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Thomas Heatherwick, Architecture's Showman
Thomas Heatherwick, Architecture’s Showman His giant new structure aims to be an Eiffel Tower for New York. Is it genius or folly? February 26, 2018 | By IAN PARKER Stephen Ross, the seventy-seven-year-old billionaire property developer and the owner of the Miami Dolphins, has a winningly informal, old-school conversational style. On a recent morning in Manhattan, he spoke of the moment, several years ago, when he decided that the plaza of one of his projects, Hudson Yards—a Doha-like cluster of towers on Manhattan’s West Side—needed a magnificent object at its center. He recalled telling him- self, “It has to be big. It has to be monumental.” He went on, “Then I said, ‘O.K. Who are the great sculptors?’ ” (Ross pronounced the word “sculptures.”) Before long, he met with Thomas Heatherwick, the acclaimed British designer of ingenious, if sometimes unworkable, things. Ross told me that there was a presentation, and that he was very impressed by Heatherwick’s “what do you call it—Television? Internet?” An adviser softly said, “PowerPoint?” Ross was in a meeting room at the Time Warner Center, which his company, Related, built and partly owns, and where he lives and works. We had a view of Columbus Circle and Central Park. The room was filled with models of Hudson Yards, which is a mile and a half southwest, between Thirtieth and Thirty-third Streets, and between Tenth Avenue and the West Side Highway. There, Related and its partner, Oxford Properties Group, are partway through erecting the complex, which includes residential space, office space, and a mall—with such stores as Neiman Marcus, Cartier, and Urban Decay, and a Thomas Keller restaurant designed to evoke “Mad Men”—most of it on a platform built over active rail lines. -
Society of Fellows News American Academy in Rome
SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City. -
400 Meters Statue
Statue “Europe”, 400 m, project Zurab Tsereteli, 2010 Meters 400 Peter The Great statue, 98 m, Moscow Zurab Tsereteli, 1997 300 London Tower, 120 m, Olympic park Anish Capoor, 2012 Lenin, 100 m, project Merkurov, 1938 Palace of the Soviets, 200 400 m, project B. Iofan, 1930s 100 72 2.6 MOSCOW PUBLIC ART XXth Century Statue “Europe”, 400 m, project Zurab Tsereteli, 2010 by Daria Nuzhnaya What is Moscow public art? Methodology As the method I found it essential to establish the frames of the term itself. The core of my countries. I concentrated on comparison of the different historical periods in Moscow, analyzed leaps that happened in the installation of the memorials during the 20th century and found the prerequisites why this happened. Focusing on periods of transition from one historical period to Meters 400 Peter The Great statue, 98 m, Moscow Relevance The topic of public art in Moscow has been widely discussed for the past 15 years (1997 – the Zurab Tsereteli, 1997 because of its installation produced great discourse about whether it should be standing in Mos- cow or it should be demolished. Conclusion 300 The history of Moscow public art had his own different way of developing. But what is the stage London Tower, 120 m, Olympic park public art in Moscow is standing now? Does the today's strategy in public art so different from Anish Capoor, 2012 strategies in Europe or USA? What are the tendencies and who are the contemporary artists in Russia? Lenin, 100 m, project Merkurov, 1938 Palace of the Soviets, 200 400 m, project B. -
A Resource Guide to New York City's Many Cultures
D iv e r C it y : A Resource Guide to New York City’s Many Cultures New York City 2012 DiverCity: A Resource Guide to New York City’s Many Cultures Table of Contents I. Museums and Cultural Institutions A. Art Museums Page 1 B. Historical and Cultural Museums Page 7 C. Landmarks and Memorials Page 12 D. Additional Cultural Institutions Page 15 II. Cultural/Community Organizations and Associations Page 18 III. Performing Arts Centers and Organizations Page 22 IV. College/University Cultural Departments and Potential Speakers Page 25 Mu s eu m s a nd Cu l t u r a l In s ti t u ti o n s “We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams." - Jimmy Carter, 39th President of the United States 1 A) ART MUSEUMS