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The Synagogue of Satan
THE SYNAGOGUE OF SATAN BY MAXIMILIAN J. RUDWIN THE Synagogue of Satan is of greater antiquity and potency than the Church of God. The fear of a mahgn being was earher in operation and more powerful in its appeal among primitive peoples than the love of a benign being. Fear, it should be re- membered, was the first incentive of religious worship. Propitiation of harmful powers was the first phase of all sacrificial rites. This is perhaps the meaning of the old Gnostic tradition that when Solomon was summoned from his tomb and asked, "Who first named the name of God?" he answered, "The Devil." Furthermore, every religion that preceded Christianity was a form of devil-worship in the eyes of the new faith. The early Christians actually believed that all pagans were devil-worshippers inasmuch as all pagan gods were in Christian eyes disguised demons who caused themselves to be adored under different names in dif- ferent countries. It was believed that the spirits of hell took the form of idols, working through them, as St. Thomas Aquinas said, certain marvels w'hich excited the wonder and admiration of their worshippers (Siiinina theologica n.ii.94). This viewpoint was not confined to the Christians. It has ever been a custom among men to send to the Devil all who do not belong to their own particular caste, class or cult. Each nation or religion has always claimed the Deity for itself and assigned the Devil to other nations and religions. Zoroaster described alien M^orshippers as children of the Divas, which, in biblical parlance, is equivalent to sons of Belial. -
The Earliest Magdalene: Varied Portrayals in Early Gospel Narratives
Chapter 1 The Earliest Magdalene: Varied Portrayals in Early Gospel Narratives Edmondo Lupieri In the early writings produced by the followers of Jesus, Mary Magdalene is connected with key events in the narrative regarding Jesus: his death on the cross, his burial, and his resurrection.1 At first sight, her figure seems to grow in importance through time. Her name and figure, indeed, are completely ab- sent from the oldest extant texts written by a follower of Jesus, the authentic letters of Paul.2 This is particularly striking, since 1 Cor 15:5–8 contains the ear- liest known series of witnesses to the resurrection, but only men are named specifically.3 1 All translations are the author’s. The Greek text of the New Testament is from Eberhard Nestle et al., eds., Novum Testamentum Graece, 27th ed. (Stuttgart: Deutsche Bibelgesellschaft, 1993). 2 This phenomenon seems to parallel the minimal importance of the mother of Jesus in Paul’s letters. He mentions her only once and indirectly, when stressing that Jesus was born “of a woman” and “under the Law” (Gal 4:4). Besides using her existence to reaffirm the humanity (and Jewishness) of Jesus (for a similar use of a similar expression to describe the humanity of John the Baptist, see Luke 7:28 / Matt 11:11), Paul does not seem to care about who that “woman” was. This does not mean that Paul is particularly uninterested in Mary Magdalene or in Jesus’s mother, but that generally in his letters Paul does not seem to be interested in any detail regarding the earthly life of Jesus or in the persons who were around him when he was in his human flesh (see further n. -
Women with Jesus at the Cross and the Tomb Bible Study
Women with Jesus at the Cross and the Tomb Bible Study [Please provide : musical accompaniment; Bibles, hymnals, and copies of the Bible study for attendees.] Beginning with Ash Wednesday and for 40 days following, we are in the period of the church year called Lent. It is a time to remember the suffering, death, and burial in preparation for the resurrection of our Lord and Savior, Jesus Christ. As we approach and journey through Lent, let us focus on the women who were present when Jesus was crucified on Calvary and later at His tomb. Let us begin with prayer : Lord Jesus Christ, be with us as we study Your Word, meditating upon those women who were near You at the cross and the tomb. In Your holy name. Amen. Sing “When I Survey the Wondrous Cross” LSB 425 or 426, TLH 175, LW 114 or 115 I. Standing Near the Cross – read John 19:25-27 • Four women are mentioned: o Mary, the mother of Jesus o His mother’s sister – tradition holds this is Salome, mother of James and John, the sons of Zebedee o Mary, the wife of Clopas – the only time she or Clopas are mentioned o Mary Magdalene The women took a risk by being present at the cross. It took courage for them to stand there in the midst of the hatred and ridicule. Their attendance was intended to encourage Jesus. Jesus’ mother, Mary, is experiencing what Simeon had predicted years before in Luke 2:35. As she stood there, her grief must have been nearly unbelievable. -
