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Issue No. 17 : Fall/Winter 2005 : Metropolitan Mosaic Theme PDF Version
Terrain.org: A Journal of the Built & Natural Environments : www.terrain.org Issue No. 17 : Fall/Winter 2005 : Metropolitan Mosaic Theme PDF Version. View full version online at www.terrain.org/archives/17.htm. Contents Columns • Guest Editorial: “Sustainability in the Mile High City” by John Hickenlooper, Mayor, City and County of Denver • The Literal Landscape: “Anonymous Metropolis: A Patchwork Quilt” by Simmons B. Buntin, Editor/Publisher, Terrain.org • Bull Hill: “Fifteen Minutes of Freedom” by David Rothenberg, Editor, Terra Nova • View from the Summit: “The Mobile Metropolis” by Catherine Cunningham, Editor, Terra Nova Interview • “We Leave Our Doors Wide Open” Terrain.org interviews Terry Tempest Williams, author, naturalist, and environmental activist UnSprawl Case Study • Glenwood Park in Atlanta, Georgia ARTerrain Gallery • Ten paintings and murals by Stephanie Johnson Poetry • One Poem by Marianne Poloskey • Three Poems by John Horváth, Jr. • Three Poems by Charlotte Matthews • Three Poems by J.D. Smith • Three Poems by Jake Adam York • Three Poems by Michael J. Vaughn • Three Poems by Margarita Engle • Two Poems by Yvette A. Schnoeker-Shorb • Three Poems by Lynn Strongin Essays • “Diversity as if It Mattered” by Emily Talen • “Hazelhurst at 75: A Culture of Conservation and Service,” essay with online slideshow by David R. Foote • “Wu-Kuo Yu” by William R. Stimson • “Through the Dragon’s Mouth: Exploring the City Museum of St. Louis” by Carolyn Steinhoff Smith Issue No. 17 : Fall/Winter 2005 : Metropolitan Mosaic Theme 1 Terrain.org: A Journal of the Built & Natural Environments : www.terrain.org Contents Fiction • “Encounter at the Zoo” by David Watmough • “The Boy” by Edward M. -
In Our Previous Paper, the Focus Was on Accounts Which Mitigated
Stumbling into sexual crime: the passive perpetrator in accounts by male internet sex offenders 2 Abstract Public reactions to internet child offending remains ambivalent in that, whilst there is vocal condemnation of contact child sex offending, there is less indignation about internet child abuse; this is potentially due to a lack of recognition of this type of offence as sexual offending per se. This ambiguity is reflected by internet sex offenders themselves in their verbalisations of their offending, and this paper presents a qualitative analysis of the accounts offered by individuals convicted of internet-based sexual offences involving the downloading and viewing of images of children (N=7). In particular, this paper presents an analysis of the explanations of offenders for the commencement of internet activity and the progression to more illicit online materials. The data was collected through semi-structured interviews, and analysed using discursive methods, paying close attention to language use and function. The analysis documents the practices that internet child abusers employ in order to manage their identities, distance themselves from the label of sex offender, and/or reduce their personal agency and accountability. Implications of this analysis are discussed with reference to the current minimisation of the downloading of sexually explicit images of children as a sexual crime per se by the public and offenders alike, and the risk assessment and treatment of individuals convicted of these offences. Keywords: Internet sexual offenders, internet child abuse, qualitative, sexual offending, discursive 3 Introduction Previous research has focused on sex offender accounts that mitigate the responsibility of internet sex offenders by emphasising the non-contact nature of internet offences and promulgating claims that internet child sexual abuse is a victimless crime (Winder & Gough, 2010). -
Prose in Poor Taste
