Report of the John Donne Society's Digital Text Project (JDSPP
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John Donne 1 John Donne
John Donne 1 John Donne John Donne John Donne Born between 24 January and 19 June [1] 1572 London, England Died 31 March 1631 (aged 59) London, England Occupation Poet, priest, lawyer Nationality English Alma mater Oxford University Genres Satire, Love poetry, elegy, sermons Subjects Love, sexuality, religion, death Literary movement Metaphysical Poetry John Donne (/ˈdʌn/ DUN) (between 24 January and 19 June 1572[1] – 31 March 1631) was an English poet, satirist, lawyer and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. His works are noted for their strong, sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially compared to that of his contemporaries. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of British society and he met that knowledge with sharp criticism. Another important theme in Donne’s poetry is the idea of true religion, something that he spent much time considering and theorising about. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.[2] Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. -
William Blake
.,, '•I I I• 1J I I 11~ -· II I It~ I "I 1 rj.. I 1'111 .., l:l111i1l II' I i!1 ".IU - I. I ' 'I l ~ ,11 I ~ ii ·1 ... u",,.11 '"·' I '" 111 lit TH E COMPLETE POET R Y AN D SELECTED PROSE OF John Dorine & TH E COMPLETE POET R Y OF William Blake )))))))))))))))))))))))))))))))))))))))))))))))))) WITH AN INTRODU C TION BY Robert Silliman Hillyer ))))))))))))))))))))))))))))))))))))))))))))))))~~ THE MODERN LIBRARY NEW YORK Contents INTRODVCTION by Robert Silliman Hillyer THE COMPLETE POETRY AND SELECTED PROSE OF JOHN DONNE THE POEMS SONGS AND SONETS The Good-morrow 3 Song 3 Womans Constancy 4 The Undertaking S The Sunne rising 6 The Indifferent 6 Loves Usury 7 The Canonization 8 The Triple Foote 9 Lovers infiniteuesse Io Song II The Legacie I 2 A Feaver I3 Aire and Angells I3 Breake of Day 14 The Anniversarie IS A Valediction: of my name, in the window 16 T wicknam Garden 18 A Valediction: of the booke I9 Communitie 21 Loves Growth 21 Loves Exchange 22 Confined Love 23 The Drearne 24 A Valediction: of weeping 25 Loves Alchymie 26 The Flea 26 v CONTE NTS vii vi CON TENT S S4 The Curse 27 Raderus The Message 28 Mercurius Gallo-Beligicus S4 Ralphius SS A Nocturnall upon S. Lucies Day 29 The Lier SS Witchcraft by a Picture 30 The Baite 30 The Apparition 3I E LEGIES The Broken Heart 32 A Valediction: forbidding mourning 33 I. Jealosie s6 The Extasie 34 II. The Anagram S7 Loves Deitie 36 III. Change s8 Loves Diet 37 IV. -
An Appendix on Criticism of Donne's Writings
An Appendix on Criticism of Donne's Writings I RESPONSES BEFORE THE TWENTIETH CENTURY The fullest accessible collection of such responses is A. J. Smith's volume John Donne: The Critical Heritage (1975). A slighter selection may be found in F. Kermode (ed.) Discussions of John Donne (Boston, 1962). The 'Elegies on the Authors Death' printed with Miles Flesher's Poems by J.D. (1633) and reprinted by H. Grierson in Donne's Poetical Works (1912) provide an interesting illustration of the 'image' of Donne by the time of his death. R. Granqvist's The Reputation of John Donne 1779-1873 is a useful discussion of the reception of Donne's work in the nineteenth century. Such items allow a reader to chart movemen~s in Donne's reputation from the seventeenth century to the end of the nine teenth. They also provide insights into what aspects of Donne's work were of most interest and thereby illustrate both features of taste in earlier centuries and some of the ways in which texts are conditional rather than transcendental. Finally, taken together, such items subvert the once-common view that Donne was essen tially re-invented by the twentieth century, which is not to deny that Donne in our time is a rather different figure from the Donnes of earlier periods. II. DISCUSSIONS OF THE EARLY TWENTIETH CENTURY Some useful material is to be found in Kermode' s Discussions (above) and in J. Lovelock (ed.) Donne: Songs and Sonets (Casebook series, 1973). Two documents are particularly important in the history of Donne criticism: Grierson's introduction to his edition of the poems (above) and T. -
Essays in Divinity
