February 1971

Total Page:16

File Type:pdf, Size:1020Kb

February 1971 Chronicle Concert on The Air presents The world's great music in a 2-hour radio concert featuring · Arthur Fiedler and the Boston Pops Oruhest every Wednesday evening following the Stock Market Report 6:10 p.m. on KLEF-FM 94.5 mu. 94.5~' FM STEREO 100,000 watts of the world's greatest music in high fidelity stereophonic sound. THE KLEF PROGRAM GUIDE Published monthly by KlEF (Entertainment Communications, Inc.), 2929 Buffalo Speedway, Houston, Texas, 77006. WilliAM B. BERKEY, VICE PRESIDENT AND GENERAL MANAGER HERB McFARLAND, PROGRAM DIRECTOR Yearly subscription-$7.50 Single copy-$.75 When you change your address, please let us know. Send, or give us by phone, your old address and zip code number as well as the new address. The Program Guide"is mailed as Third Class Matter, and will not be forwarded unless yoi.l agree with the Post Office Department to pay the extra postage. If you will let us know of any change of address by1he tenth of the month your service will be uninterrupted. For information on advertising space and rates in the Program Guide, call or write Radio Station KLEF, at 662-5533, area code 713. ONE MOMENT, PLEASE. We are happy to welcome back to these pages our old friend, French Chef Edmund Foulard. We invite our readers to share their culinary interests with us through the Chefl As the listener has already heard, the response to our recent offer of an album from the Musical Heritage Society with Program Guide subscriptions was so very successful that we have extended it. MHS 788 is Four Diverse Concertos by Antonio Vivaldi, and is available with every new subscriP­ tion, and every renewal of any current subscription (no mat­ ter when it might have expired) for a mere fifty cents post­ age and handling charge. The Guide itself is still only seven dollars per year; if you'd like a subscription and a record, then simply make your check for eight dollars. This applies also to any gift subscriptions you'd like to give to your friends! And, belatedly, we'd like to thank the large number of listeners who sent us Greetings during the Holidays! They warmed our hearts and decorated our lobby. Many thanks! Good Listening I a new creative, innovative, budget conscious, up to date, group of specialists in sores promotion & advertising. " we never coseI " Korshak • Chinchar • Strickler • Inc. 668-2544 KLEF PROGRAMMING KlEF program listings are detailed in the following order: composer, soloist; orchestra; conductor; record label and number in parenthesis; 1 length of time to the nearest minute. Capital letters indi<:ate major keys and MONDAY lower case letters indicate minor keys 6:00 A.M. JACOB: Selections from the "William in the music titles. !Ex.; A is A-major, Byrd Suite" - Eastman Wind Ensemble, a is A-minor.) Key to abbreviations: News. WERNER: Suite in D ("February") Fennell (Mer 90197). INSTRUMENTS from "The Musical Instrumental Calen­ bas. bassoon dar" -Vienna Chamber Orch, Seipen­ 10:00 