Programming and a Greater Shakespeare Festival

Home , Adrian Noble, Columbus Circle globe, John Cariani, Milton Hebald, Shakespeare Prize, The Emperor Has No Balls

JUNE - SEPTEMBER 2011 Welcome to

THE GLOBE AT A GLANCE

The sixth-largest regional theatre in the country, The Old Globe offers more Welcome to the 2011 programming and a greater Shakespeare Festival. I’m repertoire than any theatre delighted to have both Adrian of its size. Noble and Ron Daniels back • • • after their great success with As a not-for-profit theatre last summer’s Festival as we with an annual budget once again present two of averaging $20 million, the Shakespeare’s plays alongside

Globe earns $10 million in WORONOWICZ KATARZYNA J. a modern classic. ticket sales and must raise an This year’s Festival is filled with music, magic and mystery. The summer additional $10 million from includes Shakespeare’s final (and some say his greatest) play, The individual and institutional Tempest, Shakespeare’s wittiest comedy, Much Ado About Nothing, and tax-deductible donations. Peter Shaffer’s Amadeus, a lavish journey through the life of Mozart. • • • Again and again in these plays, passions flare and jealousy leads to war, The Globe provides more whether it be the fierce rivalry between two musicians, the epic power than 20 different community struggle between two dukes or the merry battle of two lovers destined and education programs for the altar. to nearly 50,000 people annually. Of course, what makes the Globe’s Summer Shakespeare Festival truly distinctive is our talented cast of repertory actors. There is nothing • • • more exciting than seeing an actor completely transform in order to The Old Globe has sent 20 play vastly different roles – a hero one night and maybe a villain the productions to Broadway next. since 1987. As the sun fades in the San Diego sky and these stories are brought to • • • life under the stars, the experience is truly spectacular. Please enjoy In 1987, The Old Globe/ your evening, whichever show you are seeing. I hope that you will return University of San Diego for all three plays and make the Shakespeare Festival a part of your Master of Fine Arts program summer celebrations. was established to provide the highest caliber in training Sincerely, of young classical actors.

Louis G. Spisto Executive Producer

PERFORMANCES MAGAZINE 1 PRESENTS MUCH ADO ABOUT NOTHING

BY WILLIAM SHAKESPEARE

Ralph Funicello+ Deirdre Clancy Alan Burrett Dan Moses Schreier SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN

Charlie Reuter Steve Rankin+ Liz Shipman MUSIC DIRECTOR FIGHT DIRECTOR MOVEMENT

Jan Gist Bret Torbeck VOICE AND SPEECH COACH STAGE MANAGER

DIRECTED BY RON DANIELS

Casting by Samantha Barrie, CSA

—————————————————— Lowell Davies Festival Theatre May 29 - September 24, 2011

2 PERFORMANCES MAGAZINE THE CAST DON PEDRO...... Donald Carrier* BENEDICK...... Jonno Roberts* CLAUDIO...... Kevin Alan Daniels* DON JOHN...... Jay Whittaker* BORACHIO...... Michael Stewart Allen* CONRADE...... Jonathan Spivey LEONATO...... Adrian Sparks* ANTONIO...... Charles Janasz*+ BEATRICE...... Georgia Hatzis* HERO...... Winslow Corbett* MARGARET...... Ryman Sneed URSULA...... Deborah Radloff DOGBERRY...... John Cariani* VERGES...... Charles Janasz*+ SEXTON...... Anthony Cochrane* FRIAR FRANCIS...... Anthony Cochrane* THE WATCH...... Adam Daveline, Christian Durso, Andrew Hutcheson, Jesse Jensen, Jason Maddy

WOMEN IN LEONATO'S HOUSE...... Shirine Babb, Rachael Jenison, Allison Spratt Pearce

SOLDIER...... Grayson DeJesus BALTHASAR...... Ben Diskant OTHER SOLDIERS...... Adam Daveline, Ben Diskant, Christian Durso, Andrew Hutcheson, Jesse Jensen, Jason Maddy

SETTING An estate in the country.

There will be one 15-minute intermission.

STAGE MANAGEMENT STAFF Stage Manager...... Bret Torbeck* Assistant Stage Managers...... Deirdre Rose Holland,* Jess Slocum,* Annette Yé* Production Assistant...... Amanda Salmons Stage Management Interns...... Lauren Dougharty, Rafe Gandola, Ryan Heath, Michelle Heller, Christina Saballos

PRODUCTION STAFF Assistant Director...... Snehal Desai Assistant Scenic Design...... Sean Fanning Associate Costume Design...... Charlotte Devaux Assistant Costume Design...... Shelly Williams Assistant Lighting Design...... Amanda Zieve Associate Sound Design...... David Bullard Lighting Design Assistant...... Sherrice Kelly Sound Design Assistant...... Kevin Anthenill

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. +Associate Artist of The Old Globe. Student in The Old Globe/University of San Diego Graduate Theatre Program.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 PRESENTS

THE TEMPEST

BY WILLIAM SHAKESPEARE

Ralph Funicello+ Deirdre Clancy Alan Burrett Dan Moses Schreier SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Shaun Davey Charlie Reuter Joe Fitzpatrick ORIGINAL MUSIC MUSIC DIRECTOR PUPPET ADVISOR

Steve Rankin+ Jan Gist Bret Torbeck FIGHT DIRECTOR VOICE AND SPEECH COACH STAGE MANAGER

DIRECTED BY ADRIAN NOBLE

Casting by Samantha Barrie, CSA

—————————————————— Lowell Davies Festival Theatre June 5 - September 25, 2011

4 PERFORMANCES MAGAZINE THE CAST ALONSO, King of Naples...... Donald Carrier* SEBASTIAN, his brother...... Michael Stewart Allen* PROSPERO, the right Duke of Milan...... Miles Anderson* ANTONIO, his brother, the usurping Duke of Milan...... Anthony Cochrane* FERDINAND, son to the King of Naples...... Kevin Alan Daniels* GONZALO, an honest old councilor...... Charles Janasz*+ ADRIAN, a lord...... Christian Durso FRANCISCO, a lord...... Grayson DeJesus TRINCULO, a jester...... John Cariani* STEPHANO, a butler...... Adrian Sparks* MIRANDA, daughter to Prospero...... Winslow Corbett* CALIBAN, a savage and deformed slave...... Jonno Roberts* ARIEL, an airy spirit...... Ben Diskant IRIS, a spirit...... Shirine Babb CERES, a spirit...... Allison Spratt Pearce JUNO, a spirit...... Deborah Radloff SHIPMASTER...... Adam Daveline BOATSWAIN...... Andrew Hutcheson SPIRITS...... Shirine Babb, Adam Daveline, Grayson DeJesus, Christian Durso, Andrew Hutcheson, Rachael Jenison, Jesse Jensen, Jason Maddy, Allison Spratt Pearce, Deborah Radloff, Ryman Sneed, Jonathan Spivey

SETTING A Mediterranean island.

There will be one 15-minute intermission.

PRODUCTION STAFF Assistant Director...... C.J. Keith Assistant Scenic Design...... Sean Fanning Associate Costume Design...... Charlotte Devaux Assistant Costume Design...... Sonia Lerner Assistant Lighting Design...... Amanda Zieve Associate Sound Design...... David Bullard Lighting Design Assistant...... Sherrice Kelly Sound Design Assistant...... Kevin Anthenill

Shoe Dance Staging...... Annette Yé*

PERFORMANCES MAGAZINE 5 PRESENTS

AMADEUS

BY PETER SHAFFER

Ralph Funicello+ Deirdre Clancy Alan Burrett David Bullard SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Charlie Reuter Steve Rankin+ Jan Gist Bret Torbeck MUSIC DIRECTOR FIGHT DIRECTOR DIALECT COACH STAGE MANAGER

DIRECTED BY ADRIAN NOBLE

Casting by Samantha Barrie, CSA

AMADEUS is presented by special arrangement with SAMUEL FRENCH, INC. —————————————————— Lowell Davies Festival Theatre June 12 - September 22, 2011

6 PERFORMANCES MAGAZINE THE CAST ANTONIO SALIERI...... Miles Anderson* WOLFGANG AMADEUS MOZART...... Jay Whittaker* CONSTANZE WEBER, wife to Mozart...... Winslow Corbett* JOSEPH II, Emperor of Austria...... Donald Carrier* COUNT VON STRACK, Royal Chamberlain...... Charles Janasz*+ COUNT ORSINI-ROSENBERG, Director of the Imperial Opera...... Anthony Cochrane* BARON VAN SWIETEN, Prefect of the Imperial Opera...... Michael Stewart Allen*

KAPELLMEISTER BONNO...... Jonathan Spivey TERESA SALIERI, wife to Salieri...... Shirine Babb KATHERINA CAVALIERI, Salieri's pupil...... Allison Spratt Pearce TWO VENTICELLE, little winds...... Georgia Hatzis,* Ryman Sneed A MAJORDOMO...... Christian Durso SALIERI’S COOK...... Adam Daveline SALIERI’S VALET...... Andrew Hutcheson PRIEST...... Jesse Jensen CITIZENS OF VIENNA AND SERVANTS...... Shirine Babb, Adam Daveline, Grayson DeJesus, Ben Diskant, Christian Durso, Andrew Hutcheson, Rachael Jenison, Jesse Jensen, Jason Maddy, Allison Spratt Pearce, Deborah Radloff, Jonathan Spivey

SETTING Vienna. November 1823 and, in recall, 1781-1791.

There will be one 15-minute intermission.

PRODUCTION STAFF Assistant Director...... C.J. Keith Assistant Scenic Design...... Sean Fanning Associate Costume Design...... Charlotte Devaux Assistant Costume Design...... Michelle Hunt Souza Assistant Lighting Design...... Amanda Zieve Lighting Design Assistant...... Sherrice Kelly Sound Design Assistant...... Kevin Anthenill

Prosthetics...... Scott Ramp

PERFORMANCES MAGAZINE 7 The 2011 Shakespeare Festival Company

Michael Stewart Allen* Miles Anderson* Shirine Babb John Cariani* Donald Carrier*

Anthony Cochrane* Winslow Corbett* Kevin Alan Daniels* Adam Daveline Grayson DeJesus

Ben Diskant Christian Durso Georgia Hatzis* Andrew Hutcheson Charles Janasz*+

Rachael Jenison Jesse Jensen Jason Maddy Allison Spratt Pearce Deborah Radloff

Jonno Roberts* Ryman Sneed Adrian Sparks* Jonathan Spivey Jay Whittaker*

8 PERFORMANCES MAGAZINE MUCH ADO ACTOR/ACTRESS THE TEMPEST AMADEUS ABOUT NOTHING

Michael Stewart Allen* Borachio Sebastian Baron van Swieten

Miles Anderson* Prospero Antonio Salieri

Shirine Babb Woman in Leonato's House Iris, Spirit Teresa Salieri, Citizen of Vienna

John Cariani* Dogberry Trinculo

Donald Carrier* Don Pedro Alonso Joseph II, Emperor of Austria

Anthony Cochrane* Friar Francis, Sexton Antonio Count Orsini-Rosenberg

Winslow Corbett* Hero Miranda Constanze Weber

Kevin Alan Daniels* Claudio Ferdinand

Adam Daveline The Watch, Soldier Shipmaster, Spirit Salieri’s Cook, Citizen of Vienna

Grayson DeJesus Soldier Francisco, Spirit Citizen of Vienna, Servant

Ben Diskant Balthasar, Soldier Ariel Citizen of Vienna, Servant

Christian Durso The Watch, Soldier Adrian, Spirit A Majordomo, Citizen of Vienna

Georgia Hatzis* Beatrice Venticella

Andrew Hutcheson The Watch, Soldier Boatswain, Spirit Salieri’s Valet, Citizen of Vienna

Charles Janasz*+ Antonio, Verges Gonzalo Count von Strack

Rachael Jenison Woman in Leonato's House Spirit Citizen of Vienna Priest, Citizen of Vienna,  The Watch, Soldier Spirit Jesse Jensen Servant

Jason Maddy The Watch, Soldier Spirit Citizen of Vienna, Servant

Katherina Cavalieri,  Woman in Leonato's House Ceres, Spirit Allison Spratt Pearce Citizen of Vienna

Deborah Radloff Ursula Juno, Spirit Citizen of Vienna, Servant

Jonno Roberts* Benedick Caliban

Ryman Sneed Margaret Spirit Venticella

Adrian Sparks* Leonato Stephano Kapellmeister Bonno,  Conrade Spirit Jonathan Spivey Citizen of Vienna

Jay Whittaker* Don John Wolfgang Amadeus Mozart

PERFORMANCES MAGAZINE 9 Board of Directors

Welcome to The Old Globe’s 2011 Shakespeare Festival!

Last year’s Festival marked the Globe’s milestone 75th Anniversary and launched a year of celebrations. Occasions for celebrating were plentiful last year, and now we celebrate yet another San Diego summer with our nationally-acclaimed Festival.

Schools were scarce in Shakespeare’s era and standing as groundlings at the original Globe may have been the only education available to many. The Globe’s own summer education programs, known as The Shakespeare Initiatives, flourish in the summer, bringing a wide array of opportunities for theatregoers of all ages to enhance their theatrical understanding and enjoyment. The Insights Seminars and Shakespeare in the Garden lectures feature discussions with artists and scholars, and the Summer Shakespeare Intensive for high school students immerses young actors in live theatre, culminating in a performance on the Festival stage. Go to our website or call the Globe to learn more about our rich education programs that annually reach tens of thousands of San Diegans.

We extend our warmest thanks to the donors, subscribers and ticket buyers whose generosity makes the work on our stages possible, especially all Annual Fund donors, Season and Production Sponsors, Circle Patrons, Globe Ambassadors, Corporate Partners and those leaving a legacy gift through the Craig Noel League.

Now sit back in our new Festival seats and celebrate the evening.

Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Deni Jacobs Debra Turner Paul Harter Mary Beth Adderley Daphne Jameson Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Elizabeth Altman Jo Ann Kilty Crystal Watkins Dolly Poet (1921-2007) Joseph Benoit Mitzi Yates Lizarraga James A. Wening Deborah Szekely Pamela Cesak Susan Major June Yoder Hon. Pete Wilson Marsha Chandler Conrad Prebys* Carolyn Yorston-Wellcome Peter J. Cooper* David Reagan Vicki Zeiger EMERITUS DIRECTORS Valerie S. Cooper Sandra Redman* Garet B. Clark Pamela A. Farr Reneé Schatz *Executive Committee Member J. Dallas Clark (1913–2005) Karen Fox Jean Shekhter Bea Epsten Victor P. Gálvez Louis G. Spisto* HONORARY DIRECTORS Sally Furay, R.S.C.J. Jean-Marie Hamel, Ph.D. Ann Steck Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Kathryn Hattox* Daniel L. Sullivan, Ph.D. (1912–2005) Delza Martin (1915–2005) Elizabeth Helming Julie H. Sullivan, Ph.D. Clair Burgener (1921-2006) Darlene Shiley Nanci Hull Dean Thorp Mrs. John H. Fox (1908–2003) Patsy Shumway Viviana Ibañez Evelyn Mack Truitt Audrey Geisel

10 PERFORMANCES MAGAZINE LEADERSHIP The 2011 Shakespeare Festival GIFTS is dedicated to Globe Benefactors

The Old Globe recognizes and thanks J. Dallas Clark & Mary Hollis Clark the following generous individuals (1913 - 2005) (1921 - 2010) who have made extraordinary gifts of $1 million or more. These major he Old Globe is deeply contributions have been designated saddened by the for artistic, endowment and facilities Trecent loss of longtime projects, and help The Old Globe friend and benefactor Mary remain one of our country’s great Hollis Clark, and with the passing of Mary, The Old theatre institutions. Globe would like to dedicate the 2011 Shakespeare Festival $20,000,000 or greater to Mary and her husband Dallas, who began his service Donald* and Darlene Shiley on The Old Globe’s Board of Directors in 1946. $10,000,000 or greater A Georgia native, Mary wasted Conrad Prebys no time in immersing herself in the community after arriving $5,000,000 or greater here in 1946 as the bride of an Army captain who had Sheryl and Harvey White deep San Diego roots – J. Dallas Clark. Mary and Kathryn Hattox Dallas played a vital role in Karen and Donald Cohn the city’s cultural growth, helping to shape modern- day San Diego through their $2,000,000 or greater community involvement and generosity. They were Viterbi Family Foundation Dallas and Mary Clark in 2004 in front of Mary’s family home in Columbus, Georgia. passionate about Balboa Park, where they both $1,000,000 or greater fostered longtime relationships. For 18 years, Mary served as a trustee of the California Cultural and San Diego Museum of Art and from 1964 on served as a trustee of the Natural Historical Endowment History Museum. For his part, Dallas worked tirelessly on behalf of the Zoo, serving as trustee and president, as well as a trustee at the Mingei International Estate of Dorothy S. Prough Museum. As philanthropists, the Clarks’ gifts were often quiet and anonymous – except when they believed their gifts would encourage others to donate. But The Rivkin Family it was the time and work they put into the organizations they cared about that distinguished them as the true philanthropists they were. Estate of Beatrice Lynds Dallas played a key role in the Rebuilding Campaign immediately following the Audrey S. Geisel/ Globe’s devastating fire of 1978. In the 1980s, he served as one of the Chairs San Diego Foundation of the Theatre’s Advancement Campaign and helped establish the Globe’s Dr. Seuss Fund Endowment Fund with Mary, making one of its charter gifts.

Mr. and Mrs. Victor H.* Ottenstein Globe Executive Producer Louis G. Spisto said, “Dallas and Mary were extraordinarily critical to the development of The Old Globe. The fondness Mrs. Helen Edison* I felt for the couple will remain in my heart forever.”

The Stephen & Of all the work on our stages, Dallas and Mary particularly loved the Shakespeare Festival and the Lowell Davies Festival Theatre. With great respect Mary Birch Foundation and affection, we dedicate this year’s Shakespeare Festival, so dear to their The Kresge Foundation hearts, to Dallas and Mary Clark. Those interested in honoring the life of this tremendous couple through a gift to *In Memoriam The Old Globe may contact Marilyn McAvoy Bergman at (619) 231-1941 x2309.

