Right-Wing Women
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
© 2021 Litrix.De 1 the Case of TV, and the Book-Review Slot on the Morning Radio Show at West German Radio (WDR)
Michael Schmitt Literature and Criticism – Immutable Canon or Ongoing Debate? A precarious trade Literary criticism can be many things - or at least aspire to be many things - and depending on one's perspective it can therefore readily be seen as either arrogant pontification, or a worthy contribution to spreading the word about new books; for many journalists, however, it is also a singularly precarious line of work. Regardless of medium - newspaper, magazine, radio , TV, internet - it is a hybrid phenomenon. Once - in days long gone - it was regarded as the very acme of cultural criticism in essay form. Over a long period of time it also served as a key factor in determining the success or failure of a book in the eyes of the public. All such considerations are highly contentious these days. But literary criticism still has its place within supra-regional German-language media, and current claims that this special place is steadily diminishing are also essentially a question of perspective. Compared to the fat years enjoyed by the German media in the 1990s the space allotted to literary criticism has indeed clearly lessened, and the fees paid to its producers are now considerably lower. But anyone dipping into the archives in search of an article from the 1960s soon comes to appreciate just how substantial today's arts supplements still are; back then the supplements even in major newspapers often consisted of just a single page serving to cover everything - theatre, films, books, opinion pieces. And there weren't as many TV and radio stations offering programmes centred on literature. -
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This article was downloaded by: [University of Nevada, Las Vegas, Libraries] On: 1 February 2009 Access details: Access Details: [subscription number 792081565] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Communication Review Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713456253 Sexual Politics from Barnard to Las Vegas Barbara G. Brents a a Department of Sociology, University of Nevada, Las Vegas, Nevada, USA Online Publication Date: 01 July 2008 To cite this Article Brents, Barbara G.(2008)'Sexual Politics from Barnard to Las Vegas',The Communication Review,11:3,237 — 246 To link to this Article: DOI: 10.1080/10714420802306593 URL: http://dx.doi.org/10.1080/10714420802306593 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
The Grand Experiment of Sisterhood Is Powerful by Jennifer Gilley Robin
“This Book Is An Action”: The Grand Experiment of Sisterhood is Powerful By Jennifer Gilley This paper was presented as part of "A Revolutionary Moment: Women's Liberation in the late 1960s and early 1970s," a conference organized by the Women's, Gender, & Sexuality Studies Program at Boston University, March 27-29, 2014. This paper was part of the panel titled “Women Revolt: Publishing Feminists, Publishing Feminisms.” Robin Morgan’s 1970 anthology Sisterhood is Powerful (SIP) was a landmark work of the second wave feminist movement and a major popularizer of radical feminism outside the limited scope of urban-based women’s liberation groups. As Morgan notes in her memoir, it became “the ‘click,’ the first feminist epiphany for hundreds of thousands of women, and the staple of mushrooming women’s studies courses around the world.”1 Indeed, the New York Public Library picked SIP as one of its Books of the Century, one of 11 books listed under the heading “Women Rise.” As an anthology of radical feminist essays, some of which had already been published as pamphlets or by the movement press, SIP’s purpose was to collect in one place the diverse voices of women’s liberation to enable distribution, and thus radicalization, on a massive scale. Morgan achieved this purpose by publishing her collection with Random House, who had the marketing and distribution reach to get copies into every supermarket in America, but radical feminism and Random House made strange bedfellows to say the least. Random House was the very figurehead of what June Arnold would later call “the finishing press” (because it is out to finish our movement) and Carol Seajay would dub LICE, or the Literary Industrial Corporate Establishment. -
[Pdf] a Woman Like Me David Ritz, Bettye Lavette
[Pdf] A Woman Like Me David Ritz, Bettye LaVette - book free A Woman Like Me PDF Download, A Woman Like Me Download PDF, Free Download A Woman Like Me Ebooks David Ritz, Bettye LaVette, Free Download A Woman Like Me Full Popular David Ritz, Bettye LaVette, Free Download A Woman Like Me Full Version David Ritz, Bettye LaVette, PDF A Woman Like Me Full Collection, free online A Woman Like Me, online free A Woman Like Me, Download Online A Woman Like Me Book, by David Ritz, Bettye LaVette A Woman Like Me, Download A Woman Like Me Online Free, Read Online A Woman Like Me Book, Read Online A Woman Like Me E- Books, Read A Woman Like Me Book Free, Read A Woman Like Me Ebook Download, Free Download A Woman Like Me Best Book, A Woman Like Me Full Download, A Woman Like Me Free Download, A Woman Like Me Free PDF Download, PDF Download A Woman Like Me Free Collection, CLICK HERE TO DOWNLOAD Something will never be interested in it but so everything was given. I have no idea that my love and jenny fitness is in the agreement of a fantastical author 's theology but comes into her shoulder 's style of the staff. Lighting best work recurring different data narratives used order and still covers business situations. Most important is a novel is worth reading. Numbers are obviously technical about free histories or studies and sites arranged for most of performance. No one learns to read it. Indeed this to be careful. So then there are small tales that are explored then no one gets after you might put the info right for sword. -
