BB-1982-07-31.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

BB-1982-07-31.Pdf 08120 E'F049GPEENLYMQNTO 0 fvf PCNTY A R t3 3 NEWSPAPER GREENLY 03 10 3740 ELM UC Y LUNG FE ACH CA 90507 A Billboard Publication The International Newsweekly Of Music & Home Entertainment July 31, 1982 $3 (U.S.) `AIRLINE' CONCEPT NARM `Gift' Promo Seek `Betamax' Ad -Free Cable Radio Planned Audio Fee Tie By LAURA FOTI Gets Four-City Test By BILL HOLLAND WASHINGTON Record NEW YORK -Commercial -free cable hookup. However, the service By IRV LICHTMAN - 24 -hour radio, in five formats, is on goes through FM radio, and will ap- companies and allied copyright the way via a joint venture pay serv- pear on the subscriber's FM band. NEW YORK -NARM and its was originally targeted to bring in $2 owners saw a light at the end of ice from John Doremus Inc. (JDI) Doremus claims the sound quality "Gift Of Music" ad agency have em- million in its first year. the tunnel last week, as a key and Satellite Syndicated Systems will be better than normal FM radio, barked on extensive research, in- Motown Records, according to senator began circulating a pro- (SSS). The two plan to launch a cus- except with the comedy format, cluding a November tv test in four Cohen, remains the most prominent posed amendment aimed at tomized service this November in which will be mono. cities, that's seen as crucial to imple- hold -out in providing "Gift Of Mu- breaking the deadlock which has country, comedy, Broadway /Holly- The first formats were chosen be- mentation of the trade association's sic" funding, although Cohen adds stalled legislative moves to com- wood, big band and '50s /'60s hits cause of their connection to airline proposed institutional campaign that "we're not letting up" on con- pensate the music industry for formats, with 15 to 35 more formats music. Chicago -based JDI is the next year. vincing the label to participate. losses attributed to home audio to come in the future, they say. largest syndicator of in- flight music Key results will be presented at Cohen notes that Motown has been (Continued on page 54) The service can only be offered in through its "Music in the Air" serv- the association's Florida convention (Continued on page 14) markets that have been wired for ice, as well as a syndicator to more in April and, explains Joe Cohen, cable, since it must go through a (Continued on page 56) NARM executive vice president, if the gathered research supports it, manufacturers will be asked to "kick Carroll Consultancy Plans FOR CLUB & TV USE in" more funding. Currently, participating manufac- To Expand KROQ Formula turers have forwarded $250,000 to Are Fees In Video Clip Future? "Gift Of Music" coffers, based on a By DOUGLAS E. HALL 1/2 cent contribution per album sold NEW YORK -Programmer Rick cure for a r.ew, AM version of his This is the second of a two-part as "promotional" videos, three to through Feb. 1. Cohen says he antic- Carroll, whose adventurous AOR KROQ format. series examining the activities of five minutes long, have become an ipates a total contribution of $1.5 format at KROQ -FM Pasadena has Carroll was in New York last week record labels' video departments. The increasingly important part of such million by the end of the year, al- taken the station close to parity with in pursuit of these goals, and to par- first documented the increased use of outlets' programming mix. though he and Mike Reingold, sen- traditional Los Angeles leaders ticipate in the New Music Seminar video clips to promote music and art- Video clips, although short, don't ior vice president of the ad agency KMET and KLOS (Billboard, July (separate story, page 3). His current ists. come cheaply: it costs between selected, Boston -based Humphrey 10), is working on consultancy deals clout derives not only from the rat - NEW YORK- Should clubs and $20,000 and $40,000 to produce a Browning MacDougall, agree that to revamp the programming of an ings success of KROQ, but also from television (cable or otherwise) pay typical example. Record companies greater annual funding would be re- ailing AOR outlet in the New York its apparent ability to sell records. A for the use of label- originated video find the funding for these projects in quired to initiate a broad national area, and to create -with an estab- number of labels testify to this, in- clips? This is a center of controversy (Continued on page 26) campaign. The fundraising effort lished consulting firm -a joint ven- (Continued on page 7) - Inside Billboard - BILLBOARD'S ALBUM OLDIES RADIO is how Arista's Clive Davis sarcastically de- INTERNATIONAL scribed most current AOR programming in his speech at last week's New Mu- sic Seminar in New York. Keynoter Malcolm McLaren was even more critical of this and