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Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
An Evening with Savion Glover & Jack Dejohnette
Co-present AN EVENING WITH SAVION GLOVER & JACK DEJOHNETTE Savion Glover Tap Dancer Jack DeJohnette Drums Featuring George Colligan Piano Jerome Harris Bass Marshall Davis, Jr. Tap Dancer Monday, June 20 & Tuesday, June 21 at 8:00pm Page Auditorium Performance: 90 minutes, including intermission and pause Savion Glover with Marshall Davis, Jr. INTERMISSION Jack DeJohnette and his Trio PAUSE Savion Glover with Jack DeJohnette and full company SAVION GLOVER Savion Glover is a Tony Award-winning choreographer and legendary hoofer whose career has spanned four decades. He began his Broadway stage career as The Tap Dance Kid, and continued with Black and Blue, Jelly's Last Jam, and his unprecedented award-winning Bring in da Noise Bring in da Funk, which garnered him a Tony Award for Best Choreography. He choreographed the multiple Tony Award nominee and Broadway sensation Shuffle Along with his longtime collaborator George C. Wolfe. In addition to his extensive Broadway career as a performer and choreographer, Savion has created many tap shows that tour worldwide including Bare Soundz, Classical Savion, OM, StepZ, Solo in Time, Sole Sanctuary, Improvography, Footnotes, and Savion Glover's Holiday Spectacular. In addition to creating his ongoing body of work, Savion has enjoyed performing worldwide with jazz legends including McCoy Tyner, Roy Haynes, and Jack DeJohnette. Mr. Glover's film credits include Tap, starring Gregory Hines and Sammy Davis, Jr.; Spike Lee's Bamboozled, and George Miller's Happy Feet and Happy Feet Two. He has appeared on television in commercials for Nike and is a longstanding performer on Sesame Street. As a child, Glover was privileged to dance with and be guided by the great Bunny Briggs, Buster Brown, Lon Chaney, Gregory Hines, Sammy Davis, Jr., Jimmy Slyde and Diane Walker. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
JACK Dejohnette NEA Jazz Master (2112)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACK DeJOHNETTE NEA Jazz Master (2112) Interviewee: Jack DeJohnette (August 9, 1942 - ) Interviewer: Dr. Anthony Brown with sound engineer Ken Kimery Date: November, 10-11th, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 107 Brown: Today is November 10th, 2011, and this is The Smithsonian Oral History Interview with NEA Jazz Master, percussionist, pianist, bandleader, composer, arranger, educator, and my hero, Jack DeJohnette, in his house in Silver Hollow, Upstate New York. How are you doing today, Mr. DeJohnette? DeJohnette: I'm doing great! Brown: Great, great. DeJohnette: Great. Brown: If we could start the interview by you stating your full name, full birth name, birthplace and birth date? DeJohnette: Okay. Jack DeJohnette…born in Chicago, Illinois in the county of Cook, August 9th, 1942. Brown: And if you could tell us the names of your parents. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 DeJohnette: Yeah, my mother's name was Eva Jeanette Wood and my father's name is Jack DeJohnette Sr. in that case. Brown: Oh, so you're a Jr.? DeJohnette: Yeah, I'm a Jr. Brown: No middle name? DeJohnette: No. Brown: And do you know where your parents are originally from? DeJohnette: Yeah, my mother was from Lionel, Georgia. My father was from Oak Ridge, Louisiana. Brown: And did they meet and marry in Chicago, do you know anything about that? DeJohnette: Mm-hmm. -
Jack Dejohnette Pictures Mp3, Flac, Wma
