Frederick P. Williams Papers PA Mss 72

Total Page:16

File Type:pdf, Size:1020Kb

Frederick P. Williams Papers PA Mss 72 http://oac.cdlib.org/findaid/ark:/13030/kt838nf5wg No online items Guide to the Frederick P. Williams papers PA Mss 72 Finding aid prepared by Pearl Ko, 2011; encoded by Zachary Liebhaber, 2011. UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections 2011 Guide to the Frederick P. Williams PA Mss 72 1 papers PA Mss 72 Title: Frederick P. Williams papers Identifier/Call Number: PA Mss 72 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 39.17 linear feet(30 cartons, 10 oversize boxes, 1 small shoebox) Date (inclusive): 1800-2009 Date (bulk): 1900-2000 Abstract: Research files on concert, military, and ethnic bands collected by Frederick P. Williams. Physical Location: Special Research Collections, UC Santa Barbara Library Creator: Williams, Frederick P. Access Restrictions The collection is open for research. Use Restrictions Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Preferred Citation [identification of item], Frederick P. Williams papers, PA Mss 72. Department of Special Collections, University Libraries, University of California, Santa Barbara. Acquisition Information Library purchase, 2009. Processing Information Processed by Pearl Ko, 2011. Scope and Content Papers of band historian and record collector Frederick P. Williams. The bulk of the collection is comprised of research materials on many famous early military and marching bands (Sousa, Pryor, etc.) as well as the lesser known "ethnic" bands led by Giuseppe Creatore and others. The collection contains research materials on early military and ethnic marching band recordings, record "want" and exchange lists, correspondence with other researchers, cylinder and 78 rpm disc catalogs, and auction lists and discographies. The collection also includes Musicians Protection Agency directories, rare concert programs and posters, clippings, flyers, early photos of soloists and bands, conference and events files, and artifacts, including record needles, audio recordings, a Sousa Band uniform, and other items related to early band performances and dance hall recitals. Also included are historical deeds and maps related to the city of Philadelphia and its environs, and Williams family photos, correspondence, and artifacts. Arrangement The collection has been divided into the following series: I. Artist Files, II. Band Files, III. Articles by F.P. Williams, IV. University of Iowa Special Collections: Chautauqua Collection, V. Musicians Protection Agency Directories, VI. Sound Recording Files, VII. Discographies, VIII. Catalogs, IX. Correspondence, X. Local activities, XI. Miscellaneous, XII. Posters, XIII. Programs, XIV. Photos, XV. Oversize photos, XVI. Oversize, XVII. Conferences, Events, and XVIII. Fall 2012 Addition. Subjects and Indexing Terms Creatore, Giuseppe, 1871-1952 Kryl, Bohumir, 1875-1961 Minchini, Salvatore Sousa, John Philip, 1854-1932 Williams, Frederick P. -- Archives Band music Clippings (information artifacts) Correspondence Photographs Posters Guide to the Frederick P. Williams PA Mss 72 2 papers PA Mss 72 Programs Series I. Artist Files Creatore, Giuseppe Box-folder 1: 1 "Giuseppe Creatore," by Frederick Williams, Hillandale News No. 210 1996 Box-folder 1: 2 "Giuseppe Creatore: Flamboyant Genius of the Concert Stage," by Frederick Williams, ARSC Vol. 31, No. 1 2000 Box-folder 1: 3 "Giuseppe Creatore: The Life and Recorded Legacy," by Frederick Williams, ARSC Presentation 1988 Box-folder 1: 4 Articles, programs xeroxes undated Box-folder 1: 5 Programs, clippings xeroxes undated Box-folder 1: 6 Notes, clippings undated Box-folder 1: 7 Correspondence: Daniel Cillis undated Box-folder 1: 8 Correspondence: Solomon Goodman undated Box-folder 1: 9 Correspondence: other undated Box-folder 1: 10 Interview transcript with Sam and Alba Carollo, Luigi Creatore undated Box-folder 1: 11 Creatore Band recordings undated Box-folder 1: 12 Rigler-Deutsch Index xeroxes undated Box-folder 1: 13 Biography notes undated Box-folder 1: 14 Biography and notes 1997 Box-folder 1: 15 Biography 1999 Box-folder 1: 16 Biography, corrected for Barry Ashpole 2000 Box-folder 1: 17 Biography and discography undated Kryl, Bohumir Box-folder 2: 1 ARSC lecture 1992 Box-folder 2: 2 CD project undated Box-folder 2: 3 Scrapbook xeroxes undated Miscellaneous artists Box-folder 3: 1 Bell, William J. undated Box-folder 3: 2 Blankenburg, Hermann Ludwig undated Box-folder 3: 3 Clarke, Herbert - CD project undated Box-folder 3: 4 Clarke, Herbert - research undated Box-folder 3: 5 Contorno, Nicholas J. undated Box-folder 3: 6 Dodworth, Harvey B. undated Box-folder 3: 7 Giannini, Ferruccio undated Box-folder 3: 8 Haight, John T. undated Box-folder 3: 9 Harper, Robert undated Box-folder 3: 10 Hazel, John undated Box-folder 3: 11 Hoe, Robert undated Box-folder 3: 12 Hoe, Robert - letters 1975-1978 Box-folder 3: 13 Hoe, Robert - letters 1979-1989 Box-folder 3: 14 Hummel, Silas E. undated Box-folder 3: 15 Kendziora, Carl undated Box-folder 3: 16 Kiefer, Joe undated Box-folder 3: 17 King, Karl undated Box-folder 3: 18 Koennecke, Emil undated Box-folder 3: 19 Lanin, Howard undated Guide to the Frederick P. Williams PA Mss 72 3 papers PA Mss 72 Series I.Artist Files Miscellaneous artists Box-folder 3: 20 Longy, Georges undated Box-folder 3: 21 Lufsky, Marshall undated Box-folder 3: 22 Missud, Jean undated Box-folder 3: 23 Ormandy, Eugene undated Box-folder 3: 24 Rogers, Walter B. undated Box-folder 3: 25 Schoendorfer, Frank undated Box-folder 3: 26 Sodero, Cesare undated Box-folder 3: 27 Stokowski, Leopold undated Box-folder 3: 28 Swift, George undated Box-folder 3: 29 Thaviu, Alexander Freiman undated Box-folder 3: 30 White, Edna undated Box-folder 3: 31 Wilson, Meredith undated Minichini, Salvatore Box-folder 2: 4 Correspondence: Mr. and Mrs. Joseph Minichini, news clipping undated Box-folder 2: 5 Correspondence: Elisa Koehler undated Box-folder 2: 6 ARSC lecture 1994 June 11 Box-folder 2: 7 Articles, programs xeroxes, business card undated Box-folder 2: 8 Research material, xeroxes undated Box-folder 2: 9 Associated Musicians of Greater New York Journal undated Pryor, Arthur Box-folder 2: 10 Clippings, correspondence undated Box-folder 2: 11 Discography undated Box-folder 2: 12 LP project materials undated Box-folder 2: 13 LP project finished liner notes undated Sousa, John Philip Box-folder 2: 14 Band personnel 1892-1931 Box-folder 2: 15 Band personnel 2000 Box-folder 2: 16 Biography by Helen Sousa Abert, as told to Al G. Wright undated Box-folder 2: 17 Biographies by Fred Williams undated Box-folder 2: 18 Clippings undated Box-folder 2: 19 Sousa and Herbert Clarke - testimony on patents undated Box-folder 2: 20 Centennial celebration undated Box-folder 2: 21 Correspondence: Alfred Ricciardi undated Box-folder 2: 22 Discography of marches on Crystal Records undated Box-folder 2: 23 Discography by Paul Bierley undated Box-folder 2: 24 Discography by Paul Bierley (draft) undated Box-folder 2: 25 Discography by Paul Bierley (draft of chapter 1) undated Box-folder 2: 26 Keith Brion and the New Sousa Band undated Box-folder 2: 27 Sousa LP project undated Series II. Band Files Notes Box-folder 4: 1 American brass bands undated Box-folder 4: 2 Banda di Chieti undated Box-folder 4: 3 Coast Guard band undated Box-folder 4: 4 Cornet, trumpet research 1 undated Box-folder 4: 5 Cornet, trumpet research 2 undated Box-folder 4: 6 Cornet, trumpet research 3 undated Guide to