A Word Child. Iris Murdoch
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Magic Realism in Iris Murdoch
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc.Veronika Fauserová Magic Realism in Iris Murdoch’s novels Master’s Diploma Thesis Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2011 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author´s signature Acknowledgement I would like to thank my supervisor, prof. Mgr. Milada Franková, CSc., M.A., for her valuable comments and suggestions during the writing of the thesis. Table of Contents Preface...........................................................................................................................1 1. Magic Realism ........................................................................................................3 1.1. Magic Realism in Latin America ..........................................................................3 1.2. Magic Realism as Postcolonial Discourse.............................................................5 1.3. Magic Realism: Theory and Classification............................................................7 1.4. Variations of Magic Realism................................................................................11 1.5. Magic Realism versus Similar Genres.................................................................12 2. Iris Murdoch..........................................................................................................14 2.1. Iris Murdoch within -
Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art. -
Bibliography
BIBLIOGRAPHY WORKS BY IRIS MURDOCH Novels Under the Net (Chatto & Windus, London, 1954; Penguin Books, Harmond- sworth, 1960) The Flight from the Enchanter (Chatto & Windus, London, 1956; Penguin Books, Harmondworth, 1960) The Sandcastle (Chatto & Windus, London, 1957; Penguin Books, Harmond- sworth,1960) The Bell (Chatto & Windus, London, 1958; Penguin Books, Harmondsworth, 1962) A Severed Head (Chatto & Windus, London, 1961; Penguin Books, Harmond sworth, 1963 An Unofficial Rose (Chatto & Windus, London, 1962; Penguin Books, Harmond sworth, 1964) The Unicorn (Chatto & Windus, London, 1963; Penguin Books, Harmondsworth, 1966) The Italian Girl (Chatto & Windus, London, 1964; Penguin Books, Harmond sworth, 1967) The Red and the Green (Chatto & Windus, London, 1965) The Time of the Angels (Chatto & Windus, London, 1966; Penguin Books, Har mondsworth, 1968) The Nice and the Good (Chatto & Windus, London, 1968; Penguin Books, Har mondsworth, 1970) Bruno's Dream (Chatto & Windus, London 1969; Penguin Books, Harmond sworth, 1971) A Fairly Honourable Defeat (Chatto & Windus, London, 1970; Penguin Books, Harmonsworth, 1972 An Accidental Man (Chatto & Windus, London, 1971; Penguin Books, Har mondsworth, 1973) The Black Prince (Chatto & Windus, London, 1973; Penguin Books, Harmond sworth, 1975) The Sacred and Profane Love Machine (Chatto & Windus, London, 1974) A Word Child (Chatto & Windus, London, 1975; Penguin Books, Harmond sworth, 1976) 85 Henry and Cato (Chatto & Windus, London, 1976; Penguin Books, Harmond- sworth 1978) The Sea, -
The Development of Ideas in the Novels of Iris Murdoch Thesis
Open Research Online The Open University’s repository of research publications and other research outputs Playful Platonist : The development of ideas in the novels of Iris Murdoch Thesis How to cite: Edwards, S. L. (1984). Playful Platonist : The development of ideas in the novels of Iris Murdoch. PhD thesis The Open University. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000de3e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk i U is 154,6 (Z ý', 1)P, S-f P. ýC- -1 LO PLAYFUL PLATONIST: TFIE DEVELOPISNT OF =Eý 221 TFIE NOVELS OF IRTI; MURDOCH by Stephen Laurence Edwards A thesis submitted for the degree of Ph. D. at The Open University, January 1984. rio u0 I- Playful tlatonist: the Development of Ideas in the Novels of Iris Mirdoch I am willing that this thesis may be made available to readers and may be photcopied subject to the discretion of the Librarian. L S. L. Edwards 20th June 1984. Th, opiýn t-lrivp-rsifm col, 22 ... ..... ...... ii SUýRARY Tnis thesis examines Iris Murdoch's novels in the light of her philosophical thinking. 1t places her ethical thinking in the context of twentieth century moral philosophy and shows that her approach to the problems of the subject is out of key with the general run of cont(-, r,..pora-ry philosophical th-inking. -
