The Novels of Iris Murdoch Cumulative Index
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Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Miriam Zbíralová Faith and Religion in Selected Novels by Iris Murdoch Master‟s Diploma Thesis Supervisor: Prof. Mgr. Milada Franková, CSc., M.A. 2012 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature Acknowledgement: I would like to thank my supervisor, prof. Franková, for valuable advice and constant support during the whole process of writing the thesis. Table of Contents Introduction ....................................................................................................................... 5 1 Religion and Morality .................................................................................................... 7 1.1 The Nature of Good and Morality .......................................................................... 7 1.2 God and Good ....................................................................................................... 17 1.3 Morality without Religion .................................................................................... 22 2 Religion, Morality and Art ........................................................................................... 31 2.1 Art and Morality ................................................................................................... 31 2.2 Art and Religion ................................................................................................... -
Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art. -
Rare Books, Manuscripts, Maps & Photography (489) Lot 86
Rare Books, Manuscripts, Maps & Photography (489) Wed, 17th May 2017, Edinburgh Lot 86 Estimate: £700 - £1000 + Fees Murdoch, Iris, 15 inscribed and/or signed first editions, 8 other first editions The Flight from the Enchanter. 1956. First edition, inscribed "Penelope & Ralph with best wishes from Iris" on endpaper (also with name F. Clarke, Apr. 1956), title-page signed, dustwrapper repaired on verso with sellotape & consequential discolouration; The Bell. 1958, First edition, dustwrapper spotted at edge, one small closed tear; A Severed Head. 1961. First edition, inscribed "Ralph & Penelope love from Iris" on endpaper, title-page signed, dustwrapper a little soiled and very slightly rubbed; An Unofficial Rose. London: Chatto & Windus, 1962, First edition, inscribed on endpaper "Penelope & Ralph, with my best wishes & my love, Iris", signed on title page, dust-jacket slightly discoloured, slightly rubbed; The Unicorn. 1963. First edition, inscribed on endpaper, signed on the title page, dustwrapper lightly soiled, a few closed tears; The Italian Girl. 1964. First edition, dust- jacket slightly rubbed, slightly marked; The Tale of the Angels.1966. First edition, dust-jacket torn without loss; The Nice and the Good. 1968, dustwrapper; Bruno's Dream. 1969. First edition, inscribed "Penelope & Ralph with my Love, Iris" on endpaper, title-page signed, dust-jacket a trifle rubbed, small tear at corner; another copy. 1969. First edition, inscribed "Penelope, Ralph from Iris, all love" and signed on title, spine of dustwrapper worn with loss & slightly soiled; A Fairly Honourable Defeat. 1970, dustwrapper; An Accidental Man. 1971. First edition, inscribed "Penelope & Ralph with love Iris" on endpaper, title-page signed and with Worcester City Libraries stamp, dustwrapper slightly faded, slightly rubbed; The Black Prince. -
1 No- G COMEDY and the EARLY NOVELS of IRIS MURDOCH Larry
no- G 1 COMEDY AND THE EARLY NOVELS OF IRIS MURDOCH Larry/Rockefeller A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1968 Approved by Doctoral Committee _Adviser Department of English I a Larry Jean Rockefeller 1969 ALL RIGHTS RESERVED PREFACE Why has Iris Murdoch failed in her attempt to resur rect the novel of characters? That is the question which has perplexed so many readers who find in her novels sig nificant statements about the human condition rendered by a talent equalled only by a handful of other writers of our time, and it is the question which the pages follow ing try to answer. In general, the implicit argument under lying those pages is tripartite: (1) only comedy of a kind which resembles closely Murdoch's conception of love will allow a novelist to detach himself enough from his charac ters to give them a tolerant scope within which to humanly exist; (2) Murdoch has succeeded in maintaining that balanced synthesis between acceptance and judgement only in her earli est work and only with complete success in The Bell; and (3) the increasingly bitter tone of her satire — not to mention just the mere fact of her use of satire as a mode for character creation — has, in her most recent work, blighted the vitality of her characters by too strictly limiting them to usually negative meanings. Close analysis has been made, hence, of the ways in which comic devices affect us as readers in our perception of Murdoch's per sons. -