Saint Mary Magdalene
saint mary magdalene - relic tour Martha was the first to say, “Lord, I have believed that thou art Christ the Son of February 20 - March 22, 2013 the living God, who art come into this world” (John 11:27). Martha was witness to Jesus resurrection of her brother Lazarus (John 11:39-44). Martha’s relics are in Collégiale Sainte-Marthe in Tarascon. Early Christian Saints of God Mark Friedman and Janet Vogt A piece of the tibia of St. Mary Magdalene Saints of God, we stand be - fore you. This we ask you, pray for us. Ho - ly men and ho - ly wom - en, in your good - ness pray for us. 1. St. Ma - ry, God’s moth - er, our moth - er, 2. St. Jo-seph, St. Pe - ter, St. An - drew, 3. St. Mat - thew, St. Si - las, St. Bar - na - bas, 4. St. Mar - tha, St. Max-i-min, St. Ma-ry Sal-o-me, 1. All an - gels in heav - en, 1-4. pray for us. 2. St. Steph - en, St. Paul, 3. St. Luke, St. Ce-do-ni-us, 4. St. La - za - rus, St. Mar - tha, 1-4. pray for us. Ho - ly men and ho - ly wom - en, The Three Marys at the Empty Tomb Mary Magdalene, Mary Jacobe and Mary Salome 1. so ho - ly, 2. St. Law-rence, 3. St. Ma-ry Ja- co- be, pray for us. us. 4. St. Ma-ry Mag-da-lene. 1-4. in your good - ness, pray for us. us. 2, 4. Save us, Lord, from sin and ev - ‘ry A piece of the tibia of St. -
Salome: the Image of a Woman Who Never Was
Salome: The Image of a Woman Who Never Was Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer By Rosina Neginsky Salome: The Image of a Woman Who Never Was; Salome: Nymph, Seducer, Destroyer, By Rosina Neginsky This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Rosina Neginsky All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4621-X, ISBN (13): 978-1-4438-4621-9 To those who crave love but are unable to love. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Epigraph: Poem “Salome” by Rosina Neginsky ........................................ xv Preface ...................................................................................................... xxi Introduction ................................................................................................. 1 Part I: Creation of the Salome Myth Chapter One ................................................................................................. 8 History and Myth in the Biblical Story Chapter Two ............................................................................................. -
Daughter of Eve, Femme Fatale, and Persecuted Artist: the Mythic Transgressive Woman in Oscar Wilde’S and Richard Strauss’ Salome
MONOGRAFÍA Amaltea. Revista de Mitocrítica ISSN-e: 1989-1709 http://dx.doi.org/10.5209/AMAL.51851 Daughter of Eve, Femme Fatale, and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde’s and Richard Strauss’ Salome Corinne E. Blackmer1 Recibido: 1 de febrero de 2016 / Aceptado: 3 de julio de 2016 Abstract. Historically, Salome was a mundane figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the seductress and fallen daughter of Eve. Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head. Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represents her tragic fate musically. Keywords: Salome; Herod; John the Baptist; femme fatale; Oscar Wilde; Richard Strauss; Symbolism; Decadence. Fille d’Éve, Femme Fatale, et l’Ártiste Persécutée: La Femme Transgressive Mythique dans la Salome d’Oscar Wilde et de Richard Strauss Résumé. Selon l’histoire, Salomé était une personnalité banale qui n’a jamais précipité la mort de Jean le Baptiste. En revanche, dans les textes chrétiens, elle devient la séductrice et la fille déchue d’Ève. Son beau-père Hérode promet à Salomé son royaume si elle danse pour lui, mais elle suit le souhait de sa mère qui exige la décapitation de Jean. -
The Easter Verses of the Three Marys a Medieval Short Play for Eastertide