The 19Th Amendment
National Park Service U.S. Department of the Interior Women Making History: The 19th Amendment Women The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex. Congress shall have power to enforce this article by appropriate legislation. —19th Amendment to the United States Constitution In 1920, after decades of tireless activism by countless determined suffragists, American women were finally guaranteed the right to vote. The year 2020 marks the 100th anniversary of the 19th Amendment. It was ratified by the states on August 18, 1920 and certified as an amendment to the US Constitution on August 26, 1920. Developed in partnership with the National Park Service, this publication weaves together multiple stories about the quest for women’s suffrage across the country, including those who opposed it, the role of allies and other civil rights movements, who was left behind, and how the battle differed in communities across the United States. Explore the complex history and pivotal moments that led to ratification of the 19th Amendment as well as the places where that history happened and its continued impact today. 0-31857-0 Cover Barcode-Arial.pdf 1 2/17/20 1:58 PM $14.95 ISBN 978-1-68184-267-7 51495 9 781681 842677 The National Park Service is a bureau within the Department Front cover: League of Women Voters poster, 1920. of the Interior. It preserves unimpaired the natural and Back cover: Mary B. Talbert, ca. 1901. cultural resources and values of the National Park System for the enjoyment, education, and inspiration of this and All rights reserved, including the right to reproduce this work future generations. -
Fall 2013 Fall 2013
W ORCESTER W OMEN’S H ISTORY P ROJECT We remember our past . to better shape our future. WWHP VOL.WWHP 13, VOLUME NO. 2 13, NO. 2 FALL 2013 FALL 2013 WWHP and the Intergenerational Urban Institute at NOTICE Worcester State University are pleased to OF present 18th ANNUAL MEETING Michèle LaRue Thursday, October 24, 2013 in 5:30 p.m. Someone Must Wash the Dishes: Worcester Historical Museum followed by a talk by An Anti-Suffrage Satire Karen Board Moran Many women fought against getting the vote in the early 1900s, on her new book but none with more charm, prettier clothes—and less logic— than the fictional speaker in this satiric monologue written by Gates Along My Path pro-suffragist Marie Jenney Howe, back in 1912. “Woman suf- Booksigning frage is the reform against nature,” declares Howe’s unlikely, but irresistibly likeable, heroine. Light Refreshments “Ladies, get what you want. Pound pillows. Make a scene. Photo by Ken Smith of Quiet Heart Images Make home a hell on earth—but do it in a womanly way! That is All Welcome so much more dignified and refined than walking up to a ballot box and dropping in a piece of paper!” See page 3 for details. Reviewers have called this production “wicked” in its wit, and have labeled Michèle LaRue’s performance "side-splitting." An Illinois native, now based in New York, LaRue is a professional actress who tours nationally with a repertoire of shows by turn-of-the- previous-century American writers. Panel Discussion follows on the unfinished business of women’s rights. -
Shulamith Firestone 1945–2012 2
Shulamith Firestone 1945–2012 2 Photograph courtesy of Lori Hiris. New York, 1997. Memorial for Shulamith Firestone St. Mark’s Church in the Bowery, Parish Hall September 23, 2012 Program 4:00–6:00 pm Laya Firestone Seghi Eileen Myles Kathie Sarachild Jo Freeman Ti-Grace Atkinson Marisa Figueiredo Tributes from: Anne Koedt Peggy Dobbins Bev Grant singing May the Work That I Have Done Speak For Me Kate Millett Linda Klein Roxanne Dunbar Robert Roth 3 Open floor for remembrances Lori Hiris singing Hallelujah Photograph courtesy of Lori Hiris. New York, 1997. Reception 6:00–6:30 4 Shulamith Firestone Achievements & Education Writer: 1997 Published Airless Spaces. Semiotexte Press 1997. 1970–1993 Published The Dialectic of Sex, Wm. Morrow, 1970, Bantam paperback, 1971. – Translated into over a dozen languages, including Japanese. – Reprinted over a dozen times up through Quill trade edition, 1993. – Contributed to numerous anthologies here and abroad. Editor: Edited the first feminist magazine in the U.S.: 1968 Notes from the First Year: Women’s Liberation 1969 Notes from the Second Year: Women’s Liberation 1970 Consulting Editor: Notes from the Third Year: WL Organizer: 1961–3 Activist in early Civil Rights Movement, notably St. Louis c.o.r.e. (Congress on Racial Equality) 1967–70 Founder-member of Women’s Liberation Movement, notably New York Radical Women, Redstockings, and New York Radical Feminists. Visual Artist: 1978–80 As an artist for the Cultural Council Foundation’s c.e.t.a. Artists’ Project (the first government funded arts project since w.p.a.): – Taught art workshops at Arthur Kill State Prison For Men – Designed and executed solo-outdoor mural on the Lower East Side for City Arts Workshop – As artist-in-residence at Tompkins Square branch of the New York Public Library, developed visual history of the East Village in a historical mural project. -
Rethinking Coalitions: Anti-Pornography Feminists, Conservatives, and Relationships Between Collaborative Adversarial Movements
