Opening Day 2015

Total Page:16

File Type:pdf, Size:1020Kb

Opening Day 2015 Royal Vancouver Yacht Club Opening Day 2015 Flagship: Quantum Commodore: Paul Shield May 8 & 9, 2015 Weekend Programme and Sailpast Instructions Opening Day 2015 kick off the boating season in style - participate in one of RVYC’s MOSt TREASURED TRADITIONS. On Friday, May 8: Join Commodore Paul Shield & Susan Kidd OPening DAy Dinner & Dance Cocktails: 6:00 pm / Dinner: 7:00 PM enjoy a special menu prepared by chef Patrick, then dance to the music of Faith & Desire Dress CODE: men - blazers, Black tie, white trousers and white shoes -or- Appropriate Formal Attire LAdies - Long or short formal Dresses Cost: $55 per person (+tax) RSVP with the Front Desk 604.224.1344 2 On Saturday, May 9: Celebrations ASHORE Jericho Station 0930 hrs Weather Decision: GO or NO GO (Channel 73) 1130 hrs Sailpast commences with the firing of the Commodore’s cannon 1400 hrs Garden Party on the Front Lawn and Patio 1430 hrs Commodore’s Receiving Line 1630 HRS End of the Garden Party 1700 hrs Sunset Ceremony: -Lowering of the Flags on the Front Lawn -Vancouver Fire & Rescue Service band And Honour Guard 1730 HRS Winners of the Seamanship awards to be Posted at the Front Desk 3 On Saturday, May 9: KidsFEST Hastings Mill park Activities to include: boat building with the Vancouver Maritime Museum Face Painting Kangaroo Game Kidsfest will take place at Hastings mill Park from 1400 hrs - 1600 hrs with boatloads of fun, and hands-on activities during the afternoon ceremonies. (if the weather doesn’t cooperate, activities will take place inside the clubhouse) Dress of the Day Men: Club blazer, black tie, white trousers, and white shoes Ladies: Club blazer, white skirt or slacks, Club hat or white beret with crest, white blouse, white gloves, and white shoes While neat sailing attire on board is permitted, determination of the Seamanship awards is based in large part on yachts displaying the best “Dress of the Day” as outlined above. Parking Members are requested to park underground or o property. e open parking lot will be used by VIP guests, and parking in this area will be available only with a special Opening Day parking pass. ank you for your cooperation. 4 Flags All Members’ vessels should y the Canadian Ensign and RVYC burgee as outlined in “Flag Etiquette” in the Yearbook (page 221 in the 2014 edition, and page 217 in the 2015 edition). Vessels with signal ags are requested to “dress ship” after anchoring or docking at Jericho Station. Commodore’s and judges’ Vessels e Commodore’s Flagship is Quantum, the white powerboat shown on the cover of this programme. e Judges’ vessel Attitude will be anchored north of Quantum. SALUTING INSTRUCTIONS Skippers will organise crew when about ½ mile from the Flagship. Traditionally, ladies stand nearest the bow and are ranked from shortest to tallest working aft. Gentlemen stand aft of the ladies, ranked down from tallest to shortest. All vessels will approach from the north to salute and will pass Attitude before Quantum. e Skipper will call “Ship’s Company, Attention” when about 100’ from Attitude. e crew will come to attention and this stance will be held until after passing Quantum. e Salute: each vessel shall pass approximately 20’ astern the Flag- ship. As she begins to cross the Flagship’s transom, the Skipper only salutes, provided he or she is wearing the appropriate Club headwear. e Canadian Ensign is lowered (in the case of small dinghies, the headsail is let y). e salute is held while the Flagship’s Ensign is lowered, the Commodore returns the salute and the Flagship’s Ensign is raised again. At this point, the Skipper terminates the hand salute and the Ensign is raised. e Skipper then commands, “Ship’s Com- pany, Stand Easy.” After saluting, vessels moored at Jericho may return to their slips. All other vessels may proceed to anchorage well clear of the Flagship. Do not anchor east of the breakwater. e entrance to the Jericho Marina must be kept clear for Group Victor vessels to manoeuvre. e Dining Room Dock is only to be used for the Group Victor vessels. 