A.M. c. cello cl. clarinet busch (MHS 886-88) II • dbl-bs. double-bass DEBUSSY: "Images", Book l - Joerg News. ALBINONI: Flute Sonata, Op.6, eh. english horn 16- Duschenes, fl.; Jones, hps. fh. french horn Demus, p. (Orph 134) 15. fl. flute TCHAIKOVSKY: Andante. Cantabile from {Vox 514320) 9. , g. guitar the Quartet in D (Arr. Frost) - Phila­ DVORAK: Symphony l9 ("From the New I. lute World") - Berlin Radio Sym, Maazel o. oboe delphia Orch, Ormandy (Col 7146) 7. or. organ MOZART: Symphony IJ4,in A- London (Phil 9Q0-161) 39. p. piano Phil, Leinsdorf (West 14078) 13. tr. trumpet va. viola 11:00 A.M. v. violin 7:00A.M. VOCALISTS BUSONI: "Rondo Arlecchinesco", Op.46 i sop. soprano con. contralto News. FALLA: Spanish Dance IJ from - Moser, ten • ; Berlin Sym, Buente m-sop. mezzo-soprano "La Vida Breve" (Arr.Kreisler)­ {Candide 31003} 14. ten. tenor bar. baritone Szeryng, v.; Janopaulo, p.(Ev 3153)3. GRIEG: Lyric Piece, Op.65,#6 ("Wed­ bs. bass ADAM: "Giselle" Ballet Suite- London ding Day at Troldhaugen") - London RECORD LABELS Sym, Bonynge {Lon 2213) 20. Sym, Mackerras (RCA 1069} 6. Ang Angel AngSer Angel-Seraphim SEVEN ARTS CALENDAR. MOZART: Horn Concerto 11 -Jones; Art Artia ELGAR: "Pomp & Circumstance" March, Philadelphia Orch, Ormandy AudFi Audio Fidelity Op.39, IJ -NY Philharmonic, Bern­ {Col 6785) 8. BG Bach Guild Bar Baroque stein {Col 7271) 6. VAUGHAN WILLIAMS: "The Wasps" Bos Boston HANDEL: Oboe Concerto #1 - Goosens; Incidental Music - London Philharmonic Cam Cambridge Bath Festival Chamber Orch, Menuhin Boult (Ang 3739). Cap Capitol Car Carsan (Ang 361 03) 7. Col Columbia BRAHMS: Hungarian Dances - London Com Command CRt Composers Recordings, Inc. Sym, Dorati (Mer 90437). NOON ConD Concert Disc ConS Connoisseur Society 8:00A.M. News. SCHUMANN: "Manfred" Over­ CP Counterpoint/Esoteric Cross Crossroads ture - Boston Sym, Munch (RCA 2474)11 Dec Decca News. ARNE: "The Judgement of Paris" RUBINSTEIN: Melody, Op.3,11 (Arr. DGG Deutsche Grammophon Ep Epic Overture {Ed. Carse)- Orch, Surinach Dragon) - Capitol Sym, Dragon Elec Electrola {Hel 25022) 8. {Cap 8542) 4. Ev Everest VERDI: Grand March from "Aida" - NY RACHMANINOFF: "Lilacs"; "Daisies" - EA Experiences Anonymes GC Golden Crest Philharmonic, Bernstein (Col 7271) 7. Morton Estrin, p. (ConS 2009) .6. He I Heliodor MENDELSSOHN: Piano Concerto #1 - HAYDN: Symphony #90- London little Lon london Serkin; Philadelphia Orch, Ormandy Orch, Jones (Nsch 71191) 25. lyr lyrichord Mer Mercury {Col 7185) 19. Mon Monitor HALVORSEN: Norwegian Rhapsody 12- 1:00 P.M. MH:> Musical Heritage Society Oslo Philharmonic, Fjeldstad (Phil MG Music Guild Nsch Nonesuch 631-099) II. BRITTEN-ROSSINI: "Matinees Musicales"· Ol l'Oiseau lyre - Boston Pops Orch, Fiedler Pari Parliament 9:00A.M. (RCA 2882) 14. Phil Philips PhiiWS World Series BOCCHERINI: Cello Sonata inC - Kates, P-3 Project3 J.STAMITZ: Orchestral Trio, Op.l,#l - c.; Sanders, p. {RCA 2940) 11 •. Pro Protone Austrian Tonkuenstler Orch, Bernet RCA RCA Victor IPPOLITOV-IVANOV: "Caucasian SFM Society for Forgotten Music (MHS 779) 15. Sketches" -Westchester Sym, Landau SFr Societe Francaise du Son BACH: Partita #I in b - Hyman Bress, v. {Turn 34218) 21. Som Somerset Tele Telefunken ~ce 9056) 15. DOWLAND: Lute Selections - Julian Turn Turnabout J.STRAUSS,JR.: "Emperor Waltz" Bream (RCA 2819). Ura Urania Philadelphia Orch, Ormandy Van Vanguard West Westminster (RCA 3149) 10. 