Name Address Phone/ Website Admission Information Description American 2 Lincoln (212) 595-9533 FREE at all times The American Folk Art Museum is the Folk Art Square at leading center for the study and Museum 66th St. Folkartmuseum.org Hours: Tues-Sat enjoyment of American folk art, as well 12:00PM-7:30PM; Sun as the work of international self- taught 12:00PM- 6:00PM artists. Diversity in programming has become a growing emphasis for the museum since the 1990s. Major presentations of African- American and Latino artworks have become a regular feature of the museum's exhibition schedule and permanent collection. Asia Society 725 Park Avenue at (212) 288-6400 FREE Fridays 6-9PM The Asia Society is America's leading 70th Street institution dedicated to fostering Asiasociety.org Price: $10 Adults; $7 understanding of Asia and Seniors; $5 Student ID communication between Americans FREE children under 16 and the peoples of Asia and the Pacific. -
The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections
Guide to the Geographic File ca 1800-present (Bulk 1850-1950) PR20 The New-York Historical Society 170 Central Park West New York, NY 10024 Descriptive Summary Title: Geographic File Dates: ca 1800-present (bulk 1850-1950) Abstract: The Geographic File includes prints, photographs, and newspaper clippings of street views and buildings in the five boroughs (Series III and IV), arranged by location or by type of structure. Series I and II contain foreign views and United States views outside of New York City. Quantity: 135 linear feet (160 boxes; 124 drawers of flat files) Call Phrase: PR 20 Note: This is a PDF version of a legacy finding aid that has not been updated recently and is provided “as is.” It is key-word searchable and can be used to identify and request materials through our online request system (AEON). PR 000 2 The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections PR 020 GEOGRAPHIC FILE Series I. Foreign Views Series II. American Views Series III. New York City Views (Manhattan) Series IV. New York City Views (Other Boroughs) Processed by Committee Current as of May 25, 2006 PR 020 3 Provenance Material is a combination of gifts and purchases. Individual dates or information can be found on the verso of most items. Access The collection is open to qualified researchers. Portions of the collection that have been photocopied or microfilmed will be brought to the researcher in that format; microfilm can be made available through Interlibrary Loan. Photocopying Photocopying will be undertaken by staff only, and is limited to twenty exposures of stable, unbound material per day. -
Exemplar Texts for Grades
COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band. -
MOSCOW CITY GUIDE Welcome to Moscow!
MOSCOW CITY GUIDE Welcome to Moscow! You’ve arrived at Sheremetyevo – You did just right now, when you picked the largest airport in Russia. up this guide. First, it is indeed short. Put it in your pocket and it will be all along Sheremetyevo has repeatedly been with you while you stay in Moscow. recognised as the best airport in Europe Second, it is helpful. Here you will for client service and was named find all the information you need for the “travellers’ favourite airport” by a comfortable trip. TripAdvisor. Third, it is free and is available in three The very first steps in a new city are languages. the ones that matter most. Even if you Moscow is an amazing city. You must have read several travel guides, marked have already suspected this and now we with your own hand the most interesting will show this to you. places on the map and scheduled every hour of your trip, you will still be agitated in an unfamiliar city. You are always welcome here! Getting to Moscow 2 Transport in Moscow 4 Money, safety and conduct 5 10 must-see places 6 If you have just a weekend 8 Restaurants 10 Moscow with kids 12 Riviera Shopping Mall for children 13 Best viewing points in Moscow 14 Map of the city centre 16 Museums 18 Shopping 21 Historic Moscow 24 Hotels 25 Moscow event calendar 26 Moscow night life (24/7) 28 Sheremetyevo international airport 30 Moscow's most beautiful metro stations 32 For advertising, contact: +7 (495) 789 46 98 www.exms.ru Don’t wave down By taxi By Aeroexpress By bus a taxi Getting to any place get in time to the to the nearest in the city centre metro stations Use the official taxi service to Moscow — this will save you time and from 25 min. -