PERFORMANCES MAGAZINE 11 Joan and Irwin Jacobs Karen and Don helped launch the Globe’s Capital SEASON SPONSORS | AMADEUS Campaign in 2006 by making a significant gift, and in Joan and Irwin Jacobs have recognition, the new education center is named in been enthusiastic supporters their honor. and loyal subscribers of The Old Globe for more John A. Berol than 20 years, during which SEASON SPONSOR | THE TEMPEST time the theatre and San Having previously enjoyed Shakespeare at school and on Diego communities have stage, John Berol was delighted to discover San Diego’s greatly benefited from their enthusiasm for Shakespeare in Balboa Park upon moving generosity and involvement. to the city in 1977. Aware of the fragile dependence of Previous Globe productions artistically driven theatre upon charitable support from sponsored by Joan and Irwin individuals, John joyfully joined in with contributions include George Gershwin including sponsorship of Dancing at Lughnasa, Voir Dire, Alone, Macbeth, Resurrection Blues, Smash, Julius Labor Day, Twelfth Night (2001), Pericles, Much Ado Caesar, Avenue Q, The Merry Wives of Windsor and last About Nothing, The Two Noble Kinsmen, The Winter’s year’s acclaimed productions of King Lear and Golda’s Tale, Titus Andronicus, Measure for Measure, The Merry Balcony. Wives of Windsor, Twelfth Night (2009) and last year’s The couple has been active philanthropically The Taming of the Shrew. throughout the San Diego community, supporting numerous organizations including University of California, Kathryn Hattox San Diego (most recently with a $75 million gift to build SEASON SPONSOR | AMADEUS the new Jacobs’ Medical Center), the new Central In 1997 Kathryn joined Library, the Museum of Contemporary Art, the San Diego The Old Globe Board Symphony, the San Diego Opera, La Jolla Playhouse, of Directors. She has Museum of Photographic Arts, the New Children’s served as Board Chair Museum and the San Diego Food Bank. and continues today as a member of the Karen and Donald Cohn Executive, Finance, 75th ANNIVERSARY SPONSORS | THE TEMPEST Craig Noel League Karen and Donald and Endowment Cohn have served in Committees. In leadership roles at The recognition of her leadership gift to the Globe’s historic Old Globe for nearly Capital Campaign, the multipurpose performance and 20 years. Karen is a event room located in the Education Center carries the graduate of USD School name of Hattox Hall. Kathryn has generously supported of Law and is involved the Globe each year as a Production Sponsor for such with numerous major arts plays as Lucky Duck, Rough Crossing, All My Sons, The and cultural institutions. Boswell Sisters, As You Like It, Measure for Measure, As the founder and Cyrano de Bergerac and last year’s critically acclaimed former CEO of Dataquick Information Systems Inc. — the King Lear. nation’s foremost real estate data repository company — Don continues his career as an investor and is active in thoroughbred racing as owner of Ballena Vista Farms in Legler Benbough Foundation Ramona, one of Southern California’s largest breeding SEASON SPONSOR | MUCH ADO ABOUT NOTHING and training facilities. The Legler Benbough Foundation is committed to Don serves as Immediate Past Board Chair and improving the quality of life for people throughout the continues his work on the Executive and Finance city of San Diego. The Foundation addresses a wide Committees. Karen first joined the Globe Board in range of issues and challenges and invests in rebuilding 1992 and served two terms as Chair. The Cohns have disadvantaged communities, preserving valuable cultural supported several productions including A Midsummer assets like Balboa Park for future generations and Night’s Dream, The Doctor is Out, Restoration Comedy, supporting nonprofit scientific research and development Cyrano de Bergerac and last year’s The Taming of the organizations. The Globe appreciates the Foundation’s Shrew. generous support.

12 PERFORMANCES MAGAZINE Pamela A. Farr and providing support for the Festival was a natural fit PRODUCTION SPONSOR | MUCH ADO ABOUT NOTHING for the couple. Neil owned and operated the enormously With homes in San Diego and Greenwich, Connecticut, successful Neil A. Kjos Music Company, which continues Pam has served on the Globe’s Board of Directors since to set the standard in the educational music publishing 2005 and currently heads the Audit Committee. After industry. Barbara continues to support the San Diego many years as Chair of the Greenwich Chapter of the Opera, San Diego Symphony and Mainly Mozart, among American Red Cross, Pam was appointed National Chair others, and enjoys time with her grandchildren. of Volunteers in 2008 after serving as National Finance Chair. She was involved in several national and state Union Bank initiatives including the 9/11 Recovery Program Advisory PRODUCTION SPONSOR | THE TEMPEST Group. Pam is a partner in Muirhead Holding, a private As part of its pledge to reinvest in the communities it equity investment firm in Greenwich, and as a former serves, Union Bank supports The Old Globe in many consultant with McKinsey & Co. served a variety of ways. Bank employees have regularly volunteered with Fortune 500 companies. education programs attached to Dr. Seuss’ How the Grinch Stole Christmas!, Executive Vice President, Retail Barbara Kjos Banking Group, Joseph Benoit serves on the Board of PRODUCTION SPONSOR | AMADEUS Directors and Union Bank has supported numerous Barbara Kjos has been a loyal patron of The Old Globe productions including The Glass Menagerie, Othello, A since the summer of 1973, when she and her late Midsummer Night’s Dream, Imaginary Friends and As You husband, Neil, moved to San Diego from Chicago. Their Like It. The Old Globe salutes Union Bank for its longtime love of Shakespeare originally drew them to the Globe, support.

PERFORMANCES MAGAZINE 13 Education DID YOU KNOW... The Old Globe is home to one of the top actor training programs in the nation? A joint venture of The Old Globe and the University of San Diego, the Graduate Acting Program nationally recruits students each year to participate in an intensive two-year, year-round Master of Fine Arts degree program. Seven students are selected from hundreds that audition in New York, Chicago, San Francisco and San Diego to be a part of this prestigious program. Our graduates have gone on to successful careers in the theatre and entertainment industry, including alumnus Jim Parsons (class of 2001), who won Golden Globe and Emmy Awards for his starring role in “The Big Bang Theory.”

TO LEARN MORE, VISIT US ONLINE AT Jim Parsons (M.F.A. ’01) and Jim Winker in the Globe’s production of Da. WWW.GLOBEMFA.ORG

Robert Foxworth and Aubrey Saverino (M.F.A. ’10) Andrew Hutcheson (M.F.A. ’11) in the M.F.A. Andrew Dahl (M.F.A. ’10) in the Globe’s in the Globe’s production of King Lear. production of The Two Gentlemen of Verona. production of The Madness of George III.

14 PERFORMANCES MAGAZINE Profiles

MICHAEL STEWART ALLEN (Borachio, include “Criminal Minds,” and U.K. Shakespeare Festival/The Public Theater, Much Ado About Nothing; Sebastian, credits including Dempsey in ITV’s Transport Group, Arclight Repertory The Tempest; Baron van Swieten, “Ultimate Force,” Roger O’Neill in BBC’s Theatre and New World Stages). He Amadeus) was last seen at the Globe award-winning “House of Cards” and Dan has worked regionally at Ahmanson in the 2010 Shakespeare Festival (San Fortune in the hit series “Soldier, Soldier.” Theatre, Williamstown Theatre Festival Diego Critics Circle Craig Noel Award His work with directors, including and Hudson Valley Shakespeare Festival. nomination). He has been in several Off Richard Attenborough, Trevor Nunn, Max His film work includes the forthcoming Broadway productions, most recently Stafford-Clark and Sam Mendes, has independent feature Elephant Sighs Margaret (Red Bull Theater), and established Mr. Anderson internationally starring Ed Asner. He has appeared in including Moby Dick Rehearsed, The as an actor of immense versatility, several films and television shows (most Tempest, The Two Gentlemen of Verona notability and popularity. Originally people know him as CSU tech Beck on and Love, Shakespeare (The Acting from Zimbabwe, Mr. Anderson currently “Law & Order”) and is also a playwright Company) and the title role in Don resides in Los Angeles with acting coach (Almost, Maine). Carlos (Prospect Theater Company). Bella Merlin. He has two brilliant sons: His recent credits include The Foreigner the actor Joe Anderson and Max, a chef DONALD CARRIER (Don Pedro, Much (Festival Stage of Winston-Salem), and world champion streetboarder. Ado About Nothing; Alonso, The Tempest; Hamlet (The Shakespeare Theatre Joseph II, Emperor of Austria, Amadeus) of New Jersey), A Tale of Two Cities SHIRINE BABB (Woman in Leonato's was last seen at The Old Globe in the (People’s Light & Theatre Company), House, Much Ado About Nothing; Iris, 2010 Shakespeare Festival, appearing King Lear and Much Ado About Nothing Spirit, The Tempest; Teresa Salieri, in King Lear, The Madness of George (North Carolina Shakespeare Festival), Citizen of Vienna, Amadeus) previously III and The Taming of the Shrew. His Doubt (Hippodrome State Theatre), appeared at The Old Globe in The regional credits include Joseph Surface The Tempest (Folger Theatre) and Of Madness of George III, King Lear and in The School For Scandal (Chicago Mice and Men and The Grapes of Wrath The Taming of the Shrew. She recently Shakespeare Theater), Ferdinand in (Arkansas Repertory Theatre). He has appeared in The Old Globe/USD The Duchess of Malfi (The Shakespeare performed at theatres all over the M.F.A. productions of The Importance Theatre Company, Helen Hayes Award country, including Arkansas Repertory of Being Earnest, The Winter’s Tale, The nomination), Frederick in Noises Off and Theatre, Pennsylvania Shakespeare Country Wife and The Two Gentlemen Francis in Lincolnesque (Cleveland Play Festival, The Festival Stage of Winston- of Verona. Her London credits include House), Ian in Shining City (The Studio Salem, North Carolina Shakespeare Widows, and her New York credits Theatre), Malvolio in Twelfth Night (Notre Festival, PlayMakers Repertory include A Midsummer Night’s Dream Dame Shakespeare Festival) and the title Company, Contemporary American (Pulse Ensemble Theatre), Trickle (The role in Gross Indecency: The Three Trials Theater Festival and 12 Miles West Ensemble Studio Theatre), Single Black of Oscar Wilde (Huntington Theatre Theater Company, and he has spent 11 Female (The Duke on 42nd Street), Company). He most recently played Bob seasons as a company member at The Aliens with Extraordinary Skills (Women’s Cratchit in A Christmas Carol at Great Shakespeare Theatre of New Jersey. His Project), A Role Once Played (29th Lakes Theatre Festival and directed film and television credits include “Law Repertory Theatre, 2004 AUDELCO The Two Gentlemen of Verona for the & Order: Special Victims Unit” and voice nominee) and American Girls Revue University of Notre Dame. Other theatre work on Cold Mountain. (American Girl Place). Ms. Babb’s regional credits include Maltz Jupiter Theatre, credits include Twelfth Night, Measure The Wilma Theater, Intiman Theatre MILES ANDERSON (Prospero, The for Measure, Antony and Cleopatra, She and TheatreWorks. Mr. Carrier spent Tempest; Antonio Salieri, Amadeus) has Stoops to Conquer, A Christmas Carol, nine seasons at Stratford Shakespeare been acting for stage and screen for Omnium Gatherum, Play to Win: The Festival appearing as Orlando in As You many years. Last season’s production of Jackie Robinson Story, Almost Heaven: Like It, Charles Surface in The School for The Madness of George III (for which he The John Denver Story and Bessie: Life & Scandal, Peter Quince in A Midsummer received the San Diego Theatre Critics Music of Bessie Smith. Her television and Night’s Dream, John Worthing in The Circle Craig Noel Award) reunited Mr. film credits include “All My Children” and Importance of Being Earnest, Sicinius in Anderson with Adrian Noble after their Picture Perfect. Her commercial work Coriolanus, Bassanio in The Merchant of work at the Royal Shakespeare Company, includes WE tv, Optimum Light Path and Venice and Lucio in Measure for Measure. which included Macbeth and The Fair Housing Act. Ms. Babb holds an M.A. His television and film credits include Comedy of Errors. Other appearances from East 15 Acting School, U.K. and a The Time Traveler’s Wife, The Passion of include his Olivier-nominated Sigismund B.F.A. from SUNY Fredonia. Ayn Rand, “Earth: Final Conflict,” Dead in Life’s a Dream, Twelfth Night and by Monday and 54. His writing credits Volpone and the receipt of three JOHN CARIANI (Dogberry, Much Ado include the musical Evangeline, written British Theatre Awards. His West End About Nothing; Trinculo, The Tempest) with Anaya Farrell. appearances include The Weir, Oliver! was last seen at The Old Globe in The and The Rehearsal. His film work includes Mystery of Irma Vep. He has appeared Cry Freedom! and The Shepherd. Mr. on Broadway (Motel in Fiddler on the Anderson’s television appearances Roof) and Off Broadway (New York

PERFORMANCES MAGAZINE 15 Profiles

ANTHONY COCHRANE (Friar Francis, Company, Independent Theatre Award), honored as one of the Best Theatre of Sexton; Much Ado About Nothing; Trying (Rubicon Theatre, StageSceneLA New Haven in 2008. He is an avid student Antonio, The Tempest; Count Orsini- Award), David Copperfield (Westport of hip hop, drawn more specifically to the Rosenberg, Amadeus) is an actor/ Country Playhouse, directed by Joanne aesthetics of rap music. composer from Scotland who now Woodward and Anne Keefe), The resides in New York. Mr. Cochrane’s Underpants (PlayMakers Repertory ADAM DAVELINE (The Watch, Soldier, Broadway acting credits include the Company, directed by Gene Saks), The Much Ado About Nothing; Shipmaster, Tony Award-winning trilogy The Coast of Importance of Being Earnest (Pittsburgh Spirit, The Tempest; Salieri’s Cook, Utopia by Tom Stoppard and Cymbeline Public Theater), The Learned Ladies Citizen of Vienna, Amadeus) recently at Lincoln Center Theater. His Off and The Mother of Us All (Williamstown made his Globe debut in Jane Austen’s Broadway credits include Othello, Theatre Festival), Arcadia and Grand Emma – A Musical Romantic Comedy Cyrano de Bergerac, Much Ado About Magic (A Contemporary Theatre), and also appeared as The Shepherd in Nothing (also at La Jolla Playhouse Private Lives (Pittsburgh Irish and the Globe/USD M.F.A. production of The and The White House), Julius Caesar, Classical Theatre), Ah, Wilderness! Winter’s Tale. Some of his regional credits King Lear, Twelfth Night, The Iliad, (Cincinnati Playhouse in the Park and include Bruce in Finding Nemo — The Man Who Would Be King, The The Repertory Theatre of St. Louis), The Musical (Walt Disney Creative Invisible Man and the European Tour Doubt (Capital Repertory Theater), Born Entertainment), Javert in Les Misérables, of Romeo and Juliet (Aquila Theatre Yesterday (Garvin Theatre), Pericles David in Company, Peter in Jesus Christ Company), Doug Varone and Dancers’ (Shakespeare & Company), Arcadia Superstar, Carl in Bus Stop, Zoser in Dense Terrain (Brooklyn Academy of (Portland Repertory Theatre), Twelfth Elton John and Tim Rice’s Aida, Adam Music) and Médéé (Carnegie Hall). Night (Tygre’s Heart Shakespeare in Seven Brides for Seven Brothers, His regional credits include Henry VIII Company), The Skin Game (Mint Theater Smudge in Forever Plaid and The (2011 Helen Hayes Award nomination), Company), the premiere of Romulus Baker in Into the Woods. His film and The Winter’s Tale and Julius Caesar Linney’s Lark (The Ensemble Studio commercial work includes Fire Creek (Folger Theatre) and Hamlet, All’s Well Theatre) and Noises Off, Born Yesterday (Lifesong Productions), City Search.com That Ends Well and Lettice and Lovage and the premiere of Fabuloso (Wellfleet and Glow After Dark (Jennifer Lopez (Alabama Shakespeare Festival). His U.K. Harbor Actors Theater). Ms. Corbett’s Productions). His recordings include the credits include The Broken Heart, The television work includes A Change of concept albums of The Legend of Sleepy Wives’ Excuse, Coriolanus and Julius Heart for Lifetime and Comedy Central’s Hollow and Savior of the World. He has Caesar (Royal Shakespeare Company), “Stand-Up Nation with Greg Giraldo.” also performed as a featured soloist in The Merchant of Venice, Measure for Carnegie Hall with the National Alliance Measure and Hiawatha (Royal Lyceum KEVIN ALAN DANIELS (Claudio, Much for Excellence. Mr. Daveline received his Theatre Edinburgh), Hamlet and The Ado About Nothing; Ferdinand, The B.F.A. in Musical Theatre from Brigham Jungle Book (The Lyric Theatre, Belfast). Tempest) is proud to make his Globe Young University and is currently Mr. Cochrane’s films include Wall Street: debut and share in its theatrical history. pursuing his M.F.A. in Dramatic Arts from Money Never Sleeps and The Apocalypse He was last seen in The Nacriema Society the University of San Diego/Old Globe. Watch. His television credits include by Pearl Cleage (directed by Susan V. He is a proud member of Actors’ Equity “Law & Order: Special Victims Unit,” Booth), which premiered at Alabama Association. Benjamin Franklin (PBS) and “Taggart” Shakespeare Festival before moving GRAYSON DEJESUS (Soldier, Much (STV). Mr. Cochrane was Associate to the Alliance Theatre. An alumnus of Ado About Nothing; Francisco, Spirit, Director and Composer/Musical Director the Yale School of Drama, he received The Tempest; Citizen of Vienna, Servant, of the Aquila Theatre Company for 12 his M.F.A. in Acting in 2010. Some roles Amadeus) has appeared at The Old years. In this capacity he has written while attending Yale are Vershinin in Globe in The Madness of George III, musical scores and collaborated on the Three Sisters (directed by Ron Van The Taming of the Shrew and King Lear. creation of more than 20 productions. Lieu), Macduff in Macbeth (directed He was last seen as Algernon in The Mr. Cochrane’s film scores include Alex by Devin Brain) and Dr. Kori Shah and Importance of Being Earnest with The Webb’s Pizza, the award-winning The Girl Munkrat in Homebody/Kabul (directed Old Globe/USD M.F.A. program where in 2C and Hove (The Wind). by Joan MacIntosh). He was a 2009 he was also seen in The Winter’s Tale, The www.anthonycochrane.com. ensemble member of the Chautauqua Theater Company where he was Jim Country Wife and The Two Gentleman WINSLOW CORBETT (Hero, Much Ado in The Glass Menagerie (directed by of Verona. His regional credits include About Nothing; Miranda, The Tempest; Ethan McSweeny) and Cleomenes in Romeo and Juliet, All’s Well That Ends Constanze Weber, Amadeus) appeared The Winter’s Tale (directed by Anne Well and The Antiquarian’s Family as Elaine Robinson in the National Tour of Kauffman). In 2007 he received a B.F.A. (Shakespeare Santa Cruz). His National The Graduate, Nora Ephron’s Love, Loss, in Acting from Southern Methodist Tours include Winnemucca (three days and What I Wore (Geffen Playhouse), University’s Meadows School of the Arts. in the belly) (San Jose Stage Company, Private Lives (Laguna Playhouse), Noises A writer of the verse himself, he has New York International Fringe Festival Off (South Coast Repertory), You Can’t written two rap theatre plays that both and Minnesota Fringe Festival), and his Take It With You (Rubicon Theatre premiered at the Yale Cabaret, one being (continued on page 25)

16 PERFORMANCES MAGAZINE 2011 SHAKESPEARE FESTIVAL

t seems like yesterday that I boarded a plane to San Diego to direct my first season as Artistic Director of I The Old Globe Shakespeare Festival last year. In fact there was a time when I thought I was never going to make it, as all flights out of the U.K. were grounded on account of an ash cloud over Europe.