2:00P.M. News. R.STRAUSS: "Muenchen" A.MARCELLO: Concerto Grosso #2 from FAURE: Barcarolle, Op.41, 112 - Evelyne (Commemorative Waltz) -London Sym, "La Cetra" (Rev. Giegling) - I Musici Crochet, p. (Vox 5423} 6. Previn (RCA 3135) 10. (Phil WS 9085) 9. HAYDN: Symphony #j -Balzano Haydn CAILLIET: "Poem" -Clarinet Ensemble, PROKOFIEV: Symphony #1 ("Classical")­ Orch, Pedrotti (Turn 34128) 9. Cailliet (GC 4079) 4. Vienna New Sym, Goberman (Odsy WAGNER: Dance of the Apprentices & GRAINGER: "Suite" (Arr. Britten) - 3216-0084) 14. Procession of the Mastersingers from English Chamber Orch, Britten "Die Meistersinger" - Concert Arts (Lon 6632) 16. 7:00P.M. Orch, Leinsdorf (Cap 8411) 6. PERGOLESI: Sonata in the Style of a BEETHOVEN: Violin Sonata #3 - Ois­ Concerto (Arr.Caffarelli)- Perez, v.; POPPER: Serenade, Op.54,#2- Gendron, trakh, v.; Oborin, p. {Phil 900-032)17. Naples Music Academy Chamber Orch, c.; Gallion, p. (Ep IllS) 3. Guarino (GC 4078) 16. DVORAK: Slavonic Dance, Op.72,#2 - 7:00A.M. Cleveland Orch, Szell (Ang 36043) 6. 3:00P.M. SAINT-SAENS: "Havanaise"- Ricci, v.; News. BACH: Suite #3 ln D- Moinzer London Sym, Gamba (Lon 6165) 9. Chamber Oreh, Kehr (Vox 52000) 22. BEETHOVEN: Ecossaise in D - Berlin CHOPIN: Polonaise, Op.26,#2 - Halina SEVEN ARTS CALENDAR. Philharmonic Wind Instrument Group, Czerny-Stefanska, p. (Orph 141-43} 9. MOUSSORGSKY: Entr'acte from Act 4 Priem-Bengrath (DGG 139045} 2. MOZART: Selections from Serenade #4- of "Khovcmtchlna" - Philharmonic BEETHOVEN: Piano Concerto #5 {"Em­ Saar Chamber Orch, Ristenport Orch, Karojan (Ang 35793} 5. peror") - Barenboim; New Philharmonic (Nsch 71194). DAMASE: Sonate en Concert - Tipton, fl. Orch, Klemperer (Ang 3752) 43. DiFiore, c.; Norris, p. f;West 17147) II. BEETHOVEN: German Dances, Op.l40 - 8:00P.M. WOLF-FERRARI: Selections from "The Northern Sinfonia, Brott (Mace 9070). Jewels of the Madonna" - Paris Con­ News. TCHAIKOVSKY: "Romeo & Juliet" servatory Orch, Santi (Lon 6154). 4:00P.M. Overture-Fantasy - London Philhar­ monic, Boult (Odsy 3216-0238) 19. thOO A.M. News. MOZART: "The Marriage of Fig­ DELIUS: "The Walk to the Paradise Gar­ aro" Overture - Vienna Volks9per Orch den" from "A Village Romeo & Juliet" News. MEHUL: "Young Henry's Hunt" Loibner (Mace 9037) 4. -London Sym, Barbirolli (Ang 36415)10. Overture -New Philharmania Orch, TELEMANN: Oboe Sonata in c - Gom­ KABALEVSKY: "Romeo & Juliet" Inciden­ Leppord (Phil 900-235) II. berg, o.; Kipnis, hps. (Col 6832) 9. tal Music - Orch, Kcibalevsky (Mon DEBUSSY: "lberi'CI:" (11 1mage *2") - Cleve­ ROSSINI: Sonata *6 for Strings -Toulouse 2078). land Orch, Boulez (Col 7362} 20. Chamber Orch, Auriacombe TELEMANN: Triple Violin Concerto in F (Nsch 71179) 18. 