Jack DeJohnette Pictures mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pictures Country: Germany Style: Contemporary Jazz MP3 version RAR size: 1259 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1834 mb Rating: 4.5 Votes: 963 Other Formats: AU MOD AA DTS MMF VOX XM Tracklist Hide Credits Picture 1 1 4:48 Composed By – Jack DeJohnette Picture 2 2 7:57 Composed By – Jack DeJohnette Picture 3 3 5:13 Composed By – Jack DeJohnette, John Abercrombie Picture 4 4 5:21 Composed By – Jack DeJohnette Picture 5 5 6:05 Composed By – Jack DeJohnette Picture 6 6 7:52 Composed By – Jack DeJohnette Companies, etc. Phonographic Copyright (p) – ECM Records Copyright (c) – ECM Records Recorded At – Talent Studio Credits Drums, Piano, Organ – Jack DeJohnette Electric Guitar, Acoustic Guitar – John Abercrombie (tracks: 3 to 5) Engineer – Jan Erik Kongshaug Layout – Dieter Bonhorst Photography By [Cover Photo] – Roberto Masotti Producer – Manfred Eicher Notes Recorded February 1976 Talent Studio, Oslo An ECM Production ©℗ 1977 ECM Records Barcode and Other Identifiers Barcode: 7 31451 92842 0 Rights Society: GEMA Label Code: LC 2516 SPARS Code: AAD Other versions Title Category Artist Label Category Country Year (Format) ECM ECM 1079, 2301 Jack Pictures (LP, ECM 1079, 2301 Records, Germany 1977 079 DeJohnette Album) 079 ECM Records ECM ECM 1079, 2301 Jack Pictures (LP, ECM 1079, 2301 Records, US 1977 079 DeJohnette Album, Promo) 079 ECM Records Jack ECM-1-1079 Pictures (LP) ECM Records ECM-1-1079 US 1977 DeJohnette ECM ECM 1079, 519 -
Poetry Issue Spring 2012
WORKS WO RD Poetry Issue Spring 2012 contents Spring 2012 Poetry Issue Alex Waterhouse Hayward COVER STORY Feature interview with poet Evelyn Lau by Daniela Elza “I remember starting out and how hungry I was for some guidance, some direction 18 from a published writer—the opportunity to connect with them even briefly...” FEATURES Heidi Greco Daniela Elza 06 Is poetry alive and well in BC? 30 Where the any-angled You’ll see light congregates His poems look up at him Tom Wayman like prisoners in isolation 08 Everything that rises cells and they rattle tin cups must converge back and forth on the metal What will happen when 30 bars poets & writers sit around the Bonnie Nish large fireplace of a retreat 36 centre deep in the Selkirk Pandora’s turns 10 Mountains considering the And there was cake political in Canadian writing? Sheila Peters 39 Sean Arthur Joyce Put on your all-weather gear 11 Poets Against War Canada Gillian Wigmore and Dirt of the Ages He’d had enough. He had to do something Elee Kraljii Gardiner 42 The Stanza Project Christine Leclerc “Wordsquatting” in Vancouver’s Downtown East Side 14 The pipeline is over What ensues when a poet chains herself to a door in the Kim Goldberg Enbridge Northern Gateway Pipelines office? 44 The Way of the Poet-Warrior Bif! Bam! Bop! How Liuhebafa, an Renée Sarojini Saklikar ancient Chinese martial art, 28 about thecanadaproject: a self/catechism transformed Kim into a poet 1 contents Spring 2012 POEMS NEWS FROM THE FED Jas Duke Poetry Issue 09 Market forces 03 Theme issue editor’s intro This -
October 2003
• CHARLIE BENANTE • TRAPT • PEARL FIRECRACKERS • JACKJACK DDEEJOHNETTEJOHNETTE CCHANGINGHANGING DDIRECTIONSIRECTIONS SSCOTTCOTT UUNDERWOODNDERWOOD TTRACKINGRACKING WWITHITH TTRAINRAIN TTOMMYOMMY SSICKLESICKLES OFF NOTHINGFACEOTHINGFACE WIN! O N Super Gear From Smith Drums, RROBOB BBOURDONOURDON Sabian Cymbals, LINKININKIN PARKARK CHARTHART Gibraltar Hardware, L P C and Evans Heads YYAMAHAAMAHA’’SS AABSOLUTEBSOLUTE NNOUVEAUOUVEAU KKITIT $4.99US $6.99CAN 10 MDMD F FESTEST 20032003 MMONSTERONSTER PPLAYERSLAYERS && MMASSIVEASSIVE KKITSITS!! 0 74808 01203 9 Contents ContentsVolume 27, Number 10 Jazz Legend Jack DeJohnette Jack DeJohnette has remained one of the world’s premier drummers by always looking forward, and never losing the passion. Oh, and by playing some of the most uniquely beautiful music on the drums ever. by Ken Micallef 38 Paul La Raia Train’s UPDATE 22 Scott Underwood 54 Charlie Benante While fans discuss Train’s “new direction,” followers of Scott of Anthrax Underwood know at least one thing is beyond debate: That’s one helluva player behind the kit. by David John Farinella Sam McCandless of Cold Paul La Raia Stix Hooper of The Crusaders Modern Drummer’s 66 Festival Weekend 2003 