The Green Knight”
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Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Miriam Zbíralová Faith and Religion in Selected Novels by Iris Murdoch Master‟s Diploma Thesis Supervisor: Prof. Mgr. Milada Franková, CSc., M.A. 2012 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature Acknowledgement: I would like to thank my supervisor, prof. Franková, for valuable advice and constant support during the whole process of writing the thesis. Table of Contents Introduction ....................................................................................................................... 5 1 Religion and Morality .................................................................................................... 7 1.1 The Nature of Good and Morality .......................................................................... 7 1.2 God and Good ....................................................................................................... 17 1.3 Morality without Religion .................................................................................... 22 2 Religion, Morality and Art ........................................................................................... 31 2.1 Art and Morality ................................................................................................... 31 2.2 Art and Religion ................................................................................................... -
Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art. -
The Novels of Iris Murdoch Cumulative Index
The novels of Iris Murdoch Cumulative Index Fiction Columns show title of novel; Abbreviation used for the title in the index; date of first publication; publisher and date of the edition used for the index. Under the Net UN 1954 Penguin 1960 The Flight from the Enchanter FE 1955 Penguin 1962 The Sandcastle TS 1957 Reprint Soc 1959 The Bell TB 1958 Penguin 1962 A Severed Head SH 1961 Penguin 1963 An Unofficial Rose UR 1962 Penguin 1964 The Unicorn TU 1963 Penguin 1966 The Italian Girl IG 1964 Vintage 2000 The Red and the Green RG 1965 Reprint Society 1967 The Time of the Angels TA 1966 Penguin 1968 The Nice and the Good NG 1968 Vintage 2000 Bruno’s Dream BD 1969 Vintage 2001 A Fairly Honourable Defeat FHD 1970 Penguin 1972 An Accidental Man AM 1971 Vintage 2003 The Black Prince BP 1973 Penguin 1975 The Sacred and Profane Love Machine SPLM 1974 Penguin 1976 A Word Child WC 1975 Panther 1977 Henry and Cato HC 1976 Penguin 1977 The Sea, The Sea TSTS 1978 Panther 1980 Nuns and Soldiers NS 1980 Penguin 1981 The Philosopher’s Pupil PP 1983 Penguin 1984 The Good Apprentice GA 1985 Vintage 2000 The Book and the Brotherhood BB 1987 Vintage 2003 The Message to the Planet MP 1989 The Green Knight GK 1993 Penguin 1994 Jackson’s Dilemma JD Chatto & Windus 1995 Non-Fiction Acastos: Two Platonic Dialogues Metaphysics as a Guide to Morals Existentialists and Mystics Sartre: Romantic Rationalist Note: This index is not comprehensive. Only the first and significant references are given for character. -
The Iris Murdoch Review
The Iris Murdoch Review ISSN 1756-7572 Volume I, Number 2, The Iris Murdoch Review Published by the Iris Murdoch Society in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston Upon Thames, KT1 2EE http://fass.kingston.ac.uk/KUP/index.shtml © The contributors, 2010 The views expressed in this Review are the views of the contributors and are not necessarily those of the Iris Murdoch Society Printed in England A record for this journal is available from the British Library 1 The Iris Murdoch Society Appeal on behalf of the Centre for Iris Murdoch Studies by The Iris Murdoch Review is the publication of the Society the Iris Murdoch Society, which was formed at the Modern Language Association Convention in New York City in 1986. It offers a forum for The Iris Murdoch Society actively supports the short articles and reviews and keeps members Centre for Iris Murdoch Studies at Kingston of the society informed of new publications, University in its acquisitioning of new material symposia and other