Moscow and St Petersburg in Style
MOSCOW AND ST PETERSBURG IN STYLE Admire the grand designs of two of the world’s great cities and TOUR DURATION 10 days / 9 nights discover the fascinating story of Russian civilisation in a nutshell. GROUP SIZE 6-10 people Immerse yourself in the art, history and culture of Russia and explore the contrasting styles of her old and new capitals – the majestic cities of Moscow & REGIONS VISITED St Petersburg. Moscow, St.Petersburg Your tour begins in Saint Petersburg, the city built by Peter the Great and the START CITY — END CITY capital of the Russian Empire for over 200 years. One of the most beautiful cities St.Petersburg — Moscow in the world, its unique history is reflected in its splendid 18th and 19th century avenues, palaces and parks. Take in the city’s architectural highlights, discover SEASON its classical riches and its lively contemporary arts scene. Summer, May - September Then, take a fast train to Moscow, the mega metropolis whose blend of Imperial TOUR CATEGORY decadence, Soviet austerity and vibrant contemporary energy is sure to Culture entertain and enthral. Marvel at the iconic Red Square, the Kremlin and Saint Basil’s Cathedral and stroll along famous Arbat Street. Experience the Soviet PRICE iconic landmarks: Moscow Metropolitan and Moscow State University. From US $2490* *price p/person, based on 6 people in the group (twin-share) and will vary less than 6 travelers. Call us on +61-2-9388-98-16, write us on [email protected], or visit our website www.56thparallel.com DAY 1: WELCOME TO SAINT PETERSBURG Welcome to Russia! On arrival at Saint Petersburg Airport you'll be met by a 56th Parallel representative and transferred to your accommodation in the hotel. -
The Greatest Grid the Master Plan of Manhattan 1811–2011 Edited by Hilary Ballon
THE GREATEST GRID The Master Plan of Manhattan 1811–2011 Edited by Hilary Ballon Museum of the City of New York and Columbia University Press Contents Preface 9 The Greatest Grid The Master Plan of Manhattan, 1811–2011 E ditor’s Acknowledgments 11 Introduction 13 Edited by Hilary Ballon Co-Published by 1. Before the Grid 17 Reflection: Michael R. Bloomberg 2. The Commissioners’ Plan of 1811 27 The Museum of the City of New York 3. Surveying the City 57 4. Opening Streets 73 Reflection: James Traub 5. Selling Lots: From Land to Real Estate 87 Columbia University Press Reflection: Rafael Viñoly Graphic Design: Thumb 6. The Public Realm: Squares, Parks and Avenues 103 ©Copyright 2011, Museum of the City of New York 7. The Development of the East Side 127 All rights reserved. Reflection: Alexander Garvin Printed and bound in the United States. 8. Improving the West Side 141 9. Counterpoint: Broadway 155 All reasonable attempts have been made to identify owners of copyright. Errors or omissions will be corrected in future 10. Rethinking the Grid Above 155th Street 169 volumes. No part of this volume may be reproduced without Reflection: Wendy Evans Joseph the written permission of the publisher, except in the context of reviews. 11. Modern Reforms 179 Reflection: Amanda M. Burden Individuals who do not use conventional print may contact the publisher to obtain this publication in an alternate format. 12. Moving on the Grid 195 Reflection: Edward Glaeser Distributed by Columbia University Press 61 West 62nd Street 13. Urban Paradigm: The Grid in Contemporary Thought 211 New York, NY 10023 212.459.0600 Contributors 219 First Edition, 2011 Selected Bibliography 220 ISBN: 978-0-231-15990-6 Please contact the publisher for Library of Congress Index 222 catalog-in-publication information. -
The Journal of Christopher Columbus (During His First Voyage, 1492-93)
