Leyton and Leytonstone – a New Route
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The Great Rolling Stones Redlands Bust
THE GREAT ROLLING STONES REDLANDS BUST By David Bartley ‘Naked Girl at Stone’s Party’ On Sunday the 12th of February 1967 one of the mothers of all battles of that turbulent and sadly maligned decade was set in motion. In one corner the emerging hippy movement; in the other, the forces of conventional middle-class morality. Mick Jagger and Keith Richards (then styled ‘Richard’) of the Rolling Stones were arrested for drug offences. Three months later, Jagger and Richards were tried and sentenced to three months’ and a year’s imprisonment respectively. Mick for possession of amphetamines (sold legally as travel sickness pills in Italy, where they were purchased), Keith for allowing cannabis to be smoked on his premises – Redlands, in West Sussex. They were Quickly released on appeal, but these absurdly vindictive and disproportionate sentences caused an uproar. The new Establishment of the ‘counter-culture’ – including The Beatles and The Who - rallied behind the two Stones and then, remarkably, so did The Establishment. The editor of the Times, William Rees-Mogg, risked a contempt of court charge by publishing an editorial decrying the evident unfairness of the sentences. Common sense ultimately prevailed: matters were Quietly arranged so that the boys quickly won their appeal. The plot to crush the longhairs, with their drugs and their loose sexual attitudes had backfired – spectacularly. Far from penitent pariahs, Mick and Keith were now Promethean heroes, Oscar Wildes for their times. So just how did the NCO class of the old Establishment – the News of The World, the minor judiciary, the police - make such a mess of what was meant to be an exemplary spanking for the Stones and their louche admirers? Here is the countdown to calamity. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Bachelorarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver der Hochschule Mittweida BACHELORARBEIT Frau Annett Petzold Digital Effects in Spielfilmen 2016 Fakultät Medien BACHELORARBEIT Digital Effects in Spielfilmen Autor: Frau Annett Petzold Studiengang: Medientechnik (Ba. Eng.) Seminargruppe: MT12F-B Erstprüfer: Professor Doktor-Ingenieur Robert J. Wierzbicki Zweitprüfer: Master of Science Rika Fleck Einreichung: Mittweida, 08.01.2016 Faculty of Media BACHELOR THESIS Digital Effects in Feature Films author: Ms. Annett Petzold course of studies: Media Engineering seminar group: MT12F-B first examiner: Professor Doctor-Engineer Robert J. Wierzbicki second examiner: Master of Science Rika Fleck submission: Mittweida, 08.01.2016 IV Bibliografische Angaben: Nachname, Vorname: Digital Effects in Spielfilmen: Werden Spezialeffekte in Zukunft nur noch digital umgesetzt? Digital Effects in Feature Films: Are there going to be only computer- generated effects in the future? 2016 - 69 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2016 Abstract Ziel dieser Arbeit ist es, den aktuellen Einsatz von Filmeffekten im Spielfilmbereich zu untersuchen und mit Hilfe der Ergebnisse auf zukünftige Entwicklungen zu schließen. Im Fokus des Forschungsinteresses steht dabei die Frage, ob Digital Effects das Potential besitzen, den Gebrauch traditioneller Special Effects auf lange Sicht in Spielfilmproduktionen zu ersetzen. Diese Untersuchungen -
Geometric Distortion of Schematic Network Maps
Geometric distortion of schematic network maps Bernhard Jenny The London Underground map is one of the most popular maps of modern times, depicting the lines and stations of London’s rail system as a schematic diagram. Its present design is still very similar to Harry Beck’s original layout of 1933. The geometry is deliberately distorted to improve readability and facilitate way finding in the network. This short paper presents the visual results of a cartometric analysis of the current London Underground map. The analysis was carried out using MapAnalyst, a specialized program for computing distortion grids and other types of visualizations that illustrate the geometric accuracy and distortion of maps. The described method could help designers of schematic maps to verify their design against the “geometric truth”, and guide their choice among different design options. The London Underground map the globe, but also had an enduring influence on other areas of graphic information design. London Transport, of The famous London Underground map shows the Thames course, continues improving and extending the diagram and named metro stations with railway tracks as straight map, while still following Harry Beck’s initial design. line segments. Strictly speaking, it is not a map that aims at a metrically accurate depiction of the network, but it is Besides the ingenious layout of the railway lines at rather a diagram that accentuates the topological relations 45- and 90-degree angles, a purposeful enlargement of the of Underground stations. Henry “Harry” C. Beck produced central portion of the network is the main characteristic of the first sketch for the famous diagram in 1931. -