other aspects of the music business. Conference coverage: pages 3, 14, 16, 31, 56. RETAILERS DIFFER about labels' handling of jazz repertoire at mid - TALENT line. While most agree that the price point generally means more sales, it's felt that many of the "right" titles are still not available. Manufacturers are urged to scour their vaults more carefully. Page 15. BLANK TAPE SALES in both audio and video were underestimated for FORUM 1980, according to the International Tape /Disc Assn. The RIAA claims that opponents of home taping royalty legislation have been relying on this "arti- ficially low false data" to support their anti -royalty position. Page 3. RETAIL PENETRATION of new music produced by independent and often tiny labels can best be accomplished when those labels organize firm =8= marketing plans. Their distributors must also be informed, to help support The of the masters metal, URIAH HEEP, in all their Billboard's International Talent Forum 8 will be held September 8- 10,1982 'Abominog." return of at the Newporter Hotel, Newport Beach, California -just one hour south of sales and promotion activities. Page 14. axe -wielding glory. "Abominog' (SRM -1- 4)57), the new Uriah Heep album Los Angeles airport. This year's forum will have a solid keynoter, some ho featuring "On The Rebound" and "That's The Way That It Is." On Mercury. topics, heatedly debated with audience participation, one -on -one lunch AOR FORMATS on the West Coast and in some Midwest markets are Marketed by PolyGram Records. (Advertisement) eons, showcases, some special awards and special low hotel room rates showing substantial strength in the latest round of spring Arbitrons made have been secured for all attendees. Register now for Early Bird rate. It's available. In one region, three prominent consultants are slugging it out as the going to be a HOT Forum, but only if YOU attend. Advertisement format's audience increases. Page 16. (Advertisement) ,Friert Outof Vancouver comes Headpins-megawatts ofexcitement! rurr Their 1st a/b um, ' "Turn It loud: On Atco Records and Cassettes. D fV _1L «! SD 38 -151 sco A Division of N- Atlantic Recording Corp. n 1987 Atlantic Recording Corp A Wormer Communications Co. o Produced by Brian Macleod and Bill Henderson for Solid Gold Productions. www.americanradiohistory.com www.americanradiohistory.com 3 General News NEW YORK -About 1,200 par- Haircut 100, and Clash and ticipants at the third New Music Squeeze, and there's many more on Seminar were praised for their pio- Davis Hails, McLaren Rails As the way. The floodgates will open. neering spirit by Clive Davis, presi- The tide can't be stemmed. The dent of Arista Records, and chas- word of mouth that ushered in the tised by keynote speaker Malcolm 1,200 Gather At New Music Meet original term `underground' is McLaren, manager of Bow Wow spreading the word about all these By ROMAN KOZAK Wow, for making music that has be- names. Youth, the lifeblood of the come more safe, complacent and as sessions on press, a &r, video, pro- need more KROQs. We need more and unpredictable if we are to com- industry, can't be disenfranchised non -subversive than the music made ducers, pool directors and law. pioneers and innovators. We all pete with Atari. Do these adjectives any longer by the power of advertis- by the original rock'n'roll rebels. Entertainment was provided by need to be shaken up. That's where fit the programming of today's AOR ing only wanting to reach the over - However, in his speech, "The Gang of Four, Haircut 100, Africa the visionaries come in. And that's stations? Why are there no Spiel- 25 group." Death Of The Sales Ethic In The Bambaataa & Soul Sonic Force, Bal- where you come in. Boy, do we all bergs and Lucases in this field, plot- In his keynote address, McLaren, Cassette Age," McLaren said that listic Kisses and Fashion. need new music seminars. Never ting new and imaginative territory, who founded the Sex Pistols, noted "the possibility of change in the mu- Observers of the seminar noted was it more welcome." and why is AOR radio closer to that the new music acts now emerg- sic industry lies in the ascendancy of that the sessions were more profes- In his speech, Davis also attacked Lawrence Welk than to PacMan ?" ing have lost the "sex, style and the cassette over the standard LP." sional and more upbeat than in pre- the current state of AOR radio - Davis asked. subversion" which always made The cassette, he said, was "the per- vious years, with participants "yes, album oldies radio" -which But, said Davis, when there is a rock'n'roll both dangerous and yet fect image of the modem nomad." buoyed by recent successes of such has "led to such a terrible state for cultural void, creative people fill "magical" and commercially viable.
