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CURRENT APPLIED PHYSICS "Physics, Chemistry and Materials Science"
CURRENT APPLIED PHYSICS "Physics, Chemistry and Materials Science" AUTHOR INFORMATION PACK TABLE OF CONTENTS XXX . • Description p.1 • Audience p.1 • Impact Factor p.1 • Abstracting and Indexing p.2 • Editorial Board p.2 • Guide for Authors p.4 ISSN: 1567-1739 DESCRIPTION . Current Applied Physics (Curr. Appl. Phys.) is a monthly published international interdisciplinary journal covering all applied science in physics, chemistry, and materials science, with their fundamental and engineering aspects. Topics covered in the journal are diverse and reflect the most current applied research, including: • Spintronics and superconductivity • Photonics, optoelectronics, and spectroscopy • Semiconductor device physics • Physics and applications of nanoscale materials • Plasma physics and technology • Advanced materials physics and engineering • Dielectrics, functional oxides, and multiferroics • Organic electronics and photonics • Energy-related materials and devices • Advanced optics and optical engineering • Biophysics and bioengineering, including soft matters and fluids • Emerging, interdisciplinary and others related to applied physics • Regular research papers, letters and review articles with contents meeting the scope of the journal will be considered for publication after peer review. The journal is owned by the Korean Physical Society (http://www.kps.or.kr ) AUDIENCE . Chemists, physicists, materials scientists and engineers with an interest in advanced materials for future applications. IMPACT FACTOR . 2020: 2.480 © Clarivate Analytics -
The Korean Wave in the Middle East: Past and Present
Article The Korean Wave in the Middle East: Past and Present Mohamed Elaskary Department of Arabic Interpretation, Hankuk University of Foreign Studies, Seoul 17035, South Korea; [email protected]; Tel. +821054312809 Received: 01 October 2018; Accepted: 22 October 2018; Published: 25 October 2018 Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed the wider world. For the sake of convenience, I will be using the term Hallyu (or Neo-Hallyu) rather than the Korean Wave throughout my paper. Keywords: Hallyu; Korean Wave; K-drama; K-pop; media; Middle East; “Gangnam Style”; Psy; Turkish drama 1. Introduction My first encounter with Korean culture was in 2010 when I was invited to present a paper at a conference on the Korean Wave that was held in Seoul in October 2010. In that presentation, I highlighted that Korean drama had been well received in the Arab world because most Korean drama themes (social, historical and familial) appeal to Arab viewers. In addition, the lack of nudity in these dramas as opposed to that of Western dramas made them more appealing to Arab viewers. The number of research papers and books focused on Hallyu at that time was minimal. -
Frequent Occurrence of SARS-Cov-2 Transmission Among Non-Close Contacts Exposed to COVID-19 Patients
J Korean Med Sci. 2021 Aug 23;36(33):e233 https://doi.org/10.3346/jkms.2021.36.e233 eISSN 1598-6357·pISSN 1011-8934 Brief Communication Frequent Occurrence of SARS-CoV-2 Infectious Diseases, Microbiology & Parasitology Transmission among Non-close Contacts Exposed to COVID-19 Patients Jiwon Jung ,1,2* Jungmin Lee ,3* Eunju Kim ,2 Songhee Namgung ,2 Younjin Kim ,2 Mina Yun ,2 Young-Ju Lim ,2 Eun Ok Kim ,2 Seongman Bae ,1 Mi-Na Kim ,4 Sun-Mi Lee ,3 Man-Seong Park ,3 and Sung-Han Kim 1,2 1Department of Infectious Diseases, Asan Medical Center, University of Ulsan College of Medicine, Seoul, Korea 2Office for Infection Control, Asan Medical Center, Seoul, Korea 3Department of Microbiology, Institute for Viral Diseases, Biosafety Center, College of Medicine, Korea University, Seoul, Korea Received: Jul 8, 2021 4Department of Laboratory Medicine, Asan Medical Center, University of Ulsan College of Medicine, Seoul, Accepted: Aug 5, 2021 Korea Address for Correspondence: Sung-Han Kim, MD Department of Infectious Diseases, Asan ABSTRACT Medical Center, University of Ulsan College of Medicine, 88 Olympic-ro 43-gil, Songpa-gu, Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) transmission among Seoul 05505, Korea. non-close contacts is not infrequent. We evaluated the proportion and circumstances of E-mail: [email protected] individuals to whom SARS-CoV-2 was transmitted without close contact with the index Man-Seong Park, PhD patient in a nosocomial outbreak in a tertiary care hospital in Korea. From March 2020 to Department of Microbiology and Institute March 2021, there were 36 secondary cases from 14 SARS-CoV-2 infected individuals. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Notes Toward an Archaeology of Hallyu