information that has a for the Murdoch archives. It has contributed bearing on the life and work of Iris Murdoch. financially towards the purchase of Iris Murdoch’s heavily annotated library from her study at her Oxford home, the library from her If you would like to join the Iris Murdoch London flat, the Conradi archives, a number of Society and automatically receive The Iris substantial letter runs and other individual Murdoch Review, please contact: items. More detailed information on the collections can be found on the website for the Centre: Penny Tribe http://fass.kingston.ac.uk/research/Iris- Faculty of Arts and Social Sciences Murdoch/index.shtml Kingston University London The Centre is regularly offered documents, Penrhyn Road individual letters and letter-runs that are carefully evaluated and considered for funding. -
Ewa Wełnie the LIMITS of IRIS
A C T A U N I V E R S I T A T I S L 0 D Z 1 E N S I S F O L I A L IT IERAR IA 29, 1990 ______________ Ewa Wełnie THE LIMITS OF IRIS MURDOCH'S AR IIS TRY Artistic development in the case of Iris Murdoch should al- ways be discussed in connection with the novelist’s philoso- phical ideas and her views on the theory of literature. Iris Murdoch’s own theory of the novel arose from her moral philo- sophy and her novels reflect all the transformations and modi- fications of concepts and the reconsiderations of the author in this field*. The strictly philosophical interests of Iris Murdoch have gone from existentialism to platonism which is also reflected in the subsequent novels, beginning with the partial- ly existential "Under the Net” (1954) up to the more platonist "The Sea, the Sea" (1978) and finishing with the twenty third novel, the most recent so far, "The Book and the Brotherhood" (1 98 7 ). Iris Murdoch believes that clear and meaningful concepts can 2 form the basis for reaching moral excellence . This theoreti- A brief survey of the ideas expressed so far by Iris Mur- doch can be found in my article "Iris Murdoch: Theory and Prac- tice - Characterization in "The Sea, the Sea", "Wydawnictwo Nau- kowe WSP w Bydgoszczy" I9B1, Studia-filologiczne, z. 13. Com- plete bibliography of Iris Murdoch’s works and the up to date criticism concerning them can be found in my doctoral disser- tation "Konstrukcja postaci i technika narracji w powieściach Iris Murdoch" (Uniwersytet Łódzki, 1985) whicłi is already ac- cepted for publication by the Scientific Society in Torurt and will soon appear under the title "Iris Murdoch - powieściopi- sarka i moralistka". -
Preface Chapter 1 Early Life
Notes Preface 1. This observation is made by Valerie Purton in IMC, p. 171. Murdoch’s letters to Suguna Ramanathan are in the Murdoch Archives at Kingston University. 2. Murdoch, Sartre: Romantic Rationalist (London: Chatto, 1953), p. 138. 3. Murdoch, interview with Rose, TCHF, pp. 17–18. 4. Murdoch, Under the Net (London: Chatto & Windus, [1954] 1982), p. 286. 5. Murdoch, Jackson’s Dilemma (London: Chatto & Windus, 1995), p. 249. Chapter 1 Early Life 1. See Yozo Moroya and Paul Hullah (eds) Poems by Iris Murdoch (Okayama: University Education Press, 1997). This is a limited edition of 500 copies. Another very short book of poetry by Murdoch is A Year of Birds, with wood engravings by Reynolds Stone (London: Chatto, 1984). Other poems have appeared in various anthologies. 2. Murdoch’s very early essays are published in Yozo Moroya and Paul Hullah (eds) Occasional Essays by Iris Murdoch (Okayama: University Education Press, 1997). This is a limited edition of 500 copies. 3. Purton records that ‘meeting her on a mailboat to Dublin, Richard Hamm- ond (son of Annie Hammond, witness to IM’s parents’ wedding) asks IM what she wishes to do in her life. She replies she wants to write’ (IMC, p. 7). 4. Poems by Iris Murdoch, p. 54. 5. Yeats, ‘Lapis Lazuli’, in W.B. Yeats, The Poems (London: Macmillan, 1983), p. 294. 6. See Cheryl Bove and Anne Rowe, Sacred Space, Beloved City: Iris Murdoch’s London (Newcastle: Cambridge Scholars Publishing, 2008). 7. Murdoch, ‘Miss Beatrice May Baker’, in Poems by Iris Murdoch, p. 90. 8 Priscilla Martin notes: ‘I read English at Somerville about twenty years later, found Miss Lascelles impossible to please and wish I too had changed to Classics.’ 9. -