9:00P.M. - Gendre, Wollez, Loroque; Paris HARRIS: Symphony #3 - Eastman Rochester Collegium Musicum, Douatte (Nsch Orch, Hanson (Mer 90421) 16. GOUNOD: "Romeo & Juliet", Operatic 71109) 17. Highlights- Freni, sop.; Carelli, ten.; 5:00P.M. Paris Opera Orch, Aloin Lombard 9:00A.M. (Ang 36731) 54. News. FALLA: Interlude & Dance from TCHAIKOVSKY: Symphony #1 {"Winter "La Vida Breve" - Suisse Romande 10:00 P.M. Dreams") -london Sym, Dorati Orch, Ansermet (Lon 6224) 7. (Mer 6-9121} 44. LISZT: Hungarian Rhapsody *2 - Leonard News. BERLIOZ: "Romeo & Juliet" SCHUMANN: Excerpts from "Woldscenen" Pennario, p. (Cap 8312) 10. Incidental Music- Chicago Sym, -Christoph Eschenbach, p. SCHUBERT: 8 Waltzes & Laendler­ Giulini (Ang 36038) 53. (DGG 139183) II. Boskovsky Ensemble {Van 2068) 6. PROKOFIEV: "Romeo & Juliet Before SEVEN ARTS CALENDAR.
Recommended publications
  • 95.3 Fm 95.3 Fm
    October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op.
    [Show full text]
  • Courtesy of Eric Nelson, As Posted on Klarinet, 9 and 11 Feb 1997. Eric Nelson Is Clarinetist with the Lightwood Duo, an Actively Touring Clarinet/Guitar Duo
    Courtesy of Eric Nelson, as posted on Klarinet, 9 and 11 Feb 1997. Eric Nelson is clarinetist with The Lightwood Duo, an actively touring clarinet/guitar duo. Their CDs are available through their website, http://www.lightwoodduo.com. About two weeks ago, there were some questions about Aage Oxenvad on the list. Having studied Nielsen and clarinet at the Royal Conservatory in Copenhagen [in 1979], I would like to pass on some first-hand information on Oxenvad. There are two major obstacles to acquiring accurate information about Danish music. First, much of the info exists only in the Danish language; not exactly a familiar language to most. Second, the Danes are not inclined to value the sharing of such information. To quote Tage Scharff, the clarinet professor with whom I studied: "You Americans [and English as well] love to get together and give lectures, deliver papers, and hold conferences. Here in Denmark, vi spiller! [we PLAY]". He was quite amused that I, a performing clarinetist, would be so interested in such material. On a posting on this list, Jarle Brosveet wrote: "In the first place Oxenvad did not inspire Nielsen to write the concerto, although he was the first to perform it. It was written at the request of Nielsen's benefactor and one-time student Carl Johan Michaelsen. Second, Oxenvad, who is described as a choleric, made this unflattering remark about Nielsen and the concerto: "He must be able to play the clarinet himself, otherwise the would hardly have been able to find the worst notes to play." Oxenvad performed it on several occasions with no apparent success although he reportedly did all he could, whatever that is supposed to mean.
    [Show full text]
  • NORDIC COOL 2013 Feb. 19–Mar. 17
    NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis).