the Frederick P. Williams PA Mss 72 4 papers PA Mss 72 Series II.Band Files Notes Box-folder 4: 7 Eastman Wind Ensemble undated Box-folder 4: 8 Great American community band undated Box-folder 4: 9 Italian bands undated Box-folder 4: 10 Marine band project 1 undated Box-folder 4: 11 Marine band project 2 undated Box-folder 4: 12 Marine band project correspondence undated Box-folder 4: 13 Navy band undated Box-folder 4: 14 Pioneer concert, military band recordings undated Box-folder 4: 15 Valley Forge national history park undated Box-folder 4: 16 Ward Hodge notebook undated Box-folder 4: 17 Ward Hodge notes 1 undated Box-folder 4: 18 Ward Hodge notes 2 undated Box-folder 4: 19 Ward Hodge notes 3 undated Articles Box-folder 5: 1 "A Brief History of Brass Band Music in Williamsport, PA," by John Hunsinger undated Box-folder 5: 2 "Bassoonists I Have Known," by Harrington E. Crissey Jr. The Double Reed, Vol. 25, No. 1 2002 Box-folder 5: 3 "Breakdown," "Pyaduchov's Law," JALT articles on Russian soloists undated Box-folder 5: 4 Mit klingendem Spiel, translation 1996 Box-folder 5: 5 Bands in Ecuador undated Box-folder 5: 6 Clippings from The Leader undated Box-folder 5: 7 Cornet and trumpet exercises by Del Staigers undated Box-folder 5: 8 Enrico Caruso, by J. Freestone and H.J. Drummond undated Box-folder 5: 9 History of the U.S. marine band, by Kenneth William Carpenter undated Box-folder 5: 10 Indiana University tuba-euphonium oral history project, by Carole Nowicke undated Box-folder 5: 11 Italian band articles undated Box-folder 5: 12 Jazz Museum of Hamburg undated Box-folder 5: 13 Kiefer brass band instruments undated Box-folder 5: 14 Miscellaneous clippings 1930s, 1940s Box-folder 5: 15 Miscellaneous clippings 2 undated Box-folder 5: 16 Miscellaneous clippings, from Frank Byrne undated Box-folder 5: 17 On the Go: A Critical biography of the life and work of Edwin Franko Goldman and the Goldman band, by Herbert N.
Recommended publications
  • A Caravan of Culture: Visitors to Emporia, Kansas by Charles E
    A Caravan of Culture: Visitors to Emporia, Kansas by Charles E. Webb INTRODUCTION hat do Ulysses S. Grant, "Buffalo Bill" Cody, Susan B. Anthony, Will Rogers, Ethel Barrymore, and Dr. \Verner Von Braun haye in common"? They were W among the hundreds of famous people that have visited EmpOria, Kansas during the past one hundred years. In­ dividuals and groups of national and international fame, represen­ ting the arts, seiencl's. education, politics, and entertainment, have pa~sed before Emporia audiences in a century long parade. Since 1879, this formidable array of personalities has provided informa­ tion and entertainment to Emporia citizens at an average rate of once eaeh fifteen days, The occasional appearanee of a famous personality in a small city may well be considered a matter of historical coineidence. When, however, such visits are numbered in the hundreds, arc fre­ quent, and persist for a century, it appears reasonable to rank the phenomenon as an important part of that eity's cultural heritage. Emporia, although located in the interior plains, never ae­ cepted the role of being an isolated community. It seems that the (own's pioneers eonsidered themselves not on the frontier fringi'" of America, but strategically situated near its heart. From the town's beginning, its inhabitants indicated an intention of being informed and participating members of the national and world communities. To better understand why Emporia was able to attract so many distinguished guests, a brief examination of its early development is required. In the formative years of the city's history wc may identify some of the events, attitudes, and preparations Ihat literally set the stage for a procession of renowned visitors.