But arrive in San Diego I did, albeit a full half-week late for rehearsals. And what a momentous time it proved to be! We had assembled a terrific, talented, highly motivated group of actors, supported and inspired by our very special M.F.A.s, and together we created a season of plays of which I am enormously proud. KEN HOWARD

I said in my introduction to last year’s program that I wanted to build something special. I couldn’t have hoped for a better foundation, and this year we will indeed build on last year’s success. I have invited back most of last year’s acting company, as well as Ron Daniels, director of The Taming of the Shrew. We will also have the same set, costume and lighting designers and the same composer. We have a great team, and we will again endeavor to achieve the highest standards of verse-speaking combined with visually ravishing, indeed spectacular production values.

I will be directing The Tempest, a mysterious, beautiful and very funny play, written just before Shakespeare’s retirement to Stratford. Miles Anderson, who triumphed in last year’s The Madness of George III, returns to play Prospero, as well as Salieri to Jay Whittaker’s Mozart in Peter Shaffer’s multi-award-winning Amadeus, which I will also direct.

Much Ado About Nothing, one of the greatest comedies in the language, completes our repertoire. The odd couple of Beatrice and Benedick is played by Georgia Hatzis and Jonno Roberts (who you may remember as last year’s Petruchio and Edmund).

I am sure you will enjoy all of these productions.

Adrian Noble, Artistic Director, 2011 Shakespeare Festival

PERFORMANCES MAGAZINE 17 the SALIERI rumor BY ROMEO VITELLI

f it ever becomes possible for the dead to sue the or even the husband of one of his students), Salieri wasn’t living for slander, there aren’t many who would have a implicated. stronger case than poor Antonio Salieri. After a lifetime as a successful composer and musician, I Although he was one of the most important Viennese Antonio Salieri’s health began to decline. His music began composers of his time, he is mainly remembered today as the to fade in popularity as more prominent composers came villain in Peter Shaffer’s 1979 play Amadeus. The play, which was along, although he trained some of the greatest musicians later made into a film of the same name in 1984, presents Salieri of his generation. Salieri began to suffer regular episodes of as a mediocre musician who becomes Wolfgang Amadeus depression and, by the early 1820s, had become increasingly Mozart’s archenemy out of jealousy. After sabotaging Mozart’s frail. In the spring of 1823, Salieri fell and struck his head, which career and having a role in his death, Salieri eventually ends apparently left his legs paralyzed. While his eldest surviving up in an insane asylum following a suicide attempt. In a futile daughter cared for him at home, she eventually arranged effort to be remembered, Salieri leaves behind a confession for him to be transferred to the Vienna General Hospital in that he had poisoned the great composer but eventually dies October of that year. Which is when the rumors started. in obscurity. If Salieri is remembered at all these days, that Although there is some evidence that Salieri had somehow memory is largely shaped by F. Murray Abraham’s haunting injured his throat before being taken to the hospital, the rumors performance as Salieri in the movie version. suggested far more. Old allegations that Mozart had made While Shaffer took considerable liberties with the story of against Salieri emerged, accusing him of sabotaging Mozart’s Mozart and Salieri, the actual facts about their relationship, the career. The story that Salieri had confessed to poisoning Mozart circumstances of Salieri’s death and what happened afterward and cut his throat out of remorse became the talk of Vienna. are considerably more complicated. Although Mozart and It probably didn’t help that Mozart’s widow, Constanze, did Salieri had been rivals (they both wrote Italian operas) and nothing to put the rumors down (despite the help that Salieri Mozart would accuse Salieri of using his influence with Emperor had given her son in launching his musical career). The idea that Leopold against him, their relationship seemed friendly enough Mozart had been poisoned had never really died down, and the on the surface. There is evidence that Salieri had undermined circumstances of Salieri’s illness made him a perfect suspect. If Mozart’s success at times (although Mozart often caused many there’s any mercy, it’s that Salieri was probably too ill to even be of his own problems with his abrasive personality), but never to aware of the allegations made against him (which also made it the extent suggested in Shaffer’s play. After Mozart’s premature impossible for him to defend himself). death, Salieri was one of the few mourners who attended his While Salieri’s friends and colleagues rallied to his defense, sparse funeral and would later train Mozart’s son, Franz Xavier, the rumormongers were hard at work. At an 1824 performance as a musician. in Vienna, a leaflet was distributed to the audience containing There were numerous theories surrounding the death of a poem that depicted Salieri as Mozart’s rival “standing by Wolfgang Amadeus Mozart on December 5, 1791, but modern his side with the poisoned cup.” Letters on the subject were historians tend to agree that he died of natural causes (probably written back and forth, and Mozart’s own physician was due to rheumatic fever as well as the repeated bleedings that pressed to provide details of the composer’s final illness to rule doctors gave him to treat his final illness). Despite numerous out the possibility of poisoning. (Since Mozart’s grave was lost, rumors at the time that Mozart had been poisoned (with an autopsy would have been out of the question even for 19th possible villains including the Freemasons, fellow musicians century medicine.)

18 PERFORMANCES MAGAZINE the MUSIC of MOZART

“Serenade No. 10 for winds” (“Gran Partita”) (K361) Composed: Vienna, 1781 or 1781-84 Most likely started in 1781 while Mozart was in Munich, this serenade is a prime example of how he elevated the musical form, far surpassing previous composers’ uses of the same ensemble. “C Minor Mass” (K427) Composed: Vienna, July 1782 - May 1783 Mozart was not known for his sacred works, having composed them only to gain favor of the clergy when necessary. The “Kyrie” and “Gloria” were likely written in thanks for his marriage and probably written for Constanze, his new wife, to sing. The work, however, was abandoned and never completed. “Le nozze di Figaro, ossia la folle giornata” (“The Marriage of Figaro, or the Day of Madness”) (K492) Premiere: Vienna, Burgtheater, May 1, 1786 The first of his three opera collaborations with librettist Lorenzo Da Ponte. According to legend, “Figaro” was completed in just six weeks from the time that Mozart was presented the libretto. “Don Giovanni” (K527) Portrait of Antonio Salieri painted by Joseph Willibrod Mähler in 1825. Premiere: Prague, National Theatre, Oct 29, 1787 The second of the Da Ponte collaborations, this opera reflects a refinement of the style. Mozart crafted the opera in just two acts, instead of the traditional three (or in the case of “Figaro,” four). Mozart requested a libretto of Da Ponte in February 1787 and, owing to the resounding reception of “Figaro” in Prague, premiered the opera only eight months later. Even after Salieri finally died on May 7, 1825, the accusations “Così fan tutte” (“Thus do all [women]”) (K588) Premiere: Vienna, Burgtheater, Jan 26, 1790 continued. To try settling the rumor that Salieri had confessed The third and final collaboration between Mozart and Da to the murder, his physician, Joseph Rohrig, and the two Ponte. There is now belief that Salieri also attempted to attendants who had been with him continually during his set this libretto to music, with two pieces having been illness signed sworn affidavits that no confession had been discovered in 1994 in the Austrian National Library. In a letter dated December 29, 1789, Mozart makes made in their hearing. Although the accusations died down, a references to Salieri’s plot, which “have completely juicy rumor isn’t so easily suppressed. failed already.” The poisoning rumor seemed largely forgotten until the “Die Zauberflöte” (“The Magic Flute”) (K620) Peter Shaffer play and the movie version brought it back to Premiere: Vienna, Theater auf der Wieden, public attention. Ironically, the publicity from the poison Sept 30, 1791 rumor has also sparked a renewed interest in Salieri’s music. The last of Mozart’s operas that premiered during his lifetime. The opera is the result of an apparently very Many of his operas have been released on DVD and there has enjoyable collaboration with theatre troupe manager even been a push by opera companies to feature some of his Emanuel Schikaneder. The style of the piece is that of work as part of their regular season. Singspiel, a style more like the operetta of today. If Salieri does manage a comeback, it may represent an “Requiem” (K626) intriguing example of the lasting power of rumor. Even after Composed: Vienna, late 1791 centuries, a good story can still linger—especially when His only sacred work since “C Minor Mass,” “Requiem” was not finished by Mozart. After his death, Constanze Hollywood is involved. passed the unfinished works to Franz Xaver Süssmayr, a friend and copyist of Mozart. To this day, scholars Romeo Vitelli received his doctorate in Psychology from York disagree as to where Mozart’s work ends and University in Toronto and spent 15 years as a staff psychologist Süssmayr’s begins. in a maximum security prison. In 2003, he went into full-time private practice. www.drvitelli.typepad.com/providentia. Compiled by sound designer David Bullard Text from The New Grove Mozart by Stanley Sadie. COSTUME RENDERING BY DEIRDRE CLANCY. RENDERING BY COSTUME

PERFORMANCES MAGAZINE 19 MUCH ADO ABOUT NOTHING COLLIDING CULTURES BY RON DANIELS

Perhaps an interesting, if obvious, way to de- scribe Much Ado About Nothing for theatregoers who saw The Taming of the Shrew at the Festival last year would be to say that in spite of sharing some themes, Much Ado About Nothing is quite different from The Taming of the Shrew! Gone is the near-farcical tone of Shrew. Gone, the raucous free-for-all encounters. Gone, the boisterous goings-on in the streets of the city. Much Ado has moved indoors, into the halls and gardens of Leonato’s country estate. There is no brawling with strangers and no fractious name-calling between angry neighbors. A darker tone has crept into Much Ado, and the witty exchanges between old lovers and longstanding friends is qui- eter, more mature and more domestic. A sense of a real place and a real period pervades Much Ado. The characters themselves are far more complex than in Shrew, and the situations they find themselves in are not just extravagantly performed but also more fully experienced. As the army of rough soldiers fresh from the battlefield enters into the peaceful world of women, two very different cultures collide: that of the soldiers, who mask their insecu- rities in manly gruffness and easygoing affability, and that of the women, who hide their strength in politeness and poise. Strangers to each other, the men and women regard one another with as much wariness as they do with curiosity and delight. How is it possible to know what someone really thinks or feels without looking into their heart? How is it possible to know who they really are? Or even to trust them? Much Ado About Nothing is full of jokes that seem to denote a general sense of emotional instability and sexual anxiety. Commitment to one another is fraught with danger. Infidelity and betrayal seem inevitable in a marriage. Appear- ances deceive and lead to heartache. Tragedy is barely—and only accidentally—averted. But as the two worlds clash, the way the men and women see each other is comically turned upside-down and chal- lenged, and it is only then, with penitent remorse and prayers of contrition as much as with a simple shrug of the shoulders, that they begin to recognize themselves for who they really are and accept the love they truly feel for one another.

Ron Daniels is the director of Much Ado About Nothing. COSTUME RENDERINGS BY DEIRDRE CLANCY. RENDERINGS BY COSTUME

20 PERFORMANCES MAGAZINE IF MUSIC BE the FOOD of LOVE, PLAY ON! This year’s Shakespeare Festival is one of the most musical ever. In addition to the lyricism of Much Ado About Nothing and the music and ceremony of The Tempest, this season features Peter Shaffer’s Amadeus, about one of the greatest musicians the world has ever known, Wolfgang Mozart. Below, Dan Moses Schreier and Shaun Davey, who have each composed original music for this year’s Festival, share their experiences and inspirations while composing for these plays.

I have been fortunate to work with Adrian Noble on five I start by reading the play and meeting Royal Shakespeare Company productions. Adrian is with the director. What is wonderful one of the few directors who makes me feel I can tackle about Shakespeare is that there are so anything with confidence and freedom. It’s a collaboration many possible directions one can take in which ideas are easily shared and understood. the interpretation of the play. Sitting The music for The Tempest was composed in a shed down with the director and hearing his in a leafy valley in County Wicklow, Ireland. In rehearsal or her ideas about how to approach we explored ways of adding the live musical talents of the cast, largely the text is the real beginning of my process. Music is through percussion and singing. Broadly speaking, the melodies of also suggested by the different worlds the characters the songs provide the seeds of the underscore – carried on the air of inhabit. The women’s world is one of domesticity and Prospero’s island – and a sound that reminds us of past wrongs in a distant the men’s world is military. These worlds inform the society, important to help understand the ruthlessness of Prospero’s music. hunger for revenge. Shakespeare leads the way in Much Ado About It is often said that The Tempest is the most musical of Shakespeare’s Nothing because he has written lyrics for songs that plays; certainly music is the specified medium through which Ariel does are part of the play. He has also notated that the actors his master’s bidding. The characters are required by Shakespeare to dance at certain points of the play. I start with the move in a virtual cloud of musical sounds. Although Shakespeare’s stage songs, then work to the dance sections. Then there are directions indicate where music is vital, the placement and style of the scenes that cry out for musical scoring, like the funeral music has to have a rationale, a storytelling logic that makes sense to the procession and the cemetery, which I approach next. audience. Unusually, the challenge seems to have more to do with finding The first thing I composed forMuch Ado was the correct placements of silence. Shakespeare’s song “Sigh No More” that Balthasar sings. In Shakespeare’s late plays, music is often summoned at points of The style of the song is based on director Ron Daniels’ reconciliation, healing or awakening from death. In The Tempest, his suggestion that it would have been performed at a last play, music is used in a much wider sense. Firstly, music as a charm: Schubertiade (an event held to celebrate the music of Prospero’s spirit-agent, Ariel, is in effect armed by Shakespeare with Franz Schubert). Ron is very imaginative and erudite. the power of underscore, amplified from time to time in song. The He has very specific ideas about how he would like to shipwrecked nobles and politicians are both governed and policed by the approach the play and at the same time has been very music of Ariel. In raucous contrast, with the arrivals of Caliban, Stephano open to the musical ideas I have suggested based on and Trinculo, a clumsy, rough and tumble music grows into a song of our discussions. rebellion. Another form of music, increasingly present, is the music of ceremony. This is created by Prospero himself, notably in his creation of Dan Moses Schreier is the composer and sound designer a musical pageant to celebrate the betrothal of his daughter. This is the for Much Ado About Nothing and sound designer for music that, with “spirits to enforce, art to enchant,” Prospero, in his final The Tempest. address, tells us he will never use again.

Shaun Davey is the composer for The Tempest.

PERFORMANCES MAGAZINE 21 Act I, Scene 1 of The Tempest by William Shakespeare, in a 1797 engraving based on a painting by George Romney. Inspiring a Sea of Artists The Tempest is generally acknowledged as William Shakespeare’s final play and one of his most poetic. Magic, humor, regret and love weave together into a beautiful exploration and celebration of life. These facets of The Tempest have inspired many other artists over the past four centuries in all fields of art: painting, literature, opera, dance, film and more.

22 PERFORMANCES MAGAZINE Many poets have been inspired by the lyricism of The Tempest. Following the publication of Charles Darwin’s ideas on evolution, Robert Browning (pictured here) explored questions of mankind and religion in “Caliban upon Setebos,” which imagines the play’s characters grappling with theological and philosophical quandries.

From the mid-18th century, The Tempest began to appear as the subject of paintings. Instead of focusing on the central character of Prospero, John William Waterhouse based his 1916 painting “Miranda – The Tempest” on Prospero’s daughter as she worriedly witnesses the shipwreck that begins their story.

A number of choreographers have adapted The Tempest for ballet, transforming Shakespeare’s poetic dialogue into the equally poetic language of movement. For example, Gordon Peirce Schmidt’s 2008 ballet, pictured here, was charged with athleticism and energy that breathed new life into At least 46 operas and semi-operas based on The Tempest exist. Lee Hoiby’s the characters. The Tempest, pictured here in a 2007 production at Purchase Opera, uses instruments and voice to not just communicate the words of the characters, but also to simulate the shipwreck and Ariel’s flight. Grand, colorful costumes and sets also enhance the theme of magic that pervades the piece.