    [Show full text]
  • DAOS 2015 Dansk Amatørorkester Samvirke Bilag 1: Medlemsorkestre Og Koncertoversigter for Medlemsorkestre Og DAOS’S Stævner 2015
    DAOS 2015 Dansk Amatørorkester Samvirke Bilag 1: Medlemsorkestre og koncertoversigter for medlemsorkestre og DAOS’s stævner 2015 DAOS 1 DAOS medlemsorkestre pr. 31. 12. 2015 Akademisk Orkester Rødovre Palmehaveorkester Albertslund Symfoniorkester Salling Spillemænd Alssundorkestret Silkeborg Kammerorkester AmadeusEnsemblet Sinfonietta Fredericia Amatørsymfonikerne Skive Symfoniorkester ARCO Kammerorkestret af 1992 Slagelse Kammerorkester (børn) Birkerød Kammerorkester af 1992 Sorø Kammerorkester Bornholmske Musikamatører Sorø Musikskoles Orkester Byens Symfoni Storstrøms Amts Symfoniorkester Carl Nielsen Masterclass, The Svendborg Kammerorkester Classic Ballroom Sydfyns Amatør Symfoniorkester - SAMS Con Fuoco Symfonien - Hvidovre (børn) Copenhagen Brass SymfUni DUSIKA, De Unges Symf.ork. i Kbh. Amt Sønderjysk AmatørSymfoniOrkester - SASO Ensemble Felix Vejle Symfoniorkester Esbjerg Amatør Orkester Vendsyssel Symfoniorkester Etatsorkestret Vestegnens Strygere FAUST(Fyns Amts Ungdoms Symfoni ork.) Viborg Musikskoles Strygerensemble Forårsfilharmonikerne Århus Amatørsymfoniorkester Fredericia Byorkester Århus Strygerensemble Frederikssund Symfoniorkester Årslev Symfoniorkester Fyns Amatørsymfoniorkester Gladsaxe Symfoniorkester HCAYSO (Odense Musikskoles Symfoniorkester) HELIKON-orkestret Helsingør Kammerorkester Herning Amatørsymfoniorkester Hindsholm Musikforenings Orkester Hobro Kammerorkester Hobro Wienerensemble Holbæk Symfoniorkester Horne Amatørsymfoniorkester Jysk Akademisk Orkester Kastrup Kammerorkester Kolding Kammerorkester Københavns
    [Show full text]
  • Yhtenäistetty Carl Nielsen
    Suomen musiikkikirjastoyhdistyksen julkaisusarja 166 Yhtenäistetty Carl Nielsen Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2013 Julkaisija Suomen musiikkikirjastoyhdistys Toimitustyö ja ulkoasu Heikki Poroila Verkkoversio 1.0 © Heikki Poroila 2013 01.4 POROILA , HEIKKI Yhtenäistetty Carl Nielsen : Teosten yhtenäistettyjen nimekkeiden oh- jeluettelo / Heikki Poroila. – Verkkoversio 1.0. – Helsinki : Suomen musiikkikirjastoyhdistys, 2013. – 39 s. - (Suomen musiikkikirjastoyh- distyksen julkaisusarja, ISSN 0784-0322 ; 166). – ISBN 978-952- 5363-65-4 (PDF) ISBN 978-952-5363-65-4 Lukijalle CARL NIELSEN (9.6.1865 – 3.10.1931) on tanskalaisille suunnilleen samassa asemassa kuin Jean Si- belius suomalaisille. Meillä Nielsenin tuotannosta tunnetaan kuitenkin vain kuusi sinfoniaa, muu- tama orkesteriteos ( Helios -alkusoitto, Pan og Syrinx sekä huilu- ja klarinettikonsertot) ja ehkä oop- perat Saul og David ja Maskarade . Nielsenin laaja vokaalituotanto, kantaatit ja lukuisat näyttämö- musiikkiteokset ovat Tanskan ulkopuolella huonosti tunnettuja. Kirjaston luetteloijille tarkoitetun ohjeluettelon tarve ei ole ollut erityisen suuri, mutta koska Niel- senin tuotantoon liittyy erinäisiä kielellisiä erityiskysymyksiä ja eräiden sinfonioiden erisnimisyys on synnyttänyt epätietoisuutta, lienee tällekin luettelolle jonkinlainen tarve. Olen pitänyt teosauktoriteettina suhteellisen vanhaa Dan Fogin teosluetteloa*, jonka FS-numerointi on vakiintunut yleiseen käyttöön satunnaisten opusnumeroiden
    [Show full text]
  • Flute: Late Style in Carl Nielsen’S Works for Flute
    THE “ARCADIAN” FLUTE: LATE STYLE IN CARL NIELSEN’S WORKS FOR FLUTE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2004 by Beth E. Chandler B.M., Baylor University, 1993 M.M., New England Conservatory, 1996 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT Revered as Denmark’s most celebrated musical figure and regarded as one of the finest, albeit under recognized composers, Carl Nielsen (1865–1931) holds a place as one of the most individual and creative artists of his time. Straddling the nineteenth and twentieth centuries and with consideration to the dramatically changing musical climate of that time, Nielsen’s vast output is stylistically complex. His music spans an array of styles, with elements of Romanticism in his early works, to an outright rejection of these same principles and an adoption of extensive progressivism in later works, all the while maintaining features of neoclassicism. There are six known works by Carl Nielsen that include flute in a solo or chamber role. These works date from his late, mature compositional period and include a short piece for solo flute from the incidental music to Aladdin, Op. 34 (1918–19); three pieces from the incidental music to Moderen (The mother), Op. 41 (1920): “Taagen letter” (The fog is lifting) for flute and piano or harp, “Børnene spiller” (The children are playing) for solo flute, and “Tro og håb spiller” (Faith and hope are playing) for flute and viola; the Wind Quintet, Op.