Waltham Forest Archaeological Priority Area Appraisal October 2020
London Borough of Waltham Forest Archaeological Priority Areas Appraisal October 2020 DOCUMENT CONTROL Author(s): Maria Medlycott, Teresa O’Connor, Katie Lee-Smith Derivation: Origination Date: 15/10/2020 Reviser(s): Tim Murphy Date of last revision: 23/11/2020 Date Printed: 23/11/2020 Version: 2 Status: Final 2 Contents 1 Acknowledgments and Copyright ................................................................................... 6 2 Introduction .................................................................................................................... 7 3 Explanation of Archaeological Priority Areas .................................................................. 8 4 Archaeological Priority Area Tiers ................................................................................ 10 5 History of Waltham Forest Borough ............................................................................. 13 6 Archaeological Priority Areas in Waltham Forest.......................................................... 31 6.1 Tier 1 APAs Size (Ha.) .......................................................................................... 31 6.2 Tier 2 APAs Size (Ha.) .......................................................................................... 31 6.3 Tier 3 APAs Size (Ha.) .......................................................................................... 32 6.4 Waltham Forest APA 1.1. Queen Elizabeth Hunting Lodge GV II* .................... 37 6.5 Waltham Forest APA 1.2: Water House ............................................................... -
Tfl Corporate Archives
TfL Corporate Archives ‘MAPPING LONDON’ TfL C orporate Archives is part of Information Governance, General C ounsel TfL Corporate Archives The TfL Corporate Archives acts as the custodian of the corporate memory of TfL and its predecessors, with responsibility for collecting, conserving, maintaining and providing access to the historical archives of the organisation. These archives chart the development of the organisation and the decision making processes. The Archives provides advice and assistance to researchers from both within and outside of the business and seeks to promote the archive to as wide an audience as possible, while actively collecting both physical and digital material and adding personal stories to the archive. The Archives are part of Information Governance, within General Counsel. • “Mapping London” is intended as an introduction to the development and use of maps and mapping techniques by TfL and its predecessors. • The following pages highlight key documents arranged according to theme, as well as providing further brief information. These can be used as a starting point for further research if desired • This document is adapted from a guide that originally accompanied an internal exhibition Tube Map Development: Individual Companies • Prior to 1906, the individual railway companies produced their own maps and there was no combined map of the various lines. • The companies were effectively all in competition with each other and so the focus was steadfastly on the route of the individual line, where it went, and why it was of particular use to you. • Even when combined maps of a sort began to appear, following the establishment of the Underground Electric Railways Group, the emphasis often fell upon a particular line. -
Context 7 Transport 8
CONTEXT 7 TRANSPORT 8 Leytonstone Town Centre enjoys excellent transport links, thanks to GREEN MAN the Central Line and Overground stations. hackney QUIET ROUTE TO ROUNDABOUT WOOD STREET/ A12 TO As noted above (see Regeneration), further improvements to W’STOW VILLAGE (A12 TO ROMFORD) cycle routes are coming as part of Waltham Forest’s Mini-Holland programme. GAINSBOROUGH RD. The town centre sits adjacent to the Green Man Roundabout, a key intersection between the A12, High Road and Whipps Cross Road. However, much of the car traffic in the town centre is associated with the Tesco Superstore. LEMNA RD. EPPING These major transport arteries consititute both an opportunity to and a challenge; while Leytonstone is well linked to central BROWNING RD. London and Essex, pedestrian and cycle routes to the west of the Borough are necessarily limited by the A12 and railway lines. However, cycle routes leading under the Green Man roundabout provide safe and easy access to Epping Forest.. AYLMER RD. KIRKDALE RD. Central Line station Anecdotal evidence suggests that Leytonstone’s ample car LEYTONSTONE parking and excellent transport links make it a convenient place for shoppers and commuters from Essex to park and talong the CHURCH LN. Central Line to the Westfield Centre in Stratford and offices in Central London. HARVEY RD. TO LEYTON VIA CYCLE BRIDGE BARCLAY RD. VERNON RD. BURGHLEY RD. ST Cycle path leading across A12 to Leyton TO LIVERPOOL TO GOSPEL OAK HIGH ROAD LEYTONSTONE (OVERGROUND) TO BARKING TO STRATFORD Wayfinding post, Central Line station HIGH ROAD LEYTONSTONE PUBLIC SPACE 9 While only the yard of St. -
