DETROIT BUSINESS MAIN 05-15-06 a 1 CDB.Qxd

Total Page:16

File Type:pdf, Size:1020Kb

DETROIT BUSINESS MAIN 05-15-06 a 1 CDB.Qxd DETROIT BUSINESS MAIN 05-15-06 A 1 CDB 5/12/2006 7:23 PM Page 1 ® http://www.crainsdetroit.com Vol. 22, No. 20 MAY 15 – 21, 2006 $1.50 a copy; $59 a year ©Entire contents copyright 2006 by Crain Communications Inc. All rights reserved THIS JUST IN Golden OCC board to vote Mall titan to develop on $15M in renovations The Oakland Community College board of trustees is life expected to vote tonight on $15 million in renovation Locals remember and construction projects site near fairgrounds at its Auburn Hills cam- pus. music producer The proposals under consideration would reno- General Growth plots Shoppes at Gateway vate the existing student Ed Wingate center at that campus to BY SHEENA HARRISON A brochure prepared for in- house relocated informa- BY BRENT SNAVELY CRAIN’S DETROIT BUSINESS vestor Bernard Schrott said the THE DEVELOPER tion-technology staff and CRAIN’S DETROIT BUSINESS Shoppes at Gateway would include a construct a new student Chicago-based General Growth 125,000-square-foot big-box store, General Growth Properties The death of Detroit Inc., a Chicago-based real center closer to the center Properties Inc., the nation’s second- four large retailers such as a book- music entrepreneur and estate investment trust. It’s of campus. largest retail real estate investment store or electronics store, up to businessman Ed the second-largest retail The projects would allow trust, has agreed to develop, lease four full-service restaurants and Wingate on May 5 was REIT in the nation. the college’s adminis- and manage a 325,000-square-foot more than 40,000 square feet of a source of both sad- trative staff to move retail center near the Michigan State space for small retailers. The pro- ness and happy into the rented Fairgrounds in Detroit, according to ject would be at the southeast cor- memories last week THE PLAN Rochester Hills an investor, a local retail consultant ner of Eight Mile Road and Wood- for many local mu- To develop, lease and building that previ- and an architect. ward Avenue. sicians who re- manage the Shoppes at ously housed informa- Jim Ryan, chairman of Farming- A partnership of six Detroit area member Gateway, a 325,000- tion-technology staff, businessmen, including Schrott Wingate’s Gold- ton Hills-based JPRA Architects, said square-foot retail center, to while $2.4 million worth and theater owner and developer en World record his firm and several others were include a big-box retailer, of heating and cooling up- Joseph Nederlander, has sought to label and his asked by General Growth to sub- restaurants and other small grades at the central office develop the 34-acre area since at in Bloomfield Hills, ap- broad business mit requests for proposals for the and large retailers. proved by the board in activities. site two weeks ago. See Gateway, Page 32 March, are completed. With a roster of artists that in- — Sherri Begin WINGATE’S HITS cluded, at one Songs from time or another, Wingate’s labels Edwin Starr, The included: Parliaments, SEEKING HEALTH ■ “Just Like Fantastic Four, CARE HEROES Romeo & Juliet,” J.J. Barnes, Lau- The Reflections. ra Lee, The Re- Loonie takes Crain’s Detroit Business is ■ “Oh, How flections and seeking nominations for Health Happy,” The Gino Washing- Care Heroes, a special section Shades of Blue. ton, Wingate Sept 4. Winners will be named ■ “Agent Double- in the following categories: built a musical O-Soul,” and “Stop powerhouse that ■ Corporate achievement in Her on Sight,” many viewed as health care: Honors a company both by Edwin May 12, 2006: 1 loonie = 91 cents that has created an innovative a threat to Berry flight Starr. health benefits plan or that has Gordy’s Motown solved a problem in health care Records. administration. Wingate, who was living in Las Ve- Rising Canadian ■ Advancements in health gas, was 86. Laura Lee, in an online care: Honors a company or guestbook attached to Wingate’s death individual responsible for a notice on the Web sites of the Detroit May 2, 2006: 1 loonie = 90 cents dollar could boost discovery or for development of Free Press and Detroit News, wrote, “I a new procedure, device or have Ed Wingate to thank for giving service that can save lives or me my first hit record ‘To Win Your improve quality of life. state’s tourism, manufacturing Heart.’ He will be truly missed.” ■ Physician: Honors a “Wingate told me before he passed physician whose performance is BY JENNETTE SMITH AND TOM HENDERSON considered exemplary. something I never thought I’d hear CRAIN’S DETROIT BUSINESS ■ him say. He told me how much he Allied health: Honors an Larry Hundt remembers the “insanely busy” days of the early 1990s when individual from nursing or allied loved me,” said Don Davis, chairman health fields deemed exemplary of First Independence Bank in Detroit. March 2003: the Canadian tour operator had customers clamoring for more shopping tours by patients and peers. “He told me he loved me like a son and 1 loonie = 65 cents into Michigan and New York. A panel of health care judges I told him I loved him like a father.” Those days are back. will choose the winners. In the 1960s Davis was a producer, The rising value of the Canadian dollar could be a boost to Michigan on Nomination forms are available songwriter and a publisher and some The value of the tourism, retail and manufacturing fronts. The exchange rate means Canadians at www.crainsdetroit.com. Click of his groups, including the Dramat- Canadian dollar — the have greater purchasing power in the U.S. In turn, it is expected to stop the “Health Care Heroes” under ics, recorded music on Wingate’s ‘loonie’— has risen in shift of new manufacturing business to Canada that has occurred in recent Crain Events. The deadline is record labels. comparison to the U.S. years because of cheaper costs there. June 21. dollar. See Wingate, Page 31 See Loonie, Page 33 Michigan gets a second look CRAIN’S LIST from national venture Largest computer service NEWSPAPER capitalists, Page 11 providers, Page 20 DETROIT BUSINESS MAIN 05-15-06 A 2 CDB 5/12/2006 6:33 PM Page 1 Page 2 CRAIN’S DETROIT BUSINESS May 15, 2006 in Detroit was sold April 7 to an Sheriff’s Office, and the U.S. Attor- the 2007 North American Internation- shares as of May 1. THIS JUST IN investor group led by Wally ney’s Office to arrest bond jumpers al Auto Show. The site is expected — Sheena Harrison Wolff, an investor from Chicago and parole violators. to be up and running by early fall. ■ From Page 1 who also is a co-owner of Detroit She said the state also is send- A major factor in the award Suicide-prevention foundation restaurant Small Plates, said for- ing $1 million to fund overtime was that the Web site will allow Macomb Twp. center sold mer co-owner Dick Bell. The for Detroit police officers and staff members of the sponsoring to open local office group has a purchase agreement Wayne County deputy sheriffs. Detroit Auto Dealers Association to A Macomb Township shopping The Hendersonville, Tenn.- to buy the restaurant pending the — Robert Ankeny update content easily and without center was sold. The new owners based Jason Foundation in early transfer of the liquor license. any programming experience. plan to expand it. June plans to open an office at Jacoby’s Bistro To-Go, in the First Landus Development, T.H. Marsh Arbor enters VC agreement In addition to content and Havenwyck Hospital in Auburn National Building, has not been Construction Co. and Redico L.L.C. news, the site will integrate the is- Hills. sold and is not for sale, Bell said. Arbor Partners L.L.C., an Ann Ar- purchased the 60,000-square-foot suing of credentials and the sell- The foundation, which is affili- For now, Bell is continuing to bor-based venture-capital compa- center at M-59 and Romeo Plank ing of tickets and merchandise. ated with Psychiatric Solutions Inc., manage Jacoby’s until the liquor ny, has entered into an agree- Road and plan a 19,000-square-foot — Tom Henderson the Franklin, Tenn.-based parent license is transfered, Wolff said. ment to help find Michigan expansion next door. Construc- investments for Blue Chip Venture company of Havenwyck, pro- tion on the new Romeo Commons Bell said the restaurant sold for less than the initial $1.3 million Co. of Cincinnati, one of the Mid- Masco board OKs buyback vides suicide-prevention pro- development should start this west’s largest VC firms with $600 grams for students in grades 7-12, asking price. Wolff could not be Masco Corp.’s board of directors summer with a lifestyle center de- million under management. teachers and parents. sign, said Cary Gitre, principal of reached for comment Friday. has authorized a buyback of up to Arbor has more than $38 mil- Jason Foundation currently of- Auburn Hills-based Landus. The — Brent Snavely 50 million common shares, ac- lion under management, includ- fers its programs in a handful of partners are seeking tenants such cording to a company statement ing $32 million in a tech fund it Michigan schools. But it would as national specialty retailers and last week. State ups Detroit crime efforts raised in 1999. According to man- like to increase its presence, given “fast casual” restaurants, Gitre The new repurchase authoriza- Responding to Mayor Kwame aging director Don Walker, there that the percentage of teens in the said.