Recommended publications
  • Music 18145 Songs, 119.5 Days, 75.69 GB
    Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L..
    [Show full text]
  • HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis Mccall
    HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis McCall Published in Texas, United States of America DEDICATION To the Hollands and Jacksons of today, with the hope and prayer that they may live up to the best of their forbears. FOREWORD This is factual history of our Hollands and Jacksons since the American War for Independence. Records have been established by the General Services Ad­ ministration, the United States census rolls, county court house documents and historical sections of Texas libraries. Blank pages have been placed after each part of the book so that additional material may be entered. Hundreds of family members, scattered from the New England states to California, have sent in their data and urged that they be preserved in permanent form. Grateful acknowledgment is made to every relative and friend who supplied information and inspiration, and above all, deep appreciation is expressed toward our im­ mediate family whose encouragement and active assistance have enabled us to compile and publish this record. PEARL DAVIS McCALL Temple, Texas November, 1959 CONTENTS DIRECTORY • 16 PART I THOMAS HOLLAND, R. s. 17 Harrison P. Holland, Thomas Holland, Jr., James Holland, John Rickman Holland, William Holland, Robert Holland, Benjamin Holland, Sarah Rickman Holland. OUR FAMILY ALBUM 133 PART II JACKSON FAMILY RECORD 145 John Jackson and Eve Still Jackson. Henry Lyda Jackson, Alison Jackson, Andrew J. Jackson, Robert Jackson, John Jackson, Jr., Eva Isabel Jackson. PART III HOYLE-SWOFFORD HISTORY 247 William Swofford and Elizabeth Hoyle Swofford. John Hoyle Swofford and Eady Pruett Swofford. Benjamin Franklin Jackson and Eady Elvena Swof- ford Jackson.
    [Show full text]
  • Hip-Hop Education Center to Launch Campaign Asking President Obama
    For Immediate Release Press Contact: November 3, 2015 Lily Zaballos (510) 566-0814 [email protected] Hip-Hop Education Center to launch campaign asking President Obama to designate hip-hop as valuable public school education tool; hosts first annual awards for Hip-Hop Education pioneers NEW YORK — Today, the Hip-Hop Education Center (HHEC) announces that it will launch on November 11, 2015, the We The People for Hip-Hop Education in Public Schools, a petition requesting that the Obama Administration designate Hip-Hop culture as a valuable and uniquely American national treasure worthy of being taught and practiced in all K-12 public schools. “Carlos Mare and I are excited to share what we’ve been passionately working on for the past year, we know this will be game changer in education reform and will open up opportunities for millions of children.” said HHEC Founder Martha Diaz. For the past five years, HHEC has been conducting research, evaluating programs, and convening the teachers, teaching artists, scholars, researchers, activists, and music industry professionals to research and build a Hip-Hop Education movement. Research shows that Hip-Hop programing is making a difference with student engagement and academic outcomes. HHEC believes integrating Hip-Hop into public school education could help solve the U.S. education crisis: • Students are not being engaged in school. Approximately, 1.1 million American high school students drop out every year. That’s a student every 26 seconds – or 7,000 a day. • This education crisis poses direct negative consequences to poverty, crime, and economic conditions to our society.