PRO SE IN PO O R TA STE Editors Ben John Smith ~ Arthur Graham Copyright © 2017 by Horror Sleaze Trash ISB N -13: 978-1975745523 IS B N -1 0 : 19 7 5 7 4 5 5 2 3 /is book is a work of 3ction. Names, characters, business organizations, places, events, and incidents either are the product of the authors’ im agination or are used 3ctitiously. /e use of nam es of actual persons (living or dead), places, and characters is incidental to the purposes of the plot, and is not intended to change the entirely 3c tio n a l c h a ra c te r o f th e w o rk . No part of this work may be reproduced, stored in a retrieval system , o r tran sm itted b y an y m ean s w ith o u t the w ritten perm ission of the authors or publisher, with the exception of short excerpts used in articles and critical review s. Foreword HST isn’t run w ith any real sense of consistency or urgency. O r professionalism for that fucking m atter. It’s run from the oddity-crow ded spare room in a house in W estmeadow s, M elbourne. It’s ran w ith a scream ing one year old running dow n the hallw ay banging on a pot lid with a wooden spoon. It’s ran in conjunction w ith a full-tim e job as a sandblaster w ith a m ortgage. It’s patched together w ith saliva and claret. -
Schedule of Events
Schedule of Events Wednesday, February 28 Thursday, March 1 12:00 Noon–7:00 PM 8:00 AM–5:00 PM W100. Conference Registration. R100. Conference Registration. T h u r s d a y , Lobby Level Lobby Level Attendees who have registered in advance may pick up their reg- Attendees who have registered in advance may pick up their reg- istration materials throughout the day at AWP’s registration desk. istration materials throughout the day at AWP’s registration desk. On-site registration passes are available for purchase. On-site registration passes are available for purchase. 12:00 Noon–5:30 PM 8:30 AM–5:30 PM W101. Bookfair Setup. R101. Bookfair. Exhibit Hall, Lower Level Exhibit Hall, Lower Level The exhibit hall on the lower level of the Hilton Atlanta will be open for exhibitor setup. Only those wearing an exhibitor badge, 9:00–10:15 AM M a r c h 1 , or those accompanied by an individual wearing an exhibitor badge will be permitted inside the exhibit hall during setup hours. Book- R102. Evolution of a Writer: On Ekeing, Emerging, and Be- fair exhibitors are welcome to pick up their registration materials coming Established. in the registration area located on the lobby level of the Hilton (Matt Roberts, Steven Church, Adam Braver) Atlanta. Salon B, 2nd Floor How does one move from trying to eke out a place for themselves 5:00–6:30 PM in the pages of literary journals to the New York Times Bestseller List? This panel will address the professional development of writ- W102. -
Ghostbusters
Ghostbusters by Harold Ramis and Dan Aykroyd Final Shooting Script Last revised October 7, 1983 EXT. NEW YORK PUBLIC LIBRARY -- DAY The sun shines brightly on the classic facade of the main library at Fifth Avenue and 42nd Street. In the adjacent park area, pretty hustlers and drug peddlers go about their business. FRONT STEPS A few people lounge on the steps flanked by the familiar stone lions. INT. MAIN READING ROOM -- DAY People are dotted throughout the room sitting at the long oak tables polished by decades of use. Reading lamps with green glass shades cast a golden glow on the tables. The patina of age is everywhere. It is very quiet. LIBRARIAN A slightly stout, studious looking girl in her late twenties circulates quietly among the tables picking up books and putting them on her cart. Everything seems completely normal and peaceful. POV A single eerie musical note signals the presence of something strange looking down on the Librarian from a vantage point high above the room. It follows the Librarian as she pushes her cart around the corner. INT. WORK AREA The Librarian is alone in a back room sorting books for reshelving. Behind her is the card catalogue. One of the books attracts her interest and she starts leafing through it. THE CARD CATALOGUE Another eerie note is heard as one of the drawers silently slides open behind the Librarian and hundreds of index cards start popping out. The Librarian continues reading completely oblivious to this strange phenomenon. She gets up and moves past another row of cabinets. -