Recommended publications
  • HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis Mccall
    HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis McCall Published in Texas, United States of America DEDICATION To the Hollands and Jacksons of today, with the hope and prayer that they may live up to the best of their forbears. FOREWORD This is factual history of our Hollands and Jacksons since the American War for Independence. Records have been established by the General Services Ad­ ministration, the United States census rolls, county court house documents and historical sections of Texas libraries. Blank pages have been placed after each part of the book so that additional material may be entered. Hundreds of family members, scattered from the New England states to California, have sent in their data and urged that they be preserved in permanent form. Grateful acknowledgment is made to every relative and friend who supplied information and inspiration, and above all, deep appreciation is expressed toward our im­ mediate family whose encouragement and active assistance have enabled us to compile and publish this record. PEARL DAVIS McCALL Temple, Texas November, 1959 CONTENTS DIRECTORY • 16 PART I THOMAS HOLLAND, R. s. 17 Harrison P. Holland, Thomas Holland, Jr., James Holland, John Rickman Holland, William Holland, Robert Holland, Benjamin Holland, Sarah Rickman Holland. OUR FAMILY ALBUM 133 PART II JACKSON FAMILY RECORD 145 John Jackson and Eve Still Jackson. Henry Lyda Jackson, Alison Jackson, Andrew J. Jackson, Robert Jackson, John Jackson, Jr., Eva Isabel Jackson. PART III HOYLE-SWOFFORD HISTORY 247 William Swofford and Elizabeth Hoyle Swofford. John Hoyle Swofford and Eady Pruett Swofford. Benjamin Franklin Jackson and Eady Elvena Swof- ford Jackson.
    [Show full text]
  • (Mainstream) Popular Music in 2021: Sounds and Practices 11–12 June 2021, Department of Music, University of Innsbruck, Austria
    Listening to (Mainstream) Popular Music in 2021: Sounds and Practices 11–12 June 2021, Department of Music, University of Innsbruck, Austria --- General Information and Schedule --- Main Contact Bernhard Steinbrecher (head of the conference committee) [email protected] Phone: 0043 512 507 33029 Conference Information and Registration https://www.uibk.ac.at/musikwissenschaft/aktuelles/events/2021/konferenz- mainstream/conference-listening-to-mainstream-popular-music-in-2021-sounds-and- practices.html During the conference days, please don’t hesitate to ask the conference volunteers any time. They will be identifiable by their lanyards and/or their backgrounds in Zoom. Thanks to: General Information Location The scholarly programme takes place both online, via Zoom, and at the Department of Music of the University of Innsbruck. You find the latter in the "Haus der Musik" ("House of Music"), located right at the center of Innsbruck. Innsbruck main train station is located within walking distance to “Haus der Musik”. Address: Universitätsstraße 1, 6020 Innsbruck (www.haus-der-musik-innsbruck.at) To get to the Department of Music in the “Haus der Musik”, you can either take the west (main) entry of the buildung and walk right through it to the elevators (and stairs) at its other end, or you can directly take the building's east entry to get to us. Please make sure to observe the current rules regarding the Covid19-pandemic. You can find current informations on the website of the “House of Music” (https://www.haus-der-musik- innsbruck.at/sicherheit; in German), on the website of the University of Innsbruck (https://www.uibk.ac.at/newsroom/information-on-the-corona-virus.html.en#coronavirus), and on the offical Tyrol website (https://www.tyrol.com/information-coronavirus).