i -.^ Digitized by tine Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.arcli ive.org/details/essaysindivinityOOdonnricli ' ESSAYS IN DIVINITY BY JOHN I)OT!r.;f^;l!,D.D,'?- • »<• »» *••'••» ' ' '. SOME TIME HyBXS 'OF- ?jT.. I»AUlV.- > ^ OF THR ^^;-^. UNIVERSITY EDITED BY JUGUSTUS JESSOFF, M.J. or ST. JOHN'S COLLEGE, CAMBRIDGE. L O ND ON: John Tupling, 320 Strand, 1855. T:)6 • :/: '.- fS3-^/0 10 him^ who with his wide knowledge is always able, and in his generous kindliness is always willing, to help and encourage his less-experienced fellow-labourers in the fields of English Literature, PHILIP BLISS, D. C.L. PRINCIPAL OF ST. MAEY'S HALL, OXFOKD, this Edition of Donne's Essays is respectfully dedicated, by AUGUSTUS JESSOPP. ,85330 tf ^ ^ OF THK ' r IX I UNIVERSITY ^^LCALiFOBjj^ SOME NOTICE OF THE AUTHOR AND HIS WRITINGS. JOHN DONNE, the writer of .the Essays contained in this volume, lived in an age more fruitful in great men and stirring events than the world has perhaps ever seen, from the times of Pericles to the days of Queen Victoria. He was born in 1573—the year after the massacre of St. Bartholomew; he died m 1631, the year after the battle of Liitzen. where Gustavus Adolphus fell. In his childhood Camoens fetched his last sigh in Portugal,— the poet who had laid the only firm foundation for his country^s literature, condemned to die in penury, hardly finding for his very corpse its last garment—a shroud. In his boyhood. Sir Philip Sidney wrote the Ar- cadia, and he was still in his teens when that gaUant hero put away the cup of water from his own parched lips to slake the thirst of the bleeding trooper lying by his side. -
Appendix: a Brief Review of Scholarship
Appendix: A Brief Review of Scholarship The main subjects of the preceding pages—Donne’s Songs and Sonnets , the mechanisms and repercussions of evolution, the fields of Biology and Cognition it led to, and an allied science of Love—are not always easy to understand. I have tried to be comprehensible and to share my contagious interests; my success can only be judged by my readers. Fortunately for all of us, though, some admirably lucid com- mentators have turned their attentions to explaining Donne, Darwin, and desire, and this guide is presented with the aim of clearing up confusions and prompting further inquiry (full citations are found in the Works Cited.) There are extensive—better said, excessive —bodies of scholarship on every minute subtopic touched on here, enough to make the most diehard Holmesian investigator or grad student despair. Mountains of material have been published on, well, everything, down to gold and alchemy, gossip, particular metaphorical schema such as Donne’s compasses, and so forth. No claims for systematic inclusiveness are advanced here. More specifically, let me note that the previous chap- ters have (relatively) few citations to the history of science, to overhasty first-generation efforts at sociobiological literary criticism, and to the masses of twentieth-century work on Donne’s poems, though many of those pieces are topnotch and sometimes stand, at one remove, behind interpretations that are generally accepted today. Donne criticism may be said to have reached its full-blown matu- rity, and now occupies several shelves in most well-stocked university libraries. To boil it down to a single paragraph: the two most influen- tial opponents of Metaphysical verse were John Dryden and Samuel Johnson. -
John Donne: the Nitchp.M Years, 1606-1611 John Donne: the Mitcham Years, 1606-1611
JOHN DONNE: THE NITCHP.M YEARS, 1606-1611 JOHN DONNE: THE MITCHAM YEARS, 1606-1611 BY JENNIFER REYNOLDS TAYLOR, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Naster of Arts McMaster University October, 1973 o Jennifer Reynolds Taylor, 1973 ~~STER OF ARTS (1973) Mc~~STER UNIVERSITY (English) Hamilton, Ontario TITLE: John Donne: The Mitcham Years, 1606-1611 AUTHOR: Jennife.r Reynolds Taylor, B.A. (McMaster University) SUPERVISOR: A. W. Brink NU}lliER OF PAGES: v, 137 ii ABSTRACT This thesis represents an attempt to define the nature of the intense personal crisis Donne suffered in the Mitcham years, 1606-1611. Interpreted as a modified spiritual autobiography, the poetry written in these years reflects the crisis itself and the ensuing search for resolution of personal conflicts. The years 1607-1609 were a period of transition: the earliest divine poems reflect an att~mpted self-accorrrmodation to formal religious devotion, while the late love lyrics reveal the disillusion accompanying the failure of sustained human relation in love of woman. Significant in this period is Donne's intense personal relationship with Lucy, Countess of Bedford. The collapse of this relationship in 1609 contributed to a crisis compounded of poverty, illness, and profound dejection of spirit. Donne's sen$e of inner incompletion, the need for the security and assurance of a sustaining personal relation, is poignantly expressed in the late lyrics and in the 'Holy Sonnets': love of woman and love of God appear as opposite foci in the search for a sufficient personal object of devotion. -
Bloomfield, the Poetry of Interpretation