"•'^- THE JOURNAL ^ -'X'i J CHRISTOPHER COLUMBUS (During his First Voyagf., 1492-93), AND DOCUMENTS RELATING TO THE VOYAGES OF JOHN CABOT AND CASPAR CORTE REAL. ffranslatr]}, toitft ^otre anH an Introliiirtion, j^ HY CLEMENTS R.-^HlfARKHAM, C.B., F.R.S., PRSSIDBNT OF THE HAKMVT SOCIKTV. LONDON: PRINTED FOR THE HAKLUYT SOCIETY, 4, LINCOLN'S INN FIELDS, W.C. xi.Dcic.xnir. G ^0 ?4 LONDON : W.C. PRINTED BY CHAS. J. CI.ARK. 4, LINCOLN'S INN FIELDS, COUNCIL or THE HAKLUYT SOCIETY. ri.KMKNTs K. Makkiiam, Ks(.). , C.H., I'.K.S., President. NlAJClR-dKNKRAI. SiR Ill.NKY KAWI.INSO.N. K.C.H., D.C.h., I.L.I)., I'.K.S. Assi>cii Jitpuwffer lie I.'/iislitut de Frame, I 'ice-President. LoRU Abkrdark, (i.C.H., F.R.S.. Inte Pre^. A'.^•..S. S. E. B. liouVKRlK-l'fSKY, Esq. V'ICK-ADMIRAI, IJNDKSAY HklNK. koBKRT Brown, E.sq., M..\., rii.D. Miller Chris rv. Esy. Thk Right Hon. Sir Molntmtart E. CiRANT Dlkk, G.C.S.I., Pres. Ji.U.S. .Albert (jray, Esq. A. P. Mai'dslay, Esq. Admiral Sir !<:. Ommannky, C.B., K.R.S. E. A. Pethkrick, Esq. Ernest Satow, Esq., f'.M.G., Minister Resident in Uruguay. S. W. Silver, Esq. CouTTs Trotter, Esq. Prok. E. B. Tylor, D.C.L. Captain Sir j. Syonky Webb, K.C.M.G. Captain \V. J. I,. Wharton, R.N. E. Delmar Morgan, Honorary Secretary. CONTENTS. Introduction : I. Journal of Columbus .... i 11. John Cabot ..... ix III. .Sebastian Cabot . , xxii IV. Gaspar Corte Real • . -
Pond Carousel
Pond The southeast corner of Central Park was from its inception, and continues to be today, the most heavily used Park entrance. Fully half of all Park visitors enter by way of Grand Army Plaza. In the 19th century it was the first destination of a carriage ride north from the growing city to the Park. Olmsted and Vaux, who designed Central Park in 1858, intended the Pond landscape to welcome visitors and offer an instant haven from the city, which it continues to do to this day. The placid shores of The Pond offer visitors to Central Park an instant haven from the City. The comma-shaped Pond is situated below street level, which has the effect of muting the urban cacophony and creating a surprising calm. The gracefully-shaped Gapstow Bridge arches over the northeast end of the Pond, framing the picturesque scene. This is the second bridge of the same name on this site. The original, whose design is attributed to Jacob Wrey Mould, was built in 1874. One of the most unusual bridges in the Park, it was made of stone abutments, with cast-iron filigree and two semi-circular wooden arches. The wooden arches and flooring deteriorated, and the bridge was replaced in 1896 by the present simple stone structure made from unadorned Manhattan schist (the local bedrock). The nearby Cop Cot (Scottish for little house on the crest of the hill) — the Park's largest rustic wood structure — is perched on a large rock outcrop at the Sixth Avenue entrance, providing a splendid view of the Pond below. -
Civil War Manuscripts
CIVIL WAR MANUSCRIPTS CIVIL WAR MANUSCRIPTS MANUSCRIPT READING ROW '•'" -"•••-' -'- J+l. MANUSCRIPT READING ROOM CIVIL WAR MANUSCRIPTS A Guide to Collections in the Manuscript Division of the Library of Congress Compiled by John R. Sellers LIBRARY OF CONGRESS WASHINGTON 1986 Cover: Ulysses S. Grant Title page: Benjamin F. Butler, Montgomery C. Meigs, Joseph Hooker, and David D. Porter Library of Congress Cataloging in Publication Data Library of Congress. Manuscript Division. Civil War manuscripts. Includes index. Supt. of Docs, no.: LC 42:C49 1. United States—History—Civil War, 1861-1865— Manuscripts—Catalogs. 2. United States—History— Civil War, 1861-1865—Sources—Bibliography—Catalogs. 3. Library of Congress. Manuscript Division—Catalogs. I. Sellers, John R. II. Title. Z1242.L48 1986 [E468] 016.9737 81-607105 ISBN 0-8444-0381-4 The portraits in this guide were reproduced from a photograph album in the James Wadsworth family papers, Manuscript Division, Library of Congress. The album contains nearly 200 original photographs (numbered sequentially at the top), most of which were autographed by their subjects. The photo- graphs were collected by John Hay, an author and statesman who was Lin- coln's private secretary from 1860 to 1865. For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402. PREFACE To Abraham Lincoln, the Civil War was essentially a people's contest over the maintenance of a government dedi- cated to the elevation of man and the right of every citizen to an unfettered start in the race of life. President Lincoln believed that most Americans understood this, for he liked to boast that while large numbers of Army and Navy officers had resigned their commissions to take up arms against the government, not one common soldier or sailor was known to have deserted his post to fight for the Confederacy.