The Novels of Iris Murdoch Cumulative Index
The novels of Iris Murdoch Cumulative Index Fiction Columns show title of novel; Abbreviation used for the title in the index; date of first publication; publisher and date of the edition used for the index. Under the Net UN 1954 Penguin 1960 The Flight from the Enchanter FE 1955 Penguin 1962 The Sandcastle TS 1957 Reprint Soc 1959 The Bell TB 1958 Penguin 1962 A Severed Head SH 1961 Penguin 1963 An Unofficial Rose UR 1962 Penguin 1964 The Unicorn TU 1963 Penguin 1966 The Italian Girl IG 1964 Vintage 2000 The Red and the Green RG 1965 Reprint Society 1967 The Time of the Angels TA 1966 Penguin 1968 The Nice and the Good NG 1968 Vintage 2000 Bruno’s Dream BD 1969 Vintage 2001 A Fairly Honourable Defeat FHD 1970 Penguin 1972 An Accidental Man AM 1971 Vintage 2003 The Black Prince BP 1973 Penguin 1975 The Sacred and Profane Love Machine SPLM 1974 Penguin 1976 A Word Child WC 1975 Panther 1977 Henry and Cato HC 1976 Penguin 1977 The Sea, The Sea TSTS 1978 Panther 1980 Nuns and Soldiers NS 1980 Penguin 1981 The Philosopher’s Pupil PP 1983 Penguin 1984 The Good Apprentice GA 1985 Vintage 2000 The Book and the Brotherhood BB 1987 Vintage 2003 The Message to the Planet MP 1989 The Green Knight GK 1993 Penguin 1994 Jackson’s Dilemma JD Chatto & Windus 1995 Non-Fiction Acastos: Two Platonic Dialogues Metaphysics as a Guide to Morals Existentialists and Mystics Sartre: Romantic Rationalist Note: This index is not comprehensive. Only the first and significant references are given for character. -
The Iris Murdoch Review
The Iris Murdoch Review ISSN 1756-7572 Volume I, Number 2, The Iris Murdoch Review Published by the Iris Murdoch Society in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston Upon Thames, KT1 2EE http://fass.kingston.ac.uk/KUP/index.shtml © The contributors, 2010 The views expressed in this Review are the views of the contributors and are not necessarily those of the Iris Murdoch Society Printed in England A record for this journal is available from the British Library 1 The Iris Murdoch Society Appeal on behalf of the Centre for Iris Murdoch Studies by The Iris Murdoch Review is the publication of the Society the Iris Murdoch Society, which was formed at the Modern Language Association Convention in New York City in 1986. It offers a forum for The Iris Murdoch Society actively supports the short articles and reviews and keeps members Centre for Iris Murdoch Studies at Kingston of the society informed of new publications, University in its acquisitioning of new material symposia and other information that has a for the Murdoch archives. It has contributed bearing on the life and work of Iris Murdoch. financially towards the purchase of Iris Murdoch’s heavily annotated library from her study at her Oxford home, the library from her If you would like to join the Iris Murdoch London flat, the Conradi archives, a number of Society and automatically receive The Iris substantial letter runs and other individual Murdoch Review, please contact: items. More detailed information on the collections can be found on the website for the Centre: Penny Tribe http://fass.kingston.ac.uk/research/Iris- Faculty of Arts and Social Sciences Murdoch/index.shtml Kingston University London The Centre is regularly offered documents, Penrhyn Road individual letters and letter-runs that are carefully evaluated and considered for funding. -
Peter J. Conradi IRIS MURDOCH: the SAINT and the ARTIST New York: St