5 Sailpast 2015 Muster Stations Pre- and Post- SALUTE MOVEMENTS GROUP VICTOR AND SAIL FLEETS POWER FLEETS Group Victor and Green Class will circulate Approach speed to salute is 5kts over the bottom. clockwise (marks to starboard). One Design, Transit False Creek near its centre line. Pass between Junior Fleet, Yellow, Blue and Red Classes will the markers at the entrance to False Creek TIDES AT POINT ATKINSON circulate counter clockwise (marks to port). approximately at mid-point. Turn to a course of Saturday May 9, 2015 (PDT) ±250°M, pass north of the Kits Barge Buoy and Low Tide 04:26 3.2m (10.5 ft) Each fleet will alter course from the south continue until the pair of orange marks north of the (12.1 ft) bound side of its loop, or gybe or otherwise Commodore’s vessel are nearing abeam. Turn to High Tide 08:48 3.7m Low Tide 15:59 1.1m (3.6 ft) maneouver to proceed to the orange gate port, pass between the orange gate marks and High Tide (14.8 ft) marks, pass between them and continue on continue on to salute the Commodore. Hold course 23:31 4.5m to salute the Commodore. Hold course thru until thru the second set of orange gate marks and the second set of orange gate marks and disperse to the east. disperse to the west. COMMUNICATION All skippers to monitor Channel 73. Necessary communication only, please! Jericho Dock staff to monitor Channel 66A. Red Pink Green Yellow AREA ‘S’ 20 36’ – 40’ 33’ – 36’ RVYC RED CLASS BLUE CLASS 41’ AND OVER GREEN CLASS 32’ AND UNDER YELLOW CLASS YELLOW Coal Harbour Yellow Red Pink Green SAIL FLEET APPROACH GROUP VICTOR and POWER FLEET APPROACH SPECIAL 1½ nm at 5kts = 18 min Compass course ± 250°M GROUP ONE DESIGN ¾ nm at 5kts= 8 min JUNIOR FLEET Kitsilano Barge Buoy Orange Orange Commodore Commodore and judges and judges in west wind in east wind SAIL FLEET DISPERSAL Orange Orange AREA ‘P’ Anchoring POWER FLEET POWER CLASS V Here DISPERSAL 66’ and OVER POWER CLASS III Orange 46’ – 55’ All mustering vessels are RVYC Green requested to stay west of Jericho the Cambie Bridge and to POWER CLASS II stay clear of Dragon Boat POWER CLASS IV Granville Street Bridge 36’ – 45’ activity east of the bridge Blue 56’ – 65’ Yellow POWER CLASS I 35’ and UNDER Red Sailpast instructions Ocial Vessels: Commodore: Paul Shield Quantum (30’ Tollycraft, white) Ocers of the Day Aoat: Iain Drummond Arcturus (30’ Carver, white) Harold Gordon American Beauty (31’ Chris Craft, white) Judges Vessel: Peter Powers Attitude (38’ Viking, white) Patrol Chief: Hunter Lowden Whaler 7 (aluminium utility boat) Heavy Weather contingency Plan At 0930 hrs on Saturday May 9, the Ocer of the Day Aoat will decide as to whether Sailpast will proceed. In the event of unfavourable conditions, ag AP (this is a pennant with red and white vertical stripes) with two sound signals, will be displayed on the agpoles at Jericho and Coal Harbour to notify participants that Sailpast will not occur. Opening Day activities at Jericho Clubhouse will take place as scheduled. In addition, the Ocer of the Day Aoat will announce on VHF Channel 73 the status of the Sailpast as GO or NO GO. All skippers are encouraged to monitor their VHF radios at this time. Group Victor and Special Group 1100 hrs Rendezvous ½ mile north of the Flagship and west of the approach line 1130 hrs Vice Commodore John Robertson (Vessel: Bel Esprit) sails between the north pair of orange marks, salutes, continues through the south pair of orange marks and departs the area in an easterly direction. Group Victor and Special Group vessels will follow. Group Victor Tradition I PC David Rolfe Midnight Sun David Doig & Emma Stevens Deora PC Bill Botham Extra David & Ellan Bockus Shasta PC Geo Peretz Special Group HMCS Oriole, Vancouver City Police, Vancouver Fire & Rescue, Port Metro Vancouver, Steveston Lifeboat, visiting Commodores’ vessels, visiting Yacht Club vessels, RVYC Past Commodores’ vessels, followed by RVYC Flag Ocers’ vessels. 