The Poetry of Interpretation: Exegetical Lyric after the English Reformation Gabriel Bloomfield Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Gabriel Bloomfield All rights reserved ABSTRACT The Poetry of Interpretation: Exegetical Lyric after the English Reformation Gabriel Bloomfield “The Poetry of Interpretation” writes a pre-history of the twentieth-century phenomenon of close reading by interpreting the devotional poetry of the English Renaissance in the context of the period’s exegetical literatures. The chapters explore a range of hermeneutic methods that allowed preachers and commentators, writing in the wake of the Reformation’s turn to the “literal sense” of scripture, to grapple with and clarify the bible’s “darke texts.” I argue that early modern religious poets—principally Anne Lock, John Donne, George Herbert, William Alabaster, and John Milton—absorbed these same methods into their compositional practices, merging the arts of poesis and exegesis. Consistently skeptical about the very project they undertake, however, these poets became not just practitioners but theorists of interpretive method. Situated at the intersection of religious history, hermeneutics, and poetics, this study develops a new understanding of lyric’s formal operations while intimating an alternative history of the discipline of literary criticism. CONTENTS List of Illustrations ii Acknowledgments iii Note on Texts vi Introduction 1 1. Expolition: Anne Lock and the Poetics of Marginal Increase 33 2. Chopology: How the Poem Crumbles 87 3. Similitude: “Multiplied Visions” and the Experience of Homiletic Verse 147 4. Prosopopoeia: The Poem’s Split Personality 208 Bibliography 273 i LIST OF ILLUSTRATIONS 1. -
Literature and the Encounter with God in Post-Reformtion England, C. 1550 - 1704 Michael Thomas Martin Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2012 Hallowed ground: literature and the encounter with god in post-reformtion england, c. 1550 - 1704 Michael Thomas Martin Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the English Language and Literature Commons, and the Other Religion Commons Recommended Citation Martin, Michael Thomas, "Hallowed ground: literature and the encounter with god in post-reformtion england, c. 1550 - 1704" (2012). Wayne State University Dissertations. Paper 456. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. HALLOWED GROUND: LITERATURE AND THE ENCOUNTER WITH GOD IN POST-REFORMATION ENGLAND, C.1550 – 1704 by MICHAEL MARTIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2012 MAJOR: ENGLISH Approved by ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ ____________________________________ © COPYRIGHT BY MICHAEL MARTIN 2012 All Rights Reserved DEDICATION for Bonnie “since all Divinity is love or wonder” ii ACKNOWLEDGMENTS I could never have completed—or even contemplated—this dissertation without the direction, help, and support of mentors, colleagues, friends, and family members. I could never begin to repay them for their generosity, which has given me a deeper appreciation for the admission, “Beggar that I am, I am even poor in thanks.” Ken Jackson’s forthrightness, insightful readings of my drafts, and knowledge of both early modern English literature and Continental philosophy were of great benefit to me as I worked through the issues of this study. -
Donne's Annihilation
a Donne’s Annihilation Ross B. Lerner Princeton University Princeton, New Jersey I “For his art did express / A quintessence even from nothingness, / From dull privations and lean emptiness.” This is how John Donne, in his 1612 “A Nocturnal upon St. Lucy’s Day,” describes the divine power of love.1 Love can squeeze out of nothingness, from the leanest emptiness, a quintessence. Nothingness is a threat to material beings — they might cease altogether to exist — but the threat is not absolute; some things, the speaker in this lyric asserts, can be evacuated to nothingness, but then reborn into a new life: “He ruined me, and I am re- begot / Of absence, darkness, death — things which are not” (17 – 18). How is one “ruined” and then “re- begot”? The rela- tionship between ruin and re- begetting that emerges across the caesura in line 17 is not a concern limited to the realm of love in Donne’s works; it is also a central concern of the Holy Sonnets, especially the relationship between “ravishment” and being made new in “Batter my heart.” This essay claims that we must understand the convergence of ruin and re-begetting before we can properly diagram Donne’s concrete concerns with martyr- dom and the annihilation of the will. Martyrdom and self- annihilation are limit cases for the relationship between devotion and labor; they raise the possibility that certain kinds of devotion orient themselves toward forms of passivity that require a release from labor and an evacuation of the will. Can one labor actively to beget oneself again through the ruining or annihilation of the self that takes place in martyrdom? If so, can this labor be exemplary, an action that others can follow? Or can one only be passively “re- begotten” in a singular process that could never be mimetically reenacted? Through an examination of annihilation and ravishment in Donne we can begin to answer these questions. -
JOHN F. MCDIARMID, New College of Florida John Donne. Essayes In