J.R. Conners The MD Fest turned Sweet Sixteen this year. How sweet? Check of Cave In the lineup: Steve Smith, Airto, Mike Portnoy, Shawn Pelton, Nick D’Virgilio, Antonio Sanchez, Matt Wilson, Nathaniel Townsley, The Drumbassadors, Hip Pickles, and the two hottest “undiscovered” Stan Frazier drummers around. Yeah, that’s sweet. of Sugar Ray by T. Bruce Wittet Alex Solca Playback 120 Tommy Sickles Aerosmith’s Of Nothingface 130 Joey Kramer Every now and then, a drum roadie seizes that once-in-a-lifetime Everything old is new again, at least on opportunity of replacing the drummer he schleps for. -
Multilingual Metal Music EMERALD STUDIES in METAL MUSIC and CULTURE
Multilingual Metal Music EMERALD STUDIES IN METAL MUSIC AND CULTURE Series Editors: Rosemary Lucy Hill and Keith Kahn-Harris International Editorial Advisory Board: Andy R. Brown, Bath Spa University, UK; Amber Clifford-Napleone, University of Central Missouri, USA; Kevin Fellezs, Columbia University, USA; Cynthia Grund, University of Southern Denmark, Denmark Gérôme Guibert, Université Sorbonne Nouvelle, France; Catherine Hoad, Macquarie University, Australia; Rosemary Overell, Otago University, New Zealand; Niall Scott, University of Central Lancashire, UK; Karl Sprack- len, Leeds Beckett University, UK; Heather Savigny, De Montfort University, UK; Nelson Varas-Diaz, Florida International University, USA; Deena Wein- stein, DePaul University, USA Metal Music Studies has grown enormously over the last 8 years from a hand- ful of scholars within Sociology and Popular Music Studies, to hundreds of active scholars working across a diverse range of disciplines. The rise of interest in heavy metal academically reflects the growth of the genre as a normal or con- tested part of everyday lives around the globe. The aim of this series is to provide a home and focus for the growing number of monographs and edited collections that analyse heavy metal and other heavy music; to publish work that fits within the emergent subject field of metal music studies; that is, work that is critical and inter-disciplinary across the social sciences and humanities; to publish work that is of interest to and enhances wider disciplines and subject fields across social sciences and the humanities; and to support the development of early career researchers through providing opportunities to convert their doctoral theses into research monographs. -
Le Ricette Ei Dischi Di Lupi E Lepri Pollastrello Al
Le ricette e i dischi di Lupi e Lepri Pollastrello al Barbecue Musica di cottura Artista: Count Basie Album: Breakfast Dance and Barbecue (1959) Aiuto cuoco: Joe Williams http://www.youtube.com/watch?v=AIDEmzuBYyQ Pollastrello alla Michel Legrand Musica di cottura Artista: Michel Legrand Album: Legrand Jazz (1958) Aiuto cuoco: Miles a!is" John Coltrane" Bill #!ans" $ank Jones" Art &armer" 'aul Chambers" Ben Webster e chi (i) ne ha (i) ne metta http://www.youtube.com/watch?v=E892Xnnr-xA Pollo al cartoccio con pugno complice nello stomaco di Charlie Parker Musica di cottura Artista: Charlie 'arker Album: Charlie Parker (1947-1953) Aiuto cuoco: Buddy Rich" Ma0 /oach" 'ercy $eath" 1eddy 2otick, $ank Jones" Al $aig e (ersino Coleman $a3kins http://www.youtube.com/watch?v=ADTJOZzz0ME Pollo ai funghi scratchati Musica di cottura Artista: Mark &arina Album: Mushroom Jazz, vol. 5 (2005) Aiuto cuoco: 6n 7ualsiasi dj (a(rite a caso la guida telefonica e (untate il dito: : un dj) http://www.youtube.com/watch?v=0PoSQw1Pfr0 Pollo imbronciato alla Charlie Mingus Musica di cottura Artista: Charles Mingus Album: Mingus, Mingus, Mingus, Mingus, Mingus (1963) Aiuto cuoco: annie Richmond http://www.youtube.com/watch?v=23sah6aWk3A Pollo alla melagrana Musica di cottura Artista: &reddie $ubbard Album: Read for !reddie (1961) Aiuto cuoco: McCo. 1.ner" #l!in Jones http://www.youtube.com/watch?v=FwaVIKR0cnE Pollo all’irlandese Musica di cottura Artista: <an Morrison Album: "hat#s "rong $ith %is Picture? (2002) Aiuto cuoco: Martin Winning" Matt $olland http://www.youtube.com/watch?v=Azx_stfR13A Pollo all’arancia Musica di cottura Artista: =il #!ans Album: %e 'il (vans )rchestra Plays the Music of Jim *endri+ (1974-1975) Aiuto cuoco: /.o 2a3asaki http://www.youtube.com/watch?v=Cpnu7tv9ffU Pollo della nonna Musica di cottura Artista: Carmen McRae Album: Carmen ,ings Monk (1988) Aiuto cuoco: Cli>ord Jordan" =eorge Mra? http://www.youtube.com/watch?v=QzX_4ncaNjs Pollo al mandarino Musica di cottura Artista: 1on. -