The Tempest first appeared on film in 1905 in a two-and-a-half-minute snippet by Charles Urban that was hand-tinted Sculpture is also one of to provide color to the the art forms The Tempest otherwise-monochrome has taken. This sculpture film. Over the years, many by Milton Hebald, which versions have been filmed, depicts a windswept including modern-day Prospero and Miranda, updates and even B-movie has been displayed for sci-fi flicks. The play was decades outside the most recently seen on film Delacorte Theatre in New in a 2010 movie directed York, home of The Public by Julie Taymor that cast Theater’s Shakespeare Prospero as a woman, in the Park. It serves as a played by Helen Mirren. permanent embodiment of the lasting legacy of Shakespeare’s work.

PERFORMANCES MAGAZINE 23 SHAKESPEARE FESTIVAL CALENDAR

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY MAY 29 30 31 JUNE 1 2 3 4 Much Ado 8pm PRE 5 6 7 8 9 10 11 Tempest 8pm PRE 12 13S INSIGHT 14 15 16 17 18 Amadeus 8pm PRE Tempest Tempest 8pm PRE Tempest 8pm PRE Tempest 8pm PRE 19 20S INSIGHT 21 22 23 24 25 Tempest 8pm OPEN Amadeus Amadeus 8pm PRE Amadeus 8pm PRE Amadeus 8pm PRE Amadeus 8pm OPEN Much Ado 8pm PRE 26 27S INSIGHT 28 29 30 JULY 1 2 Much Ado 8pm PRE Much Ado Much Ado 8pm PRE Much Ado 8pm OPEN Much Ado 8pm Tempest 8pm Much Ado 8pm 3☀ 4 5☪ 6 7☀ 8 9 Tempest 8pm Tempest 8pm Amadeus 8pm Much Ado 8pm Amadeus 8pm Tempest 8pm 10 11 12☪ 13☪ 14 15 16☀ Much Ado 8pm Amadeus 8pm Much Ado 8pm Tempest 8pm Much Ado 8pm Amadeus 8pm 17 18 19 20☀ 21 22 23 Tempest 8pm Much Ado 8pm Tempest 8pm Much Ado 8pm Amadeus 8pm Tempest 8pm 24 25 26 27☪ 28 29 30 GALA Amadeus 8pm Tempest 8pm Amadeus 8pm Amadeus 8pm Much Ado 8pm 31 AUGUST 1 2☪ 3 4 5 TGIF 6☀ Much Ado 8pm Much Ado 8pm Tempest 8pm Much Ado 8pm Amadeus 8pm Much Ado 8pm 7 8 9☀ 10 11 OATG 12 TGIF 13 Tempest 8pm Amadeus 8pm Much Ado 8pm Amadeus 8pm Much Ado 8pm Tempest 8pm 14 15 16☪ 17 18☀ 19 20 Much Ado 8pm Much Ado 8pm Amadeus 8pm Tempest 8pm Tempest 8pm Much Ado 8pm 21 22 23 24☪ 25 26 27 Amadeus 8pm Tempest 8pm Tempest 8pm Amadeus 8pm Much Ado 8pm Amadeus 8pm 28 29 30☪ 31☀ SEPTEMBER 1 2 3 Tempest 8pm Amadeus 8pm Much Ado 8pm Tempest 8pm Much Ado 8pm Amadeus 8pm 4 5 6☪ 7 8 9 ☀ 10 Much Ado 8pm Tempest 7pm Amadeus 7pm Much Ado 8pm Amadeus 8pm Tempest 8pm 11☀* 12 13 14 15 16 17 Much Ado 7pm Amadeus 7pm Much Ado 7pm Tempest 8pm Tempest 8pm Amadeus 8pm 18 19 20 21 22 ☀ 23☀ 24 Amadeus 7pm Much Ado 7pm Tempest 7pm Amadeus 8pm Tempest 8pm Much Ado 8pm 25 Tempest 7pm CALENDAR LEGEND Shakespeare in the Garden Post-Show Forums: Discuss the play with members of the cast following the performance. Shakespeare in the Garden Shakespeare in the Garden: Free presentations. Much Ado About Nothing is a series of informal Thursday, July 7; Saturday, August 6; *Presentation will begin at 6:00 p.m. due to an earlier performance. presentations of ideas and Wednesday, August 31; Sunday, September 11*

INSIGHTS insights that enhance the Insights Seminars: A free seminar series featuring a theatre-going experience. The The Tempest panel selected from the artistic company of the current seminars feature members Sunday, July 3; Wednesday, July 20; show. Reception at 6:30 p.m., Seminar at 7:00 p.m. of the Shakespeare Festival Thursday, August 18; Friday, September 23 OATG creative team and take place OUT at the Globe: A pre-show event for gay and lesbian theatre-lovers and friends with food and in the Craig Noel Garden. Amadeus cocktails. Everyone is welcome. $20/person. Presentations begin at Saturday, July 16; Tuesday, August 9; (Show sold separately.) 7:00 p.m. Admission is free and Friday, September 9; Thursday, September 22 TGIF reservations are not required. *Presentation will begin at 6:00 p.m. due to an earlier performance. Thank Globe It’s Friday: A Friday pre-show bash with food and cocktails. $20/person. (Show sold separately.)

24 PERFORMANCES MAGAZINE Profiles

(continued from page 16) GEORGIA HATZIS (Beatrice, Much CHARLES JANASZ (Antonio, Verges, Ado About Nothing; Venticella, Much Ado About Nothing; Gonzalo, The West Coast credits include Film (Theatre Amadeus) has appeared in IRNE Tempest; Count von Strack, Amadeus) of NOTE) and New Playwrights Project Award-nominated performances as is an Associate Artist and has been seen (TheatreWorks). His New York credits Ophelia in Hamlet and Beatrice in Much in 23 Old Globe productions including include Here I Go Boys, A Diner, a Shiner Ado About Nothing (Commonwealth Pericles and the Summer Festivals of and New Beulah (Shelby Company). Mr. Shakespeare Company). Her regional 1985 and 2004-2010. He was seen on DeJesus received his B.A. in Theatre credits also include Anne Bogart’s La Broadway in Amadeus (’99-’00 revival) from Occidental College. Dispute, Andre Serban’s Pericles and and has been a leading company member BEN DISKANT (Balthasar, Soldier, Much Janos Szasz’ Uncle Vanya (American and returning guest artist of both Guthrie Ado About Nothing; Ariel, The Tempest; Repertory Theater), Macbeth and Theater and Arena Stage. Mr. Janasz’s Citizen of Vienna, Servant, Amadeus) has Henry V (Commonwealth Shakespeare other credits include work at Ahmanson previously appeared in The Old Globe/ Company) and A Bright Room Called Theatre, New York Shakespeare Festival, USD M.F.A. productions of The Winter’s Day, Ghetto, Malady of Death and God’s Playwrights Horizons, Williamstown Tale, The Two Gentlemen of Verona, The Country (Theatre Outlet). Ms. Hatzis Theatre Festival, Geffen Playhouse, Country Wife and The Chekhov/Carver has worked extensively in New York Seattle Repertory Theatre, La Jolla Project. At the Globe he has appeared with Greek-language ensemble KEP Playhouse, CENTERSTAGE, Empty in Death of a Salesman, King Lear, The Theatre Company and has toured Russia Space Theatre, Huntington Theatre Madness of George III and The Taming and Europe with Robert Woodruff’s Company, Walker Art Center, and Loring of the Shrew. His regional credits include Phaedra 4:48, based on the writings Playhouse. He trained at the University Speech and Debate (TheaterWorks, of Sarah Kane. Her film and television of Washington and The Juilliard School. Hartford), The History Boys (The Studio credits include Adam Sandler’s upcoming He has been a proud member of Actors’ Theatre), Anything Goes (Williamstown feature Jack and Jill, Bunker Hill, BTK, Equity Association since 1980. Theatre Festival) and the National Tour HBO’s “Hung,” “The Defenders,” “The RACHAEL JENISON (Woman in of Freedom Train (TheatreworksUSA). Mr. Whole Truth,” “CSI: NY,” “Medium,” “Lie Leonato's house, Much Ado About Diskant holds a Bachelor’s of Music and to Me,” “Without a Trace,” “Numb3rs” Nothing; Spirit, The Tempest; Citizen of a B.A. in Sociology from Northwestern and “Law & Order: Criminal Intent.” Ms. Vienna, Amadeus) was last seen in the University. Hatzis received her M.F.A. from Harvard University/Moscow Art Theatre School. Globe/USD M.F.A. production of The CHRISTIAN DURSO (The Watch, Soldier, Importance of Being Earnest. Other Much Ado About Nothing; Adrian, Spirit, ANDREW HUTCHESON (The Watch, Globe/USD M.F.A credits include The The Tempest; A Majordomo, Citizen of Soldier, Much Ado About Nothing; Winter’s Tale. Her Chicago credits Vienna, Amadeus) was last seen in The Boatswain, Spirit, The Tempest; Salieri’s include Magnolia (Goodman Theatre), Old Globe/USD M.F.A. productions of Valet, Citizen of Vienna, Amadeus) was Wood Demon (The Library Theatre) The Winter’s Tale, The Country Wife last seen in The Old Globe/USD M.F.A. and Hedda Gabler and Misanthrope, or and The Two Gentleman of Verona. His productions of The Importance of Being the Impossible Lovers (Vintage Theater New York credits include Nocturne Earnest, The Winter’s Tale, The Country Collective). Her regional credits include (UNDER St. Marks), Cinephilia (Theatre Wife and The Two Gentleman of Verona, Almond and the Seahorse (Madison Row), Spring Awakening (Blue Heron as well as last summer’s productions of Repertory Theatre) and Twelfth Night Theatre), A Midsummer Night’s Dream The Madness of George III, King Lear and (Great River Shakespeare Festival). Ms. (The Ensemble Studio Theatre), Julius The Taming of the Shrew. His New York Jenison has a B.F.A. in acting from The Caesar (Theater for the New City), Shoe credits include Elizabeth Rex, Kosher University of Minnesota/Guthrie Theater Polish (13th Street Repertory Company) Harry and Richard III (Nicu’s Spoon Actor Training Program. and Crazy Gary’s Mobile Disco (The Theatre), Romeo and Juliet (Staten Island JESSE JENSEN (The Watch, Soldier, Tank). Mr. Durso’s regional credits Shakespeare) and Titus Andronicus (Rising Much Ado About Nothing; Spirit, The include Macbeth and A Midsummer Phoenix Productions). His National Tours Tempest; Priest, Citizen of Vienna, Night’s Dream (Shakespeare Santa include Julius Caesar and A Midsummer Servant, Amadeus) was recently featured Cruz), Macbeth (Royal Academy of Night’s Dream (The Shakespeare Theatre at The Old Globe in Death of a Salesman, Dramatic Art) and Minnesota Moon of New Jersey) and Beauty and the Beast directed by Pam MacKinnon. He has also (Boulder International Fringe Festival). (American Family Theatre). His regional appeared in The Old Globe/USD M.F.A. His television credits include “One Life credits include Much Ado About Nothing, productions of The Winter’s Tale and to Live” and “Guiding Light.” Mr. Durso The Crucible, The Lion in Winter, As Dear Harvey. His regional credits include holds a B.F.A. from the Tisch School of You Like It and Jungalbook (Austin Live The Heiress (Long Beach Playhouse), the Arts. www.christiandurso.com. Theatre) and Julius Caesar, Twelfth Night, 1776, Tartuffe, Romeo and Juliet and West Side Story (Musical Theater Los Love’s Labour’s Lost (Texas Shakespeare Angeles), The Merry Wives of Windsor Festival). Mr. Hutcheson received his B.A. (Kingsmen Shakespeare Festival) and in Acting from The University of Texas at the National Tour of The Art of Being Austin. (Adriana Garza Productions). His Los

PERFORMANCES MAGAZINE 25 Profiles

Angeles credits include Brilliant Traces, the role of Miss B. in Enter Laughing. She and Uncle Vanya. His regional credits Sex, Drugs, Rock & Roll and Feeding the has appeared in National and European include King Lear (Goodman Theatre and Moonfish (Front Porch Players) and the Tours as Sally in Cabaret and Sandy The Shakespeare Theatre Company), title role in Hamlet (Loyola Marymount in Grease. She has been fortunate to Mother Courage and Her Children, University). His film and television credits play the leading roles regionally in My Richard II and Antigone (American include Wasted, Annabelle, Nomad and Fair Lady (Capital Repertory Theater), Repertory Theater), Betty’s Summer Charley as well as primetime roles on The Girl in the Frame (Goodspeed Vacation (Huntington Theatre Company), “CSI: Crime Scene Investigation,” “Cane” Musicals and Manhattan Theatre The Taming of the Shrew (Dallas Theater and “Cold Case.” In addition to acting Club), Cinderella (Arkansas Repertory Center), A Streetcar Named Desire Mr. Jensen has written, produced, and Theatre), Oklahoma! (Casa Mañana), (Intiman Theatre) and Much Ado About directed for theatre and film. He received Barnum, Footloose and Singin’ in the Nothing, Twelfth Night, Henry V and a B.A. in Film Production with a minor Rain (Westchester Broadway Theatre), Hamlet (Commonwealth Shakespeare in Theater Arts from Loyola Marymount Thoroughly Modern Millie and Seven Company). Mr. Roberts has also toured University. Brides for Seven Brothers (Flat Rock or created performances in theatres in Playhouse). In film and television her Canada, Switzerland, Italy, Germany, JASON MADDY (The Watch, Soldier, roles include The Smurfs (summer 2011), Russia and extensively back home in New Much Ado About Nothing; Spirit, The He Got Game, NY-70 (NBC pilot) and Zealand. His television credits include Tempest; Citizen of Vienna, Servant, hosting on HSN. Her commercials include “CSI: Miami,” “Detroit 187,” “The Flight of Amadeus) received his B.A. at California McCormick Spices, Kohl’s, Empire the Conchords,” “Lie to Me,” “Medium,” State University, San Bernardino in City Casino and Lee Riders Jeans. She “Without a Trace,” “CSI:NY,” “NCIS: Theatre and his M.F.A. at the University received her B.F.A. in Music Theatre from Naval Criminal Investigative Service,” of Illinois Urban-Champaign in Acting. Elon University. “Numb3rs,” “The Unit,” “Brotherhood,” He teaches theatre at Mt. San Jacinto www.allisonsprattpearce.com. “Love Monkey,” “Shark,” “Law & Order,” College as well as having taught for “Law & Order: Criminal Intent,” “Jericho,” numerous companies and age groups DEBORAH RADLOFF (Ursula, Much Ado “As the World Turns,” “Xena: Warrior across the country including La About Nothing; Juno, Spirit, The Tempest; Princess,” “Hercules: The Legendary Jolla Playhouse, Utah Shakespeare Citizen of Vienna, Servant, Amadeus) Journeys,” “Shortland Street,” “A Bit of a Festival and right here at The Old made her Globe debut in Death of a Hoot” and “In Search of the Kiwi Male.” Globe. His San Diego theatre credits Salesman and was recently seen in The Mr. Roberts’ film credits include The include performances with Premiere Old Globe/USD M.F.A. staging of The Elephant King, Downstream, Footsteps Productions, Welk Resorts Theatre, Winter’s Tale. Her Off Broadway credits and BTK. He received an M.F.A. from the San Diego Musical Theatre, Moonlight include Girls Night: The Musical (Sophia’s Institute for Advanced Theatre Training Stage Productions, Intrepid Shakespeare Downstairs Cabaret), and her Off Off at Harvard University and the Moscow Company and North Coast Repertory Broadway credits include Dance Dance Arts Theatre School. Theatre. Outside of San Diego Mr. Maddy Revolution (Les Freres Corbusier). has performed with Utah Shakespeare Her other New York credits include RYMAN SNEED (Margaret, Much Ado Festival, Illinois Shakespeare Festival, Mosheh: A Video (HERE Arts Center) About Nothing; Spirit, The Tempest; Theatrical Arts International Productions and Powerhouse (New York International Venticella, Amadeus) has appeared in and Kingsmen Shakespeare Festival. Fringe Festival). She has appeared The Old Globe/USD M.F.A. productions Some of his favorite roles and plays are regionally in The Yiddish Are Coming: of The Winter’s Tale, The Two Gentlemen Iago in Othello, Touchstone and Trinculo The Chosen Musical (world premiere, of Verona, The Country Wife and The in As You Like It (not at the same time), Denver Civic Theatre), Pericles, Othello, Chekhov/Carver Project and in The Jacques Brel is Alive and Well and Living Richard III, The Merry Wives of Windsor, Old Globe productions of Death of a in Paris, Voice of the Prairie and the Twelfth Night and Measure for Measure Salesman, King Lear and The Madness comedic show host for the sea lion and (Nebraska Shakespeare Festival) and A of George III. Her Off Broadway and otter show at SeaWorld San Diego in Christmas Carol (Cincinnati Playhouse other New York credits include None of 2007. in the Park). She received her B.F.A. in the Above and The Tempest. Ms. Sneed Acting from The University of Nebraska– holds a B.F.A. in Acting from Marymount ALLISON SPRATT PEARCE (Woman Omaha. Manhattan College. in Leonato's House, Much Ado About www.RymanSneed.com. Nothing; Ceres, Spirit, The Tempest; JONNO ROBERTS (Benedick, Much Ado Katherina Cavalieri, Citizen of Vienna, About Nothing; Caliban, The Tempest) is ADRIAN SPARKS (Leonato, Much Ado Amadeus) was recently seen in the Globe thrilled to be back at The Old Globe this About Nothing; Stephano, The Tempest) production of Jane Austen’s Emma – A summer after appearing here last year was most recently seen at the Globe as Musical Romantic Comedy and the as Petruchio in The Taming of the Shrew Uncle Ben in Death of a Salesman. 2010 Globe/USD M.F.A. production of The and Edmund in King Lear. His other major Festival audiences will remember Mr. Winter’s Tale. Her Broadway and Off credits include the original Broadway Sparks playing Baptista in The Taming Broadway credits include Cry-Baby, production of Take Me Out and the Off of the Shrew and the dual roles of Sir Curtains, Good Vibrations and originating Broadway productions of Bug, Monster Boothby and Dr. Pepys in The Madness