    [Show full text]
  • Download Booklet
    BIS-CD-428STEREO D D D Totaltime: 56,1B NIELSEN, Carl 1r s6s-1931 ) Wind ChamberMusic - Completetdition I Fantasistykkefor klarinet og klaver (1881]Andanre cantabile 4,06 (FantasyPiece for clarinetand piano) Lars Kristian Holm Brynildsen,clarinet; l_eiiOve Andsnes,piano Fantasistykkerfor obo og klaver, Op.2 6,05 (Fantasy _ Piecesfor oboe and piano) L?_.1Romanze. Andante con duolo 3,39 ll_.1Humoresque. Allegretto scherzando 2,2O Steinar Hannevold, oboe; Leif Ove Andsnes,piano E Canto serioso(1913) for horn and piano. Andantesosrenuto 3,43 Vidar Olsen, horn; Leif Ove Andsnes,piano E Serenatain vano (1914).Altegro non troppo ma brioso 7,1A Lars Kristian Holm Erynildsen,clarinet; per Hannevold, bassoon ,cello; Vidar Olsen, horn; Sally Guenther, Torbjorn Eide, double bass _ Three Piecesfrom "Moderen', (The Mother) 636 lj_J No.2:Taagen letter (The Fog is Lifting)for flute and harp,Op.41 2,2O _ Andantino quasi allegretto ll_.1No.12: Bornene leger(The Children are playing)for f lute solo. Allegretto 2,23 't,42 lU No.15:Tro og hAbspiller (Faith and Hope are playing)for f lute and viola Allegro marciale Gro Sandvik,flute; Turid Kniejski,harp; Lars Anders Tomter, viola The Wind Music of Carl Nielsen The FantasyPiece for Clarinet and Piano is a very early work by Niersen, .1 probably written in BB1 when Nrelsenhad just been appointed as a regimentalmusician in Odense.The young composer provided the piecewith a motto,"Formel h;ilt uns nichtgebunden, unsre Kunst heisst Poesie" (Form cannotbind us fast;poetry is our art) - the samequotation from Uhland which had beenselected by hismuch olderand veryfamous colleague Niels W.