Bibliography
BIBLIOGRAPHY WORKS BY IRIS MURDOCH Novels Under the Net (Chatto & Windus, London, 1954; Penguin Books, Harmond- sworth, 1960) The Flight from the Enchanter (Chatto & Windus, London, 1956; Penguin Books, Harmondworth, 1960) The Sandcastle (Chatto & Windus, London, 1957; Penguin Books, Harmond- sworth,1960) The Bell (Chatto & Windus, London, 1958; Penguin Books, Harmondsworth, 1962) A Severed Head (Chatto & Windus, London, 1961; Penguin Books, Harmond sworth, 1963 An Unofficial Rose (Chatto & Windus, London, 1962; Penguin Books, Harmond sworth, 1964) The Unicorn (Chatto & Windus, London, 1963; Penguin Books, Harmondsworth, 1966) The Italian Girl (Chatto & Windus, London, 1964; Penguin Books, Harmond sworth, 1967) The Red and the Green (Chatto & Windus, London, 1965) The Time of the Angels (Chatto & Windus, London, 1966; Penguin Books, Har mondsworth, 1968) The Nice and the Good (Chatto & Windus, London, 1968; Penguin Books, Har mondsworth, 1970) Bruno's Dream (Chatto & Windus, London 1969; Penguin Books, Harmond sworth, 1971) A Fairly Honourable Defeat (Chatto & Windus, London, 1970; Penguin Books, Harmonsworth, 1972 An Accidental Man (Chatto & Windus, London, 1971; Penguin Books, Har mondsworth, 1973) The Black Prince (Chatto & Windus, London, 1973; Penguin Books, Harmond sworth, 1975) The Sacred and Profane Love Machine (Chatto & Windus, London, 1974) A Word Child (Chatto & Windus, London, 1975; Penguin Books, Harmond sworth, 1976) 85 Henry and Cato (Chatto & Windus, London, 1976; Penguin Books, Harmond- sworth 1978) The Sea, -
The Development of Ideas in the Novels of Iris Murdoch Thesis
Open Research Online The Open University’s repository of research publications and other research outputs Playful Platonist : The development of ideas in the novels of Iris Murdoch Thesis How to cite: Edwards, S. L. (1984). Playful Platonist : The development of ideas in the novels of Iris Murdoch. PhD thesis The Open University. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000de3e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk i U is 154,6 (Z ý', 1)P, S-f P. ýC- -1 LO PLAYFUL PLATONIST: TFIE DEVELOPISNT OF =Eý 221 TFIE NOVELS OF IRTI; MURDOCH by Stephen Laurence Edwards A thesis submitted for the degree of Ph. D. at The Open University, January 1984. rio u0 I- Playful tlatonist: the Development of Ideas in the Novels of Iris Mirdoch I am willing that this thesis may be made available to readers and may be photcopied subject to the discretion of the Librarian. L S. L. Edwards 20th June 1984. Th, opiýn t-lrivp-rsifm col, 22 ... ..... ...... ii SUýRARY Tnis thesis examines Iris Murdoch's novels in the light of her philosophical thinking. 1t places her ethical thinking in the context of twentieth century moral philosophy and shows that her approach to the problems of the subject is out of key with the general run of cont(-, r,..pora-ry philosophical th-inking. -
The Iris Murdoch Review
The Iris Murdoch Review ISSN 1756-7572 Volume I, Number 2, The Iris Murdoch Review Published by the Iris Murdoch Society in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston Upon Thames, KT1 2EE http://fass.kingston.ac.uk/KUP/index.shtml © The contributors, 2010 The views expressed in this Review are the views of the contributors and are not necessarily those of the Iris Murdoch Society Printed in England A record for this journal is available from the British Library 1 The Iris Murdoch Society Appeal on behalf of the Centre for Iris Murdoch Studies by The Iris Murdoch Review is the publication of the Society the Iris Murdoch Society, which was formed at the Modern Language Association Convention in New York City in 1986. It offers a forum for The Iris Murdoch Society actively supports the short articles and reviews and keeps members Centre for Iris Murdoch Studies at Kingston of the society informed of new publications, University in its acquisitioning of new