Zone Laws Must Change Before UEL Plan Proceeds by RALPH MAURER Multiple-Family Dwellings
r •..•••i'v-^^'.W'rsy •7,-: v^fttfi^v.. :; V,>:.: %.;.'' f S^' SS^^rtt^. ^ Sj* **3%>^ 3 ^ mmm1l&$$ft&'' ^"^^m^^^^^^M Proposed development area ., .•*/:.". .' University Blvd. —matt king photo PROGRESS THREATENS area indicated in photograph in form of Lambrou, would destroy 79 low-cost rental dwellings and displace giant $35 million luxury apartment complex for rich and super-rich 179 residents. Only provincial government can prevent Lambrou and only. The project, brain child of West Vancouver weasel, Dinos cohorts building monstrosity, says endowment lands manager. Zone laws must change before UEL plan proceeds By RALPH MAURER multiple-family dwellings. of existing dwelling units would be UEL, housing minister Lome The $35 million luxury apart Murdoch said the developers of built. Nicolson, and Dinos Lambrou, a ment complex planned for the the property would have to receive Murdoch said the LRS proposal principal figure in LRS. university endowment lands can a letter from the minister of lands, "seems to make financial and AMS council Wednesday voted only be built if the provincial forest and water resources, re economic sense." unanimously to oppose the plan. government relaxes zoning laxing present by-laws. "We're looking for more housing Jane Corcoran, representative of bylaws, the UEL office manager He said the by-laws were relaxed if we can get it, but it has to be on the area's tenants, said Thursday said Thursday. several years ago to allow con our own terms," he added! she has received no answer to a Bob Murdoch, chief ad struction of a high-rise in the area. -
The Case for the Existence of God AP
APOLOGETICS PRESS Apologetics Press, Inc. 230 Landmark Drive Montgomery, Alabama 36117-2752 © Copyright 2003 ISBN: 0-932859-59-3 All rights reserved. No part of this book may be reproduced in any form without permission from the publisher, except in the case of brief quotations embodied in articles or critical re- views. TABLE OF CONTENTS CHAPTER 1 Introduction . 1 CHAPTER 2 Cause and Effect— The Cosmological Argument . 3 Is the Universe Eternal?. 7 Steady State and Oscil- lating Universe Theories . 11 Did the Universe Create Itself Out of Nothing? . 25 Was the Universe Created? . 41 Our Fine-Tuned, Tailor-Made Universe . 47 CHAPTER 3 Design in Nature— The Teleological Argument . 67 Design of the Universe. 70 Design of the Human Body . 77 The Body’s Cells. 78 The Reproductive Methods of Cells. 82 The Genetic Code— Its Design and Function . 86 Origin of the Genetic Code. 91 DNA, Genes, and Chromosomes . 94 The Body’s Tissues. 102 The Body’s Organs. 106 The Skin. 106 The Eye . 109 The Ear . 113 The Body’s Systems . 115 The Skeletal System. 115 The Circulatory System. 119 The Nervous System . 129 The Unbeliever’s Response to the Argument from Design . 143 -i- CHAPTER 4 Morality and Ethics—the Anthropological Argument. 155 Morality and Ethics . 158 The Practical Impact of Morals and Ethics Without God . 174 Morals, Ethics, and the Existence of God. 177 CHAPTER 5 Conclusion. 187 REFERENCES . 191 -ii- 1 INTRODUCTION One of the most basic, and most fundamental, issues that can be considered by the human mind is the question, “Does God exist?” In the field of logic, there are principles—or as they arecalled more often, laws—that govern human thought processes and that are accepted as analytically true.