    [Show full text]
  • The Academy of St Martin in the Fields Chamber Ensemble Carl Nielsen
    The Academy of St Martin in the Fields Chamber Ensemble Wednesday, October 3, 2018 at 8:00pm Pre-concert Talk at 7:00pm This is the 863rd concert in Koerner Hall The Academy of St Martin in the Fields Chamber Ensemble Tomo Keller, violin & leader Harvey De Souza, violin Robert Smissen, viola Stephen Orton, cello Lynda Houghton, bass James Burke, clarinet Julie Price, bassoon Stephen Stirling, horn PROGRAM Carl Nielsen: Serenata in vano, FS. 68 Allegro non troppo ma brioso – Un poco adagio – Tempo di marcia Jean Françaix: Octet I. Moderato – Allegressimo II. Scherzo III. Andante, Adagio IV. Movement de valse INTERMISSION Ludwig van Beethoven: Septet in E flat Major, op. 20 I. Adagio – Allegro con brio II. Adagio cantabile III. Tempo di menuetto IV. Tema con variazioni: Andante V. Scherzo: Allegro molto e vivace VI. Andante con moto alla marcia – Presto Carl Nielsen Born in Sortelung, Funen, Denmark, June 9, 1865; died in Copenhagen, Denmark, October 3, 1931 Serenata in vano, for clarinet, bassoon, horn, cello and double bass, FS. 68 (1914) “It’s an odd little work … more curious than amusing or beautiful,” were the most probing thoughts offered by the Danish press after the earliest performances of Nielsen’s Serenata in vano. But the Danish composer’s ‘odd little work’, first heard in Copenhagen’s Odd Fellows Mansion (Palaeet) after a preparatory two-week tour through regional Denmark in 1915, has remained Nielsen’s most popular chamber work, together with a more ambitious wind quintet. It is a whimsical, humorous piece in the time-honoured tradition of the nocturnal serenade in pursuit of love – here, clearly, in vain (in vano).
    [Show full text]
  • Booklet DACOCD351-353 . Kopi
    CARL NIELSEN ON RECORD VINTAGE AND HISTORIC RECORDINGS DACOCD 801-830 30 CD Thomas Jensen Launy Grøndahl Erik Tuxen Carl Nielsen (1865-1931) is the central figure in Wagner’s operas. Danish music after the Romantic period. Through Similarly, his approach to thematic development his music, his writings and his strong personality and to structure seems to have been strongly he exerted a decisive influence on 20th-century influenced by his admiration for Beethoven’s and Danish music and musical aesthetics, and he was, Franck’s chamber music and symphonies. Fairly moreover, a source of inspiration for composers early on, however, he discovered his own in the other Scandinavian countries. He absorbed personal and unmistakable style, which he later and reformulated the best features of the musical developed relatively undisturbed within its own heritage, and he composed in nearly all genres. premises. His six symphonies are milestones in his Nielsen started out from the Classical harmony of compositorial output. the 18th and early 19th centuries, with its In the 20th-century Nielsen’s music has often preference for triads in the tonic and related keys been described as a reaction against the high and and for a relatively fast harmonic rhythm, and late Romantic style; but this description is these elements clearly marked his entire output. incorrect, since it throws less light on the music But during the 1890s he developed his harmony, than on the fact that later generations adopted the apparently independently, to what might be called stylistic ideals of Nielsen, and since Nielsen “extended tonality”, where all 12 semitones could himself denied the possibility of revolution in art.
    [Show full text]
  • 580 Nlce Neilsen
    Carl Nielsen Music for Wind and Piano new london chamber ensemble Lisa Nelsen - Flute Melanie Ragge - Oboe Neyire Ashworth - Clarinet Meyrick Alexander - Bassoon Stephen Stirling - Horn with Michael Dussek - Piano Pierre Doumenge - Cello Leon Bosch - Double Bass Helen Hooker - Recorder Sophie Middleditch - Recorder with performers' notes on the new Carl Nielsen Edition of the Wind Quintet and additional tracks from the autograph manuscript Carl Nielsen (1865–1931) The first movement is in traditional sonata form and Serenata in vano, for clarinet, bassoon, horn, cello Fantasy for Clarinet and Piano (FS 3h) Quintet, for flute, oboe, clarinet, horn and bassoon inhabits a sound world very close to the Sixth and double bass (FS 68) Fantasy Pieces for Oboe and Piano Op 2 (FS 8) Op 43 (FS 100)* Symphony (the Sinfonia Semplice) of three years later, Canto serioso, for horn and piano (FS 132) I – Allegro ben moderato albeit without its more extreme acerbic harmonic In 1889, a young Carl Nielsen had joined the Chapel The Fog Is Lifting, for flute and piano (FS 94) II – Menuet content. Strangely enough, it shares much less Royal, the orchestra of the Royal Theatre in The Children Are Playing, for solo flute (FS 94) III – Praeludium: Adagio. Tema con variazioni musically with the exactly contemporaneous Fifth Copenhagen, as a second violinist, becoming its Three Piano Pieces Op 59 (FS 131) Symphony, although a section towards the end of the associate conductor in 1908 and finally resigning from Allegretto for Two Recorders (FS 157) One evening in the autumn of 1921, the Danish pianist movement is strikingly reminiscent of the opening of this position in 1914 to concentrate on a freelance Christian Christiansen received a telephone call in the the Symphony.
