :·.·· . =)\_./'-.:":_ .... -- __ · ·, . ', . .·· . Stlpervisot1s t~pe>rt ~fld declaration J:h; s3pervi;o(,r;u~f dompietethisreport,. .1ign .the (leclaratton andtfien iiv~.ihe pna:1 ·tersion·...· ofth€7 essay; with this coyerattachedt to the Diploma Programme coordinator. .. .. .. ::,._,<_--\:-.·/·... ":";":":--.-.. ·. ---- .. ,>'. ·.:,:.--: <>=·. ;:_ . .._-,..-_,- -::,· ..:. 0 >>i:mi~ ~;!~;:91'.t~~~1TAt1.tte~) c P1~,§.~p,rmmeht, ;J} a:,ir:lrapriate, on the candidate's perforrnance, .111e. 9q1Jtext ·;n •.w111ctrth~ ..cahdtdatei:m ·.. thft; J'e:~e,~rch.·forf fle ...~X: tendfKI essay, anydifflcu/ties ef1COUntered anq ftCJW thes~\WfJ(fj ()VfJfCOfflf! ·(see .· •tl1i! ext~nciede.ssay guide). The .cpncl(ldipg interview .(vive . vope) ,mt;}y P.fOvidtli .US$ftJf .informf.ltion: pom1r1~nt~ .can .flelp the ex:amr1er award.a ··tevetfot criterion K.th9lisJtcjudgrpentJ. po not. .comment ~pverse personal circumstan9~s that•· m$iiybave . aff.ected the candidate.\lftl'1e cr.rrtotJnt ottime.spiimt qa;ndidate w~s zero, Jt04 must.explain tf1is, fn particular holft!1t was fhf;Jn ppssible .to ;;1.uthentic;at? the essa~ canciidaJe'sown work. You rnay a-ttachan .aclditfonal sherJtJf th.ere isinspfffpi*?nt f pr1ce here,·.···· · Overall, I think this paper is overambitious in its scope for the page length / allowed. I ~elieve it requires furt_her_ editing, as the "making of" portion takes up too ~ large a portion of the essay leaving inadequate page space for reflections on theory and social relevance. The section on the male gaze or the section on race relations in comedy could have served as complete paper topics on their own (although I do appreciate that they are there). -
Fictional Images of Real Places in Philadelphia
598 CONSTRUCTING IDENTITY Fictional Images of Real Places in Philadelphia A. GRAY READ University of Pennsylvania Fictional images ofreal places in novels and films shadow the city as a trickster, doubling its architecture in stories that make familiar places seem strange. In the opening sequence of Terry Gilliam's recent film, 12 Monkeys, the hero, Bruce Willis,rises fromunderground in the year 2027, toexplore the ruined city of Philadelphia, abandoned in late 1997, now occupied by large animals liberated from the zoo. The image is uncanny, particularly for those familiar with the city, encouraging a suspicion that perhaps Philadelphia is, after all, an occupied ruin. In an instant of recognition, the movie image becomes part of Philadelphia and the real City Hall becomes both more nostalgic and decrepit. Similarly, the real streets of New York become more threatening in the wake of a film like Martin Scorcese's Taxi driver and then more ironic and endearing in the flickering light ofWoody Allen's Manhattan. Physical experience in these cities is Fig. 1. Philadelphia's City Hall as a ruin in "12 Monkeys." dense with sensation and memories yet seized by references to maps, books, novels, television, photographs etc.' In Philadelphia, the breaking of class boundaries (always a Gilliam's image is false; Philadelphia is not abandoned, narrative opportunity) is dramatic to the point of parody. The yet the real city is seen again, through the story, as being more early twentieth century saw a distinct Philadelphia genre of or less ruined. Fiction is experimental life tangent to lived novels with a standard plot: a well-to-do heir falls in love with experience that scouts new territories for the imagination.' a vivacious working class woman and tries to bring her into Stories crystallize and extend impressions of the city into his world, often without success. -
The Work of the Critic
CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
88Th Oscars® Nominations Announced
MEDIA CONTACT Natalie Kojen [email protected] January 14, 2016 FOR IMMEDIATE RELEASE 88TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 23, at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all 24 categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. -
1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
No More 2 X 3.5" Ad Kerry Washington Stars in the Series Finale of “Scandal” Thursday on ABC
2 x 2" ad 2 x 2" ad April 13 - 19, 2018 D A N E R A S C T H D B S P L 2 x 3" ad L M W Q I H U I L A K X C I T Your Key F X G N N O B L R V H S N K R To Buying R O C Y I M U Z H R W E I L F 2 x 3.5" ad V M I B R Y A N Z Y O B V S W and Selling! Q U G T E R I T N E C M A Y M S L F C L T E N T K H G L X B A L D P L Q J X D M E Q P G Y J E X C A F T E H V S X W M E W B A O B R O S N A N J E K L P E U G E Z K I R W E B T N X H T N B E N T L E Y Y T Y A H E N M Q R E Q N K G E M P B P G A L D E A N D F H Z U I R M L V U A W J V Z R X A W D U N 53rd Academy Of Country Music Awards on CBS (Words in parentheses not in puzzle) Place your classified (Miranda) Lambert (Luke) Bryan (Keith) Urban Solution on page 13 ad in the Waxahachie Daily (Reba) McEntire (Kenny) Chesney (Bebe) Rexha 2 x 3" ad Light, Midlothian1 x Mirror 4" ad and (Jason) Aldean (Lady) Antebellum (Florida Georgia) Line Ellis County Trading Post! Word Search (Kelsea) Ballerini (Maren) Morris (Las) Vegas (Dierks) Bentley (Thomas) Rhett (MGM Grand Garden) Arena Call (972) 937-3310 © Zap2it A ‘Scandal’ no more 2 x 3.5" ad Kerry Washington stars in the series finale of “Scandal” Thursday on ABC.