A Prolific Artist, David Designed Lighting for World Premiere
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Programming and Award-Winning Work in the Community
Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area. -
Who Would You Trust to Tell Your Story?
WHO WOULD YOU TRUST TO TELL YOUR STORY? Who would you trust to tell your story? That was the question that Cleveland activist Johanna Orozco-Fraser and journalist Rachel Dissell had to contemplate when playwright and director Tlaloc Rivas contacted them. His first email, sent on New Year's Day 2014, said in part: Your story came to my attention years ago. As you know, [Johanna's] story is an inspiration to many Latinos and young women across the country. I share your belief that stories and storytelling have the potential for social change. The plays I create aim to tell stories that provoke a conversation about important subjects between artists and audiences. I believe that Johanna's story has that potential. As it happens, I will be traveling to Cleveland [soon]... I'd like to talk with you about whether a play inspired by your articles can happen. The three met just a couple of weeks later. Orozco-Fraser, who survived a near-fatal attack by her ex-boyfriend and became a leading advocate for change in Ohio's domestic violence laws, had become lasting friends with Dissell, a Plain Dealer reporter, as Rachel wrote a series of articles chronicling Johanna's recovery in 2007 (the complete 9-part series is available here). Both friends decided that Rivas deserved their trust. They gave their blessing to his effort to bring their story to the stage. Just hours later, CPT Executive Artistic Director Raymond Bobgan offered the project a home at this theatre. As Rivas began to shape the script, Orozco-Fraser and Dissell became treasured advisors and collaborators on this new telling of the story. -
The Point, Summer 2019
The Magazine of Point Park University | SUMMER 2019 POINTTHE Steel City Showdown Great Entertainment Point Park and pro sports teams Playhouse presents new season kick off premier esports event of world-class productions Last Print Issue Going all digital! See page 33. One of the most vibrant aspects of our premieres, dazzling dance and compelling community of students, faculty, staff and speakers. The new Playhouse is a one-of- alumni is our shared commitment to making a-kind interdisciplinary center for all facets a positive impact in our own neighborhood of entertainment management, including and beyond. For example, the new Center our nationally ranked Conservatory of for Veterans Excellence at the Rowland Performing Arts. We hope you’ll join us for School of Business recently partnered with a performance or speaking event this fall Pittsburgh Hires Veterans to host an all- or spring. day workshop for active duty veterans and 12 their spouses. “The Starting Point to a New Finally, you’re holding the last print issue of Career” gave participants an opportunity The Point, which is undergoing an exciting CONTENTS to build job-fnding skills while networking transformation into a fully digital magazine. with business professionals. The University’s The new online version, which will be 2 News and Views 22 True Pioneer Center for Media Innovation recently produced twice a year in fall and spring, Anna Shields, Point Park’s most will enable us to continue to share Point announced the All Abilities Media Project, 12 Going Green decorated student-athlete, runs in which people with disabilities can receive Park stories and profles in a creative and School of Education students toward her professional dreams. -
Darrel Wanzer-Serrano EDUCATION PROFESSIONAL APPOINTMENTS
CURRICULUM VITAE Darrel Wanzer-Serrano Department of Communication Studies [email protected] 117 Becker Communication Studies Building http://clas.uiowa.edu/commstudies The University of Iowa http://uiowa.academia.edu/dwanzerserrano Iowa City, IA 52242 http://darrel.wanzerserrano.com (319) 335-0743 http://twitter.com/DoctorDWS Dr. Darrel Wanzer-Serrano is an Assistant Professor of Rhetoric and Public Advocacy in the Department of Communication Studies at the University of Iowa. His research is focused on the relationships between race, discourse, and politics in public culture, primarily in the United States. He teaches courses in rhetoric, cultural studies, critical theories of race/ethnicity, and social movements. He has a particular interest—for teaching and research—in Latin@ studies and the coloniality of power/knowledge/being. EDUCATION Indiana University, Bloomington, IN PhD, Communication and Culture, 2007 Dissertation: “The Intersectional Rhetoric of the Young Lords: Social Movement, Ideographs, Demand, and the Radical Democratic Imaginary” (Director: John Louis Lucaites) Minor: Political Theory MA, Communication and Culture, 2001 University of Puget Sound, Tacoma, WA BA, Communication, 1999 PROFESSIONAL APPOINTMENTS University of Iowa, Iowa City, IA Assistant Professor, Department of Communication Studies, July 2012 – present University of North Texas, Denton, TX Assistant Professor, Department of Communication Studies, August 2009 – July 2012 University of Illinois, Urbana-Champaign, IL Postdoctoral Research Associate, -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Theatre Archive Project: Interview with Colin George