Book Reviews / Comptes rendus / 17 broadly appealing essays, Erika Rummel explains “Why Noël Béda Did Not Like Erasmus’ Paraphrases.” This is a very good look at the “Scholastic/Hu- manist controversy” from the Scholastic side. The Paris theologians’ eventual condemnation of the Paraphrases presaged their later fate. Guy Bedouelle shows that the major French translation of 1563 was put forward as suggesting a medial position between Catholic and Protestant extremes; but it was mod- erate Protestants who were offering this suggestion. In successive editions under Edward VI, the English Paraphrases were given an increasingly Protes- tant slant. Gretchen E. Minton considers why the English chose not to use a text by John Bale to supply a paraphrase for Revelation (omitted by Erasmus). John Craig surveys English parish records to see whether the royal injunctions were followed that mandated the placing of a copy of the Paraphrases in every parish church. His conclusion is “that the ‘Protestant’ Erasmus of the English Paraphrases was indeed a durable presence in the parishes” (p. 336). Craig starts his essay with two provocative pages asking (and guessing) why there has been little study of Erasmian influence in England in recent decades. Craig’s essay implicitly perhaps refutes one of the rationales for this neglect: Erasmianism has been put aside as a merely elite phenomenon by social historians interested in the experience of the non-elite majority. Yet if Craig is right, the Paraphrases came “down” into the parishes and might have formed part of that experience. Erasmus’ impact on sixteenth-century English religion has been both over-and under-estimated; more work is needed to find the right assessment. -
The Robert Ashley Founding Bequest to the Middle Temple Library and John Donne´S Library
The Robert Ashley Founding Bequest to the Middle Temple Library... The Robert Ashley Founding Bequest to the Middle Temple Library and John Donne´s Library Keith WHITLOCK The Open University London ABSTRACT Hitherto scholars have accepted Geoffrey Keynes’ account of the disposal of John Donne’s library at his death. An eighteenth century catalogue offers an opportunity to challenge that account, that of Charles Worsley of 1734. There has been no serious analysis of this catalogue. This catalogue allows us to access with reasonable accuracy the actual content of Robert Ashley’s bequest of 1741. Since 1948, there has been a suspicion that Ashley acquired part of Donne’s library when he died in 1631. The catalogue allows a larger inference, namely that Ashley actually acquired a very substantial part of Donne’s library. A series of tests were made, all of which point in the same direction and to the same conclusion. These are summarised in the paper. Obviously this discovery has considerable implications for Donne’s scholarship. The late Sir Geoffrey Keynes (1973:258) wrote: Donne’s erudition and virtuosity in ecclesiastical polemics can only have been founded on hard reading and familiarity with contemporary writings. He is likely, therefore, to have possessed a considerable Library… After claiming the identification of two hundred and thirteen books associated with Donne’s ownership and use, Keynes continues: It is noticeable that the great majority of them [i.e., the two hundred and thirteen books] were published before the appearance of Pseudo-Martyr in 1610, the work for which Donne first applied himself seriously to controversial theology. -
Critical Survey of Poetry
More Critical Survey of Poetry: British, Irish, & Commonwealth Poets John Donne by Edmund Miller Other literary forms Although John Donne (duhn) is know n chiefly as a lyric poet, the posthumous volume Poems, by J.D., w hich includes the lyrics, represents only a small part of his literary output. Donne w as famous in his ow n age mainly as a preacher; in fact, he w as probably the most popular preacher of an age w hen preaching held the same fascination for the general public that the cinema has today. Various sermons of Donne’s w ere published during his lifetime, and several collections w ere published in the follow ing decades. Without a commitment to Donne’s religious values, how ever, few today w ould w ant to read through many of his sermons. Donne must, how ever, be credited w ith the careful articulation of the parts of his sermons, w hich create a Table of Contents resounding unity of theme; and his control of prose rhythm and his ingenious imagery retain their Other literary forms pow er, even if modern readers are no longer disposed to see the majesty of God mirrored in such w riting. Achievements Biography John Donne Analysis (Library of Congress) “Kind pity chokes my spleen” “The Autumnal” “To His Mistress Going to Bed” “The Canonization” “The Flea” “The Ecstasy” “A Valediction: Forbidding Mourning” “Twickham Garden” “A Nocturnal upon St. Lucy’s Day, Being the Shortest Day” Verse letters Epithalamia Memorial verse “Infinitati Sacrum” Holy Sonnets Bibliography Excerpts from Donne’s sermons thus have a continuing vitality for general readers in a w ay that excerpts from the sermons of, for example, Lancelot Andrew es cannot.