26 PERFORMANCES MAGAZINE of George III. He also performed the role Goes (Barksdale Theatre), Around the Three years later his play Five Finger of Kent for the final performance of King World in 80 Days (Sierra Repertory Exercise was successfully directed by Sir Lear. Mr. Sparks first came to The Old Theatre), Black Gold (Phoenix Theatre), John Gielgud at the Comedy Theatre Globe in 1976 playing the roles of Corin Dogpark: The Musical (Milwaukee in London and transferred to Broadway in As You Like It, Gratiano in Othello Repertory Theatre), Beauty and the in 1959. Two one-act comedies, The and Diomedes in Troilus and Cressida. Beast (Theatre IV), Gypsy (Modlin Private Ear and The Public Eye, followed Since then he has played leading roles Center for the Arts), and A Midsummer as a double bill at the Globe Theatre in in a wide variety of theatre classics at Night’s Dream, The Complete Works London in 1962, both featuring Maggie such theatres as Guthrie Theater, Seattle of William Shakespeare (Abridged), Smith. The Royal Hunt of the Sun, an epic Repertory Theatre, Long Wharf Theatre, The Imaginary Invalid, Shakespeare in play concerning Spain’s conquest of Peru Stage West, CENTERSTAGE, Indiana Hollywood, Room Service, The Foreigner, in the 16th century, became a smash Repertory Theatre, Laguna Playhouse Kiss Me, Kate, She Loves Me, Oliver!, hit at London’s National Theatre and and Cincinnati Playhouse in the Park. His Forever Plaid and A Year with Frog and consequently appeared on Broadway extensive Shakespearean credits include Toad (Hope Summer Repertory Theatre). starring Christopher Plummer. The piece acting or directing assignments in Romeo Mr. Spivey is a Second City-trained was revived at the National in 2006. and Juliet, A Midsummer’s Night Dream, improv artist, a jazz pianist, the co-author Equus was also produced by the National Macbeth, Troilus and Cressida, Love’s of the musical comedy Murphy’s Law and Theatre and on Broadway, where it ran Labour’s Lost, Much Ado About Nothing, the recipient of the 2011 Craig Noel MFA for more than 1,200 performances and King Lear, Othello, The Two Gentlemen Fellowship. won the Tony Award for Best Play in of Verona, Twelfth Night, Julius Caesar, 1975. Amadeus, concerning the rivalry The Tempest, As You Like It, The Merry JAY WHITTAKER (Don John, Much between the composers Antonio Salieri Wives of Windsor, Richard II, Henry IV Ado About Nothing; Wolfgang Amadeus and Wolfgang Mozart, opened in London (Parts I and II), Henry V, Henry VI (Parts Mozart, Amadeus) appeared in the to great acclaim starring Paul Scofield in I, II and III) and Richard III. His 2009 2010 Festival productions of King 1979 and transferred to Broadway the portrayal of Sharky in The Seafarer for Lear (Edgar), The Taming of the Shrew following year starring Sir Ian McKellan. Ensemble Theatre of Cincinnati led (Lucentio) and The Madness of George Amadeus won the Tony Award for Best to Best Actor Awards from both the III (William Pitt), for which he received Play in 1981 and the 1984 film won Acclaim and Cincinnati Entertainment the San Diego Theatre Critics Circle Mr. Shaffer one of its eight Oscars. Awards. In 2005, Mr. Sparks was honored Craig Noel Award honoring his work in all Yonadab, set at the court of King David, by the highly-respected Ovation three productions. He has been seen Off and Lettice and Lovage, which won Awards Committee with a Best Actor Broadway in Frank’s Home at Playwrights the Evening Standard Award for Best nomination for his portrayal of Ernest Horizons and Rose Rage at The Duke on Comedy in London and Tony Awards Hemingway in the one-man show Papa 42nd Street. His other credits include for Dame Maggie Smith and Margaret by Pulitzer Prize-winning author John Old Masters, Mother Courage and Tyzak. His other plays include Black deGroot. He has since performed this Her Children and David Copperfield Comedy, Whom Do I Have the Honour of solo show at numerous venues across (Steppenwolf Theatre Company), Sense Addressing? and The Gift of the Gorgon. the United States and across the world and Sensibility, directed by Jon Jory, Mr. Shaffer was awarded the prestigious with an extended tour of major theatres and Awake and Sing!, directed by Amy Shakespeare Prize in 1987 and was made and universities throughout Turkey. Mr. Morton (Northlight Theatre), Shining a Commander of the British Empire Sparks has also portrayed cowboys, City (Huntington Theatre Company), in the same year. He was knighted by doctors, soldiers, professors, best friends Tamburlaine and Edward II (The Queen Elizabeth in 2001 for Services to and archenemies in more than 75 film Shakespeare Theatre Company), Shining Drama. and television projects. City and Frank’s Home (Goodman Theatre), The Merchant of Venice, All’s RON DANIELS (Director, Much Ado JONATHAN SPIVEY (Conrade, Much Well That Ends Well, A Midsummer About Nothing) was a founding member Ado About Nothing; Spirit, The Tempest; Night’s Dream, Measure for Measure, of the Teatro Oficina in São Paulo. He Kapellmeister Bonno, Citizen of Vienna, Julius Caesar, Love’s Labour’s Lost and is a former Artistic Director of Royal Amadeus) was recently seen at the The Tempest (Chicago Shakespeare Shakespeare Company’s experimental Globe in Death of a Salesman (Howard Theater) and Henry IV (Royal theatre, The Other Place, at Stratford- Wagner) and The Old Globe/USD M.F.A. Shakespeare Company). Mr. Whittaker’s upon-Avon, England. After 15 years productions of The Winter’s Tale, The film and television credits include with the company, directing many Importance of Being Earnest and Dear Dustclouds, Let’s Go to Prison, Death of Shakespeare plays, including two Harvey. His New York credits include a President, “Prison Break” and “Early productions of Hamlet (one with Roger The Naked Side of Grace and The Last Edition.” Rees and the second with Mark Rylance, Chanukah. His regional credits include the “pajama Hamlet”) as well as works by The Merchant of Venice, The Two PETER SHAFFER (Playwright, Amadeus) contemporary British writers, Mr. Daniels Gentlemen of Verona and Romeo and wrote his first play, The Salt Land, about was appointed an Honorary Associate Juliet (Richmond Shakespeare), Cyrano the foundation of the state of Israel, and Director. He is a former Associate Artistic de Bergerac, Souvenir and Anything it was produced for television in 1955. Director of the American Repertory

PERFORMANCES MAGAZINE 27 Profiles

Theater and is now a freelance director. The Master Builder. Mr. Noble’s opera She went on to design all over the world He has worked in many theatres and credits include Alcina at the Wiener for the stage, opera, film and television. opera houses across the U.S., in Japan Staatsoper, Vienna, Macbeth at the Among Ms. Clancy’s many successes and in Brazil, where he staged King Lear Metropolitan Opera, Carmen in Paris and were costumes for Kiri Te Kanawa in Cosí in his own translation into Portuguese. At Mozart’s Da Ponts Trilogy in Lyon. His Fan Tutte at The Metropolitan Opera, Ian The Old Globe, he directed last season’s film of A Midsummer Night’s Dream was McKellen in Wild Honey at The National Festival production of The Taming of the released in 1995, and his book, How to do Theatre, Los Angeles and Broadway and Shrew and the hip hop musical Kingdom, Shakespeare, was published in 2010. Glenda Jackson in Strange Interlude in which was performed at both the Lincoln the West End and on Broadway. She won High School Center for the Arts and at RALPH FUNICELLO (Scenic Design) is a BAFTA Best Costume Design Award the Globe. His production of Il Postino an Associate Artist of The Old Globe and for Mrs. Brown featuring Dame Judi for LA Opera opened in Los Angeles has designed the Summer Shakespeare Dench and Billy Connolly and Olivier in 2010 starring Plácido Domingo. The Festivals 2004-2010, Brighton Beach Awards for her work on Twelfth Night and production has since been seen in Paris Memoirs, Broadway Bound, Lost in Love’s Labour’s Lost, both for the Royal and Vienna. Mr. Daniels’ first feature film, Yonkers, Restoration Comedy, The Shakespeare Company. She returned to The War Boys, is being distributed by Constant Wife, The Lady with All the RSC with costume designs for All’s Well Maya Entertainment. Answers, Julius Caesar, Pericles, The That Ends Well with Dame Judi Dench, Taming of the Shrew, The Trojan Women, for which Ms. Clancy received another ADRIAN NOBLE (2011 Shakespeare Henry V, The Merry Wives of Windsor, Olivier nomination, and Romeo and Festival Artistic Director; Director, The The Hostage, Paramour, Romeo and Juliet, directed by Peter Gill. In 2011 Ms. Tempest, Amadeus) is currently the Juliet, Othello, The Comedy of Errors, Clancy completed the trilogy of Mozart Artistic Director of The Old Globe’s Pride’s Crossing, Macbeth, American operas for Opera de Lyon, directed by Shakespeare Festival. He led the Royal Buffalo, Private Lives, The Gate of Adrian Noble, with costumes for Cosí Shakespeare Company (RSC) as Artistic Heaven, Mister Roberts, Henry IV, Fan Tutte, The Marriage of Figaro and Director and Chief Executive from Dancing at Lughnasa, Hedda Gabler, The Don Giovanni. Ms. Clancy has written 1990-2003, where he produced nearly Way of the World, Twelfth Night, King and illustrated Costume Since World War 300 productions. Mr. Noble’s most recent Lear, Ghosts, Interior Decoration, From Two. www.clancy.uk.com. theatre productions include King Lear the Mississippi Delta, The Winter’s Tale, and The Madness of George III (The Old Mr. Rickey Takes a Meeting, Bargains, ALAN BURRETT (Lighting Design) Globe,) Hamlet (Stratford Shakespeare The Tempest, The Merchant of Venice, recently designed the 2010 Shakespeare Festival), Kean (West End), Hedda Gabler The White Rose, Hamlet, Our Town, Festival and The Savannah Disputation (Theatre Royal Bath), Summer and Driving Miss Daisy and Measure for at The Old Globe. Mr. Burrett’s work Smoke and A Woman of No Importance Measure. Elsewhere, Mr. Funicello has has been seen in over 30 countries. (West End), The Home Place by Brian designed scenery on and off Broadway His theatre work has included 15 Friel at Gate Theatre and the West End, and for many theatres across the country, productions for the Royal Shakespeare Brand by Henrik Ibsen starring Ralph including Lincoln Center Theater, Company as well as at The Royal National Fiennes and Pericles at (Roundhouse Manhattan Theatre Club, American Theatre, Royal Opera House, The Paris and Stratford) and Chitty Chitty Bang Conservatory Theater, A Contemporary Opera, Munich Opera, Burgtheater in Bang starring Michael Ball (The London Theatre, Mark Taper Forum, Arizona Vienna and 25 productions for LA Opera. Palladium and on Broadway). In 1980 Theatre Company, Seattle Repertory He lit large-scale arena productions of he joined the RSC as Assistant Director, Theatre, Berkeley Repertory Theatre, the operas Carmen and Tosca in London, becoming an Associate Director almost Milwaukee Repertory Theater, Denver Germany, Australia and Japan and the immediately. His first production for Center Theatre Company, The complete works of Beckett for Gate the RSC was Ostrovsky’s The Forest, Shakespeare Theatre Company, Guthrie Theatre in Dublin, New York and London. which transferred first to the Warehouse Theater, South Coast Repertory, Oregon Later this year he will collaborate with Theatre Company and then to the Shakespeare Festival, Williamstown Adrian Noble on the opera Xerxes in Aldwych Theatre and was named Best Theatre Festival, Huntington Theatre Vienna. Mr. Burrett is Professor of Design Revival at the 1981 Drama Awards. In Company, Intiman Theatre, Stratford at UC San Diego. 1988 he was appointed Artistic Director Shakespeare Festival, Royal Shakespeare of the RSC’s Stratford season and in Company, New York City Opera, DAVID BULLARD (Sound Design, 1989 went on to be Artistic Director LA Opera and San Diego Opera. He Amadeus) has sound designed One of the RSC London season. His RSC currently holds the position of Powell Night Only: A Night with Al Pacino productions include A Doll’s House, A Chair in Set Design at SDSU. (International Tour), On Golden Pond New Way to Pay Old Debts, The Comedy (National Tour) and The Unexpected of Errors, Measure for Measure, King DEIRDRE CLANCY (Costume Design) Man (New York and Los Angeles). His Lear, Antony and Cleopatra, The Winter’s began her career as house designer for regional credits include associate sound Tale, Henry V with Kenneth Branaugh, As the Royal Court Theatre in the late 1960s designs for Little Miss Sunshine (La Jolla You Like It, Macbeth, Kiss Me, Kate, The with such cutting-edge authors as Edward Playhouse) and Whisper House and A Art of Success, The Plantagenets and Bond, Joe Orton and D.H. Lawrence. Catered Affair (The Old Globe). His

28 PERFORMANCES MAGAZINE Broadway associate sound design credits musical James Joyce’s The Dead (Tony LIZ SHIPMAN (Movement, Much Ado include Sondheim on Sondheim, West nomination for Best Original Musical About Nothing) was Co-Founder/Artistic Side Story (New York and National Tour), Score). In the U.K. he composed for Director for Kings County Shakespeare Xanadu (New York and National Tour), many Royal Shakespeare Company Company (KCSC) in New York City A Catered Affair, Gypsy, Radio Golf, The productions including A Winter’s Tale, from 1983 to 2001. Ms. Shipman Gem of the Ocean, Sweeney Todd and King Lear, The Tempest, Pericles, Fair has directed and/or choreographed The 25th Annual Putnam County Spelling Maid of the West and The Lion, the productions for KCSC (over 50 Bee. He has designed live and studio Witch and the Wardrobe, and in Ireland productions), New Avenue Theatre work for Steve Reich and Meredith Monk. at Abbey Theatre he composed for Project, Utah Shakespeare Festival, The Silver Tassie, Well of the Saints, The Repertory Theatre of St. Louis, The DAN MOSES SCHREIER (Original Angels from America, The Crucible and Old Globe, Playwright’s Project, New Music, Much Ado About Nothing; Sound Observe the Sons of Ulster Marching Village Arts and lots of little loft-type Design, Much Ado About Nothing, The Towards the Somme. www.web.me.com/ theatres throughout New York. She has Tempest) has worked on the Broadway shauncarrickdavey/Site. directed, choreographed and taught productions of Sondheim on Sondheim, movement and acting at the American A Little Night Music, West Side Story, STEVE RANKIN (Fight Director) is Academy of Dramatic Arts, Technique Gypsy, Radio Golf, John Doyle’s an Associate Artist of The Old Globe for the Whole Actor Studio, T. Schreiber production of Sweeney Todd, The 25th as an actor and fight director. This Studio, Manhattan Marymount College, Annual Putnam County Spelling Bee, is his 25th season staging fights for Atlantic Theater Company, Webster Gem of the Ocean, Pacific Overtures, the Globe, including the 2004-2010 Conservatory of Theatre Arts, University Assassins, Into the Woods, Topdog/ Summer Shakespeare Festivals, The of San Diego’s Undergraduate Theatre Underdog, Dirty Blonde, The Tempest First Wives Club – A New Musical, The Arts Department and The Old Globe/ and Bring in ‘Da Noise, Bring in ‘Da Funk. Mystery of Irma Vep, Cornelia, In This USD Graduate Acting Department His Off Broadway credits include Road Corner, Pig Farm, Pentecost, Compleat where she serves as a member of the Show, Stuff Happens, Homebody/Kabul, Female Stage Beauty, Twelfth Night, core faculty. Her favorites projects Floyd Collins and others. He recently Cymbeline, Romeo and Juliet, As You include Genet/Hamlet, The Winter’s Tale, composed scores for the Broadway Like It, The Two Noble Kinsmen, Antony Rough Crossing, Love’s Labour’s Lost, A production of The Merchant of Venice and Cleopatra, Othello, The Taming Midsommer Night’s Dreame, The Taming starring Al Pacino and Dan Hurlin’s of the Shrew, King Lear, Hamlet, White of the Shrew, As You Like It, Aphra Behn’s Disfarmer at St. Ann’s Warehouse. He Linen, Julius Caesar, Henry V and The Rover, Blood Wedding, On the Verge, has received three Drama Desk Awards, Richard II. His Broadway credits include Lysistrata, O Jerusalem, Fifth of July, The three Tony Award nominations and an Henry IV, Parts 1 and 2 (directed by Water Engine, An Experiment with an Air Obie Award for Sustained Excellence. Jack O’Brien), Memphis, Jersey Boys, Pump and The Creation Project. www.danmosesschreier.com. Guys and Dolls, Twelfth Night, Getting Away with Murder, Dracula, The Who’s CHARLIE REUTER (Music Director) SHAUN DAVEY (Original Music, The Tommy, Anna Christie, The Real Inspector received a Master of Fine Arts degree Tempest) was born in Belfast and lives in Hound and Two Shakespearean Actors. in musical theatre from San Diego State Dublin. His concert music includes the His Off Broadway credits include The University after earning a degree in widely performed “The Brendan Voyage” Third Story, Pig Farm, The Night Hank music education from the University of (the first work for an Irish traditional Williams Died and Richard Dresser’s Central Florida. In New York, he served musician and orchestra), “The Deers’ Below the Belt. Regionally he has worked as a pianist for New York University, Cry” (St. Patricks’ prayer) and “Suite for at La Jolla Playhouse, Mark Taper accompanist for Chelsea Opera, the Dublin Special Olympics.” His “Relief Forum, Ahmanson Theatre, Geffen music director for the Lee Strasberg of Derry Symphony” was part of the Playhouse, Berkeley Repertory Theatre, Theatre and Film Institute and studied early Northern Ireland Peace Process. CENTERSTAGE, Geva Theatre, Asolo conducting at The Juilliard School. He His work features in the Irish schools Repertory Theatre, Philadelphia Drama served as music director for Moonlight syllabus and can be heard on seven Guild, Virginia Stage Company and Stage Productions’ Miss Saigon and is albums on the Tara label, the most recent Actors Theatre of Louisville. Mr. Rankin’s an Associate Artist of Lamb’s Players being Voices from the Merry Cemetery. films include Renaissance Man, Human Theatre, where he conducted the His international credits include the Error and Tumbleweeds. His other credits regional premiere of The Light in the music for the BBCs’ Ballykissangel include the Stratford Shakespeare Piazza. At The Old Globe, he was (BAFTA nomination) and “The Hanging Festival as well as Seattle, San Diego assistant to the conductor of Sammy. Gale” (Ivor Novello Award and BAFTA and Metropolitan Opera companies. Most recently, he conducted Cygnet nomination) and scores for the feature Mr. Rankin plays mandolin with the Theatre Company’s Sweeney Todd and films Waking Ned Devine, The Tailor of Appalachian Roots artist Susie Glaze and frequently assists the music staff at La Panama and Twelfth Night (Ivor Novello the Hilonesome Band. Jolla Playhouse. nomination) and Hallmarks’ David Copperfield. In theatre he has worked both on and off Broadway, including the