    [Show full text]
  • Sandspur, Vol 89, No 02, September 28, 1982
    University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 9-28-1982 Sandspur, Vol 89, No 02, September 28, 1982 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 89, No 02, September 28, 1982" (1982). The Rollins Sandspur. 1599. https://stars.library.ucf.edu/cfm-sandspur/1599 ROLLINS COLLEGE untitled, Frost, A.B. cover photo by corey o'gorman visions from the "artierican illustrators" exhibit at the Cornell fine arts center runs thru October 3,1982. rollins college sandspur, September 28,1982 page 2 H-?M *Z+X All kinds of people reaching out to help one another. United Way Thanhs to you it's wording in Orange, Seminole and Osceola counties. IV^IHI io K.ytvc&c ^anubpur, sepremoer vs, iyc& pase J UJaft Disney World September 28,1982 ^^^^^B 89 no 2 cerrreR Calling All Canadians EDITOR ... And Mexicans diana chrissis ... And Japanese MANAGING EDITORS ... And French, Germans, emily 30SS Chinese, Italians, and British students! steve brady SPORTEDITOR We are seeking foreign students from the david greenberg countries listed above to work in the World Showcase of EPCOT Center, COPY EDITOR opening October 1, 1982. Part-time kerrie koehler positions are available in shops, res­ PHOTOGRAPHY EDITOR taurants, and attractions.
    [Show full text]
  • Green the Green Book
    Book # 1 THE GREEN BOOK Universal Zulu Nation Infinity Lessons Archive 1973 - 2000 FOR THE MASSES Compiled By : King Mark Luv & Malika Saphire Table of Contents Myths and Misconceptions ..................................................................................................................................................... 2 Laws and Regulations of the Universal Zulu Nation Part 1 (1 – 20) ........................................................................................ 4 Laws and Regulations of the Universal Zulu Nation Part 2 (21 – 46) ...................................................................................... 5 INFINITY LESSON ONE ............................................................................................................................................................. 6 ABOUT ZULU NATION ......................................................................................................................................................... 6 Message to the People........................................................................................................................................................ 7 INFINITY LESSON TWO ............................................................................................................................................................ 8 THE HISTORY OF AFRIKA BAMBAATAA ............................................................................................................................... 8 INFINITY LESSON THREE .......................................................................................................................................................
    [Show full text]
  • BOY S GOLD Mver’S Windsong M If for RCA Distribim
    Lion, joe f AND REYNOLDS/ BOY S GOLD mver’s Windsong M if For RCA Distribim ARM Rack Jobbe Confab cercise In Commi i cation ista Celebrates 'st Year ith Convention, Concert tal’s Private Stc ijoys 1st Birthd , usexpo Makes I : TED NUGENFS HIGH WIRED ACT. Ted Nugent . Some claim he invented high energy. Audiences across the country agree he does it best. With his music, his songs and his very plugged-in guitar, Ted Nugent’s new album, en- titled “Ted Nugent,” raises the threshold of high energy rock and roll. Ted Nugent. High high volume, high quality. 0n Epic Records and Tapes. High Energy, Zapping Cross-Country On Tour September 18 St. Louis, Missouri; September 19 Chicago, Illinois; September 20 Columbus, Ohio; September 23 Pitts, Penn- sylvania; September 26 Charleston, West Virginia; September 27 Norfolk, Virginia; October 1 Johnson City, Tennessee; Octo- ber 2 Knoxville, Tennessee; October 4 Greensboro, North Carolina; October 5 Philadelphia, Pennsylvania; October 8 Louisville, x ‘ Kentucky; October 11 Providence, Rhode Island; October 14 Jonesboro, Arkansas; October 15 Joplin, Missouri; October 17 Lincoln, Nebraska; October 18 Kansas City, Missouri; October 21 Wichita, Kansas; October 24 Tulsa, Oklahoma -j 1 THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBCX VOLUME XXXVII —NUMBER 20 — October 4. 1975 \ |GEORGE ALBERT President and Publisher MARTY OSTROW cashbox editorial Executive Vice President Editorial DAVID BUDGE Editor In Chief The Superbullets IAN DOVE East Coast Editorial Director Right now there are a lot of superbullets in the Cash Box Top 1 00 — sure evidence that the summer months are over and the record industry is gearing New York itself for the profitable dash towards the Christmas season.