Why Ekphrasis? Author(S): Valentine Cunningham Source: Classical Philology, Vol
Why Ekphrasis? Author(s): Valentine Cunningham Source: Classical Philology, Vol. 102, No. 1, Special Issues on Ekphrasis<break></break>Edited by Shadi Bartsch and Jaś Elsner (January 2007), pp. 57-71 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/521132 . Accessed: 27/05/2014 15:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Classical Philology. http://www.jstor.org This content downloaded from 192.76.8.49 on Tue, 27 May 2014 15:49:01 PM All use subject to JSTOR Terms and Conditions WHY EKPHRASIS? valentine cunningham t is hard to imagine western literature, certainly the tradition of Hel- lenic/Roman/Christian/post-Christian literature, without what we can I call ekphrasis—that pausing, in some fashion, for thought before, and/ or about, some nonverbal work of art, or craft, a poiema without words, some more or less aestheticized made object, or set of made objects. This might be done by the poet, whose name we might or might not know, giving a whole poem over to such consideration, or stopping that action, the narrative flow of a longer work, to direct his gaze, his characters’ gaze, our gaze, for a while, at such a thing or things. -
Detection of Longitudinal Development of Dementia in Literary Writing
Detection of Longitudinal Development of Dementia in Literary Writing A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Torri E. Raines May 2018 © 2018 Torri E. Raines. All Rights Reserved. 2 This thesis titled Detection of Longitudinal Development of Dementia in Literary Writing by TORRI E. RAINES has been approved for the Department of Linguistics and the College of Arts and Sciences by David Bell Associate Professor of the Department of Linguistics Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT RAINES, TORRI E., M.A., May 2018, Linguistics Detection of Longitudinal Development of Dementia in Literary Writing Director of Thesis: David Bell Past studies have suggested that the progression of dementia, especially Alzheimer’s disease, can be detected in the writing of literary authors through analysis of their lexical diversity patterns. However, those studies have used oversimplified measures and vague definitions of lexical diversity. This study uses a multi-faceted, computationally operationalized model of lexical diversity innovated by Scott Jarvis to analyze a total of 129 novels by five authors (three with dementia and two without), with the purpose of identifying the lexical characteristics of dementia in literary writing. A total of 22 novels by two authors with suicidal depression were also analyzed in order to determine whether this condition also leads to changes in authors’ lexical diversity patterns. Analyses were conducted with six individual lexical diversity measures and two supplementary lexicosyntactic measures. Results suggest that dementia as well as the effects of healthy aging manifest in different aspects of lexical diversity for different authors, and that this model of lexical diversity is a robust tool for detecting lexical decay indicative of dementia. -
Penguin Classics
PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com. -
Ackroyd, Peter, 64 Allen, Woody, 55 Alvarez, Al, 47 Amis, Kingsley, 106
Index Ackroyd, Peter, 64 Callil, Carmen, 19, 45, 79 Allen, Woody, 55 Campbell, Michael, 33–34 Alvarez, Al, 47 Canetti, Elias, 4, 5, 6–7, 15, 19, Amis, Kingsley, 106 115, 117, 118 Lucky Jim, 64–65 Carey, John, 16 Atlas, James, 48n1 Cecil, Lord David, 34 Ayer, A. J., 2, 72 Chatto and Windus, 11, 19, 42–43, 77, 79 Bassano, Jacopo, 59 Colville, Alex, 12, 119 Bayley, John, 16, 22, 38, 46, 68, Conrad, Joseph, 58, 61 71, 75, 78, 99 Lord Jim, 57, 60 character, 9, 14 Conradi, Peter, 2, 5, 25, 43, 52, letters from, 2, 21, 33, 35, 84, 114, 119 83–84 marriage, 3, 7–8, 17–18, 24, De Jonge, Alex, 12, 51, 52 teaching, 9–10, 51, 73, 80–81, Denver Quarterly, 24, 69, 82–83 101–109 The Characters of Love, 118 Dipple, Elizabeth, 19 