Volume 15 | Issue 14 | Number 4 | Article ID 5056 | Jul 15, 2017 The Asia-Pacific Journal | Japan Focus Notes Toward an Archaeology of Hallyu Mark Morris Abstract The first consciousness that a new Korean cultural wave –hallyu-- was in motion began to take shape in different forms and at different times in the rest of East Asia. It was the craze for Korean TV drama that represented a sudden apparition of something new from South Korea. Before long, however, this wave grew bigger and far more complex than anyone might have predicted, including Korean pop music and films, animation, online games, smartphones, fashion, cosmetics, etc. There have been resistances to this inundation notably in Japan, a country where several earlier mini-hallyu now seem long forgotten. Keywords Hallyu, tv drama, Korean pop, manga, film I want our nation to be the most beautiful in the world. By this I do not mean the most powerful nation. The only thing that I desire Kim Ku, 1876–1949 in infinite quantity is the power of a noble culture. This is because the power of culture both makes us happy and gives happiness to Kim Ku (1876-1949), in this rightly famous call others. to culture published not too long before his violent death, went on to articulate a vision of a Kim Ku, Baekbeom ilji (1947) Korea in which Koreans would not only be free for the first time in a long while to be Korean, Introduction but would as well project their culture out into the world. As he put it: ‘I wish our country to be not one that imitates others, but rather the source, goal, and model of this new and advanced culture. -
Curriculum Vitae
CURRICULUM VITAE Min-Hee Ryu, M.D., Ph.D. Professor Department of Oncology Asan Medical Center University of Ulsan College of Medicine Seoul, Korea Address (Work) Department of Oncology Asan Medical Center 88, Olympic-ro, 43-gil, Songpa-gu Seoul 05505 Korea Tel: 82-2-3010-5935, 3010-3210 Fax: 82-2-3010-6961 e-mail: [email protected] Education 1987. 3 – 1989. 2 Pre-Medicine College of Natural Sciences Seoul National University Seoul, Korea 1989. 3 – 1994. 2 M.D. College of Medicine Seoul National University Seoul, Korea 1996. 3 – 1998. 2 Master of Science Postgraduate School Seoul National University Seoul, Korea 2002. 3 – 2006. 2 Ph.D. Postgraduate School University of Ulsan College of Medicine Seoul, Korea Graduate Training 1994. 3 – 1995. 2 Internship Seoul National University Hospital Seoul, Korea 1995. 3 – 1999. 2 Residency, Internal Medicine Seoul National University Hospital Seoul, Korea 2002. 5 – 2004. 2 Fellowship, Hematology/Oncology Asan Medical Center University of Ulsan College of Medicine Seoul, Korea Professional Experience 2004. 3 – 2009. 10 Assistant Professor Department of Oncology Asan Medical Center University of Ulsan College of Medicine Seoul, Korea 2009. 10 – 2015 .09 Associate Professor Department of Oncology Asan Medical Center University of Ulsan College of Medicine Seoul, Korea 2015. 10 – Present Professor Department of Oncology Asan Medical Center University of Ulsan College of Medicine Seoul, Korea 2020. 3 – Present Chief Department of Oncology Asan Medical Center University of UlsanCollege of Medicine Seoul, -
UNIVERSITY of ULSAN(UOU) at a GLANCE What Is UIBP
Do you know SOUTH KOREA ? UNIVERSITY OF ULSAN(UOU) AT A GLANCE APPLY FOR UIBP ? Seoul GDP USD 1.4 trillion (11th in the world) Incheon Establishment Year 1970 ELIGIBILITY REQUIRED DOCUMENTS FOR ADMISSION Daejeon Daegu Kyungju Founder Ju-yung CHUNG (Founder of HYUNDAI Group) GDP per Capita USD 28,000 (28th in the world) Category Details Documents Details Ulsan Gwangju Busan Governance Hyundai Heavy Industries(HHI) Trade USD 1 trillion (8th in the world) Forms downloadable from UOU a) Anyone with foreign citizenship whose parents Application Form Honorary Chancellor Mong-joon CHUNG (Major Shareholder of HHI) global homepage Population 51 million (26th in the world) both also have foreign citizenship, or * http://global.ulsan.ac.kr > Admissions Major Industries Electronic and Electrical, Automotive, Shipbuilding, Chancellor Chung Kil CHUNG (Former Presidential Chief of Staff, Korea) * Applicants(including parents) with dual-citizenship of Statement of Purpose > Overview > Forms & Downloads Korea are not eligible Mechanical, Petrochemical, Steel, Retail, etc. President Yeon Cheon OH (Former President of Seoul National University) Nationality Requirement * Taiwanese applicants are eligible even if one of their Graduation Certificate of MNCs Samsung, LG, Hyundai, SK, POSCO, Lotte, Hanwha, etc. Official Ranking parents holds Korean citizenship Secondary Education, or - 90th in the World (2015 THE 100 under 50 Rankings) b) Anyone with foreign citizenship who completed both Certificate of Equivalent Course - 11th in Korea, 85th in Asia (2015 THE -