8 Sailing Vessel Orders 1100 hrs Rendezvous in areas designated on Muster Stations Plan (page 6 & 7). All vessels to form up line astern behind respective class leaders. Class lead vessels are identied by coloured pennants and last vessels by coloured ags. Be prepared to use engine as necessary. ere will be four courses set, with marks correspond- ing to Class colours. e marks for each course will be approximately one mile apart, on north/south axes, dening courses with two reaching legs. Patrol Chief will instruct lead vessels when to commence the approach to the Flagship. All sailboats are to pass between the rst orange marks, come to attention before passing the Judges, salute the Commodore, pass between the second two orange marks and disperse. Disperse to the west, unless returning directly to Jericho Marina, in which case, dispersal to the east is acceptable. Classes, led by the Fleet Captain will sail past in the order listed below. Please follow Patrol Vessel instructions during approach to the Flagship. Lead vessel - Endless Summer Fleet Captain - James McDonald Junior Fleet Lead Vessel 29er or Elliott 6 Calum Macdonald Last Vessel 29er Ryan Wood / Andrew Wood One Design Lead Vessel blink (Star 8017) Bruce Long Last Vessel Marhenurh 5 Peter Wealick Class I (under 32’) - Yellow Lead Vessel Ultraman II (yellow pennant) Jason Saunderson Last Vessel LRT (yellow ag) Robb Bassett & Danielle Roberts 9 Class II (33’ to 35’) - Green Lead Vessel Absolute Kaos (green pennant) Catherine & Reigh North Last Vessel Harlequin (green ag) George & James Dermer Class III (36’ to 40’) - Blue Lead Vessel Taranga (blue pennant) Kevin Mueller Last Vessel Marhenurh 4 (blue ag) Richard Wealick Class IV (41’ and over) - Red Lead Vessel Miller Time (red pennant) Tim & Cheryl Saunders Last Vessel Spirit (red ag) Tim Meakin POWER Vessel Orders 1200 hrs Rendezvous in areas designated on Muster Stations Plan (page 6 & 7).
Recommended publications
  • Prospectus & Calendar 2021
    prospectus & calendar 2021 500th Year of the Conversion of St. Ignatious of Loyola (1521-2021) •Remember •Rejoice •Reach Out st. xavier’s school Doranda, Ranchi www.stxaviersschool.com Affiliated to the Council for the Indian School Certificate Examinations, New Delhi Estd. 1960 St. Xavier’s School P.O. - Doranda, Post Box -16 Ranchi - 834 002 website : www.stxaviersschool.com Affiliated to the Council for the Indian School Certificate Examinations, New Delhi St. Xavier’s School, Doranda, Ranchi St. Xavier’s School Doranda, Ranchi- 834002 (Affiliated to the Council for the Indian School Certificate Examinations, New Delhi) Prospectus & Calendar 2021-2022 Fr. Sanjay Kerketta, S.J. : Principal Fr. Ignatius Lakra, S.J. : Vice –Principal Fr. Fuldeo Soreng, S.J. : Vice –Principal Mr. Raju C. A. Singh : Prefect Principal’s Office (1) The Principal will be available to meet the PARENTS OF STUDENTS from Monday to Wednesday between 10.00 a.m. and 11.00 a.m. and at other times by prior appointment only. (2) The Principal will be available to meet other VISITORS on Friday only between 10.00 a.m. and 12.00 noon and at other times by prior appointment only. School Contact Ph: 0651-2253777, 0651-2252444 Fax: 0651-2252666 Email : [email protected], : [email protected] School Website : www.stxaviersschool.com 2 St. Xavier’s School, Doranda, Ranchi Pupil’s Information Name of the Student : Class/Section : Roll No. Photo Aadhaar Card No. : Admission No. : Residential Address : Primary Mobile No. (for regular Communication) : Father’s Name : Specimen Signature : Tel. No. (O) : Mobile No. : Mother’s Name : Specimen Signature : Tel.