Elegy for Iris, 26, 84, 114, Donoghue, Denis, 67 117–120 The Short Story, 37, 48 Eagleton, Terry, 65, 66 The Widower’s House, 116, Eckhart, Meister, 41 120 Enright, D. J., 11 Beckett, Samuel, Murphy, 118 Beckmann, Max, 14, 34, 98 Fairey, Wendy, 72 Berlin, Isaiah, 76, 78 Fisher, M. S., 48, 49 Bowen, Elizabeth, 18 Foot, Philippa, 4 Bowra, Maurice, 48, 49n2 Fraenkel, Eduard, 5, 12, 103, Bradbury, Malcolm, 2, 12, 81 115, 117 Brenan, Gerald, 38 Fuentes, Carlos, 59 Bronzino, Agnolo, 98 Brookner, Anita, 46 Gandhi, Indira, 41 Brophy, Brigid, 24 Gide, André, 30–31 Byatt, A. S., 13, 80, 99, 106 Glendinning, Victoria, 44 DOI: 10.1057/9781137347909 121 122 Index Gordimer, Nadine, 70 Meyers, Rachel, 13, 32, 37, 62, 64, 77, 81 Greene, Graham, 39 Meyers, Valerie, 36, 61 Mo, Timothy, 34, 46 Hart, Josephine, 13, 76 Momigliano, Arnaldo, 4, 5, 103, -
Iris Murdoch's Realism 2 the Insistence of the Past
Notes 1 Revisiting the sublime and the beautiful: Iris Murdoch's realism 1. The connection between romanticism and modernism is not by any means unprecedented, of course. See, for example, Waugh (1992) and Jameson (1981). 2. The influence is most clearly apparent in Murdoch's book on Sartre (82-3), and she refers to Lukacs in the interview with Magee (1978). See Lukacs (1950, 1963). 3. Two useful discussions of Murdoch's construction of an underlying myth in her earlier novels can be found in Souvage (1962) and Byatt (1965). 4. Murdoch's attitude towards myth is examined in relation to modernism in Wasson (1969) and Byatt (1991). 5. See, for example, Philippe Lacoue-Labarthe and Jean-Luc Nancy, The Literary Absolute: The Theory of Literature in German Romanticism (New York: State University of New York Press 1988) and Paul Hamilton, Wordsworth (Brighton: Harvester 1986). 6. For a thorough; informative discussion of Murdoch's engagement with Western philosophy, see Heusel (1995). 7. A detailed assessment of the significance of Wei! on Murdoch's philosophy can be found in Byatt (1965). 8. See, for example, Bersani (1992), Belsey (1980) and Eagleton (1986a). 9. See Goode (1966), the chapter 'Character and Liberalism' in Bergonzi (1970) and Bayley (1974). 10. This quotation comes from an interview in The Listener, 4 April1968, cited in Bergonzi (1970). 11. Gordon (1995: 89). 12. The term psychoanalysis, as Bruno Bettelheim has explained, resulted from Freud's deep humanist aspiration to be 'midwife of the soul' - a phrase used by the American poet and former patient of Freud, Hilda Doolittle (Bettelheim 1982). -
Iris Murdoch Review
Iris Murdoch Review Guide for Contributors March 2020 Contents Page 1. Introduction 3 2. Presentation 3 3. Main text: format 3 4. Main text: style 4 General 4 Numbers 5 Dates 5 People 6 5. Endnotes 6 6. Standard IM abbreviations 8 7. Referencing examples 10 8. Word list 12 2 1. Introduction The Iris Murdoch Review (IMR) can only accept essays, reviews and reports that have not been previously published. Any correspondence with the editors should also be copied to [email protected]. All submissions will be reviewed by members of the editorial board as part of the editorial process. It is the author’s responsibility to ensure that preliminary, further and final versions of their papers conform to the following guidelines. No essay can be accepted by the editors that does not fully conform. 2. Presentation Essays of 7000 to include endnotes should be submitted in a Word file. A bibliography is not required. A second Word file should contain a short biographical note, an abstract and keywords. Please number the pages, but do not use headers or footers otherwise. The IMR does not use sub-headings or section titles. The IMR uses British English spelling. The IMR uses ‘ise’ spellings, for example: specialised, criticised, realised. 3. Main text: format The title of the paper, name of the author and the author’s affiliation should be typed at the top of the first page and unformatted. Use a single space only between a full stop and the start of the following sentence. 3 The text should not be divided into numbered sections and the IMR does not use subheadings or section titles.