Past, Present and Future of Hallyu (Korean Wave)
American International Journal of Contemporary Research Vol. 5, No. 5; October 2015 Past, Present and Future of Hallyu (Korean Wave) Kim Bok-rae Professor Andong national University I. Introduction Hallyu refers to the phenomenon of Korean popular culture which came into vogue in Southeast Asia and mainland China in late 1990s. Especially, hallyu is very popular among young people enchanted with Korean music (K-pop), dramas (K-drama), movies, fashion, food, and beauty in China, Taiwan, Hong Kong, and Vietnam, etc. This cultural phenomenon has been closely connected with multi-layered transnational movements of people, information and capital flows in East Asia. Since the 15th century, East and West have been the two subjects of cultural phenomena. Such East–West dichotomy was articulated by Westerners in the scholarly tradition known as “Orientalism.”During the Age of Exploration (1400–1600), West didn’t only take control of East by military force, but also created a new concept of East/Orient, as Edward Said analyzed it expertly in his masterpiece Orientalism in 1978. Throughout the history of imperialism for nearly 4-5 centuries, west was a cognitive subject, but East was an object being recognized by the former. Accordingly, “civilization and modernization” became the exclusive properties of which West had copyright (?!), whereas East was a “sub-subject” to borrow or even plagiarize from Western standards. In this sense, (making) modern history in East Asia was a compulsive imitation of Western civilization or a catch-up with the West in other wards. Thus, it is interesting to note that East Asian people, after gaining economic power through “compressed modernization,”1 are eager to be main agents of their cultural activities in and through the enjoyment of East Asian popular culture in a postmodern era. -
Session Summaries -2009
Session Summaries -2009 SUMMARY OF SCIENTIFIC SESSIONS AND WORKSHOPS Science Board Symposium (S1) Understanding ecosystem dynamics and pursuing ecosystem approaches to management Co-Convenors: John E. Stein (SB), Michael J. Dagg (BIO), Mikhail Stepanenko (FIS), Glen Jamieson (MEQ), Hiroya Sugisaki (MONITOR), Michael G. Foreman (POC), Bernard A. Megrey (TCODE), Harold P. Batchelder (CCCC), Michio J. Kishi (CCCC), Fangli Qiao (China) and Sinjae Yoo (Korea) Background PICES undertakes a new science program, FUTURE (Forecasting and Understanding Trends, Uncertainty and Responses of North Pacific Marine Ecosystems), to understand the responses of marine ecosystems in the North Pacific to climate change and human activities, having the major questions: 1) How does ecosystem structure and function determine an ecosystem's response to natural and anthropogenic forcing? 2) How do physical and chemical processes respond to natural and anthropogenic forcing and how are ecosystems likely to respond to these changes in abiotic processes? 3) How do human activities impact coastal marine ecosystems and their interactions with offshore and terrestrial systems. We have only a limited ability to forecast how marine ecosystems will be affected by the changing global climate. Consequently, we still have limited knowledge on the assessment and management of marine ecosystems. Under this situation, it is necessary to improve our understanding of ecosystem structure and function, ecosystem stability and resilience, and to understand and quantify the impacts of human activities and climate on marine ecosystems. It is urgent that we develop and adopt a comprehensive ecosystem-based approach which will be required to manage depleted and deteriorated marine ecosystems. To this end, breakthroughs have to be made in many areas, including evaluation of ecosystem status. -
Korean Drama As Educational Tools That Develop Mutual