The Easter Verses of the Three Marys A medieval short play for Eastertide This short drama is one of the oldest and most important pieces of drama in Europe. The written version dates from the 12th Century and is recorded in a manuscript kept at Vic in Spain. The drama is an enhanced version of the encounter between Mary and the Angel at the tomb on Easter morning recorded in the gospels. This play has been performed at Eastertime for centuries and is still has great power today. By tradition, the three Marys who buy ointment and go to the tomb to anoint the body of Jesus: Mary Magdalene, Mary Jacobe (the mother of James) and Mary Salome. In this version, I imagine Mary Jacobe as the motherly, practical type; Mary Salome as younger, elegant, wanting the best; and Mary Magdalene as overwhelmed by grief and finding it almost impossible to go to the tomb but impelled to do so. In Spanish versions of the drama, Mary Magdalene carries a jar of expensive ointment, Mary Jacobe carries a broom, and Mary Salome carried an incense burner (small thurible). The merchant is an East End barrowboy, probably minding the stall while his master is away, wheeling and dealing to get a good price but also sensitive to the women’s grief. The angel is strong, straightforward, unshowy, his declaration that Christ is risen convinces and draws us in. The repeated refrain ‘How great is our grief’ needs to be carefully handled so it doesn’t become melodramatic. It needs to be heartfelt and spoken differently each time it occurs. -
Gospel of Barnabas
Facsimile of the original Title page THE GOSPEL OF BARNABAS EDITED AND TRANSLATED FROM THE ITALIAN MS. IN THE IMPERIAL LIBRARY AT VIENNA BY LONSDALE AND LAURA RAGG WITH A FACSIMILE OXFORD AT THE CLARENDON PRESS 1907 May the light of the Gospel of Barnabas illuminate The Gospel of Barnabas Contents Pages 1, Introduction V 2. Barnabas in the New Testament vii 3. Life and Message of Barnabas x 4. The Gospel of Jesus 5. How the Gospel of Barnabas Appendix I 274 Survived 6. Unitarianism in the Bible II 275 7. Mohammad in the Bible III 278 8. Jesus in the Bible IV 283 9. Facts About Other Gospels Veracity in the Gospel V 286 10. The Holy Prophet Mohammad Foretold in Ancient Scriptures. VI 287 28728 What Christian Authorities Say 11. about The Myth of God Incarnate- Gospel masked in Greek Philosophy. t, „ VII 297 12. Testimonies from the Bibles to the Quranic Truth that Jesus is not God.' ,. VIII 299 www.islamicbulletin.com INTRODUCTION The Holy Quran asks us not only to believe in our Holy Prophet but also in the prophets who had come prior to his advent. We, Muslims, are interested not only in the Revelation that was given to humanity through our Prophet, but also, in the Revelations which were given to prophets previous to him. Among the prophet's who had appeared before our Holy Prophet, the Quran has emphasized the importance to the Muslims of Prophet Jesus. Jesus was no doubt sent with a mission to the Israelites; he had also a universal mission. -
Reading the Emotions of Salome: Sympathy for the Devil Or Fear and Loathing Diane Hoeveler Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2001 Reading the Emotions of Salome: Sympathy for the Devil or Fear and Loathing Diane Hoeveler Marquette University, [email protected] Published Version. Prism(s): Essays in Romanticism, Vol. 9 (2001): 87-108. © 2001 International Conference on Romanticism. Used With Permission. A Reading of the Emotions of Salome: Sympathy for the Devil, or Fear and Loathing Diane Long Hoeveler n October 1876 Gustave Flaubert was engaged in writing what I would become perhaps his most well-known and successful piece of short fiction, "A Simple Heart." This narrative dissects the life of an innocent servant woman, ironically named Felicity, who rransfers her love and spiritual devotion from object to object until she finally settles, afrer life's many disappointments, on a stuffed and tattered parrot as the incarnation of her god of love. The horror of Flaubert's story can be located in his dark and cynical portrayal of love and spiritual devotion as a form of fetishism, a mad scramble for apparently random substitute objects to compensate for the original wound in the psyche, the primor dial fall we all supposedly make from a sense of original wholeness and self-sufficiency within the individual ego into psychic fragmentation. Felicity's pathetic stuffed parrot functions as a fetish, while fetishism-or the displacement of the sexual object by a metonymic substitute-stands in Flaubert as the originating source of both love and religious worship. 1 88 Diane Long Hoeveh Although often considered the exact opposite of a "romantic" work, Flaubert's tale is important as an example of what I would call the "post romantic residue," the reaction against romanticism that lingered in nineteenth-century literary culture, on the continent as well as in Britain. -