    [Show full text]
  • An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
    DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance.
    [Show full text]
  • THE TEMPTATIONS Friday, May 22, 2009, 8:00 PM Saturday, May 23, 2009, 8:00 PM
    2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr.
    [Show full text]
  • (And Soul) the Queen Mothers: Aretha Franklin/Irma Thomas/ Etta James/Dionne Warwick/Tina Turner/Dusty Springfield/ Mavis Staples/Ann Peebles
    QueenOf Heart (And Soul) The Queen Mothers: Aretha Franklin/Irma Thomas/ Etta James/Dionne Warwick/Tina Turner/Dusty Springfield/ Mavis Staples/Ann Peebles Top: aretha When ArethA FrAnklin sprAng, Full-throAted, Franklin at the out of obscurity at age 14, sitting down at the piano in her father’s detroit FillmOre west, 1971; church and banging out “Yield not to temptation,” caught for poster- BOttOm-leFt: ity on a reel-to-reel tape recorder, she was years away from soul Queen mavis staples; status. she’d still have to run the gauntlet through a stint in new York right: etta James City on Columbia records, where she’d record off-the-mark songs like “rock-a-Bye Your Baby With a dixie Melody” for Mitch Miller. that deal eventually went south and so, wisely, did Franklin, landing in Muscle shoals, Alabama in 1967 with producer Jerry Wexler and the cream of the FAMe (Florence Alabama Music enterprises) studio band behind her. this unbeatable combination, although fleeting (she soon returned to new York, bringing with her what Wexler called “that wonderful rhythm section of Alabama white boys who took a left turn at the blues”), was a sign of things to come. once Aretha opened the door, a small army of sequin-clad, hip- shakin’ queens sashayed through it. some of the most notorious—etta James, Mavis staples, irma thomas, dionne Warwick, Ann peebles and tina turner—are still on the scene; dusty springfield, sadly, is gone. non-songwriters for the most part, these artists interpreted, beautiful- ly—sometimes drawing from the same deep well.
    [Show full text]
  • Brief History of Detroit's Music Scene
    Brief History of Detroit’s Music Scene I. What Started It All?!? A. Jerome Remick, bought a small struggling publishing company in 1898 and turned it into Jerome Remick & Co, a publishing house for sheet music. By 1905, Remick and his business partners found success in selling several million copies of “In the Shade of the Old Apple Tree”, “Pretty Baby” and more. George Gershwin, a composer, joined Remick in 1914 and went on to create many big hits of the 1910’s. Remick eventually sold the extremely successful company to the Warner Brothers conglomerate in 1928. Remick’s legacy helped create Detroit’s Orchestra Hall in 1919 and helped increase the DSO from 50 to 90 players. B. Convention Town - In the 1870s men began founding and joining new clubs by the thousands from all levels of society. Immigrants organized clubs, as did African-Americans. Women would not be left out either and created auxiliaries of men’s clubs or founded major new sisterhoods. From 1870 to the end of the 1920s Americans’ social life centered on these clubs. i. The great event that every loyal member eagerly prepared for was the national convention. A branch of the Freemasonry, the Knights Templar, held Detroit’s first national convention in 1870 and made a deep impression on Detroiters that the city could be promoted for this type of event. Knights and their companions arrived by several thousands. Convention’s meant a party, with music and beverage, and with that Detroit became a hotspot! Courtesy of the Burton Historical Collection II.