    [Show full text]
  • Kryl and Zamecnik
    Selected Papers from the 2003 SVU North American Conference, Cedar Rapids, Iowa, 26-28 June 2003 Two Examples of Czech-Americans’ Influence in American Popular Musical Culture in the Early Twentieth-Century: Bohumir Kryl and J.S. Zamecnik Michael Cwach, Yankton, South Dakota There are many peoples from all corners of the earth who have helped to shape popular music in America. Two Czech-American figures, one born in Bohemia, the other in America, while at the height of their careers contributed their talents to America’s popular musical culture and entertainment. During the time of the “Golden Age of Bands 1865-1915,” (a period when nearly every town had a band), one of the greatest figures was the cornet virtuoso and bandleader Bohumir Kryl, a Czech born in Hořice near Hradec Králové. At the age of ten he began the study of the violin. “When Kryl was eleven years of age, he ran away with the circus where he became a tumbler, also doubling on the high trapeze. He started practicing on the cornet while travelling with the circus and was good enough in a few weeks to play in street parades. In 1889, at the age of fourteen, he sailed for America, working his way by playing both violin and cornet in the ship’s orchestra.”1 Before Kryl became known to audiences throughout America as a cornet soloist, he had a career as a professional sculptor. He worked on both the study in the home of General Lew Wallace in Crawfordsville, Indiana and on the Soldiers’ and Sailors’ Monument in Indianapolis, Indiana.
    [Show full text]
  • Czech Music in Nebraska
    Czech Music in Nebraska Ceska Hudba v Nebrasce OUR COVER PICTURE The Pavlik Band of Verdigre, Nebraska, was organized in 1878 by the five Pavlik brothers: Matej, John, Albert, Charles and Vaclav. Mr. Vaclav Tomek also played in the band. (Photo courtesy of Edward S. Pavlik, Verdigre, Neraska). Editor Vladimir Kucera Co-editor DeLores Kucera Copyright 1980 by Vladimir Kucera DeLores Kucera Published 1980 Bohemians (Czechs) as a whole are extremely fond of dramatic performances. One of their sayings is “The stage is the school of life.” A very large percentage are good musicians, so that wherever even a small group lives, they are sure to have a very good band. Ruzena Rosicka They love their native music, with its pronounced and unusual rhythm especially when played by their somewhat martial bands. A Guide to the Cornhusker State Czechs—A Nation of Musicians An importantCzechoslovakian folklore is music. Song and music at all times used to accompany man from the cradle to the grave and were a necessary accompaniment of all important family events. The most popular of the musical instruments were bagpipes, usually with violin, clarinet and cembalo accompaniment. Typical for pastoral soloist music were different types of fifes and horns, the latter often monstrous contraptions, several feet long. Traditional folk music has been at present superseded by modern forms, but old rural musical instruments and popular tunes have been revived in amateur groups of folklore music or during folklore festivals. ZLATE CESKE VZPOMINKY GOLDEN CZECH MEMORIES There is an old proverb which says that every Czech is born, not with a silver spoon in his mouth, but with a violin under his pillow.