Advances in Social Science, Education and Humanities Research, volume 239 8th UPI-UPSI International Conference (UPI-UPSI 2018) KOREAN DRAMA AS EDUCATIONAL TOOLS THAT DEVELOP MUTUAL UNDERSTANDING BETWEEN COUNTRIES Farah Nabila Hamdan; Norlis Ismail UTAR [email protected]; [email protected] Abstract -- This paper presents a Korean drama as the viewers. Mass media channel that usually give educational tools for public. When the word of impact to the viewers is television. education appears, most of people will related it with books. People often to overlook it but there are many Besides influencing people lifestyle, mass ways for education besides books. Meanwhile, drama media also can educate people through the useful have been categorized as entertainment medium. knowledge that been distribute to the viewers. Purpose of this study is to changes the perception of Samsudin (2008) stated, viewers can receive lot of drama as only for the entertainment but also can be information through television because that channel educational methods. With the existence of Cultural Proximity Theory in the drama, mutual “provide culture space which have similar elements understanding can be develop within the country and in ritual, symbols and background of culture that automatically it will become the educational tool for identifies identity of the society.” This statement public. The four elements in Cultural Proximity that proved that television is an important medium in educates public while they are watching drama are the formation of society’s value and socio-culture. language proximity, visual proximity, culture proximity and value proximity. Winter This research is conducted based on the Sonata play an important role in raising up the previous research done by Aminah (2012) which tourism industry and promoting wonderful places in stated that Korean wave in Malaysia leads viewers South Korea. -
The Koreas and the Policy/Culture Nexus
Two States, One Nation: The Koreas and the Policy/Culture Nexus Jacqueline Willis Institute for Culture and Society University of Western Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. © 2013 Acknowledgements I would like to especially thank my principal supervisor Professor James Arvanitakis for the unfailing guidance, encouragement and support he has given me throughout my candidature. His academic expertise, enthusiasm and assuring presence have provided the motivation, confidence and direction needed to complete this intellectually stimulating, though sometimes daunting task. I gratefully acknowledge and extend immeasurable thanks for his mentorship, editorship and invaluable feedback, without which this thesis could not have been written. I would also like to acknowledge the input of my co-supervisor Professor Brett Neilson, whose expert knowledge and recommendations have proven invaluable to the development and completion of this thesis. Special thanks and acknowledgement must also be given to Shin Yoon Ju for providing Korean-English translations, as well as to Brian J. McMorrow, Grete Howard, Eric Testroete, Chris Wood, Raymond Cunningham and fellow Korea researcher, Christopher Richardson, for generously allowing me to use and reproduce their personal photographs. Thanks too to those affiliated with the Institute for Culture and Society at the University of Western Sydney, for their committed nurturing of my academic development and ambitions over the course of my doctoral enrolment. Finally, I would like to extend gratitude to my family, friends and colleagues for always encouraging me in my academic endeavours. Their patience, unwavering support and steadfast faith in my ability have been powerful incentives, driving and sustaining me in my scholarly pursuits. -
The Korean Wave: Creating Their Model for the 21St Century?
The Korean Wave: Creating Their Model for the 21st Century? A Global Lesson Plan Dr. Denise R. Ames Center for Global Awareness © 2017 layout design by Jeanine McGann wave graphic designed by Freepik.com The Korean Wave: Creating Their Model for the 21st Century Table of Contents 1. Introduction to Korea 2. Education: Korean Style 3. Religion in South Korea 4. The Korean Economic Miracle 5. Culinary Delights: Food in South Korea 6. Korean Pop Culture: Entertainment for a Globalized World a. History of Korea’s Popular Culture b. First Korean Wave and Television c. Second Korean Wave: K-Pop d. Critique of the K-Pop Music Industry 7. South Korea Wrap Up 2 The Korean Wave: Creating Their Model for the 21st Century? Korea is asserting itself as a major force in the world! If you don’t know much about Korea, please take notice, in more ways than one, it is a rising star on the world stage. Introduction to Korea Koreans have often thought of themselves as victims and indeed the 20th century has not been kind to the Re- public of South Korea, a small country on a peninsula near China and Japan. In 1910 it was invaded by Japan, which continued to occupy and exploit Korea until its defeat by the US and its allies at the end of World War II, when the Japanese were permanently expelled from the peninsula. Soon after the end of World War II, a brutal civil war broke out in 1950 between North Korea, loyal to communist Soviet Union and China, and South Korea, who sided with the United States and its allies.