The audience for which Walkiewicz has written is difficult to identify. A student is not apt to grasp the modest directive when asked to consider the relationship of the famous essays to "the ontogeny of Barth's corpus" and to view that relationship as "metaphoric rather than strictly exegetic or completely correlative." Instructed that ontogeny recapitulating cosmogeny is "of course" (!) the governing principle of Finnegans Wake, even professors of literature will find themselves daunted. What audience that requires those goosy headlines is properly addressed in such a manner? The irony is that Walkiewicz deserves an audience for this otherwise careful and generally successful book. Peter J. Conradi IRIS MURDOCH: THE SAINT AND THE ARTIST New York: St. Martin's Press, 1986. Pp. xvi + 304 Reviewed by Amin Malak With the publication of her twenty-second novel, The Good Apprentice, Iris Murdoch proves once again to her critics and admirers alike that hers are a talent and an energy that deserve close and alert scrutiny. Peter Conradi's Iris Murdoch: The Saint and the Artist represents a welcome addition to the now established and steadily growing Murdoch criticism. Interest ingly, Conradi's book combines mainstream Murdoch scholarship, which usually follows a predictable pattern of examining her novels within the context of her critical and philosophical pronouncements, with original insights based on sympathetic, clear-headed reading of Mur doch's fiction. Avoiding a chronological survey of Murdoch's work, Conradi divides his book into three parts based on three rather vaguely defined conceptual perspectives. The first, entitled "A Kind of Moral Psychology," deals with Under the Net, An Accidental Man, A Severed Head, Bruno's Dream. -
Ewa Wełnie the LIMITS of IRIS
A C T A U N I V E R S I T A T I S L 0 D Z 1 E N S I S F O L I A L IT IERAR IA 29, 1990 ______________ Ewa Wełnie THE LIMITS OF IRIS MURDOCH'S AR IIS TRY Artistic development in the case of Iris Murdoch should al- ways be discussed in connection with the novelist’s philoso- phical ideas and her views on the theory of literature. Iris Murdoch’s own theory of the novel arose from her moral philo- sophy and her novels reflect all the transformations and modi- fications of concepts and the reconsiderations of the author in this field*. The strictly philosophical interests of Iris Murdoch have gone from existentialism to platonism which is also reflected in the subsequent novels, beginning with the partial- ly existential "Under the Net” (1954) up to the more platonist "The Sea, the Sea" (1978) and finishing with the twenty third novel, the most recent so far, "The Book and the Brotherhood" (1 98 7 ). Iris Murdoch believes that clear and meaningful concepts can 2 form the basis for reaching moral excellence . This theoreti- A brief survey of the ideas expressed so far by Iris Mur- doch can be found in my article "Iris Murdoch: Theory and Prac- tice - Characterization in "The Sea, the Sea", "Wydawnictwo Nau- kowe WSP w Bydgoszczy" I9B1, Studia-filologiczne, z. 13. Com- plete bibliography of Iris Murdoch’s works and the up to date criticism concerning them can be found in my doctoral disser- tation "Konstrukcja postaci i technika narracji w powieściach Iris Murdoch" (Uniwersytet Łódzki, 1985) whicłi is already ac- cepted for publication by the Scientific Society in Torurt and will soon appear under the title "Iris Murdoch - powieściopi- sarka i moralistka". -
Preface Chapter 1 Early Life
Notes Preface 1. This observation is made by Valerie Purton in IMC, p. 171. Murdoch’s letters to Suguna Ramanathan are in the Murdoch Archives at Kingston University. 2. Murdoch, Sartre: Romantic Rationalist (London: Chatto, 1953), p. 138. 3. Murdoch, interview with Rose, TCHF, pp. 17–18. 4. Murdoch, Under the Net (London: Chatto & Windus, [1954] 1982), p. 286. 5. Murdoch, Jackson’s Dilemma (London: Chatto & Windus, 1995), p. 249. Chapter 1 Early Life 1. See Yozo Moroya and Paul Hullah (eds) Poems by Iris Murdoch (Okayama: University Education Press, 1997). This is a limited edition of 500 copies. Another very short book of poetry by Murdoch is A Year of Birds, with wood engravings by Reynolds Stone (London: Chatto, 1984). Other poems have appeared in various anthologies. 2. Murdoch’s very early essays are published in Yozo Moroya and Paul Hullah (eds) Occasional Essays by Iris Murdoch (Okayama: University Education Press, 1997). This is a limited edition of 500 copies. 3. Purton records that ‘meeting her on a mailboat to Dublin, Richard Hamm- ond (son of Annie Hammond, witness to IM’s parents’ wedding) asks IM what she wishes to do in her life. She replies she wants to write’ (IMC, p. 7). 4. Poems by Iris Murdoch, p. 54. 5. Yeats, ‘Lapis Lazuli’, in W.B. Yeats, The Poems (London: Macmillan, 1983), p. 294. 6. See Cheryl Bove and Anne Rowe, Sacred Space, Beloved City: Iris Murdoch’s London (Newcastle: Cambridge Scholars Publishing, 2008). 7. Murdoch, ‘Miss Beatrice May Baker’, in Poems by Iris Murdoch, p. 90. 8 Priscilla Martin notes: ‘I read English at Somerville about twenty years later, found Miss Lascelles impossible to please and wish I too had changed to Classics.’ 9. -