YORK, JAKE ADAM. Jake Adam York Papers, 1972-2012
YORK, JAKE ADAM. Jake Adam York papers, 1972-2012 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: York, Jake Adam. Title: Jake Adam York papers, 1972-2012 Call Number: Manuscript Collection No. 1376 Extent: 21 linear feet (21 boxes), 2 oversized papers boxes and 1 oversized papers folder (OP), AV Masters: 1 linear foot (1 box), 1 linear foot (1 box) born digital (BD), and 3 long play (LP) record boxes Abstract: The collection consists of the papers of poet, Jake Adam York, including poetry, research files, publications, professional and educational files, and personal correspondence. Language: Materials entirely in English. Administrative Information Restrictions on Access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Researchers must contact the Rose Library in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to unprocessed born digital materials. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
Ause You Rpi^L
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Artist Title ID Format Label Print Catalog N° Condition Price Note
Hard Rock / Heavy Metal www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 311 Down (1 track) 7870 1xCDs Capricorn EU CDPR001.311 USED 3,60 € PRO Mercury 311 Evolver 12533 1xCD Music for UK 5016583130329 USED 8,00 € nations 7 MONTHS 7 months 16423 1xCD Frontiers IT 8024391012123 5,90 € 700 MILES Dirtbomb 8951 1xCD RCA BMG USA 078636638829 USED 8,00 € 700 MILES 700 Miles 19281 1xCD RCA BMG USA 078636608129 USED 8,00 € A FOOT IN All around us 16234 1xCD Wounded bird USA WOU1025 10,90 € COLDWATER A PERFECT CIRCLE So long, and thanks for 22203 1x7" BMG Warner EU 4050538439427 NEW SS 13,90 € Black friday record all the fish \ Dog eat dog store day 2018 ABORTED Maniacult 33967 1xLP, 1xCD Century media GER 194398906010 NEW SS 30,00 € Deluxe edition 180g - Sony GF + poster AC/DC Back in black 4039 1xCD Epic Sony EU 5099751076520 13,90 € Remastered-Digipack AC/DC Stiff upper lip 5623 1xLP Albert EU 888430492813 NEW SS 22,00 € RE 180gm Columbia Sony AC/DC If you want 7605 1xCD Albert Epic EU 5099751076322 13,90 € Remastered-Digipack blood...you've got it Sony AC/DC Let there be rock 10281 1xDVD Warner EU 5051891025578 10,90 € Live Paris 09/12/1979 AC/DC Fly on the wall 10933 1xLP Atlantic Sony EU 5107681 NEW 23,00 € RE 180gm AC/DC For those about to rock 11128 1xCD Columbia EU 888750366627 13,90 € Remastered Sony AC/DC High voltage 12104 1xCD Epic Sony EU 5099751075929 13,90 € Remastered Digipack AC/DC Fly on the wall 12245 1xCD Albert Epic EU 5099751076827 12,90 € Remastered Digipack Sony Fri, 01 Oct 2021 21:00:37 +0000 Page 1 Hard Rock / Heavy Metal www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note AC/DC Dirty deeds done dirty 12425 1xCD Albert Epic EU 888750365927 13,90 € Remastered cheap Sony AC/DC Who made who 12548 1xLP Albert EU 5099751076919 NEW SS 22,00 € RE 180g - O.s.t. -
Text Práce (2.443Mb)
Univerzita Karlova Filozofická fakulta Ústav anglického jazyka a didaktiky Bakalářská práce Vojtěch Kučera Apoziční struktura typu „noun of a noun“ a její překladové protějšky Appositional structure „noun of a noun“ and its translation counterparts Praha 2017 vedoucí práce: PhDr. Gabriela Brůhová, Ph.D Mé vřelé díky patří PhDr. Gabriele Brůhové, Ph.D. za odborné vedení mojí bakalářské práce, trpělivost, ochotu a lidskost. Dále děkuji Jay Walker, M.F.A. za její podněté poznámky k tématu a emocionální podporu. Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze dne 1. srpna 2017 ……………………….. Vojtěch Kučera Souhlasím se zapůjčením bakalářské práce ke studijním účelům. I have no objections to the BA thesis being borrowed and used for study purposes. Abstrakt Tato práce se zabývá anglickou apoziční konstrukcí „noun of a noun“ (nominativum „of a“ nominativum) a jejími protějšky v českém jazyce. Jedinečnou charakteristikou takovýchto konstrukcí je jejich syntaktická a sémantická asymetrie. Obecně je konstrukce ve tvaru „noun of a noun“ vnímána jako adjektivně premodifikované podstatné jméno (např. daughter of an Englishman). V konstrukcích sledovaných v této práci se ovšem modifikovaným členem stává druhé podstatné jméno (např. giant of a man). Jelikož český jazyk nedisponuje syntaktickým ekvivalentem zmíněné konstrukce, cílem této práce je analyzovat a následně statisticky vyhodnotit způsoby, kterými zmíněné konstrukce mohou být přeloženy. Zároveň se v teoretické části pokouší prozkoumat a zhodnotit gramatické a sémantické vlastnosti těchto konstrukcí. Práce se zaobírá četnými příklady z paralelních korpusů originálních anglicky psaných děl a jejich českých překladů. -
2010 Annual Conference & Bookfair Schedule
2010 Annual Conference & Bookfair Schedule April 7‐10, 2010 Denver, Colorado Hyatt Regency Denver & Colorado Convention Center This schedule is a draft and may be modified. Wednesday‐ April 7, 2010 Wednesday Thursday Friday Saturday Noon‐5:30 p.m. Exhibit Hall A W100. Bookfair Setup. Exhibit Hall A at the Colorado Convention Center will Colorado Convention be open for setup. For safety and security reasons, only those wearing an Center, Upper Level exhibitor access badge or those accompanied by an individual wearing an exhibitor access badge will be permitted inside the bookfair during setup hours. Bookfair exhibitors are welcome to pick up their registration materials in the Paid Registrant Check‐In area located just inside the main entrance to the bookfair on the upper level. Noon‐7:00 p.m. Exhibit Hall A W101. Conference Registration. Attendees who have registered in advance Colorado Convention may pick up their registration materials throughout the day at AWP's Paid Center, Upper Level Registrant Check‐In, located just inside the main entrance to the bookfair. Badges are available for purchase at the Unpaid Registrant Check‐In located on the street level of the Convention Center. 4:30 p.m.‐5:45 p.m. Granite W102. WITS Membership Meeting. (Robin Reagler) Writers in the Schools Hyatt Regency (WITS) Alliance invites current and prospective members to attend a general Denver, 3rd Floor meeting lead by Robin Reagler, Executive Director of WITS‐Houston. 5:00 p.m.‐6:30 p.m. Mineral Hall W103. CLMP & SPD Publisher Meeting. (Tasha Sorenson) The staffs of the Hyatt Regency Council of Literary Magazines and Presses and Small Press Distribution discuss Denver, 3rd Floor issues facing CLMP and SPD publishers, goals for the organizations, and upcoming programs. -
Ghostbusters, Inc
GHOSTBUSTERS, INC. written by Lee Eisenberg Gene Stupnitsky Based on characters created by Dan Aykroyd and Harold Ramis SECOND DRAFT – 04 / 08 / 2009 2 FADE IN INT. HALLWAY - NIGHT TWO SECURITY GUARDS, REG and DON, walk side by side, their flashlight beams streaking throughout the hallway ahead. They both look bored out of their wits. One of them cradles a steaming cup of coffee in his left hand. REG ... So my first reaction is to just turn the thing off. But 'no', she says, 'you gotta power it down first, otherwise it won't turn back on'. So I'm trying to find the button on this thing, and what do you know? The damn power goes out. DON Third time in a month. Not sure what Con Ed's getting paid for if they can't even keep the island lit up. REG So now here I am runnin' around this apartment, banging into shin-high coffee tables, stepping' on cats, and she's screamin' from the dark that I didn't power it down before I turned it off. And I'm screamin' back at her 'The damn power went out! Am I gonna get the blame for that too?' The two security guards come around the corner, both stopping dead in their tracks, staring gap-jawed at the hallway beyond them. 3 IT’S ABSOLUTELY WRECKED -- and HALF OF THE ITEMS DOWN THE HALLWAY ARE FLOATING IN MIDAIR. REG Donny. DON Reggie. REG What the hell do we do? Didn't we get this place checked out last year? DON I don't know.