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Colin George – interview transcript Interviewer: Kate Harris 21 November 2005 Actor and Director. A Man for All Seasons; audiences; Birmingham Rep; children's theatre; Coventry Belgrade theatre; The Crucible Theatre, Sheffield; drama students; The Elizabethan Theatre Company; Albert Finney; Tyrone Guthrie; Peter Hall; Laurence Olivier; Look Back in Anger; Harold Pinter; The Playhouse Nottingham; The Playhouse, Sheffield; repertory; Maggie Smith; television. KH: This is an interview on the 21st of November with Colin George. Can I just confirm that I've got your permission to put this into the archive? CG: You have. KH: Brilliant, I'd just like to start by asking about how you began working in the theatre? CG: Yes, I began straight from Oxford. I'd been… I suppose inspired by Laurence Olivier principally and his film Henry V, but also I saw him as a boy, in his first Richard III, his first great performance, at the New Theatre, with Olivier, with Richardson and those great seasons they had, Hotspur, you know and so on and decided I'd go into the theatre. And my mother, God bless her, said, ‘Well, get a degree first darling, then you'll always have something to fall back on’, which proved absolutely right, because when I was middle aged - not middle aged, but getting on, three kids and that and no money having left Sheffield and all that - I went to Australia to set up a drama department and later worked for twelve years in Hong Kong, was head of acting at the drama… and that saved my life. -
THE MYSTERY of IRMA VEP Welcome
per ormances f at the OLD GLOBE ARENA STAGE AT THE JAMES S. COPLEY AUDITORIUM, SAN DIEGO MUSEUM OF ART AUGUST 2009 THE MYSTERY OF IRMA VEP Welcome UPCOMING Dear Friends, THE FIRST WIVES CLUB July 17 - Aug. 23, 2009 Welcome to an outrageous Old Globe Theatre evening of murder and mayhem on the moors! The Mystery of Irma Vep is a loving tribute to ❖❖❖ Victorian and gothic mystery, and a tour-de-force for our out- rageously talented actors, Jeffrey SAMMY M. Bender and John Cariani. Sep. 19 - Nov. 1, 2009 Charles Ludlam's enduring Old Globe Theatre masterpiece has had audiences rolling in the aisles for nearly three decades and I know this will be no exception. ❖❖❖ It is certainly the busiest time of the year for The Old Globe. We are presenting a total of five plays on our three stages. The Broadway- bound world premiere of The First Wives Club is currently playing in T H E SAVA N N A H the Old Globe Theatre. Music legends Brian Holland, Lamont Dozier DISPUTATION and Eddie Holland (Stop! In The Name of Love) have fashioned an Sep. 26 - Nov. 1, 2009 infectious score for this musical based on the popular film and book. The Old Globe Arena Stage at Get your tickets soon so you can say, “I saw it here first!” the James S. Copley Auditorium, The centerpiece of our summer season, as it has been for 75 years, is San Diego Museum of Art our Shakespeare Festival — currently in full swing with Twelfth Night, Cyrano de Bergerac and Coriolanus in repertory in the outdoor Festival Theatre. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Annual Report
18 ANNUAL REPORT 19 MISSION VISION • We will educate enterprising artists, thinkers, innovators, leaders, and globally conscious citizens who transform The Theatre School trains students communities across DePaul, Chicago, the nation, and the world. • We will support an expert, passionate faculty and staff to the highest level of professional committed to advancing the vibrancy of live theatre and performance while continually adapting to a broadening skill and artistry in an inclusive and changing profession. • We will become a model of diversity and inclusion for the University and the field. and diverse conservatory setting. • We will produce public programs and performances that challenge, entertain, and stimulate the imagination. • We will foster cross-disciplinary collaboration to further student understanding and appreciation of every aspect of theatre work. VALUES EDUCATION We advance intellectual development and ethical consciousness. We foster moral, spiritual, social, political, and artistic growth. We promote participation in civic life. RESPECT We inspire respect for self, for others, for the profession, and for humanity. We embrace the Vincentian model of service. FREEDOM We build a community founded on the principles of creativity and freedom of expression. We value initiative, innovation, exploration, and risk-taking. IMAGINATION We celebrate the primacy of imagination in our work. SPIRITUALITY We believe theatre is a place for reflection, awakening, and the development of moral awareness. Welcome to The Theatre School’s 2018-19 Annual Report. This year we auditioned and admitted students in our new Comedy Arts and Projection Design majors. We also received approval for a new BFA degree in Wig and Makeup Design & Technology, which will greet its first class in Fall 2020. -
Romanian Performing Arts. Perspectives 1 Performing Arts