material symposia and other information that has a for the Murdoch archives. It has contributed bearing on the life and work of Iris Murdoch. financially towards the purchase of Iris Murdoch’s heavily annotated library from her study at her Oxford home, the library from her If you would like to join the Iris Murdoch London flat, the Conradi archives, a number of Society and automatically receive The Iris substantial letter runs and other individual Murdoch Review, please contact: items. More detailed information on the collections can be found on the website for the Centre: Penny Tribe http://fass.kingston.ac.uk/research/Iris- Faculty of Arts and Social Sciences Murdoch/index.shtml Kingston University London The Centre is regularly offered documents, Penrhyn Road individual letters and letter-runs that are carefully evaluated and considered for funding. -
Peter J. Conradi IRIS MURDOCH: the SAINT and the ARTIST New York: St
The audience for which Walkiewicz has written is difficult to identify. A student is not apt to grasp the modest directive when asked to consider the relationship of the famous essays to "the ontogeny of Barth's corpus" and to view that relationship as "metaphoric rather than strictly exegetic or completely correlative." Instructed that ontogeny recapitulating cosmogeny is "of course" (!) the governing principle of Finnegans Wake, even professors of literature will find themselves daunted. What audience that requires those goosy headlines is properly addressed in such a manner? The irony is that Walkiewicz deserves an audience for this otherwise careful and generally successful book. Peter J. Conradi IRIS MURDOCH: THE SAINT AND THE ARTIST New York: St. Martin's Press, 1986. Pp. xvi + 304 Reviewed by Amin Malak With the publication of her twenty-second novel, The Good Apprentice, Iris Murdoch proves once again to her critics and admirers alike that hers are a talent and an energy that deserve close and alert scrutiny. Peter Conradi's Iris Murdoch: The Saint and the Artist represents a welcome addition to the now established and steadily growing Murdoch criticism. Interest ingly, Conradi's book combines mainstream Murdoch scholarship, which usually follows a predictable pattern of examining her novels within the context of her critical and philosophical pronouncements, with original insights based on sympathetic, clear-headed reading of Mur doch's fiction. Avoiding a chronological survey of Murdoch's work, Conradi divides his book into three parts based on three rather vaguely defined conceptual perspectives. The first, entitled "A Kind of Moral Psychology," deals with Under the Net, An Accidental Man, A Severed Head, Bruno's Dream. -
Ewa Wełnie the LIMITS of IRIS
A C T A U N I V E R S I T A T I S L 0 D Z 1 E N S I S F O L I A L IT IERAR IA 29, 1990 ______________ Ewa Wełnie THE LIMITS OF IRIS MURDOCH'S AR IIS TRY Artistic development in the case of Iris Murdoch should al- ways be discussed in connection with the novelist’s philoso- phical ideas and her views on the theory of literature. Iris Murdoch’s own theory of the novel arose from her moral philo- sophy and her novels reflect all the transformations and modi- fications of concepts and the reconsiderations of the author in this field*. The strictly philosophical interests of Iris Murdoch have gone from existentialism to platonism which is also reflected in the subsequent novels, beginning with the partial- ly existential "Under the Net” (1954) up to the more platonist "The Sea, the Sea" (1978) and finishing with the twenty third novel, the most recent so far, "The Book and the Brotherhood" (1 98 7 ). Iris Murdoch believes that clear and meaningful concepts can 2 form the basis for reaching moral excellence . This theoreti- A brief survey of the ideas expressed so far by Iris Mur- doch can be found in my article "Iris Murdoch: Theory and Prac- tice - Characterization in "The Sea, the Sea", "Wydawnictwo Nau- kowe WSP w Bydgoszczy" I9B1, Studia-filologiczne, z. 13. Com- plete bibliography of Iris Murdoch’s works and the up to date criticism concerning them can be found in my doctoral disser- tation "Konstrukcja postaci i technika narracji w powieściach Iris Murdoch" (Uniwersytet Łódzki, 1985) whicłi is already ac- cepted for publication by the Scientific Society in Torurt and will soon appear under the title "Iris Murdoch - powieściopi- sarka i moralistka". -
Iris Murdoch Review