    [Show full text]
  • Guide to the Sue Cassidy Clark Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Sue Cassidy Clark Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COL L EGE CHICAG, 0 CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Sue Cassidy Clark Collection, 1948-1999 EXTENT Papers: 36 boxes, 25.5 linear feet COLLECTION SUMMARY Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. The Sue Cassidy Clark papers include Clark's recorded interviews, interview transcripts, photographs, published articles, correspondence, handwritten notes, clippings, promotional print material, and commercial sound recordings. PROCESSING INFORMATION Processed by CLIR funded Black Metropolis Research Consortium “Color Curtain Processing Project.” By T.J. Szafranski and Dominique Fuqua, September 26, 2012 BIOGRAPHICAL NOTE Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. She authored the books Rock: A World Bold as Love (Cowles, 1970) and The Superstars: In Their Own Words (Music Sales, 1972), and she contributed articles and record reviews to several periodicals, including Billboard, Black Stars, Creem, Hit Parader, Rolling Stone, Rock, Soul Illustrated, and Soul Sounds. SCOPE & CONTENT/COLLECTION DESCRIPTION The collection includes recorded interviews that Clark conducted with significant and influential African-American musicians, typed transcriptions of many of these interviews, copies of published articles, photographs, many of which were taken by Clark, correspondence, handwritten notes, research material (including clippings and promotional print material), and her collection of recordings.
    [Show full text]
  • 2008–2009 Season Sponsors
    Season 08/09 CERRITOS CENTER FOR THE PERFORMING ARTS 2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. CCPASeason Associates 08/09 CERRITOS CENTER FOR THE PERFORMING ARTS THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Aldenise Belcer Robert Dean Beryl and Graham Gosling $50,001-$100,000 Yvette Belcher Lee DeBord Timothy Gower José Iturbi Foundation Peggy Bell Mr. and Mrs. Chuck Deckard A. Graham and M. Mario Barbara Behrens Susanne and John DeHart Norma and Gary Greene Patron Morris Bernstein Erin Delliquadri Kenneth Greenleaf Norman Blanco Rosemarie and Joseph Di Guilio $20,001-$50,000 Rosemary Gutierrez James Blevins Sandra and Bruce Dickinson Roger Hale National Endowment for Michael Bley Amy and George Dominguez Lois and Thomas Harris the Arts Kathleen Blomo Linda Dowell Julie and Costa Hase Marilyn Bogenschutz Gloria Dumais Howard Herdman Partner Linda and Sergio Bonetti Stanley Dzieminski Saul Hernandez $5,001-$20,000 Patricia Bongeorno Lee Eakin Charles Hess Bryan A.
    [Show full text]
  • BB-1982-07-31.Pdf
    08120 E'F049GPEENLYMQNTO 0 fvf PCNTY A R t3 3 NEWSPAPER GREENLY 03 10 3740 ELM UC Y LUNG FE ACH CA 90507 A Billboard Publication The International Newsweekly Of Music & Home Entertainment July 31, 1982 $3 (U.S.) `AIRLINE' CONCEPT NARM `Gift' Promo Seek `Betamax' Ad -Free Cable Radio Planned Audio Fee Tie By LAURA FOTI Gets Four-City Test By BILL HOLLAND WASHINGTON Record NEW YORK -Commercial -free cable hookup. However, the service By IRV LICHTMAN - 24 -hour radio, in five formats, is on goes through FM radio, and will ap- companies and allied copyright the way via a joint venture pay serv- pear on the subscriber's FM band. NEW YORK -NARM and its was originally targeted to bring in $2 owners saw a light at the end of ice from John Doremus Inc. (JDI) Doremus claims the sound quality "Gift Of Music" ad agency have em- million in its first year. the tunnel last week, as a key and Satellite Syndicated Systems will be better than normal FM radio, barked on extensive research, in- Motown Records, according to senator began circulating a pro- (SSS). The two plan to launch a cus- except with the comedy format, cluding a November tv test in four Cohen, remains the most prominent posed amendment aimed at tomized service this November in which will be mono. cities, that's seen as crucial to imple- hold -out in providing "Gift Of Mu- breaking the deadlock which has country, comedy, Broadway /Holly- The first formats were chosen be- mentation of the trade association's sic" funding, although Cohen adds stalled legislative moves to com- wood, big band and '50s /'60s hits cause of their connection to airline proposed institutional campaign that "we're not letting up" on con- pensate the music industry for formats, with 15 to 35 more formats music.