Romanian Romanian Performing Arts. Perspectives 1 Performing Arts. Perspectives EDITOR: Irina Ionescu TRANSLATION INTO ENGLISH AND PROOFREADING: Samuel W.F. Onn GRAPHIC DESIGN: Radu Manelici 2016. All original articles were written between September and December 2015. Any opinions expressed herein are those of the authors and are not necessarily the same as those of the Romanian Cultural Institute. © RCI [email protected] Contents Irina Ionescu Intro 6 Alice Georgescu An Alternative View of Alternative Theatre 8 Cristina Rusiecki The Independents 21 Iulia Popovici Stage Politics in Contemporary Romanian Theatre 39 Oana Stoica In Search of Identity Trends in Contemporary Theatre in Romania 56 Monica Andronescu Independent Theatre in Bucharest Entertainment beats Experiment 74 Cristina Modreanu The Theatre of the New Generations Cracks in the Pedestal of the Statue 86 Ludmila Patlanjoglu Silviu Purcărete and the Apocalypse of Us 104 Ludmila Patlanjoglu Andrei Șerban’s Triumph and the Power of the Performing Arts 113 Ludmila Patlanjoglu “The Crisis Syndrome” and Dr. Chekhov— A Triptych by Andrei Șerban 121 Octavian Saiu Towards a Rich Theatre: A Case Study in the Reception of Eugene Ionesco on the Romanian Stage 129 Gina Șerbănescu The History of Dance or the Dance of History? 146 The 2015 National Theatre Festival: Historical Perspectives and New Horizons 158 Sibiu International Theatre Festival 185 Romanian Performing Arts. Perspectives 6 Irina Ionescu Intro This publication brings together a range of different points of view which together paint a comprehensive—albeit not exhaustive— picture of the performing arts in Romania in recent years. Using both words and images, we cover the most important trends in terms of cultural policy and artistic themes, while also providing an account of the ideas that have circulated and continue to circulate in the field, of landmark performances and the venues where they were staged, as well as of the Romanian actors, directors and writers who enjoyed most success among the public and critics. -
Memorial Day 2021 the Page 2 May 27, 2021
THETHE TMTM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 37, Number 20 Thursday, May 27, 2021 Memorial Day 2021 THE Page 2 May 27, 2021 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 About the Cover e-mail: News/Articles - [email protected] email: Classifieds - [email protected] Donald Jozwiak, commander of Veterans of For- http://www.thebeacher.com/ eign Wars Post 9423 in Rolling Prairie, spends a moment at the grave of his father, Jerome George PRINTE ITH Published and Printed by Jozwiak, in St. John Kanty Cemetery, just outside T T A S A THE BEACHER BUSINESS PRINTERS Rolling Prairie. Donald and other volunteers placed fl ags on the graves of veterans at the cemetery May Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 2. Donald followed in his father’s footsteps by serv- Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. The Beacher is also delivered to public places in Michigan City, New Buffalo, LaPorte and Sheridan Beach. ing in the U.S. Air Force. Photo by Bob Wellinski Dedicated and Determined by Andrew Tallackson Editor’s note — This is the next in an ongoing series amid this year’s Long Beach centennial anniversary highlighting history, individuals and organizations in the community. ark Swistek is one of the good communities when it comes to those sworn to serve guys. and protect them. He’s one of the good guys at a Swistek, however, refuses to give up. He is deter- time when public confi dence in mined, now more than ever as Long Beach Police law enforcement is mercilessly Department’s new chief marshal, to remind people low. -
Revw2000 For
UCUC SANTA SANTA CRUZ CRUZ Winter 2000 R E V I E W AS A NEW MILLENNIUM Dawns UC Santa Cruz is Artistic Expression uniquely poised to Biotechnology Communications make a difference Environment Frontiers of Space Global Economics R K-12 Education Race Relations CONTENTS UC Santa Cruz Features A plant for the ages Review Botanists wanting to study the world’s most primitive Chancellor M.R.C. Greenwood As a New Millennium Dawns 6 living flowering plant, Amborella trichopoda, Vice Chancellor, University Relations contact Brett Hall, manager Ronald P. Suduiko of the UCSC Arboretum, Departments Director, Public Affairs which is the only place in the Elizabeth Irwin U.S. that can provide Editor tim stephens specimen material. 3 From the Chancellor 1 Jim Burns Millennium ready Art Director/Designer Computer engineers Jim MacKenzie J. J. García-Luna and Campus Update 2 Associate Editors Anujan Varma are two of Mary Ann Dewey the many UCSC scholars Jeanne Lance making significant contribu- Alumni News 24 Writers tions to the fields that will Barbara McKenna shape society’s development Jennifer McNulty in the early years of Doreen Schack Alumni Notes 26 jones r. r. the new millennium. Tim Stephens 6 Francine Tyler A special spring fair Karin Wanless The Y2K edition of the Office of University Relations Alumni Profile 27 campus’s annual open Carriage House house, the Banana Slug University of California Spring Fair, will draw 1156 High Street Santa Cruz, CA 95064-1077 thousands of prospective and current students, voice: 831.459.2501 their families, and fax: 831.459.5795 e-mail: [email protected] alumni to UCSC web: review.ucsc.edu shmuel thaler on April 15.