PERFORMANCES MAGAZINE 29 Profiles

JOE FITZPATRICK (Puppet Advisor, Millennium: Conversations with Master in the Park with George, Cabaret and The Tempest) began performing puppets Teachers. She teaches in The Old Globe/ Into the Woods (The 5th Avenue Theatre) with San Diego Museum of Art’s “Art USD Graduate Theatre Program. and The Brothers Size, Fences, Doubt, Rig.” From 1992 to 1995, Mr. Fitzpatrick Restoration Comedy, Topdog/Underdog, toured San Diego schools with a mobile SNEHAL DESAI (Assistant Director, Wit, Sisters Matsumoto and The Time of art exhibit titled “Extended Personae: Much Ado About Nothing) has directed Your Life, among others (Seattle Rep). His The Art of Puppetry.” Through his work productions of Baal, Edward II, FOB: other regional theatre work includes The with this exhibit, he has now performed Fresh Off the Boeing, One Night with Wiz and Around the World in 80 Days puppetry throughout the San Diego area Rael, Booty Fire, Cabaret and Marisol. (CENTERSTAGE), Uncle Vanya and The at Marie Hitchcock Puppet Theater, Mr. Desai has worked at theatres across Triumph of Love (Long Wharf Theatre), North Coast Repertory Theatre, San the county including The Public Theater, the world premiere of Jeffrey Hatcher’s Diego Children’s Museum, San Diego The Old Vic, Dad’s Garage Theatre Dr. Jekyll and Mr. Hyde (Arizona Theatre Model Railroad Museum, San Diego Company, Alliance Theatre, HERE Company), When Grace Comes In (La Nighttime Zoo and many schools, Arts Center, Ars Nova and Theatre Jolla Playhouse), American Conservatory libraries, parades and special events such Rhinoceros. He has performed his solo Theater, Kansas City Repertory Theatre, as “KidzArtz” in Balboa Park. Since 2001, show, Finding Ways to Prove You’re Berkeley Repertory Theatre, San Jose Mr. Fitzpatrick has been the theatre NOT an Al-Qaeda Terrorist When You’re Repertory Theatre and Pittsburgh Public manager and a resident puppeteer at Brown, to great acclaim in San Francisco, Theater. He has worked on the National Marie Hitchcock Puppet Theater in New York, New Haven and Philadelphia. Tours of Proof, Spamalot and The Balboa Park. He is the inaugural recipient of The Phantom of the Opera. Mr. Torbeck also Drama League’s Classical Fellowship for volunteers for the Cascade Bicycle Club JAN GIST (Voice, Speech and Dialect Directors of Color. He received a B.A. in Seattle and teaches for the University Coach) has been Voice, Speech from Emory University and an M.F.A. of Washington School of Drama. and Dialect Coach for Old Globe from Yale University. productions since 2002. Previously DEIRDRE ROSE HOLLAND (Assistant she was Head of Voice and Speech for C.J. KEITH (Assistant Director, The Stage Manager) has previously worked Alabama Shakespeare Festival for nine Tempest, Amadeus) has worked for six at The Old Globe on Dr. Seuss’ How the years and 140 productions. She has years with the Shakespeare Festival. Grinch Stole Christmas! (2010), Brighton coached at theatres around the country Her Festival assistant director credits Beach Memoirs, Broadway Bound, Lost including Ahmanson Theatre, La Jolla are Hamlet, Othello, All’s Well That in Yonkers, The Mystery of Irma Vep and Playhouse, Oregon Shakespeare Festival, Ends Well, Coriolanus, Cyrano de The Pleasure of His Company. Regional The Shakespeare Theatre Company, Bergerac and The Taming of the Shrew. credits include Legacy of Light (San The American Shakespeare Center, Her extensive regional directing credits Jose Repertory Theatre) and the world Utah Shakespeare Festival, Arena include Eurydice, The Clean House, The premiere of Bonnie & Clyde and The Stage, Milwaukee Repertory Theater, Laramie Project, Side Man, The Maids, Laramie Project: Ten Years Later (La PlayMakers Repertory Company, Indiana Present Laughter, The Fantasticks, The Jolla Playhouse). Her additional credits Repertory Theatre, American Players Unsinkable Molly Brown, The Cherry include Opera San José, La Jolla Music Theatre and Mo’olelo Performing Arts Orchard, The Miracle Worker and Society, Palo Alto Children’s Theatre Company. Ms. Gist has been a guest Eleemosynary. During the year, Ms. Keith and Summer Repertory Theatre. Ms. on KPBS radio’s “A Way with Words,” is the undergraduate advisor at San Diego Holland holds a B.A. from California narrated San Diego Museum of Art State University’s School of Theatre, State University, Chico, and she received documentaries, coached dialects for Television, and Film where she teaches her M.F.A. in Stage Management from the film The Rosa Parks Story and acting, script analysis and voice and UC San Diego. She is a proud member of recorded dozens of Books To Listen To. speech. She is the executive producer of Actors’ Equity Association. She is a founding member of The Voice the independent film company Jabronie and Speech Trainers Association and Pictures. Ms. Keith trained at HB Studio JESS SLOCUM (Assistant Stage has presented at many national and in New York, is an alumna of the National Manager) has previously worked on the international conference workshops Theatre Conservatory and holds a B.A. Globe productions of Rafta, Rafta…, for them and for The Voice Foundation. in Dramatic Arts from Berkeley and an Robin and the 7 Hoods, Alive and Well, Recently she was invited to Russia M.F.A. in Drama from SDSU. Her next Sammy, Cornelia, Since Africa, Dr. to teach in the International Voice directing project is John Patrick Shanley’s Seuss’ How the Grinch Stole Christmas! Teachers Exchange at The Moscow Doubt. (’07-‘09) and The Glass Menagerie. Art Theatre and to London’s Central Her Broadway credits include In the BRET TORBECK (Stage Manager) is very School of Speech and Drama to teach Heights. Regional credits include Ruined, happy to return to The Old Globe after Shakespeare. She has been published in The Third Story, Memphis and Most working here on The Women, The Sisters VASTA Journals, and chapters in books Wanted (La Jolla Playhouse), Post Office Rosensweig and Take Me Out. In Seattle, include The Complete Vocal Warm-Up, (Center Theater Group), Yellow Face he has worked on A Christmas Story, More Stage Dialects and an interview (Mo`olelo Performing Arts Company) Candide, Catch Me If You Can, Sunday in Voice and Speech Training in the New and Tranquility Woods (Steppenwolf

30 PERFORMANCES MAGAZINE Theatre Company). She is a graduate of LOUIS G. SPISTO (Executive Henry IV (Tony Award), Hairspray (Tony Vanderbilt University. Proud member of Producer) directs both the artistic Award), The Invention of Love (Tony Actors’ Equity Association. and administrative activities of The nominations: Best Director and Play), Old Globe. During his tenure, Mr. The Full Monty (Tony nominations: Best ANNETTE YÉ (Assistant Stage Manager) Spisto spearheaded the return of the Director and Musical), More to Love, recently was the Stage Manager for Shakespeare Repertory Company, Labor Day, St. Louis Woman, Pride’s The Old Globe’s Groundswell and the revitalized the Globe’s new works Crossing, The Little Foxes, Hapgood 2010 production of Dr. Seuss’ How program, resulting in 12 world (Lucille Lortel Award for Direction, 1995), The Grinch Stole Christmas! Her other premiere plays and 10 world premiere Damn Yankees (Tony nomination Best Globe credits include Boeing-Boeing, musicals, and produced more than Musical Revival), Two Shakespearean The First Wives Club, Opus, Dancing in 100 productions. Under Mr. Spisto’s Actors (Tony nominations: Best Director the Dark, Hay Fever and the 2008 and leadership, ticket sales and contributions and Play), Porgy and Bess for Houston 2010 Summer Shakespeare Festivals. have increased substantially, and the Grand Opera and Broadway (Tony Ms. Yé’s regional credits include Peter fiscal health of the organization has Award), as well as Radio City Music Hall, and the Starcatchers, Tobacco Road and been strengthened to support the Il Trittico, Metropolitan Opera. RECENT ¡Salsalandia! (La Jolla Playhouse). Her expanded artistic vision. Mr. Spisto has AWARDS: 2008 Theatre Hall of Fame other credits include 9 Parts of Desire successfully led the Globe’s $75 million Inductee, 2004 Thomas Degaetani (Mo’olelo Performing Arts Company), Capital Campaign and managed the Award (USITT), 2002 “Mr. Abbott” Honky Tonk Angels, Baby and No Way development of the Conrad Prebys Award (SDCF), 2001 Joan Cullman to Treat a Lady (North Coast Repertory Theatre Center, which includes a Award for Extraordinary Creativity, 2001 Theatre) and Forbidden Broadway: state-of-the-art arena theatre and Joe A. Callaway Award (SDCF), the Special Victims Unit (Theatre in Old education center. An advocate of arts Drama League’s Julia Hansen Award for Town). education, Mr. Spisto created a number Excellence in Directing, 2001. Honorary of new programs that serve tens of Doctorate, University of Michigan. thousands of young San Diegans each Honorary Doctor of Humane Letters, year. These programs include a summer University of San Diego. Recipient of Shakespeare intensive, a major initiative ArtServe Michigan’s 2008 International in southeastern San Diego which includes Achievement Award. Mr. O’Brien is a the development of new works for member of the College of Fellows of the younger and more diverse audiences, American Theatre. and free student matinees of the Globe’s regular productions. Mr. Spisto holds CRAIG NOEL (Founding Director) a Master’s degree from the University was first appointed director in 1939, SPECIAL THANKS of Wisconsin and a Bachelor’s degree directing 15 productions prior to from the University of Notre Dame. He World War II. Since then he directed Herbie May has served as chief executive for the more than 200 plays of all styles and Pacific Symphony, Detroit Symphony and periods and produced an additional Bonnie Raphael American Ballet Theatre. 270 productions. His vision for The Old Globe resulted in the establishment Remo Inc. JACK O’BRIEN (Artistic Director of the Shakespeare Festival and the John Szanto Emeritus) served as the Artistic Director San Diego Junior Theatre in the late of The Old Globe from 1982 through ‘40s, the expansion to two theatres in 2007. Recent Globe productions: Dirty the ‘50s, Globe Educational Tours in Rotten Scoundrels, Imaginary Friends, the ‘70s and Teatro Meta and the Old Twelfth Night, The Full Monty, The Globe/University of San Diego MFA This theatre operates under an agreement Seagull, The Magic Fire, Dr. Seuss’ How program in the ‘80s. During the 1940s, between the League of Resident Theatres and Actors’ Equity Association, the union of the Grinch Stole Christmas! West End: Mr. Noel served as dialogue director for professional actors and stage managers in the Love Never Dies (sequel to Andrew the 20th Century Fox Studios and was United States. Lloyd Webber’s The Phantom of the the former director of the Ernie Pyle Opera), Hairspray (Olivier Award for Theatre in Tokyo. Described by Variety The Directors are members of the Society Best Musical, Best Director nomination). as the eminence grise of San Diego of Stage Directors and Choreographers, an independent national labor union. Broadway: Catch Me If You Can, theatre, Mr. Noel is one of the few San Impressionism (Creator/ Supervisor), Dr. Diegans to have had an entire year (1987) This Theatre operates under an Agreement with Seuss’ How the Grinch Stole Christmas!, proclaimed in his honor, and to be named the International Alliance of Theatrical Stage Employees Local No. 122. The Coast of Utopia (2007 Tony Award one of San Diego’s “Living Treasures.” He for Best Direction of a Play, which won was a founder of the California Theatre a total of seven Tony Awards, including Council and a former vice president of The Scenic, Costume, Lighting and Sound Best Play), Dirty Rotten Scoundrels (Tony the California Confederation of the Arts. Designers in LORT Theatres are represented by United Scenic Artists Local USA-826, IATSE. nominations: Best Director and Musical), His numerous honors include The San

PERFORMANCES MAGAZINE 31 Profiles

Diego Union-Tribune list of 25 persons THE OLD GLOBE’S LOWELL DAVIES FESTIVAL THEATRE who shaped the city’s history; the Governor’s Award for the Arts; University SEAT REPLACEMENT CAMPAIGN of Arizona Alumni Association’s As you enjoy tonight’s performance in the Lowell Davies Festival Theatre’s new, Outstanding Citizen, for his contribution cushioned seats, please join us in thanking the following donors. Their contributions of to their Fine Arts department; San $2,500 or more to the Lowell Davies Festival Theatre Seat Replacement Campaign – Diego State University’s Outstanding launched with a generous $60,000 grant from Las Patronas – helped meet the Alumnus; Conservator of American Arts $120,000 goal prior to the 2011 Summer Shakespeare Festival. Award from American Conservatory Theater; the San Diego Press Club LAS PATRONAS Headliner Award; San Diego Gentleman of Distinction Award; and a combined Alan Benaroya Elliot & Diane Feuerstein Brooke & Dan Koehler tribute from the Public Arts Advisory Lanie Bernhard Audrey Geisel Marsha Netzer Council and the San Diego County Board James & Rita David Elaine & Leonard Hirsch Reneé Schatz of Supervisors. Mr. Noel was particularly John & Ann Davies Joan & Irwin Jacobs Carl & Vicki Zeiger proud of the following three honors Pamela Farr Barbara Kjos representing education and theatre: Honorary Doctorate of Humane Letters, University of San Diego, Honorary UNDERSTUDIES Doctorate in Fine Arts, San Diego State University and the annual Awards for MUCH ADO ABOUT NOTHING URSULA...... Shirine Babb Excellence in Theatre named in his honor BENEDICK...... Adam Daveline by the San Diego Theatre Critics Circle. DON PEDRO...... Grayson DeJesus In 2007, he received the National Medal CLAUDIO...... Ben Diskant of Arts – the nation’s highest honor for BORACHIO, ANTONIO, VERGES...... Christian Durso artistic excellence – in a ceremony at the FRIAR FRANCIS, SEXTON...... Andrew Hutcheson White House. Craig Noel died on April 3, HERO...... Rachael Jenison 2010 at the age of 94. DON JOHN...... Jesse Jensen BALTHASAR, CONRADE, DOGBERRY...... Jason Maddy MARGARET...... Allison Spratt Pearce BEATRICE...... Ryman Sneed LEONATO...... Jonathan Spivey

THE TEMPEST ANTONIO, BOATSWAIN...... Adam Daveline SEBASTIAN, SHIPMASTER...... Grayson DeJesus FERDINAND, SHIPMASTER, BOATSWAIN...... Christian Durso STEPHANO...... Andrew Hutcheson MIRANDA, CERES...... Rachael Jenison FRANCISCO, ADRIAN, PUPPETEER SWING...... Jesse Jensen CALIBAN, ALONSO, PUPPETEER SWING...... Jason Maddy IRIS, JUNO...... Ryman Sneed PROSPERO...... Adrian Sparks TRINCULO, GONZALO...... Jonathan Spivey

AMADEUS VENTICELLA...... Shirine Babb COUNT VON STRACK...... Adam Daveline WOLFGANG AMADEUS MOZART...... Grayson DeJesus JOSEPH II, A MAJORDOMO...... Ben Diskant SALIERI'S VALET, PRIEST, BARON VAN SWIETEN...... Christian Durso ANTONIO SALIERI...... Andrew Hutcheson VENTICELLA, KATHERINA CAVALIERI...... Rachael Jenison KAPELLMEISTER BONNO...... Jesse Jensen COUNT ORSINI-ROSENBERG...... Jason Maddy CONSTANZE WEBER...... Allison Spratt Pearce TERESA SALIERI...... Deborah Radloff SALIERI'S COOK...... Jonathan Spivey

Shirine Babb, Adam Daveline, Grayson DeJesus, Ben Diskant, Jesse Jensen, Christian Durso, Andrew Hutcheson, Allison Spratt Pearce, Deborah Radloff, Ryman Sneed and Jonathan Spivey appear in these productions courtesy of Actors’ Equity Association.