    [Show full text]
  • Robert Erickson Kryl; Ricercar À 3; Postcards; Dunbar’S Delight; Quoq
    NWCR616 Robert Erickson Kryl; Ricercar à 3; Postcards; Dunbar’s Delight; Quoq Postcards (1981) ......................................................... (13:16) 3. I. Prelude .................................................. (2:33) 4. II. Stockholm ............................................ (1:49) 5. III. Paris .................................................... (1:49) 6. IV. Hotel ................................................... (2:50) 7. V. Venice ................................................. (1:55) 8. VI. Capri ................................................... (1:48) Carol Plantamura, soprano; Jürgen Hübscher, lute 9. Dunbar’s Delight (1985) ..................................... (14:32) Dan Dunbar, timpani 10. Quoq (1978) ........................................................ (8:32) John Fonville, flute 11. Sierra (1984) ....................................................... (15:54) Philip Larson, baritone SONOR Ensemble: (Sebastian Winston, flute; Susan Barrett, oboe; Robert Zelickman, clarinet; David Savage, bassoon; Edwin Harkins, trumpet; Cynthia Earnest, French horn; Louise Titlow, trombone; Marie Peak, violin; Francesca Savage, viola; Peter Farrell, cello; Bertram Turetzky, contrabass; Sheila Sterling, harp; Cecil Lytle, piano; Jean-Charles Francois * Dan 1. Kryl (1977) .......................................................... (6:15) Dunbar, percussion); Thomas Nee, conductor. Edwin Harkins, trumpet Total playing time: 68:15 2. Ricercar à 3 (1967) ............................................. (10:14) Ê & © 1991
    [Show full text]
  • University of Virginia Wind Ensemble Charlottesville Municipal Band
    Charlottesville Municipal Band Personnel The McIntire Department of Music presents Flute Tenor Sax Baritone Horn Don Aittama Sarah J. Gould H. Wayne Clark Jessica G. Chapin David Moody Lawrence Garrison Jr. Jennifer Dixon Bob Travis Robin H. Gabriel Baritone Sax University of Virginia Emily P. Godwin Phillip M. Kancianic Tuba Hayley M. Parrish Tryon F. Bauer Jr. Mary J. Reitsma Trumpet Merrill Bishop Mary Ann Stumbaugh Tom Bibb Robert Black Wind Ensemble Jessica D. Tosto Donald R. Brubaker Basil H. Istwany Christine A. Willard Wayne Tracey Harding Daniel Johnson Jacquelyn C. Hayden William E. Pease, Conductor Eb Soprano Clarinet Mary M. Huffer String Bass Lester Andrews Fred S. Landess Janice A. Wood Kip McCharen Oboe Ken Nelson Percussion Elizabeth Killeen Bill Porter Beverly Allebrandi Charles J. Torian Paul T. Richards Gary H. Fagan Ken Ruggaber Thomas Hancher featuring the Clarinet Charles S. Terry Charles Harris Jervey P. Bauer Charles F. Varner Alice Layman Lawrence Cowan Gregory G. Vaughn Theresa Torian Sharon M. Dudley Douglas H. Zanzot Brian W. Hamshar French Horn Peggy T. Madison Deborah E. Buchanan Music Director Emeritus Charlottesville Burt Marks Richard Durham James W. Simmons Edward E. Martell Janelle A. Ellis Fred O’Bryant Joseph M. Goldsmith Librarian J. Karl Yochum Nancy F. Lowry Eleanor F. Dickerman Municipal Band Clara L. Mincer Bass Clarinet Bethany Morel Vincent J. Giuliano Steve Layman, Conductor Patricia B. Sutker Trombone Douglas W. Bethel Bassoon Fulton W. Gaylord Lauren M. Crapser John D. LaPrade Stephen R. Sanford Alto Saxophone Clayton Stiver Donald Banton Ray W. Wyant Sunday, November 22, 2009 Glenn M.