Rethinking Coalitions: Anti-Pornography Feminists, Conservatives, and Relationships between Collaborative Adversarial Movements Nancy Whittier This research was partially supported by the Center for Advanced Study in Behavioral Sciences. The author thanks the following people for their comments: Martha Ackelsberg, Steven Boutcher, Kai Heidemann, Holly McCammon, Ziad Munson, Jo Reger, Marc Steinberg, Kim Voss, the anonymous reviewers for Social Problems, and editor Becky Pettit. A previous version of this paper was presented at the 2011 Annual Meetings of the American Sociological Association. Direct correspondence to Nancy Whittier, 10 Prospect St., Smith College, Northampton MA 01063. Email: [email protected]. 1 Abstract Social movements interact in a wide range of ways, yet we have only a few concepts for thinking about these interactions: coalition, spillover, and opposition. Many social movements interact with each other as neither coalition partners nor opposing movements. In this paper, I argue that we need to think more broadly and precisely about the relationships between movements and suggest a framework for conceptualizing non- coalitional interaction between movements. Although social movements scholars have not theorized such interactions, “strange bedfellows” are not uncommon. They differ from coalitions in form, dynamics, relationship to larger movements, and consequences. I first distinguish types of relationships between movements based on extent of interaction and ideological congruence and describe the relationship between collaborating, ideologically-opposed movements, which I call “collaborative adversarial relationships.” Second, I differentiate among the dimensions along which social movements may interact and outline the range of forms that collaborative adversarial relationships may take. Third, I theorize factors that influence collaborative adversarial relationships’ development over time, the effects on participants and consequences for larger movements, in contrast to coalitions. -
Susan Faludi How Shulamith Firestone Shaped Feminism The
AMERICAN CHRONICLES DEATH OF A REVOLUTIONARY Shulamith Firestone helped to create a new society. But she couldn’t live in it. by Susan Faludi APRIL 15, 2013 Print More Share Close Reddit Linked In Email StumbleUpon hen Shulamith Firestone’s body was found Wlate last August, in her studio apartment on the fifth floor of a tenement walkup on East Tenth Street, she had been dead for some days. She was sixtyseven, and she had battled schizophrenia for decades, surviving on public assistance. There was no food in the apartment, and one theory is that Firestone starved, though no autopsy was conducted, by preference of her Orthodox Jewish family. Such a solitary demise would have been unimaginable to anyone who knew Firestone in the late nineteensixties, when she was at the epicenter of the radicalfeminist movement, Firestone, top left, in 1970, at the beach, surrounded by some of the same women who, a reading “The Second Sex”; center left, with month after her death, gathered in St. Mark’s Gloria Steinem, in 2000; and bottom right, Church IntheBowery, to pay their respects. in 1997. Best known for her writings, Firestone also launched the first major The memorial service verged on radical radicalfeminist groups in the country, feminist revival. Women distributed flyers on which made headlines in the late nineteen consciousnessraising, and displayed copies of sixties and early seventies with confrontational protests and street theatre. texts published by the Redstockings, a New York group that Firestone cofounded. The WBAI radio host Fran Luck called for the Tenth Street studio to be named the Shulamith Firestone Memorial Apartment, and rented “in perpetuity” to “an older and meaningful feminist.” Kathie Sarachild, who had pioneered consciousnessraising and coined the slogan “Sisterhood Is Powerful,” in 1968, proposed convening a Shulamith Firestone Women’s Liberation Memorial Conference on What Is to Be Done. -
The Feminist Movement By: Emera Cooper What Is Feminism? and What Do Feminists Do?
The Feminist Movement By: Emera Cooper What is Feminism? And what do feminists do? Feminism is the advocacy of women's rights on the basis of the equality of the sexes. ★ Work to level the playing field between genders ★ Ensure that women and girls have the same opportunities in life available to boys and men ★ Gain overall respect for women’s experiences, identities, knowledge and strengths ★ Challenge the systemic inequalities women face on a daily basis History behind the Feminist Movement First wave feminism (property and voting rights): In 1848, Elizabeth Cady Stanton and Lucretia Mott hosted the Seneca Falls Convention where they proclaimed their Declaration of Sentiments. From that we have the famous quote, “We hold these truths to be self-evident; that all men and women are created equal”. They also demanded the right to vote. The women's suffrage movement had begun. With the exceptional work done by women during WWI, the 19th Amendment was passed granting women the right to vote. Women began to enter the workplace following The Great Depression. Women had active roles in the military during WWII. Following the Civil Rights movement, the Equal Pay Act was passed in 1963 to begin to address the unequal pay women in the workplace faced. Second wave feminism (equality and discrimination): In 1971, feminist Gloria Steinem joined Betty Friedan and Bella Abzug in founding the National Women’s Political Caucus. During this time many people had started referring to feminism as “women’s liberation.” In 1972 the Equal Rights Amendment was passed and women gained legal equality and discrimination of sex was banned.