John the Apostle, the Revelator
JOHN THE APOSTLE, THE REVELATOR 1. Not to be confused with John, the baptizer, whose ministry was recorded by Luke some 30 years prior to John's Revelation and whose ministry took place some 30 years or more prior to Luke's recording of it. John, the Apostle, was a disciple of John, the baptizer. 2. John, the Apostle, was the son of Zebedee, a fisherman residing near Capernaum on the Sea of Galilee (Mat 4:21, 22; Mar. 1:19, 20; Luk. 5:10). As the third woman accompanying the two women to the tomb is called Salome by Mark whereas Matthew calls her: "the mother of the sons of Zebedee", John's mother must be this same Salome. In John 19:25, the third woman at the cross is said to be the sister of Jesus' mother, hence Salome was also the sister of Mary, the Mother of Jesus (Mar. 15:40, 16:1; Mat. 27:56 with Joh. 19:25). Therefore John the Apostle was a first cousin to Jesus. This explains why Jesus placed Mary in John's keeping at the cross: "Son, behold thy mother" (John 19:27). As Jesus' brothers were unbelievers until after the Resurrection (Joh. 7:2-3, cp. Acts 15:4-7), the Lord could not place Mary under James' or the other's (Joseph, Judas and Simon - Mar. 6:3) protection. Thus, as the nearest kinsman (kinsman-redeemer) that was a converted follower, John was given this charge. JOHN 19:25 MATTHEW 27:56 MARK 15:40 1. Mary, mother of Jesus 2. -
St. Joseph, the Man in the Shadows
SAINT JOSEPH THE MAN IN THE SHADOWS 0 SAINT JOSEPH THE MAN IN THE SHADOWS Melecio Picazo G. Missionary of the Holy Spirit 1 Translated by Alma Ibarrola de Rinasz Acknowledgments Fr. Domenico Di Raimondo, M.Sp.S Carmen Martínez On the Feast of St. Joseph March 19, 2016 2 FOREWORD Early in 2012 I discovered “SAINT JOSEPH, The Man in the Shadows” by Father Melecio Picazo, M.Sp.S. in the store at the Convent of the Sisters of the Cross, as we familiarly call our local Sisters of the Cross of the Sacred Heart of Jesus. Having always felt a strong attraction to Saint Joseph I bought the booklet and put it in my handbag. Some days went by and suddenly my mother, at the best of health in her 91st year, had to be hospitalized. I stayed with her that night and remembering the booklet, decided to share it with her. Discovering St. Joseph in the midst of a hospital hall waiting for her admission was a unique and blessed experience. It brought us closer and gave us peace. After her death a few days later on Holy Saturday, at her home where she chose to die surrounded by her sisters, children, grandchildren and great grandchildren, the memory of those hours in the corridor at the hospital brought me peace as I realized Saint Joseph had become more real to me. Wanting to share this peace with others, I decided to make this book better known to my sisters of Covenant of Love and to my family and friends. -
Saints Mary Magdalene, Joanna, Salome
The Holy Myrrhbearers: Saints Mary Magdalene, Joanna, Salome (daughter of Joseph), Mary (Joseph’s sister) the wife of Cleopas, Susanna, Mary and Martha (Lazarus’s sisters) , Obedient to the observance of the Sabbath, the women waited until the following sunrise after the Sabbath to launch their plan into action. They were going to do something costly, something dangerous, something maybe even foolish in the eyes of others, but they knew in their hearts that it was the right thing to do. The Holy Myrrhbearers were poor peasant housewives with the exception of St. Joanna, who was the wife of Herod’s steward Chuza. Yet the Evangelist Mark tells us they purchased large amounts of pricey myrrh, ointments, and perfumes with which to anoint the body of the Lord. These humble servants sacrificed the little they had saved up for their own families for ‘a rainy day’ because they realized they could not put a value on God’s love. Christ’s presence in their lives had been priceless and they were not going to spare any expense to anoint the body of the One who loves without measure. The Holy Myrrhbearers literally put their lives at risk to accomplish their goal. Cities in the ancient world were walled for good reason – the territory outside the walls was an unsafe area and the domain of wild animals and thieves, especially after dark. Since our Savior’s tomb was in the garden near Golgotha, it was beyond the safety of the city walls. The women deliberately and knowingly stepped out into this vulnerability in order to express their love, in order to do what their heart commanded of them.