The Great Houses of Leyton and Leytonstone
The Great Houses of Leyton and Leytonstone Leyton House and the Walthamstow Slip Leyton & Leytonstone Historical Society 1 Leyton House and the Walthamstow Slip Number 3 in The Great Houses of Leyton and Leytonstone Series Occasional Publication No 7 The author would like to acknowledge the help and assistance of David Boote. Published in 2007 by Leyton & Leytonstone Historical Society 27 The Croft Friday Hill London E4 6EZ Website : www/leytonhistorysociety.org.uk printed in 2016 by Parchments of Oxford www.parchmentuk.com Author’s Note I had hoped to be able to refer to a report of an excavation carried out by English Heritage on the site of Leyton House in 1993. It was conducted under the auspices of the Newham Museum Service. This report was held by the Passmore Edwards Museum, but as the museum was closed some years ago I have been unable to see this document. 2 Leyton House Of all the great houses of Leyton, the very one named after the village of Low Leyton seems to be the least known, historically speaking, yet it has a rich history. The Leyton historian John Kennedy, writing in 1894, had little to say: The grounds of Etloe House join those of Leyton House, an old mansion built of red bricks, the characteristic of most Leyton houses of the olden times. The date of the building is uncertain, but it may be presumed that it was built some time early in the eighteenth century, perhaps even earlier1. The last house to have occupied the site was known alternatively as Leyton House, Park House2 or St Agnes’s Orphanage. -
List of Buildings Files Containing Secondary Sources
Waltham Forest Local Studies Library- List of Buildings files containing secondary sources. Please note this list is a work in progress and some building files contain limited information. Searchroom access is by appointment only. Telephone: 020 8496 4381 or email: [email protected]. Buildings File (always check at 72.2 as well) Name Other Dates File started Abbey Injection Moulding Company, Higham’s Park 1986 Abrahams Estate see Great House & Estates, Leyton E10 Adoption Society Orphanage see Hutchison House, Browning Road, Leytonstone African Caribbean Centre, Ive Farm Lane, Leyton closed 2000 Ainslie House, 140 Chingford Mount Rd, E4 Ainslie Wood Farm see Rolls (or Rolles) Ainslie Wood Gardens Albert Road, E10 (No. 170) Built c1896 by Abrahams 2014 Albert Whicher House, 46-80 Church Hill Road E17 Built c1962 2014 Aldriche Way Estate Aldridge, Laurie (glassworks), Leyton 1986 Alice Burrell Centre, Sidmouth Road, Leyton (for adults with learning difficulties) 1996 Alliston House, Church Hill Road, Walthamstow (Old people’s 2003 home) Alpha Business Centre, South Grove E17 see also South Grove, demolished 2017 1992 Alpha Road (sheltered scheme), Chingford al-Tawhid Mosque see Leyton high Road Mosque Amman Temple see Hindu Temple, 271 Forest Road E17 Amenia Cottage, West Avenue, E17 (built c 1860) Ancient House, Church Lane E17 (2 files) Arcade Shopping Centre, E17 see also Cleveland Place Army Sports Ground, Leyton 1925 ASDA, 1 Leyton Mills, Marshall Road (opened 2001) previously National School, from 2016 Waltham Asian Centre, Orford Road E17 Forest Community Hub Asian Cricket Club, Low Hall Park (opened 1970) Assembly House, Whipps Cross Road see L72.2 Assembly Row/ Forest Place see L72.2, see also Whipps Cross Road Austinsuite (furniture company), Argall Avenue Estate, Leyton (closed 1986) Last updated 15/18/2019 1 Waltham Forest Local Studies Library- List of Buildings files containing secondary sources. -
Art 142: the History of Photography Unit 8: Mass Media and Marketing Mass Media and Marketing