    [Show full text]
  • Traditional Clothes of the Country(Joint
    Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn.
    [Show full text]
  • “Costumes of Kashmir: an Aspect of Cultural Tourism”
    www.ijcrt.org © 2021 IJCRT | Volume 9, Issue 2 February 2021 | ISSN: 2320-2882 “COSTUMES OF KASHMIR: AN ASPECT OF CULTURAL TOURISM” Zeenat Ul Arsh School of Tourism and Hospitality Services Management (SOTHSM) Indira Gandhi National Open University (IGNOU) Abstract: Cultural tourism is a very complex segment of the ‘Tourism Industry,’ its supply is diverse and versatile. Cultural Tourism is around the corners in Tourism Industry as an alternative way for sustainability of nature and promotion of unique culture. Costume is an important aspect of socio-cultural life of a nation, dressing style is the speaking attribute of any culture. Kashmir has a rich traditional dress in terms of the style and fabric as well. The traditional costumes have powerful tourism values. Unfortunately, over years the traditional costumes have faded away giving way to the modern style clothing. The paper is an attempt to study the costumes of Kashmir as an aspect of cultural tourism and role of tourism in revival of the ethnic wear. Key words: Cultural Tourism, Traditional Dresses, Extinction, Revival via Tourism 1.0 Introduction: Kashmir has a rich cultural heritage..Cultural tourism is on cards in every nation. Culture- a mark of distinction in present era is the sum of many attributes of a region as dress or costume, cuisine, language, crafts, life style, customs’ etc. Costume is an important attribute of the culture of any region which depicts the life style and general attire of any region. United Nations World Tourism Organisation (UNWTO) also stresses on cultural tourism with numerous aims as to have sustainable tourism, to preserve exotic heritages and to address poverty.
    [Show full text]
  • Pheran Through the Mists of Centuries
    PUTAJ – Humanities and Social Sciences Vol. 25, No. 2 (July – Dec.), 2018 Pheran Through the Mists of Centuries Shabana Rafique*, Faiza Inayat**, Shahnaz Parveen Khattak*** Abstract The present study is an attempt to find out the historical perspective, different styles and decorative aspects of traditional Kashmiri attire i.e., Pheran. The study focuses on the assessment of modified versions of Pheran which were designed according to latest fashion trends. The most preferred styles were stitched and analyzed by taking opinion of under graduate girls students through a self-constructed questionnaire. The three types of Pheran i.e., Mughal, Kurta and Modern style were designed by flat-pattern method. According to the findings, the most appreciated style among them was Mughal. After taking the source of inspiration from the oriental costumes, various beautiful and attractive designs can be produced. The study will be beneficial in gaining attention of young fashion designers and consumers at national and international levels. Keywords: Mughal Style, Pheran, Kurta, Kashmir, Cultural Values, Fashion Designer Introduction The valley of Kashmir is known as the crown of the Indian subcontinent. In remote past, many foreign visitors of the valley were much fascinated with its beauty and offered glowing tribute to it. They called it as the Switzerland of the Asia, the heaven on earth by Firdausi and meadow of flowers by Persian scholars. The word Kashmir is also believed to be derived from the word „kashmere‟, a specific sheep „pashmina‟ from which the wool is taken for making the popular Kashmiri shawls (Asotush, 2013). This stunning valley is the inheritor of a fabulous cultural past, famous for its unique textile and apparel products i.e., carpets, pashmina shawls and various clothing items like Pheran etc.