    [Show full text]
  • 1 from the Cambridge Companion to Pop and Rock Simon Frith and William Straw, Editors Soul Into Hip-Hop Russell A. Potter Rhode
    From The Cambridge Companion to Pop and Rock Simon Frith and William Straw, editors Soul into Hip-Hop Russell A. Potter Rhode Island College Call it soul, call it funk, call it hip-hop; the deep-down core of African-American popular music has been both a center to which performers and audiences have continually returned, and a centrifuge which has sent its styles and attitudes outwards into the full spectrum of popular music around the world. The pressure -- both inward and outward -- has often been kept high by an American music industry slow to move beyond the apartheid-like structures of its marketing systems, which, though ostensibly abandoned in the days since the "race records" era (the 1920's through the 1950's), continue to shadow the industry's practices. However much cross-over there has been between black and white audiences, the continual reiteration of racial and generic boundaries in radio formats, retailing, and chart-making has again and again forced black artists and producers to navigate between a vernacular aesthetic (often invoked as "the street") and what the rapper Guru calls "mass appeal" -- the watering-down of style targeted at an supposedly "broader" (read: white) audience. So it has been that, within black communities, there has been an ongoing need to name and claim a music whose strategic inward turns refused what was often seen as a "sell-out" appeal to white listeners, a music that set up shop right in the neighborhood, via black (later "urban contemporary") radio, charts, and retailers, and in the untallied vernacular traffic in dubbed tapes, DJ mixes, and bootlegs.
    [Show full text]
  • 2008–2009 Season Sponsors
    2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Aldenise Belcer Lee DeBord A. Graham and M. Mario $50,001-$100,000 Yvette Belcher Mr. and Mrs. Chuck Deckard Norma and Gary Greene José Iturbi Foundation Peggy Bell Susanne and John DeHart Kenneth Greenleaf Barbara Behrens Erin Delliquadri Rosemary Gutierrez Patron Morris Bernstein Rosemarie and Joseph Di Guilio Roger Hale Norman Blanco Sandra and Bruce Dickinson $20,001-$50,000 Lois and Thomas Harris James Blevins Amy and George Dominguez Julie and Costa Hase National Endowment for Michael Bley Linda Dowell Howard Herdman the Arts Kathleen Blomo Gloria Dumais Saul Hernandez Marilyn Bogenschutz Stanley Dzieminski Charles Hess Partner Linda and Sergio Bonetti Lee Eakin Ping Ho $5,001-$20,000 Patricia Bongeorno Dee Eaton Jon Howerton Bryan A.
    [Show full text]
  • Gold Thunder
    Gold Thunder 1 Gold Thunder 2 Gold Thunder Accolades for Tony Tony Newton has always been on the leading edge of music. His style and precision has long been recognized by real players in the industry. – Clarence McDonald Grammy Winning Keyboardist TonyNewton, one of the most talented entities I have ever had the plea- sure to hear and get to know, Truly a diamond that will not be hidden-. Jauqo III-X,Bassist/Producer I met Tony at a Motown session, I had heard through the vine as well as hearing his playing how great he was, he was Smokey Robinson's musi- cal director and played with Tony Williams, whom I admired what a great musician talent as well as a great person Tony. James Gadson – World Renowned Drummer/Producer Mean Streets Rock Magazine of Los Angeles states, “Tony Newton is a monumental master and true music visionary!” I have never met anybody in my life that has given me the truth in so dif- ferent many forms -- Life long lessons that inspire, guide, teach, follow through, and just totally give it all. Tony is not only one of the greatest musicians I've ever heard or worked with, but through him, I have been given the opportunity to see music and life through the eyes of a true genius! Tony, we love you, Mike, Marcia, and Dalton. – MMM Music Tony Newton, is one of the best creative minds I come across in my life- time and he is also a real musical genius dating back to Motown as a mu- sician known as the baby funk brother – Lou Nathan, CEO Nexxus Ent.
    [Show full text]