    [Show full text]
  • Itg Goes to Hollywood
    #ITG2016 ITG GOES TO HOLLYWOOD MAY 31-JUNE 4, 2016 ANaheiM CaliFORNIA | hyatt RegeNcy ORANge coUNTY ITGCONFERENCE.ORG INTERNATIONAL ITG2016 celebrates TRUMPET GUILD legendary players from the Pacific Rim and beyond. PLATINUM SPONSORS SILVER SPONSOR WIND10249 NY Trumpet Ad.qxp_Layout 1 3/17/16 12:48 PM Page 1 41th Annual Conference INTERNATIONAL TRUMPET GUILD #ITG2016 WELCOME 4 GENERAL INFORMATION CONFERENCE HOTELS & VENUES 6 REGISTRATION DESK & EXHIBIT HALL HOURS 6 SPONSORS & EXHIBITORS SPONSORS 9 EXHIBITOR LISTING 10 AWARDS & RECOGNITION 2016 ITG AWARD OF MERIT 16 ITG COMPETITION FINALISTS 17 ITG SCHOLARSHIP RECIPIENTS 18 PROGRAM BY DAY TUESDAY, MAY 31 22 WEDNESDAY, JUNE 1 23 NEW Artist Model THURSDAY, JUNE 2 32 FRIDAY, JUNE 3 46 “New York” B and C Trumpets SATURDAY, JUNE 4 YOUTH DAY 54 Introducing the second generation of the Xeno Artist Model “New York” series Bb and C trumpets. SATURDAY, JUNE 4 55 In collaboration with David Bilger, Principal Trumpet of the Philadelphia Orchestra, Yamaha trumpet designers scrutinized the redesign of parts and manufacturing down to the micron-level BIOGRAPHIES in order to ensure the highest levels of quality, craftsmanship and tone control for the performer that CONFERENCE ARTIST COMMITTEE 61 is striving for perfection. TRUMPET ENSEMBLES 64 PERFORMERS & PRESENTERS 70 The New Xeno Artist Model “New York” trumpets feature: CHAIRS 96 • The thicker MB2 and MC2 MalonePipe leadpipes offer improved tone and response COMPOSERS 99 • A redesigned bell incorporating variable wall thickness and French bead Collaborative
    [Show full text]
  • Masquers Give Fall, >1, out 'Davidsonian.' Here We Come!" Last Wednesday, Oct
    DR. WALCOTT GIVES DON'T MISSFINAL PHILOSOPHY LECTURE "Y' SERVICES ON FRIDAY EVENING W$t Batotbstoman THURSDAY NIGHT! A L E N D A LUX UBI ORTA LI b"e r!!t A S VOL. XXIII DAVIDSON COLLEGE, DAVIDSON, N. C,OCTOBER 30, 1935 NUMBERS Phi Beta Bids Offered Two WILDCATS AND BULLDOGS SYMPHONY BAND Proffessors and Five AlumniPETERMARSHALL TIE IN GAME FEATURED, Boulware, Cassell, McCaskill, BY SPECTACULAR PLAYS OPENS DAVIDSON Brown, andFricker Chosen November 1st Is Deadline IS CONDUCTING From Alumni For Securing Licenses Hall Contributes 65-Yard Touch- EIGHT SENIORS ALSO BID is the deadline Picture Of Carnegie Is down Jaunt As Citadel CONCERT SERIES November the first FALL SEN CES TiesDavidson for securing drivers licenses free of Presented To Library Bohumir Kryl's Famous Band Drs. Brown and dimming, On charge. Atlanta Minister Leads Annual Presents Program of Varied the Faculty,Are Honored Mr. A.J. Maxwell, StateRevenue "Y"Revival Which Opened A largo portrait of Andrew Car- PITTMAN LEADS 'CATS Selections Commissioner, stated that after this negie hat just been prctented the The North Carolina Gamma chapter Yesterday Morning date a fee of one dollar would be Davidson college library by the Lafferty End For Wildcats' ol Phi Beta Kappa announces the bidding Skirts SOLO PLAYED BY KRYL charged private drivers license, Carnegie Corporation of New York of two members of the Davidson faculty: for a INVITES CONFERENCES LoneTouchdown dollar* in commemoration of the one hun- Brown, professor and two for a chauffeur's Davidson Band Contributes One Dr. C K. of Econom- dredth anniversary of the birth of Number Program ics; ami Dr.