    [Show full text]
  • The Mysticism and Glory of Sufism and Kashmiriyat: Origins, History and the Politics Behind It
    The Mysticism and Glory of Sufism and Kashmiriyat: Origins, History and the Politics behind it Introduction “Insaniyat, Jamhuriyat, Kashmiriyat”, or “Humanism, Democracy and Kashmiriness”, with these words the former Indian Prime Minister Atal Bihari Vajpayee described his doctrine towards preserving and fostering the peace, progress and prosperity of the people of Jammu & Kashmir (FirstPost, 2018). Twenty years later, this paper will aim to untangle the origins and meanings behind this statement, taking the reader few centuries back, when the mystical current of Islam, called Sufism, was setting foot on the Indian subcontinent, preaching the teachings of love, compassion, humanity and promoting an ideology where caste hierarchy or an individual’s financial standing did not matter. It will explore in-depth the construct and design of this spiritual Islamic philosophy and theology, which has exercised significant influence over the development of Islamic politics and society, and the diverse expression of religious devotion via shrines (Elias, 1998). On that basis, it will discuss the evolution of the so-perceived sacred collective identity in the Kashmir Valley of Jammu & Kashmir, called ‘Kashmiriyat’, which manifested a tradition of syncretism, which flourished in the region owing to the mutual efforts of both Muslims and Hindus towards coexistence, communal harmony, hospitality, non-violence and mutual accommodation. It will follow the evolution of this notion and its subsequent demise through observing the unholy alliance of organized fundamental interpretations of religion and gun culture, which have led to the weeding out of the remnants of this humanistic culture of Kashmir with its roots deeply embedded in the hitherto secular and glorious ancient past.
    [Show full text]
  • Wine Production and Terroir in Mclaren Vale, South Australia
    Fermenting Place Wine production and terroir in McLaren Vale, South Australia William Skinner Thesis submitted for the degree of Doctor of Philosophy In the Discipline of Anthropology, School of Social Sciences University of Adelaide September 2015 Table of Contents List of Figures ...................................................................................................................... iv Abstract .............................................................................................................................. vi Declaration ....................................................................................................................... viii Acknowledgements ............................................................................................................ ix Introduction ........................................................................................................................1 Framing the thesis .............................................................................................................. 4 Dwelling, place and landscape ............................................................................................ 6 Relationality ...................................................................................................................... 15 A terroir perspective ......................................................................................................... 18 Learning from people and vines ......................................................................................
    [Show full text]
  • Costumes Royal India
    The Costumes of Royal India Exhibition Checklist The Metropolitan Museum of Art Modem India CHINA 0 50 «M 1» MO ?» 300 mm • Th« marking,V int«rru*ton«l rjounoafw* « net author«**« St«* boundanaa THZ :..«;.-?• ;PCT.:TJIN UUaZL'U Of AST. ARcmvss RKGOXO CK f Of yr-| PL'S;..'ÇAT;QKSPL'S;..'CAT;QKS £ \DAr,y>J%(e. Th ¡70. Costumes of Royal Inaia A checklist to the exhibition at The Costume Institute, December 20, 1985, through August 31, 1986 0 Ibim»m - if-» * ' ' " - *— HE MEÌnoPÒUTAN MUSFMM OF ART '• .ARCHIVES This exhibition is made possible by The Christian Humann Foundation and Ratti S.p.A. Additional support has been received from Air India and Mr. and Mrs. Vincente Minetti. Copyright® 1986 by The Metropolitan Museum of Art Published by The Metropolitan Museum of Art, New York Bradford D. Kelleher, Publisher John P. O'Neill, Editor in Chief Barbara Burn, Editor Michael Shroyer, Designer Printed and bound in the United States of America Introduction The rich costume tradition of Consideration must also India has long fascinated be given to the pragmatic visitors and scholars alike. aspects of living in the Indian How can it be that a nation climate. The geography of actively contributing to and India varies remarkably from participating in the modern the lush, green, mountainous world has retained forms of regions of Kashmir to the hot, dress as ancient as its arid lands of what is now civilization? What is it in the Rajasthan, to the tropical Indian cultural heritage that jungles of the south. supports and sustains the use Temperature and humidity of traditional clothing? In fact, shift dramatically from day to there is no segment of Indian night and from region to culture that does not reflect region.