32 PERFORMANCES MAGAZINE The Old Globe is deeply grateful to its Sponsors, each of whom has made an annual donation of $50,000 or greater. 75th Anniversary Sponsors Mary Ann Blair Karen and Donald Cohn Conrad Prebys and Debra Turner Donald* and Darlene Shiley

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper David C. Copley The County of San Diego Audrey S. Geisel Lonnie Gettman — Designer Fabric Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation Patrons of the Prado Sheryl and Harvey White

*In Memoriam For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 33 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission for Globe Guilders Donald* & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation The County of San Diego The Parker Foundation Audrey S. Geisel/The San Diego (Gerald & Inez Grant Parker) Foundation Dr. Seuss Fund

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Continental Airlines Joan & Irwin Jacobs Fund of the Elizabeth & Ryan Williams Peter Cooper & Norman Blachford Jewish Community Foundation The Legler Benbough Foundation Advised Fund at the San Diego Las Patronas John A. Berol Human Dignity Foundation Elaine Lipinsky Family Foundation Mary Ann Blair Valerie & Harry Cooper Patrons of the Prado California Bank & Trust David C. Copley Conrad Prebys & Debra Turner The Family of Mary and Dallas Clark Lonnie Gettman - Designer Fabric Qualcomm, Inc. Karen & Donald Cohn Kathryn & John Hattox U.S. Bank Cohn Restaurant Group/ William Randolph Hearst Foundation Wells Fargo Prado Restaurant HM Electronics, Inc. Sheryl & Harvey White Foundation

Production Sponsors ($25,000 to $49,999) Bank of America Higgs Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina Alan Benaroya Leonard & Elaine Hirsch Mickey Stern Richard & Kathy Binford Jo Ann Kilty Gillian & Tony Thornley Arthur & Sophie Brody Fund of the Barbara Kjos Union Bank Jewish Community Foundation National Corporate Theatre Fund Erna & Andrew Viterbi Elaine & Dave Darwin The San Diego Foundation, Mandell Weiss Charitable Trust Mr. & Mrs. Brian Devine a grant made possible by the Pamela & Marty Wygod Pamela A. Farr Ariel W. Coggeshall Fund June E. Yoder Danah H. Fayman SDG&E

Director Circle ($10,000 to $24,999) Jane Smisor Bastien The Hull Family Reneé Schatz BJH Foundation Deni & Jeff Jacobs Jean & Gary Shekhter Pamela & Jerry Cesak Daphne H. & James D. Jameson Patsy & Forrest Shumway The Helen K. and Dr. Ronald & Mrs. Ruth Leonardi Ms. Jeanette Stevens James S. Copley Foundation Sue & John Major Anne Taubman & David Boyle Nina & Robert Doede National Endowment for the Arts Evelyn Mack Truitt Hal & Pam Fuson Rafael & Marina Pastor Brent V. Woods & Laurie C. Mitchell Robert Gleason & Marc Matys Brian & Paula Powers Carolyn Yorston-Wellcome Lee & Frank Goldberg Allison & Robert Price Jean-Marie Hamel, Ph.D. Price Family Charitable Fund

34 PERFORMANCES MAGAZINE FOUNDER CIRCLE Charles & Millicent Froehlich Dee E. Silver, M.D. Marcia Mattson ($5,000 to $9,999) Deede Gales Elene & Herb Solomon Valorie McClelland Lawrence G. Alldredge & Dawn Moore Elaine & Murray Galinson Nancy & Alan Spector and Family Holly McGrath & David Bruce The Louis Yager Cantwell Victor & Jill Galvez Nancy Steinhart & Dr. & Mrs. M. Joseph McGreevy Private Foundation Barbara & Albert Garlinghouse Rebecca Goodpasture Virginia Oliver Nikki & Ben Clay Bill & Judy Garrett Hannah & Eugene Step Ben & Joan Pollard Clifford & Carolyn Colwell Drs. Thomas H. & Jane D. Gawronski Pat & Jack Thomas Dr. Julie Prazich & Dr. Sara Rosenthal Ms. Heidi Conlan/The Sahan Nancy Reed Gibson Cherie Halladay Tirschwell Robert & Doris Reed Daywi Foundation Wendy Gillespie Carol Vassiliadis Jeffrey & Vivien Ressler R. Patrick & Sharon Connell Mark & Hanna Gleiberman Doris & Lou Vettese Dr. Joseph & Carol Sabatini Bernard J. Eggertsen & Sheila & Tom Gorey Zelda J. Waxenberg Marilies Schoepflin, PhD. Florence Nemkov Dr. & Mrs. William Gott Jan Harden Webster & Raul Ortega Nancy & George Stassinopoulos Marion Eggertsen Tim Haidinger Chris & Pat Weil Jack & Louise Strecker Barbara & Dick Enberg Ms. Cheryl Haimsohn James & Kathryn Whistler Celeste & Gene Trepte Dr. & Mrs. Robert Epsten Norm Hapke & Valerie Jacobs Hapke Christian Winther Stan & Anita Ulrich Carol Spielman-Ewan & Joel Ewan Patricia & Richard Harmetz Alice M. Young Brendan M. & Kaye I. Wynne Diane & Elliot Feuerstein Gordon & Phyllis Harris M.J. Zahnle Martha & George Gafford Drs. Patrick Harrison & Eleanor Lynch ($1,500 to $2,499) Christy & Howard Zatkin Mary Ann & Arnold Ginnow Susan & Dr. Ronald Heller Anonymous Alexa Kirkwood Hirsch Dr. & Mrs. Peter K. Hellwig Anita Busquets & William Ladd GOLD Dr. & Mrs. Harry F. Hixson, Jr. Rhonda Heth & Thomas Mabie Lisa & David Casey ($500 to $999) William Karatz Richard & Janet Hunter Devora & Ron Eisenberg Elaine & Bob Algeo Carol & George Lattimer Hutcheson Family Fund at of Great News! Anonymous (6) Peter Manes & Yoko Sakaguchi The San Diego Foundation Joy & Dr. Fred Frye George Amerault Paul I. & Margaret W. Meyer Andrew & Sonia Israel Fund of the Gary & Carrie Huckell Drs. Michael & Gabriela Antos Money/Arenz Foundation, Inc. Jewish Community Foundation William & Edythe Kenton Earl Asbury Harle Garth Montgomery* Jerri-Ann & Gary Jacobs Sherry & Larry Kline Alicia Atun & Elaine Rendon* Rebecca Moores Al* & Pat JaCoby Robin J. Lipman & Miro Stano The Backman Family Tom & Lisa Pierce Mary & Russell Johnson Elizabeth Meyer Beverly Bartlett & Barbara Sailors John & Marcia Price Jackie Johnston Akiko Charlene Morimoto & Richard & Linda Basinger Family Foundation Katleman Family Fund of the Hubert Frank Hamilton, Jr. Deron & Toni Bear James E. Riley Trust Jewish Community Foundation Nancy & James Mullen Bruce & Patricia Becker Rivkin Family Fund I at Bob* & Gladys King In Memory of Dolly & Jim Poet Amnon & Lee Ben-Yehuda The San Diego Foundation Ken & Sheryl King Marie & Don Prisby Bob & Joyce Blumberg Paul Scott Silvera & Todd Schultz Webster & Helen Kinnaird Marisa SorBello & Peter Czipott Ruth Mary Picard Campbell Julie & Bob Sullivan Cindy & John Klinedinst Pamela J. Wagner Greg & Loretta Cass Deborah Szekely Jane & Ray Klofkorn James & Ellen Weil Luc Cayet & Anne Marie Pleska Dixie & Ken Unruh Curt & Nancy Koch Shirli Fabbri Weiss Lynne Champagne & Wilfred Kearse Jordine Skoff Von Wantoch Brooke & Dan Koehler Dr. Steve & Lynne Wheeler Alan L. & Frances E. Cornell Judy & Jack White Betty & Leonard Kornreich Ken Crouch Rosalie Kostanzer & Michael Keefe DIAMOND Ronald D. Culbertson CRAIG NOEL CIRCLE Regina Kurtz & Al Isenberg ($1,500 to $2,499) Dr. Donald & Eilene Dose ($2,500 to $4,999) Bob & Laura Kyle Anonymous Jackie & Stan Drosch Dr. & Mrs. Wayne Akeson Dr. Eric Lasley & Judith Bachner Jeff & Donna Applestein Elisabeth K. Ecke Gail, John & Jennifer Andrade Terry & Mary Lehr Mrs. Lazare F. Bernhard Bill Eiffert & Leslie Hodge Anonymous (2) Ms. Sherrill Leist Steve G. Bjorg Pauline Forman & Jack Burke Mr. & Mrs. Richard Baldwin James & Pamela Lester Dr. & Mrs. Robert M. Callicott Susan & Steven Garfin Diana J. Barliant & Nowell Wisch Jerry Lester, M.D./Rosarito, Mexico Jane Cowgill Arthur Getis Melissa Garfield Bartell & Levinson Family Fund of the Enid & Martin Gleich Norman & Patricia Gillespie Michael Bartell Jewish Community Foundation Joy & Ronald Mankoff Louise & Doug Goodman Joan & Jeremy Berg Barbara & Mathew Loonin Elspeth & Jim Myer Edry & Robert Goot Charlotte & Charles Bird Merriel F. Mandell, Ph.D. Parker & Crosland LLP Drs. Barbara & Leonard Gosink Paul Black Charlie & Jackie Mann Serenity Grace Foundation Chris Graham & Michael Albo Dr. Herman & Irene Boschken Elizabeth & Edward McIntyre Margery & John Swanson Carol & Don Green The Brigantine Family of Restaurants Harold O. McNeil, Esq. WD-40 Company George C. Guerra Dr. & Mrs. Edgar D. Canada Scott & Grace Miller Richard & Candace Haden George & Ellen Casey Mr. & Mrs. David Mulliken PLATINUM Mrs. Helen M. Hammond Rudy & Carol Ceseña Ruth & Jim* Mulvaney ($1,000 to $1,499) Mr. & Mrs. Arnold Hess Carol & Jeff Chang Joyce & Martin Nash Edward Anderson Stephen Hopkins & Dr. Carey Pratt Garet & Wendy Clark Arthur & Marilyn Neumann Anonymous Dr. & Mrs. Clyde W. Jones Richard & Stephanie Coutts Lawrence Newmark Sondra & Robert Berk Fund of the Kathy & Rob Jones Susan B. Cowell Matthew & Judith Pollack Jewish Community Foundation Mr. & Mrs. Henry P. Kagey Gigi & Ed Cramer Mo & Bill Popp Gary & Barbara Blake Family Fund of Patricia & Alexander Kelley John & Ann Davies Dr. & Mrs. Daniel Porte the Jewish Community Foundation Gerald & Phyllis Kelly Darlene G. Davies in memory Joanne Powers Nancy Brock Bill & Linda Kolb of Lowell Davies The Arthur & Jeanette Pratt Mary-Kay Butler Marvin Kripps, M.D. Pat & Dan Derbes Memorial Fund Sandra & Harry Carter LABS, Inc./Silvia Dreyfuss Mrs. Philip H. Dickinson Joseph & Jane Rascoff Ms. Dorothy R. Dring Sherry & Rick Levin Jim & Sally Ditto Sarah B. Marsh-Rebelo & Paul & Clare Friedman Marshall & Judy Lewis Fund of the Mr. & Mrs. Ira S. Epstein John G. Rebelo Mr. & Mrs. Arthur A. Greenberg Jewish Community Foundation Carol Fink Mrs. Charlotte Rees Leo S. Guthman Fund Courtney & Raymond Liddy Mary & David Fitz Roger & Christine Roberts Kaaren Henderson Mrs. Victor Y. Lindblade Susanna & Michael Flaster Nancy J. Robertson Kenneth & Marilyn Jones Edward & Nancy Lyon Jean & Sid Fox Carole Sachs Louis & Mary Beth Kelly Carl Maguire & Margaret Sheehan Karen Fox & Harvey Ruben Warren & Beverly Sanborn Jerome & Gayle Klusky Sally & Luis Maizel Samuel I. & John Henry Fox Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry Steve & Yvonne Maloney Foundation at Union Bank Fund at the Rancho Santa Fe Don & Mary Jane Lincoln Jeanne Maltese of California Foundation Dr. Robert & Marcia Malkus Drs. Betty Joan Maly & John Meyers Chuck Freebern Drs. Joseph & Gloria Shurman Jasna Markovac & Gary Miller Ron & Mercy Mandelbaum

PERFORMANCES MAGAZINE 35 Annual Fund Donors

(continued) Judge & Mrs. Harry Elias Judith Rosen Neli Tena Mr. & Mrs. Victor Engleman Dr. H. Warren Ross Reed & Solange Thompson Russell Mangerie Nate & Margaret Englund Dr. Richard & Marilynn Rowen Ms. C. Ann Turhollow & Martin & Joanne Marugg Dr. Susan D. Fee Dr. Norman & Barbara Rozansky Mr. Michael J. Perkins Rev. Stephen J. Mather Esther & Robert Feier Crystal A. Rubin Nancy Alice Vaughn Ron McCaskill & Robyn Rogers Richard & Beverly Fink Frank Ruyak Hal Walba Charles & Billie McKnight Family Foundation Samiljan Family Fund of the Karen Alice Walker Carole S. Miller Judy & Ira Frazer Jewish Community Foundation Barbara C. Ward Charles & Susan Muha Randee & Dick Friedman The Saverino Family in Kathy & Jim Waring Shirley Mulcahy Peter & Christine Gault loving memory of Fraction Dave & Kim Washkowiak Marsha J. Netzer Diana Glimm Lillian Schafer Stephen & Joy Weiss Fund of the Katherine Newton Carole & Howard Goldfeder Fund at Norman Schiewe & Elli Johns Jewish Community Foundation Mark Niblack The San Diego Foundation Carl Schott Judith L. White Barbara B. Oswalt Euvoughn L. Greenan Martin & Connie Schroeder Sandy Wichelecki Julius J. Pearl Fund at Craig & Catherine Greene Jacqueline Schwoerke Olivia & Marty Winkler The San Diego Foundation Mr. & Mrs. Gary Grim RAdm. & Mrs. H. James T. Sears Cass Witkowsli Family Dr. Ken Pischel & Maggi Hall Mr. & Mrs. John Seiber Mr. & Mrs. John W. Witt Dr. Katherine Ozanich George D. Hardy Lori Severson & Eric Longstreet Perri L. Wittgrove In Memory of Margaret Peninger James & Ruth Harris of the Glenda Shekell Mr. & Mrs. William F. Wolff Drs. Paul & Katherine Ponganis Jewish Community Foundation Laurel Shupp Patricia Woodbury The Ralph B. Rogers Foundation Mark & Corrine Harvey Stella Shvil Elizabeth Zeigler & Bernard Kuchta Simon & Ruth Sayre Salah M. Hassanein Dr. Hano & Charlotte Siegel RADM. & Mrs. Guy Zeller Joan Henkelmann Beverly & Howard Silldorf Vicky Zollweg & Michael Dunteman Linda J. Seifert Suzanne Hess Jerry & Beth Silverman Mr. & Mrs. Randall Silvia Donald J. Hickey Eunice M. Simmons, M.D. Mr. William D. Smith & Dr. Carol Harter *In Memoriam Christine Hickman & Dennis Ragen Anne & Ronald Simon Dave & Phyllis Snyder John & Peggy Holl Mr. & Mrs. Bruce Smith This list current as of May 4, 2011 Susan Steele & Mike Conley Bill & Nancy Homeyer Malcolm E. Smith Helga & Sam Strong As announced in July 2008, the names of Mark & Nance Hunter Norman & Judith Solomon Annual Fund donors at the Silver level Ron & Susan Styn Robert Hyman Bill & Barbara Sperling Clifford & Kay Sweet are published semi-annually, once in the Pat & Bonnie Hyndman Alan & Eve Stall Shakespeare Festival program and again Linda Terramagra Joseph & Donna Hynes Susanne Stanford & Tom Matthews in a winter Globe program. Dr. & Mrs. Charles B. Tesar Isaacs Brothers Foundation at Ann & Robert Steiner Gertrude Trebon The San Diego Foundation Edward Stickgold & Steven Cande For additional information on how you may Jeffrey & Sheila Truesdell Bill & Cheri James Dave & Jan Stormoen support The Old Globe’s artistic, education Natalie C. Venezia & Paul A. Sager Mr. & Mrs. David James Herbert & Ruth Strauss and community programs, please visit our David & Irene Weinrieb Ed & Linda Janon Mr. & Mrs. Eric Suggs website at www.TheOldGlobe.org Katherine White Drs. & Mrs. Irvin & Nancy Kaufman Mr. & Mrs. Gordon Swanson or contact Rachel Plummer, Development Dennis & Carol Wilson David C. & Betty J. Kennedy Mrs. J.B. Swedelius Manager, Individual Annual Giving, at Dr. Dolores Wozniak J. Kenyon Linda Tallian (619) 231-1941 x2317 or Kathleen Kim & Zachary Rattner Brian & Janet Taylor [email protected]. SILVER Elizabeth Lasley Dr. Marshall & Leila Taylor ($250 to $499) Mitzi & Rafael Lizarraga Charles Halligan Adair Mr. Robert E. Mackey, Jr. Sybil & B.J. Adelson Janet & Jim Madden Mark & Carlene Albrecht Ms. Jain Malkin Anonymous (4) Deborah & Frederick Mandabach Public Support John & Elizabeth Bagby Patricia Manning Sharon & Bill Beamer Harold & Beverly Martyn Nicholas B. Binkley Cdr. & Mrs. John C. Matthews III Robert Blanton & Ann Clark Wilfred & Natalie Mathewson Kathleen Blossfield Mr. Harold McAvenia Steve & Elizabeth Bluhm Meredith McConahey & David Toft Gaylyn N. Boone & James Dorcy Dennis A. McConnell Helen & Douglas Boyden Richard V. McCune LaVerne & Blaine Briggs Donor Oliver McElroy & Karen Delaurier Advised Fund at the Rancho Teresa McEuen Santa Fe Foundation Steve McIntee Major funding provided by the City of San Diego Commission for Arts Mr. & Mrs. Hal W. Brown Andrew & Kerri McPherson and Culture. The Old Globe is funded by the County of San Diego. Julia R. Brown Jim & Marie Melcher Dr. & Mrs. Simon C. Brumbaugh, Jr. The Michael Family David Burns & Diane Lischio Dr. & Mrs. Paul E. Michelson Helen M. Caldwell James & Dorothy Mildice Mary Ruth Carleton & Bruce Hunt Stan & Phyllis Minick William & Shirley Carrington Brenda Moore & Bob Rollbusch Stay Connected with Chortek Family Fund of the Dr. & Mrs. Robert F. Morrison Jewish Community Foundation Mary Jo Murphy Janet & Maarten Chrispeels Maggie & Wayne Myers The Old Globe Richard Clampitt & Rachel Hurst Thomas & Tanya O’Donnell Anne C. Coleman Dr. David & Elizabeth Ostrander Gertrude Lee Coyte Susan & Jim Oxford Betsy Dam Clifford T. Pentrack & Margaret DeCaro Mary E. Giovaniello Caroline S. DeMar Dr. & Mrs. Richard & Patricia Perlman Bethany Derrough Abigail G. Pike Dutch & Dawn Dershem Susan & Harvey Pollack Thomas Difiore & Bridget Meckley Dr. Alex & Eileen Pue Sam Dolnick in memory of Kathleen & C. Jay Rains Edith Dolnick Irl R. Robinson Stephen & Sandra Drew Stuart & Linda Robinson Berit & Tom Durler Laura Roos Visit us online at www.TheOldGlobe.org