    [Show full text]
  • Czech Music Quarterly
    czech music quarterly Emanuele Gadaleta Wilson’s Katya Kabanova Luboš Mrkvička Jazz of the 70s and 80s 3 | 2 0 1 0 International Music Festival Radio Autumn 12|10>16|10>2010 www.radioautumn.cz 12| 10| Tue 7.30 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.30 pm| Bethlehem Chapel PRAGUE PREMIERES Contemporary Music Showcase Ferenc Liszt Concert of Laureates of Concertino Praga Hungarian Rhapsody No. 2 International Music Competition 2010 14| 10| Thu 7.30 pm| Martinů Hall Fryderyk Chopin Antonín Rejcha | Overture in D Major Pavel Zemek (Novák) Piano Concerto No. 2 Antonio Vivaldi | Guitar concerto Concerto (Consonance) for Cello Béla Bartók Johann Sebastian Bach and Chamber Orchestra Dance Suite for orchestra Violin concerto in A minorr Wojciech Widłak | Shortly „on Line“ Maurice Ravel | La Valse Wolfgang Amadeus Mozart Aleksander Nowak Piano Concerto No. 23 PRAGUE RADIO SYMPHONY Dark Haired Girl in a Black Sports Car Joseph Haydn | Symphony No. 45 „Farewell“ Raminta Šerkšnytė ORCHESTRA Fairy-tale of the Little Prince COLLEGIUM OF PRAGUE RADIO Tomáš Netopil | conductor Erkki-Sven Tüür | Symphony No. 8 Alexander Ghindin | piano SYMPHONY PLAYERS Alfonso Scarano | conductor CZECH CHAMBER PHILHARMONIC Tickets prices Veronika Hrdová | guitar ORCHESTRA PARDUBICE 690, 490, 290, 90 CZK Julie Svěcená | violins Marko Ivanovič | conductor Anastasia Vorotnaya | piano violoncello 13| 10| Wed 7.30 pm| Rudolfi num - Dvořák Hall Petr Nouzovský | Tickets prices Hana Brožová-Knauerová | fl ute Bedřich Smetana 290, 190, 90 CZK Tickets prices Šárka, symphonic poem 150, 100 CZK Witold Lutoslawski | Cello concerto 16| 10| Sat 7.00 pm| Rudolfi num - Dvořák Hall 15| 10| Wojciech Kilar | Piano concerto Wojciech Kilar | Orawa for string orchestra Fri 7.00 pm| Martinů Hall Leoš Janáček Ignacy Jan Paderewski Wojciech Kilar | Ricordanza for string orcherstra Taras Bulba, rhapsody for orchestra Piano Concerto in A Minor Anatolius Šenderovas POLISH RADIO SYMPHONY Antonín Dvořák | Symphony No.