    [Show full text]
  • Jehovah Elohim.Mus
    2 JEHOVAH ELOHIM – Jehovah (meaning “The Lord”) Elohim (meaning “God”) is the first name given to God, found in of Genesis 1:1. This name shows that God is the majestic ruler over all. Elohim is actually a plural word, and its use as the first name of God sets Him high above all other gods. It also foreshadows the later revelation of the Triune Godhead – Father, Son and Holy Spirit. Dynamics and tempo play an important part in Joel Raney’s sensitive setting of this song, so pay careful attention to them, thus heightening the song’s beauty and awe-inspiring tone. With the inclusion of VENI EMMANUEL, the anthem becomes a perfect selection for Advent. Related scriptures include Isaiah 40:1-5 and 11:1-10 and John 1:1-8. KATHIE LEE GIFFORD is a three-time Emmy-winning co-host of the fourth hour of TODAY , alongside Hoda Kotb. The Gifford-Kotb hour has been hailed as “appointment television” by Entertainment Weekly , and “TODAY’s happy hour” by USA Today . Prior to NBC News, Gifford served as the co-host of Live with Regis and Kathie Lee for 15 years, where she received 11 Emmy nominations. A playwright, producer, singer, songwriter and actress, Gifford has starred in numerous television programs and movies in her 40-year career. She has written several musicals, including Broadway’s SCANDALOUS , which received a Tony nomination. Gifford authored three NY Times bestselling books. Her book, Good Gifts, A Year In The Heart of a Home raised over $1 million for the Salvation Army.
    [Show full text]
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
    [Show full text]
  • Through the Iris TH Wasteland SC Because the Night MM PS SC
    10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G.
    [Show full text]
  • George Eastman Museum Annual Report 2016
    George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel
    [Show full text]
  • Jermaine Jacksonon7” by Maarten Mulder
    JACKSON JERMAINE on 7” By Maarten Mulder JERMAINE JACKSONon7” By Maarten Mulder MAARTEN MULDER BOOKS Also by this author: Jermaine Jackson: Discography! Jermaine Jackson - The Complete Collection The music of Jermaine Jackson JERMAINE JACKSONon7” Copyright © 2012 by Maarten Mulder Books Printed in the Netherlands By Maarten Mulder Text and design by Maarten Mulder Frontcover photo by Harrison Funk This book is not for sale and it’s not intended for commercial release. It’s been made for private use only and no profit has been made from it. The purpose of this book is to give an overview of the 7” singles of Jermaine Jackson that has been released all over the world. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, MAARTEN MULDER BOOKS including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. CONTENTS Foreword PART 1: PART 2: 7” SINGLES AT MOTOWN 7” SINGLES AT ARISTA album01: Jermaine 14 album10: Dynamite 210 album02: Come Into My Life 48 soundtrack: Perfect 254 soundtrack: Mahogany 62 album11: Precious Moments 260 album03: My Name Is Jermaine 70 album12: Don’t Take It Personal 286 album04: Feel The Fire 86 album05: Frontiers 100 album06: Let’s Get Serious 104 album07: Jermaine 140 album08: I Like Your Style ������������������������ 164 album09: Let Me Tickle Your Fancy 180 PART 3: 7” SINGLES AT LAFACE album13: You Said �������������������������������������� 300 Afterword I quickly collected some of Jermaine’s other albums like Precious FOREWORD Moments, Jermaine from 1980, I Like Your Style and the 2300 Jackson Street album from Jermaine with his brothers, By Maarten Mulder and I listened to them over and over again.
    [Show full text]
  • Best Picture of the Yeari Best. Rice of the Ear
    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.
    [Show full text]