Self-Actualization on Women's Pilgrimage to Goodness in The
International Journal of Business and Social Science Vol. 5, No. 6(1); May 2014 Self-actualization on Women’s Pilgrimage to Goodness in the Good Apprentice XU Ming-ying PhD Associate Professor School of Foreign Languages Dalian University of Technology Dalian, China FU Xiao-na PhD Professor College of Comprehensive Foundation Studies Liaoning University Shenyang, China Abstract The paper reveals the difficulty in the formation of female self by portraying female characters’ personal growth through increased awareness of themselves and the relationship with others in The Good Apprentice. Murdoch illustrates that blind hatred and revenge as well as the lies all hinder women from the integration of female self and from reaching the state of Goodness. Meanwhile, Murdoch endows the female character with an unusual trait that is seldom found in her other female characters: the consideration of others’ welfare and attention to others’ life. This is just what Murdoch advances in her philosophy as the way to achieve goodness. Apart from the integration of female selfhood, Murdoch has also explores how women could achieve happiness and reach the state of goodness in her later period to a greater extent than in her early period. While Murdoch conveys her philosophical thoughts in her novels, her creation of characters and plots in turn enriches and deepens her philosophy. The paper focuses on the reconstruction of female selfhood through Murdoch’s elaboration of the multiple ways that the women use to integrate their female self by actualizing themselves on their way to Goodness in the Good Apprentice. Keywords: Iris Murdoch; The Good Apprentice; Selfhood; goodness Murdoch deepens her exploration of the reconstruction of female selfhood in her later novels with the development of the society and the advancement of women’s rights though she holds the consistent attitudes to women’s liberation and the role of female characters in her fiction. -
Detection of Longitudinal Development of Dementia in Literary Writing
Detection of Longitudinal Development of Dementia in Literary Writing A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Torri E. Raines May 2018 © 2018 Torri E. Raines. All Rights Reserved. 2 This thesis titled Detection of Longitudinal Development of Dementia in Literary Writing by TORRI E. RAINES has been approved for the Department of Linguistics and the College of Arts and Sciences by David Bell Associate Professor of the Department of Linguistics Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT RAINES, TORRI E., M.A., May 2018, Linguistics Detection of Longitudinal Development of Dementia in Literary Writing Director of Thesis: David Bell Past studies have suggested that the progression of dementia, especially Alzheimer’s disease, can be detected in the writing of literary authors through analysis of their lexical diversity patterns. However, those studies have used oversimplified measures and vague definitions of lexical diversity. This study uses a multi-faceted, computationally operationalized model of lexical diversity innovated by Scott Jarvis to analyze a total of 129 novels by five authors (three with dementia and two without), with the purpose of identifying the lexical characteristics of dementia in literary writing. A total of 22 novels by two authors with suicidal depression were also analyzed in order to determine whether this condition also leads to changes in authors’ lexical diversity patterns. Analyses were conducted with six individual lexical diversity measures and two supplementary lexicosyntactic measures. Results suggest that dementia as well as the effects of healthy aging manifest in different aspects of lexical diversity for different authors, and that this model of lexical diversity is a robust tool for detecting lexical decay indicative of dementia. -
Penguin Classics
PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com.