    [Show full text]
  • Sousa Band, 1893-1930
    A study of the saxophone soloists performing with the John Philip Sousa Band, 1893-1930. Item Type text; Dissertation-Reproduction (electronic) Authors Hester, Michael Eric. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 05:17:51 Link to Item http://hdl.handle.net/10150/187338 INFORMATION TO USERS This manuscript ,has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UM! a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and contirn1jng from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
    [Show full text]
  • Philadelphia Strike Ends Labor Strife Gives Way to Fragile Peace
    Official Publication of the International Conference of Symphony and Opera Musicians VOLUME 35, NO. 1 December 1996 Philadelphia Strike Ends Labor Strife Gives Way To Fragile Peace On November 18, 1996, the Philadelphia Orchestra ratified a Philadelphia Orchestra President Joseph Kluger said about the new new 3-year contract by a vote of 54-47 with 2 abstentions. The media company, “If it is successful, I think it’s a model that will contract finally approved was an enhanced version of the compro- not only be emulated at other orchestras, but the concept of par- mise proposal earlier submitted to both sides by Philadelphia Mayor ticipatory decision-making can be extended to other aspects of our Ed Rendell’s chief of staff, David L. Cohen. operation.” Although everyone is relieved that the strike is over, the settle- Stuart W. Davidson, the musicians’ attorney, reflected on the ment has received mixed reviews. Cohen said, “I just got off the settlement with a more cautious tone. “There are good things in this phone with the mayor, and both of us have the attitude that this deal contract, there are bad things in this contract, and the best things does have all the hallmarks of a good negotiated deal, because nei- are at this point unquantifiable. The task force could rejuvenate the ther side is particularly happy with it.” orchestra, or it could be a horrible thing that confirms the worst fears Provisions of the new contract include increases in salary, se- of musicians. It’s a real risky thing. The same is true of the media niority pay, and pension; more liberal terms for sabbatical and other company.” leaves; adjustments in travel conditions, scheduling, and health in- John Koen, Philadelphia ICSOM Delegate, writes, “A prob- surance; and many other miscellaneous issues.
    [Show full text]
  • A Study of the Bohemian Contributions to Horn Pedagogy
    “The Singing Style of the Bohemians” – A Study of the Bohemian Contributions to Horn Pedagogy, Including Western Perspectives on Czech Horn Playing and an Analysis of the Teachings of Zdeněk Divoký at the Prague Academy of Performing Arts D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Tiffany N. Damicone, B.M., M.M. Graduate Program in Music The Ohio State University 2013 D.M.A. DocumentCommittee: Bruce Henniss, Advisor Joseph Duchi Charles Atkinson Kimberly Arcoleo Copyright by Tiffany N. Damicone 2013 Abstract This study presents the pedagogical methods of Horn Professor Zdeněk Divoký at the Prague Academy of Performing Arts and defines indicators of a Czech Republic nationalistic style of horn playing by comparing specific techniques observed in Prague with the standard horn pedagogy in the West. The results of observations and interviews suggest contradicting perspectives between the perceived and actual current traditions in the Czech Horn School. In addition, an examination of available scholarly articles, books, and recordings reveals key players and innovations within the horn traditions in the Czech Republic that provide context for the developments of these techniques. As an outcome of these interviews and observations the document presents indicators for Czech style including, but not limited to: phrasing, vibrato, tonal concepts, articulations, ear- training, dynamics, left hand technique, and exercises for embouchure development. The art of horn playing continues to develop as globalization creates an environment of collaboration. This research aims to extend an invitation to Czech scholars and pedagogues to share their core methods and philosophies with English-speaking audiences.
    [Show full text]
  • A History of Music Aurora, Illinois
    A HISTORY OF MUSIC IN AURORA, ILLINOIS BY JOHN REX McMULLEN EDITED BY KEVIN KAISERSHOT April 2020 Submitted in partial fulfillment of the requirements For the Doctor of Music Education degree Chicago Musical College August 1955 F O R E W O R D Let me start by saying that Dr. John R. McMullen was a friend of mine and that we shared the same birth date, albeit 40 years apart – July 27. We also share the experience of having both taught instrumental music in the Aurora East School District #131; he for 25 years and myself 31 years. I met and got to know him by way of his frequent visits to Aurora, Illinois in the late 1980s as I was directing the Aurora American Legion Band. Our conversations were primarily band related, but I got to know him personally and over the years we were regular pen pals. John promoted a great deal of my music via his association with the Sabbar Shrine Concert Band and the Beavers Tucson Concert Band. These two groups operated in the Tucson, Arizona community where John made his residence and where he was also an active playing member. My taking on the challenge of completely retyping his entire dissertation was a labor of love. After John told me about his dissertation, and that the only copy outside of his personal copy and one housed in the Chicago Musical College was in the Aurora, Illinois public library, I knew I had to find a way to read it. The only difficulty was that the Aurora library copy was designated “reference” and could not be checked out.
    [Show full text]