Art 142: The History of Photography Unit 8: Mass Media and Marketing Mass Media and Marketing The end of WWI propelled a period of experimentalism in photography that shattered the Victorian conventions and generated a new, modern covenant with the social world. Mass Media and Marketing Dada and After ● “Dada, a nonsensical sounding word chosen by a group of writers, artists and poets ● Identifies a new emerging art movement able to express despair brought on by WWI and break conventions and intellectual barriers ● Christian Schad, German artist associated with Zurich Dada group made, “Schadographs”. ● May have been referencing both “Shadowgraphs or the german word, “Schaden” which means damaged evoking the Dada sense of things falling apart. Christian Schad, Schadograph 24b, c. 1920. Gelatin silver print. Mass Media and Marketing Dada and After ● Berlin Dada group more political than Zurich group and wanted to make social statements. ● Adopted photomontage as a key medium, a “paste picture” or Klebebild finished as a photograph Hannah Höch, Schnitt mit dem Küchenmesser Dada durch die letzte weimarer Bierbauchkulturepoche Deutschlands (Cut with the Kitchen Knife Dada through the last Weimar Beer Belly Cultural Epoch of Germany), 1919. Photomontage. Nationalgalerie Staatliche Museen, Preussischer Kulturbesitz, Berlin. Mass Media and Marketing Dada and After ● Hannah Höch and Raoul Hausmann were two of the earliest dadaists to make photomontages ● Höch engaged the theme of New Woman, images juxtaposed traditional roles of women with symbols of modernity ● Hausmann, one of the few communists that insisted on women’s equality in any new society. Hannah Höch, Denkmal I: Aus einem ethnographischen Museum (Monument 1: From an Ethnographic Museum), 1924. -
Star Wars Insider Nov 2018 (Usps 003-027) (Issn 1041-5122)
UP TO SPEED: THE GALACTIC HOT RODS OF STAR WARS TARKIN ™ THE HORROR STAR BEHIND STAR WARS’ THEH E OFFICIALOFF FFII CCII A L MAGAZINEMAGAZINI N E FINEST VILLAIN! + WIN! A STAR WARS PRIZE WORTH $400! DROID UPRISING! L3-37 leads the fi ght for freedom! JON KASDAN Exclusive interview with the co-writer of Solo: A Star Wars Story! SHOOTING SOLO Behind the scenes on the making of the smash-hit movie! IN CONCERT Star Wars goes live with the London Symphony Orchestra! GALACTIC GEOGRAPHIC: EXPLORING THE COLORFUL worlds of STAR WARS A MESSAGE FROM THE EDITOR ™ NOV 2018 TITAN EDITORIAL Editor / Chris Cooper Senior Editor / Martin Eden WELCOME... Assistant Editors / Tolly Maggs, Jake Devine Art Editor / Andrew Leung Whenever you hear the first note of John Williams’ LUCASFILM Star Wars main title theme, I’m willing to bet that the Senior Editor / Brett Rector hairs on the back of your neck still tingle. That opening Art Director / Troy Alders Creative Director / Michael Siglain fanfare triggers so many fond memories for me, often Asset Management / Tim Mapp, entirely unrelated to actually watching one of the movies. Erik Sanchez, Bryce Pinkos, For those of us ancient enough to remember vinyl Nicole LaCoursiere, Shahana Alam Story Group / Pablo Hidalgo, Leland Chee, records before hyper-cool hipsters and audiophiles Matt Martin brought them back, the Star Wars Original Soundtrack CONTRIBUTORS album was a very special thing—it was literally the closest Tricia Barr, Tara Bennett, Natalie Clubb, you could get to experiencing the film at home, the tracks Megan Crouse, Michael Kogge, Tom Miller, on that double-LP a visceral link to the movie itself. -
Labyrinth Teacher Pack Part 1: Introduction Key Stages 1–5
Labyrinth Teacher Pack Part 1: Introduction Key Stages 1–5 Visit http://art.gov.uk/labyrinth/learning to download Part 2: Classroom Activities, Cover Lessons & Resources 1 Foreword This two-part resource, produced in partnership with A New Direction, has been devised for primary- and secondary-school teachers, with particular relevance to those in reach of the Tube, as an introduction to Labyrinth, a project commissioned from artist Mark Wallinger by Art on the Underground to celebrate the 150th anniversary of the London Tube. The aim is to inform and inspire teachers about this Visit http://art.gov.uk/labyrinth/learning to special project, for which Wallinger has designed a download the Teacher Pack, Part 2: Classroom unique artwork, each bearing a labyrinth design, for Activities, Cover Lesson & Resources This pack all 270 stations on the Tube network. We hope that contains a variety of classroom-activity suggestions the resource will promote knowledge and for different subjects that can be used as a springboard enthusiasm that will then be imparted to the children for teachers to devise their own projects. Key stage and their families throughout the capital and beyond, suggestions are given, although many of these and will encourage them to explore the Underground activities can be adapted for a variety of year groups, network on an exciting hunt for labyrinths. depending upon the ability of the students involved. This Teacher Pack, Part 1 of the resource, provides Details are also given about the Labyrinth Schools introductory information about the project Labyrinth Poster Competition, the winners of which will have and gives background details about the artist.