    [Show full text]
  • The Meter and the Literary Language of Gūrānī Poetry
    The Meter and the Literary Language of Gūrānī Poetry Dissertation zur Erlangung des Grades der Doktorin der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg Asien-Afrika-Institut vorgelegt von Parvin Mahmoudveysi Hamburg 2016 1. Gutachter: Herr Professor Dr. Ludwig Paul 2. Gutachter: Herr Professor Dr. Philip G. Kreyenbroek Datum der Disputation: 04 März 2016 To my best friends: Kobra, Rebin, Denise and Nick Acknowledgements As the author of this thesis, I wish to acknowledge the support of many friends who helped me in this work. First of all, I would like to honor my colleague, Carsten Bettermann, who sadly forever left us at a young age. I was lucky to have many interesting discussions with him about the form of Old and Middle Iranian versification. Furthermore I had the good fortune to participate in his courses on Avestan and Middle Persian. He even kindly arranged a course for versification in Avestan. He greatly supported me as I prepared the section in this dissertation on Old Iranian languages. The death of this unbelievably talented person was a great loss for all the colleagues and students in the Asien-Afrika-Institut at the University of Hamburg. I would like to thank my professors Ludwig Paul, Philip Kreyenbroek, and Omid Tabibzadeh, who during the course of my studies have always supported me. I owe a debt of gratitude to two kind friends, Peter Keil and his wife Marie-Luise Keil, for their support. Peter Keil very kindly translated for me ten articles from French into German (Jean Kellens 2006; Jerzy Kuryłowicz 1952 and 1972; Gilbert Lazard 1984, 1985, and 1990; Antonie Meillet 1900 and 1925; Eric Pirart 2004; Hermann Trödel 1874).
    [Show full text]
  • Changing Village of Kashmir with Special Reference to Changes in Dress: Post1947 Era
    Volume-11,Issue-4,March-2018 Changing Village of Kashmir with Special Reference to Changes in Dress: Post1947 Era Audil Umar Research Scholar University of Kashmir [email protected] Abstract Majority of people in Kashmir live in rural areas but not much is known about their socio-materialistic characteristics. The Kashmiri society was almost static or experienced a little change under the Dogra regime (1846-1947). But after independence in 1947, the popular government initiated various measures aiming at spread of education and awareness, breaking the isolation of the valley with effective road communication, transfer of property rights of land to tillers, introduction to modern methods of agriculture including HYV of seeds and chemical fertilizers etc. These interventions initiated a change in the material aspects of the society and subsequently had its impact on non-material aspects. The theme of this paper is to divulge on changes in Kashmiri Villages with special reference to dress. Key Words: Land Reforms, High Yielding Varieties (HYV), Debt, Fertilizers, Dress, Introduction Society in rural India has undergone a large amount of change since ages due to wars, socio-religious movements, modernization, education, rural development programmes and more recent globalization and increased mechanization. Quiet similar to what has happened in other parts of Indian sub-continent, society of the state of Jammu and Kashmir also witnessed a large amount of change. For example, the society changed from subsistence agriculture to modern mechanized agriculture; the institution of bonded labour begar got replaced by the institution of free labour. Similarly Superstition of the village got substituted by reason, ignorance by education, traditional practices of living with increasing use of science and technology in day today life.
    [Show full text]
  • Pavendar Bharathidasan College of Arts and Science Department of Aparel and Fashion Technology
    PAVENDAR BHARATHIDASAN COLLEGE OF ARTS AND SCIENCE DEPARTMENT OF APAREL AND FASHION TECHNOLOGY SUBJECT : INDIAN TEXTILE, EMBROIDERY AND COSTUMES ​ ​ SUB CODE: 16SCCAF4 CLASS: II AFT ​ ​ ​ UNIT-I ORIGIN OF COSTUMES ​ ​ PART-A 1. What is a human needs and development of clothing? Social scientists have been discussing for a long time as to what motivated human being to begin to wear clothes. The explanations most often by the experts are Protection, ​ Modestly, Self-adornment. Each of these theories based the development of clothing on ​ the desire to satisfy the human needs and wants. 2. What is a stronger than fashion? Modesty is based on tradition also because tradition is stronger than fashion and basic necessity. Traditional heavy garments of Arab women in extreme heat. The lack of clothing worn in extreme cold. These are classic examples of the importance of traditional values over desire for protective and modesty. 3. Define Beginning of costume. Since the first people put on the first pieces of clothing, what people wear has been in a constant change. Today changes are mostly related to style or fashion but for thousands of year’s change in clothes were made out of necessity. The first clues about clothes date back to around 75,000 to 100,000 years, No written records exist from those days. ​ ​ Painting , Cutting and Tattooing. 4. Draped garments of different civilization were called as follows: Draped fabric has another advantage of taking on a variety of shapes depending on how it is draped. Egyptians - Schenti Greeks - Chiton and himation Romans - Togas and stolas India - Saris and dhotis 5.