The Iris Murdoch Review Published by the Iris Murdoch Research Centre, University of Chichester in association with Kingston University Press. Kingston University London, Penrhyn Road, Kingston upon Thames KT1 2EE © The Contributors, 2019 Cover design and typesetting by Megan Kilmister ISBN 978-1-909362-46-8 A record of this journal is available at the British Library. The Iris Murdoch Society University of Chichester, College Lane, Chichester, West Sussex PO19 6PE President: Anne Rowe Secretary: Miles Leeson Administrator: Heather Robbins The Iris Murdoch Review The Iris Murdoch Review (Kingston University Press) publishes articles on the life and work of Iris Murdoch and her milieu. The Review aims to represent the breadth and eclecticism of contemporary critical approaches to Murdoch, and particularly welcomes new perspectives and lines of enquiry. The views and opinions expressed in the Iris Murdoch Review are those of the individual authors and do not necessarily reflect the position of the editors, production team or Kingston University Press. Lead Editor Miles Leeson, [email protected] Editors Frances White, [email protected] Pamela Osborn, [email protected] Assistant Editor Lucy Oulton, [email protected] Editorial Board Maria Antonaccio, Bucknell University, USA Lucy Bolton, Queen Mary, University of London Cheryl Bove, Metropolitan State University of Denver, USA Avril Horner, Kingston University, London Bran Nicol, University of Surrey Priscilla Martin, University of Oxford Advisor Anne Rowe, University of -
Preface Chapter 1 Early Life
Notes Preface 1. This observation is made by Valerie Purton in IMC, p. 171. Murdoch’s letters to Suguna Ramanathan are in the Murdoch Archives at Kingston University. 2. Murdoch, Sartre: Romantic Rationalist (London: Chatto, 1953), p. 138. 3. Murdoch, interview with Rose, TCHF, pp. 17–18. 4. Murdoch, Under the Net (London: Chatto & Windus, [1954] 1982), p. 286. 5. Murdoch, Jackson’s Dilemma (London: Chatto & Windus, 1995), p. 249. Chapter 1 Early Life 1. See Yozo Moroya and Paul Hullah (eds) Poems by Iris Murdoch (Okayama: University Education Press, 1997). This is a limited edition of 500 copies. Another very short book of poetry by Murdoch is A Year of Birds, with wood engravings by Reynolds Stone (London: Chatto, 1984). Other poems have appeared in various anthologies. 2. Murdoch’s very early essays are published in Yozo Moroya and Paul Hullah (eds) Occasional Essays by Iris Murdoch (Okayama: University Education Press, 1997). This is a limited edition of 500 copies. 3. Purton records that ‘meeting her on a mailboat to Dublin, Richard Hamm- ond (son of Annie Hammond, witness to IM’s parents’ wedding) asks IM what she wishes to do in her life. She replies she wants to write’ (IMC, p. 7). 4. Poems by Iris Murdoch, p. 54. 5. Yeats, ‘Lapis Lazuli’, in W.B. Yeats, The Poems (London: Macmillan, 1983), p. 294. 6. See Cheryl Bove and Anne Rowe, Sacred Space, Beloved City: Iris Murdoch’s London (Newcastle: Cambridge Scholars Publishing, 2008). 7. Murdoch, ‘Miss Beatrice May Baker’, in Poems by Iris Murdoch, p. 90. 8 Priscilla Martin notes: ‘I read English at Somerville about twenty years later, found Miss Lascelles impossible to please and wish I too had changed to Classics.’ 9. -
Why Ekphrasis? Author(S): Valentine Cunningham Source: Classical Philology, Vol
Why Ekphrasis? Author(s): Valentine Cunningham Source: Classical Philology, Vol. 102, No. 1, Special Issues on Ekphrasis<break></break>Edited by Shadi Bartsch and Jaś Elsner (January 2007), pp. 57-71 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/521132 . Accessed: 27/05/2014 15:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Classical Philology. http://www.jstor.org This content downloaded from 192.76.8.49 on Tue, 27 May 2014 15:49:01 PM All use subject to JSTOR Terms and Conditions WHY EKPHRASIS? valentine cunningham t is hard to imagine western literature, certainly the tradition of Hel- lenic/Roman/Christian/post-Christian literature, without what we can I call ekphrasis—that pausing, in some fashion, for thought before, and/ or about, some nonverbal work of art, or craft, a poiema without words, some more or less aestheticized made object, or set of made objects. This might be done by the poet, whose name we might or might not know, giving a whole poem over to such consideration, or stopping that action, the narrative flow of a longer work, to direct his gaze, his characters’ gaze, our gaze, for a while, at such a thing or things.