    [Show full text]
  • SWR2 Musikstunde
    SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Musikstunde Dänische Entdeckungen (5) Niels Wilhelm Gade und Carl Nielsen Von Jörg Lengersdorf Sendung: Freitag, 31. Juli 2015 9.05 – 10.00 Uhr Redaktion: Ulla Zierau Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Mitschnitte auf CD von allen Sendungen der Redaktion SWR2 Musik sind beim SWR Mitschnittdienst in Baden-Baden für € 12,50 erhältlich. Bestellungen über Telefon: 07221/929-26030 Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde, 31. Juli 2015 Ich weiß ein Lerchennestlein, und mehr verrat ich nicht, liegt unter einem Ästlein, versteckt vorm Augenlicht. Im Nest da gibt es Junge, in frischem Federkleid Sie piepen, haben Zungen, die Schnäbel offen weit Die beiden alten Lerchen, die fliegen dicht heran Ich denke mir, sie merken, dass man mir trauen kann Ich blinzle hinterm Zaune, da seh´ ich alles fein Ich stell mich auf die Zehen, ich will ganz stille sein. Der Fuchs, der will sie beißen, ein Junge will ans Nest Doch niemand soll es wissen, wo mein Geheimnis
    [Show full text]
  • Nielsen Shifrin
    NIELSEN ◆ SHIFRIN CLARINET CONCERTO CHAMBER MUSIC WITH CLARINET DE 3527 DE 3527 1 Nielsen ◆ Shifrin Clarinet Concerto Chamber Music with Clarinet Carl Nielsen (1865 – 1931) Clarinet Concerto, Op. 57 David Shifrin, solo clarinet Arranged for chamber ensemble by Rene Orth Ryan Reynolds, bassoon William Purvis, horn Six Humorous Bagatelles, Op. 11 Jon Greeney, snare drum Arranged for clarinet and piano by Steven Cohen Benjamin Hoffman, violin Theodore Arm, violin Fantasy for Clarinet and Piano, CNW 66 Jennifer Frautschi, viola Mihai Marica, cello Fantasy Pieces for Oboe and Piano, Op. 2 Curtis Daily, double bass Transcribed for clarinet and piano by David Shifrin Yevgeny Yontov, piano Serenata in Vano, CNW 69 Total Playing Time: 51:24 NIELSEN ◆ SHIFRIN CLARINET CONCERTO CHAMBER MUSIC WITH CLARINET 1. Clarinet Concerto, Op. 57 (25:33) Arranged for chamber ensemble by Rene Orth* Six Humorous Bagatelles, Op. 11 (6:52) Arranged for clarinet and piano by Steven Cohen 2. Hello! Hello! (0:49) David Shifrin, solo clarinet 3. The Spinning Top (0:57) 4. A Short Slow Waltz (1:47) Ryan Reynolds, bassoon (1, 11) 5. The Jumping Jack (0:52) William Purvis, horn (1, 11) 6. The Dolls’ March (1:11) Jon Greeney, snare drum (1) 7. The Musical Clock (0:56) Benjamin Hoffman, violin (1) Theodore Arm, violin (1) 8. Fantasy for Clarinet and Piano, CNW 66 (4:44) Jennifer Frautschi, viola (1) Mihai Marica, cello (1, 11) Fantasy Pieces for Oboe and Piano, Op. 2 (6:24) Curtis Daily, double bass (1, 11) Transcribed for clarinet and piano by David Shifrin Yevgeny Yontov, piano (2–10) 9.
    [Show full text]