    [Show full text]
  • School Diary 2021-2022
    TRIBENI TISSUES VIDYAPITH CHANDRAHATI -712504 Phone: (033) 26846146 9831490896 E-mail: [email protected] SCHOOL DIARY 2021-2022 Name………………………………………………………………………………………. Class……………………….Sec. …………………….Roll No……………………… NATIONAL ANTHEM J ana gana mana Adhinayaka jaya hey, Bharata bhagyavidhata. Punjaba, Sindhu, Gujarata, Maratha, Dravida, Utkala, Banga, . Vindhya, Himachala, Yamuna, Ganga, U chchala jaladhi taranga Tava shubha naamey jaagey, Tava shubha aashis maagey, Gahe tava jayagatha. J ana gana mangala dayak j aya hey Bharat bhagyavidhata. Jaya hey, Jaya hey, Jaya hey Jaya, jaya, jaya, jaya hey! 1 SCHOOL ANTHEM Surrounded by evergreen trees There stands our dear T. T. V. That is our joy and pride From there we learn to stride. Sacred Ganges flows beside Loving teachers are the guides. God ! give us courage To reach our target Let our motto be virtue and knowledge Let's morally be straight. Let's physically be fit And mentally be alert Our elders and parents be respected And loved by us, Oh Lord! 2 PLEDGE India is my Country We all are Indians. We, the students of Tribeni Tissues Vidyapith, pledge that we will preserve the integrity & diversity of our beloved country, India. We shall respect all citizens irrespective of religion, caste, creed, colour and language to work for national intergrity. We, the students of Tribeni Tissues Vidyapith, pledge that we will protect the environment & our mother Earth. We also pledge to keep our School, Home & town neat & clean & save water and electricity. - Jay Hind. 3 4 PARENTS' DECLARATION (To be filled by Parents only) 1. Our ward_----------------------------------------------------------------- - is a student of class/section ------------------------------------------of your school.
    [Show full text]
  • Composite Culture of Kashmir
    INTERNATIONAL JOURNAL FOR INNOVATIVE RESEARCH IN MULTIDISCIPLINARY FIELD ISSN – 2455-0620 Volume - 3, Issue - 7, July - 2017 Composite Culture of Kashmir: A Reflection of Social Customs and Practices Dr.Tariq Ahmad Sheikh Assistant Professor, Department of History, Lovely Professional University, Punjab, India Email - [email protected] Abstract: Kashmir is famous for its rich culture since time immemorial, as it has been the home of some greatest civilizations of the world. During Ancient Kashmir there were, Hindus, Buddhists and Jains who live with their marvelous cultures that evolved from hundreds of years but with the coming of muslim educationists and thinkers during medieval Kashmir particularly from central Asian and Persia a substantial change was brought in the society. These people have brought with them new cultures and new styles of life that has fascinated the local people. From Hindu society to a muslim one, all the religious groups had influenced the culture of Kashmir by one way or the other. Each social group has its own characteristics based on its values and ethics. In the later year’s merchants, soldiers, artisans, poets and scholars went outside Kashmir and stayed with some famous cultures of the world. Their arrival back in Kashmir had further enriched the local culture. There was an amalgamation of local and foreign cultures which gave birth to a new culture that was quite delicate, rich and unique. The Muslim nobles and rulers married with the Hindu women and allowed them to retain their Hindu names and also their faith. The two participated in each other’s festivals and in this way made the society a composite one.
    [Show full text]