36 PERFORMANCES MAGAZINE Globe Ambassadors

Globe Ambassadors are generous supporters Marion Eggertsen◆ Jeannie & Arthur Rivkin of The Old Globe who contribute a minimum Be rnard J. Eggertsen & Florence Nemkov◆ Donald* & Darlene Shiley◆ of $3,500 to the Annual Fund, attend special Ca rol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens◆ Globe meetings and activities and serve as Danah H. Fayman◆ Evelyn Mack Truitt advocates in the community for the Globe’s Susanna & Michael Flaster Dixie & Ken Unruh mission and goals. As a group, Ambassadors Mary Ann & Arnold Ginnow Doris & Lou Vettese◆ sponsor one Globe production each season. Alexa Kirkwood Hirsch Pamela J. Wagner◆ Leonard & Elaine Hirsch◆ Jordine Von Wantoch◆ La wrence G. Alldredge & Dawn Moore Pat Jacoby Paul Black◆ *In Memoriam Mary & Russell Johnson◆ Dr. & Mrs. Edgar D. Canada Bob* & Gladys King◆ ◆Denotes increased giving in 2010 & 2011 Carol & Rudy Ceseña Bob & Laura Kyle Mary H. Clark* For additional information on how you may James & Pamela Lester◆ Steven J. Cologne become a Globe Ambassador, please contact Dr. Jerry Lester◆ R. Patrick & Sharon Connell Marilyn McAvoy, Major Gifts Director, at Merriel F. Mandell, Ph.D.◆ Susan B. Cowell (619) 231-1941 x2309 or Peter & Inge* Manes Gigi & Ed Cramer◆ [email protected]. Paul I. & Margaret W. Meyer Elaine & Dave Darwin◆ David & Noreen Mulliken Darlene G. Davies◆ Arthur & Marilyn Neumann Mrs. Philip H. Dickinson Joanne C. Powers Nina & Robert Doede

Corporate Donors

SEASON SPONSORS ($50,000 or more) DIRECTOR CIRCLE ($10,000 - $24,999) City National Bank KPMG, LLP Neiman Marcus ResMed Foundation Torrey Pines Bank The Westgate Hotel

FOUNDER CIRCLE ($5,000 - $9,999) Hyatt Regency La Jolla Take A Break Service

CRAIG NOEL CIRCLE ($2,500 - $4,999) Break-Away Tours Cubic Corporation Goldman, Sachs & Co. Ladeki Restaurant Group – Roppongi Restaurant PRA Destination Management

National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($25,000 - $49,999) PRODUCTION SPONSORS ($10,000 or more) MetLife Bank of America Morgan Stanley Bloomberg NBC/Saturday Night Live BNY Mellon Wealth Management Pfizer, Inc. Steven Bunson Karen Pritzker & Michael Vlock Christopher Campbell/ RBC Wealth Management Palace Production Center RVM/Vincent Brunetti Cisco Systems, Inc. Sharp Electronics Citi The McGraw-Hill Companies Dorsey & Whitney Foundation James S. Turley Ernst & Young UBS Goldman, Sachs & Co. USA Today Marsh & McLennan Companies Wells Fargo McCarter & English LLP Willkie Farr & Gallagher LLP

Corporate Partners enjoy benefits and recognition, including the opportunity to entertain clients and employees with exclusive receptions at the Theatre, behind- the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 37 A Planned Gift Ensures a Strong Tomorrow for The Old Globe

Craig Noel League Members What is the Craig Noel League? Anonymous (16) Founded in 2000 and named for the Globe’s Founding Diana Barliant Nancine Belfiore Director, the League is a planned giving society for the Alan Benaroya Globe comprised of individuals who have included The Ronald Brown Old Globe in their estate plans. Through their generosity, Dr. & Mrs. Edgar D. Canada Garet & Wendy Clark these supporters of the Theatre are helping to ensure R. Patrick & Sharon Connell a long and bright future for San Diego’s leading cultural Patricia W. Crigler. Ph. D., CAPT/USN/Ret. landmark. Carlos & Patricia Cuellar Mrs. Philip H. Dickinson Doug Druley & Becky Young What is a Planned Gift?

Dr. & Mrs. Robert Epsten Planned giving is simply a way to support The Old Globe NOEL,CRAIG 1957 Frank A. Frye, III through your estate plans by establishing an irrevocable bequest of property, stock Mr. Alan Gary & Ms. Joanee Udelf or cash; a charitable trust; a living estate; or some other deferred giving instrument. Nancy Reed Gibson Robert Gleason & Marc Matys In your estate plans, you have the ability to designate the specific use of the funds Marcy Goldstone given to the Globe, and to help guide your decision, The Old Globe Board of Carol & Don Green Directors has established specific giving areas that you may choose from, including Kathryn Hattox David & Debbie Hawkins classical theatre and Shakespeare, education programs and new works. Jill Denison Holmes Craig & Mary Hunter How do I make a Planned Gift? Bob Jacobs Simply call the Globe and schedule an appointment for a confidential meeting, Grace Johnston Gladys H. King or visit with your estate planner or attorney. You may also attend one of several Marilyn Kneeland seminars held throughout the year to become more acquainted with estate Jean & David Laing planning. Jerry Lester Foundation Heather Manion How can a Planned Gift help me? Chris & Jill Metcalf Paul I. & Margaret W. Meyer A planned gift can reduce your income tax, increase your yearly income, help you Steve Miller avoid capital gains tax, distribute your assets to family members at a reduced tax Dr. Robert W. Miner rate and, most importantly, support an organization you love! You will also have the Shirley Mulcahy Laurie Dale Munday satisfaction of knowing your gift will impact generations of future theatregoers and Stanley Nadel & Cecilia Carrick that The Old Globe will remain a leader in the theatre arts for decades to come! Alice B. Nesnow Arthur & Marilyn Neumann To become a member of the Craig Noel League or to tell us of a gift you Ronald J. Newell have already made, please contact Bridget Cantu Wear, Associate Director Greg & Polly Noel of Development, Planned Giving, at (619) 231-1941 ext. 2312 or PACEM (Pacific Academy of Ecclesiastical Music) Sarah B. Marsh-Rebelo & John Rebelo [email protected]. Darlene Shiley Patsy & Forrest Shumway Join us and become a part of our active community with a variety of exciting B. Sy & Ruth Ann Silver events like our Annual Member Event on Thursday, August 25 in the Craig Noel Stephen M. Silverman Roberta Simpson Garden followed by a theatre performance. Attend one of our monthly Dolores & Rod Smith lunches – “Food for Thought” – and meet a Globe artist or attend one of the Marisa SorBello & Peter Czipott many Opening Night receptions. John & Cindy Sorensen Nancy A. Spector & Alan R. Spector Jeanette Stevens Eric Leighton Swenson Anne C. Taubman Cherie Halladay Tirschwell Evelyn Mack Truitt Ginny Unanue Carol & Lawrence Veit Jordine Von Wantoch Merle Wahl Craig Noel League Holly J. B. Ward members Garet and Sheryl & Harvey P. White Wendy Clark enjoy Mrs. Jack Galen Whitney lunch with Julie Meier Wright Jane Austen’s Emma Carolyn Yorston-Wellcome star Patti Murin at the monthly luncheon series,

JOANEE UDELF JOANEE “Food for Thought.”

38 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrat- ed by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired, The Old Globe has an Assistive Listening System ORDERING TICKETS/CHANGE OF ADDRESS in both the Sheryl and Harvey White Theatre and the The Old Globe accepts Visa, Discover, MasterCard, or Old Globe Theatre. A limited number of the lightweight American Express. Phone orders for non-subscribers headsets, as well as induction neck loops, may be obtained are subject to a $3.50 per ticket service charge. Ticket from the house manager prior to performances. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Saturdays and Sundays at 10:30am. Groups by reservation. [email protected]. $5 adults; $3 seniors and students. Phone (619) 238-0043 x2145 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information and a RESTROOMS description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre, the lobby of the White Theatre and adjacent to the premises. the Festival Theatre. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., SEATING OF LATECOMERS are available upon request. Please ask an usher. Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 39 Staff

Louis G. Spisto...... Executive Producer Anna MacDonald...... Crew Chief White FINANCE Michael G. Murphy...... General Manager Suzanne Noll, Deona Offield...... Wardrobe Crew White Carly Bennett...... Senior Accountant Dave Henson...... Director of Marketing and Communications Kristin Bongiovanni, Erin Dodd, Sunny Haines, Suzanne Trish Guidi...... Accounts Payable/Accounting Assistant Todd Schultz...... Director of Development Noll, Suzanne Notarangelo-Arnson, Noelle van Wyk, Adam Latham...... Payroll Coordinator/Accounting Assistant Mark Somers...... Director of Finance Christiana Jo Nguyen...... Wardrobe Crew Festival Tim Cole...... Receptionist Richard Seer...... Director of Professional Training Marie Jezbera...... Rental Agent Robert Drake...... Director of Production DEVELOPMENT Roberta Wells-Famula...... Director of Education Properties Marilyn McAvoy Bergman...... Major Gifts Director Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Institutional Grants ARTISTIC Kristin Steva Campbell...... Assistant to the Director Bridget Cantu Wear...... Associate Director, Planned Giving Adrian Noble...... Shakespeare Festival Artistic Director M.H. Schrenkeisen...... Shop Foreman Eileen Prisby...... Events Manager Matthew Lopez...... Playwright-in-Residence Rory Murphy...... Lead Craftsman Rachel Plummer...... Development Manager, Danielle Mages Amato...... Literary Manager/Dramaturg Josh Camp, Patricia Rutter, Rebecca Schlaback, Individual Annual Giving Samantha Barrie...... Casting Director Molly Thuot...... Craftspersons Diane Addis...... Membership Administrator Bernadette Hanson...... Artistic Associate David Medina...... Properties Buyer Kacie Bluhm...... Development Assistant Snehal Desai...... Drama League Directing Fellow Trevor Hay...... Property Master, Globe Katie Dupont...... VIP Donor Ticketing David Buess...... Property Master, White PRODUCTION Kristi Hummel-Rosen...... Prop Assistant Donor Services Debra Pratt Ballard...... Associate Director of Production Joan Emrick...... Assistant Buyer Lee Conavay, Monica Jorgensen, Barbara Lekes, Ron Cooling...... Company Manager Pamela Malone, Richard Navarro, Stephanie Reed, Carol Donahue...... Production Coordinator Lighting Judy Zimmerman...... Suite Concierges Nate Parde...... Lighting Director Stage Management Shawna Cadence...... Lighting Assistant MARKETING Leila Knox...... Production Stage Manager Tonnie Ficken...... Master Electrician, Globe Jeffrey Weiser...... Public Relations Director Jim Dodd...... Master Electrician, White Mike Hausberg...... Public Relations Associate Technical Kevin Liddell...... Master Electrician, Festival Kelly Barry...... Digital and Print Publications Coordinator Benjamin Thoron...... Technical Director Eric Baum, Kristen Flores, Lila Lace Flores, Marissa Haywood...... Marketing Assistant Steve Schmitz...... Followspot Operators Wendy Berzansky...... Associate Technical Director Monica Jorgensen, Jason Bieber, Grayson Breen, Mark Dewey, Susie Virgilio...... Marketing/Events Assistants Sean Fanning...... Resident Design Assistant Kristen Flores, Cristin Kuhns, Andy Lowe, Eliza Korshin...... Technical Assistant/Buyer Areta MacKelvie, Luke Olson, Steve Schmidt, Subscription Sales Christian Thorsen...... Stage Carpenter/Flyman, Globe Hunter Smith, Rafael Vallejo, Ryan Weckel, Scott Cooke...... Subscription Sales Manager Carole Payette...... Charge Scenic Artist Amanda Zieve...... Electricians Anna Bowen-Davies, Arthur Faro, Andy Fink, Edee Armand, W. Adam Bernard, Janet Kavin, Pamela Malone, Yolanda Moore, Victoria Erbe, David Garcia...... Scenic Artists Sound Jessica Morrow, Keith Perkins, Ken Seper, Gillian Kelleher...... Master Carpenter Paul Peterson...... Sound Director Cassandra Shepard, Jerome Tullmann, Andrew Recker...... Master Carpenter, Festival Erik Carstensen...... Master Sound Technician, Globe Grant Walpole...... Subscription Sales Representatives Andrew Young...... Charge Carpenter, White Jeremy Siebert...... Master Sound Technician, White Laura McEntyre...... Automation Coordinator Jeremy Nelson...... Master Sound Technician, Festival Ticket Services Fernando Avita, John Baross, Chris Chauvet, Dana Pickop...... Mic Runner, Festival Bob Coddington...... Ticket Services Manager Jason Chohon, Robert Dougherty, Matthew Giebe, Marsi Fisher...... Ticket Operations Manager Thomas Hawkins, Jack Hernandez, Eszter Julian, ADMINISTRATION Dani Meister...... Group Sales Manager Josh Letton, Jeremy Luce, Mason Petersen...... Carpenters Brian Franko...... Assistant General Manager Tony Dixon, Eszter Julian, Jeremy Luce...... Deck Crew, Festival Bryan Scott...... Executive Assistant Rob Novak...... Lead Ticket Services Representatives Brian Abraham, Kari Archer, Brittany Bailey, Costumes Information Technology Sarah Ditges, Merri Fitzpatrick, Stephen Greenhalgh, Stacy Sutton...... Costume Director Dean Yager...... Information Technology Manager Tyler Jones, Angela Juby, Cassie Lopez, Caryn Morgan, Charlotte Devaux Shields...... Resident Design Associate Christopher Smith, Diana Steffen, Thad Steffen...... Information Technology Assistant Manager Maureen Mac Niallais...... Assistant to the Director Rico Zamora...... Ticket Services Representatives John Ralston...... Information Technology Assistant Shelly Williams...... Design Assistant/Shopper Sonia Lerner, Michelle Souza...... Design Assistants PATRON SERVICES Human Resources Marsha Kuligowski, Louse Powers-Prues, Mike Callaway...... Theatre Manager Sandra Parde...... Human Resources Director Randal Sumabat, Erin Cass...... Drapers Brian Davis, Jessica Talmadge...... House Managers Su-Lin Chen, Swantje Tuohino, Wendy Miller...... Tailors A. Samantha Beckhart...... Front of House Assistant Maintenance Keith Bonar, Joan Mathison, Anna Marie Nelson, Elaine Gingery...... Food and Beverage Manager Randy McWilliams...... Facilities Manager Somsi Norfolk, Susan Sachs, Annie Glidden Grace, Timothy Acosta, June Owatari, Nicole A. Patmon, Babs Behling...... Assistant Cutters Violanda Corona, Ismael Delgado, Miguel Gaspar, Paige Plihal, Amanda Rhoades, Ben Salazar-Dunbar, Mary Miller...... Costume Assistant Roberto Gonzalez, Reyna Huerta, Jose Morales, Michelle Thorsen, Michelle R. Witmer...... Pub Staff Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Sarah Brandt, Marnee Barrera, Maria De La Mora, Rose Espiritu, Jasmine Morgan, Leonardo Rodriguez ...... Building Staff Rebecca Fabares, Tracy Graham, Kelly Jones, Stephanie Rakowski...... Gift Shop Supervisors Noel Laws, Rosie Masula, Alexandria Miller, PROFESSIONAL TRAINING Roxanne Poyner, Heather Premo, Truman Schenck, Security/Parking Services Jordan Smiley, Veronica von Borstel, Llance Bower...... Program Coordinator Rachel “Beahr” Garcia...... Security Supervisor Joanna Stypulkowska...... Stitchers Maria Carrera, Cynthia Caywood, Ray Chambers, Dallas Chang, Sherisa Eselin, Erin Carignan...... Craft Supervisor Gerhard Gessner, Jan Gist, Fred Robinson, Janet Larson, Jeffrey Neitzel...... Security Officers Teri Tavares...... Dyer/Painter Liz Shipman, Abraham Stoll, George Yé...... MFA Faculty Patricia Ceja, Andre Holmes, Judith Craigo, Gwen Dunham, Lauren Hailey, Jeff Howell...... Parking Lot Attendants Sharon King, Stephanie Parker...... Crafts Artisans EDUCATION Norman Ramos, Danny Wilcox...... V.I.P. Valet Attendants Molly O’Connor...... Wig and Makeup Supervisor Kim Montelibano Heil...... Education Associate Kim Parker...... Assistant to Wig and Makeup Supervisor Carol Green...... Speakers Bureau Coordinator Kristin Bongiovanni, Christiana Jo Nguyen, David Carson, Amanda Cooley Davis, James Cota, Danielle Griffin...... Wig and Makeup Assistants Marisela De la Parra, Jo Anne Glover, Brian Hammond, Jack O’Brien...... Artistic Director Emeritus Craig Noel...... Founding Director Beverly Boyd...... Wardrobe Supervisor Sarah Price-Keating, Jennifer Barclay Newsham, Beth Merriman...... Crew Chief Globe Radhika Rao...... Teaching Artists Debbie Allen, Anna Noll, Ksusha Vanyan...... Wardrobe Crew Globe

40 PERFORMANCES MAGAZINE