DOCSLIB.ORG

College and Research Libraries

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
College and Research Libraries 570 College & Research Libraries November 1990 can teach students about the library as it speare'' is used in at least three different exists now, and we can communicate the ways: to refer to the historic person, to notion that libraries are organized system­ "the man and his works," and "to some atically and that these systems can be kind of socio-cultural or spiritual origin, learned, but we cannot pretend that the source, or presence." The last of these he skills we teach will be valid for life.-Eva links with the nostalgic bent of much Sartori, University of Nebraska, Lincoln. scholarship in the humanities. America's adoption of Shakespeare in the nine­ Bristol, Michael D. Shakespeare's America, teenth century provided ''an otherwise America's Shakespeare. London, New lacking depth of cultural tradition'' for the York: Routledge, 1990. ix, 237p. $40 new nation, "in relation to the European (ISBN 0-415-01538-3). LC 89-6057. longue dunk" Gibson, James M. The Philadelphia Shake­ It was Emerson who most clearly voiced speare Story: Horace Howard Furness and the American attraction to Shakespeare's the Variorum Shakespeare. New York: ''originality,'' ''expressive autonomy,'' AMS Press, 1990. viii, 308p. alk. paper, and "moral sentiment, a natural impulse $42.50 (ISBN 0-404-62293-3) LC 87­ towards higher forms of emulation or of 45801 (AMS Studies in the Renaissance; self-interest,'' which seemed to coincide 23) with the promise offered by life in the Shakespeare is one of the most success­ New World. Bristol goes on to show how ful products ever imported into America; Emerson's ideas were adopted and so successful, in fact, that the interna­ adapted by prominent American Shake­ tional Shakespeare industry (comprised spearian scholars, including George Ly­ of scholarship, production, and tourism) man Kittredge, Arthur Oncken Lovejoy, is now largely supported by Americans, and Hardin Craig, down to the present. with the Japanese beginning to run a Emerson also had a profound influence strong second. The history of America's on both Horace Howard Furness and adoption of Shakespeare is examined in Henry Clay Folger, and it is Bristol's chap­ two new books that complement each ter on "The Function of the Archive" that other in their coverage and style. Michael will most interest librarians. He begins by Bristol's Shakespeare's America explores the discussing the paradox of libraries: the philosophical and cultural background conservative principles of their construc­ that gave rise to Shakespearemania in the tion ''as the expression of large monopo­ nineteenth century and that has sup­ listic accumulations of wealth and ported its various manifestations down to power," which contrarily make possible the present day. James Gibson's The Phila­ "the creation of radical, action-orienting delphia Shakespeare Story focuses on the life research programs." He touches on the and work of one man who almost single­ funding of public libraries by the Carnegie handedly shifted the responsibility of Foundation during the later nineteenth Shakespeare scholarship from the Old century and explores in more detail the World to the New. concurrent development of great private A professor of English at McGill Univer­ libraries, such as those of Furness and sity, Bristol approaches his subject with a Folger. degree of critical jargon that some outside Bristol shows how Furness's library and the academy may find offputting. It is editorial project were tied to the social re­ worth bearing with him, however, be­ lationships among American and British cause his Marxist slant gives rise to a intelligentsia at the time, and to the found­ healthy degree of scepticism. His probing ing of the English Department at the Uni­ questions about the reasons for America's versity of Pennsylvania. This institution­ bardolatry impinge on the current argu­ alizing of literary study would provide the ment about the canon, which has recently death knell to the gentleman scholar. Bris­ made its way out of the ivory tower and tol then explores the relationship between onto the pages of the popular press. Bris­ Folger's private collecting project and the tol points out that the term "Shake- public politics of his library's Washington Recent Publications 571 setting and goes on to discuss the changes with materials from his own collection, in the philosophy governing development but also recommended the London book­ and use of the collection under its early li­ dealer, Alfred Russell Smith. Through brarians, Joseph Quincy Adams and Louis Smith, Furness purchased many of his B. Wright. He reminds us that "special­ treasures, including the First, Third, and ized research libraries exert a shaping in­ Fourth Folios from the Corser Library sale fluence on scholarly research through pol­ in 1871; he also obtained the 1611 Hamlet icies that decide not only what is worth and three Pavier Quartos, "which had be­ collecting but also what constitutes a com­ longed to the Shakespearian editor plete and coherent body of materials." In Edward Capell." By the mid-1870s he had the end, however, although "Libraries over 2,000 volumes, and "his collection of can lock their doors1 or . restrict access German and French editions of Shake­ to their resources . libraries as orga­ speare . {was] judged to be the most nized collections of books and other arti­ complete in the United States." facts cannot directly control what their cli­ Along with the history of these ents will produce." nineteenth-century Shakespearian collec­ While Bristol examines the philosophi­ tions and of the social relationships cal background and cultural context of pri­ among scholars and bibliophiles in this vate collecting in the nineteenth century, period, librarians will find much to profit James Gibson provides a detailed and from in Bristol's description of the chang­ readable account of one Shakespeare col­ ing cultural climate that has given rise to lector, Horace Howard Furness. The son the various movements in Shakespeare of a prominent Abolitionist Unitarian min­ criticism down to our day.-Georgianna ister, and himself a student of law, Fur­ Ziegler, University of Pennsylvania, Philadel­ ness carne from a genteel and cultured, phia, ·Pennsylvania. though not scholarly, background. He was thus typical of many "gentleman Kimball, Roger. Tenured Radicals: How scholars'' of the period, though what be­ Politics Has Corrupted Our Higher Educa­ gan for him as a kind of hobby grew into a tion. New York: Harper & Row, 1990. lifelong obsession that would have been 204p. $18.95 (ISBN 0-06-016190). LC 89­ the death of many university men. His ini­ 45049. tial dabbling with the Bard at meetings of American educational institutions have the Shakespeare Society of Philadelphia come under much scrutiny in recent (all males, mainly of the legal persuasion) years, often in the form of trenchant criti­ led to his first venture at editing a Shake­ cism of aims and objectives, as well as of spearian text (Romeo an1 Juliet, 1871) and methods. While much attention has been eventually to his establishment of the first focused on elementary and secondary ed­ fifteen volumes of the monumental vario­ ucation, higher education has certainly rum Shakespeare. not been spared. Allan Bloom's The ·Clos­ In a period in which Henry Clay Folger ing ofthe American Mind set the tone for an was just beginning his collection, no ongoing controversy, of which academic American library had the resources to sup­ librarians need to be aware. port such a scholarly undertaking as the Roger Kimball, managing editor of The variorum. Furness accordingly set out to New Criterion, attempts here to ride this re­ form his own collection. His first attempt, cent wave of criticism. Kimball is espe­ a bid to purchase ''the Shakespearian por­ cially critical of ''recent developments in tion of the library of Thomas Pennant Bar­ the academic study of the humanities," ton,'' failed when a decision was reached especially deconstruction, feminist stud­ not to split the collection but to sell the ies, and other movements to undermine whole to the Boston Public Library. Fur­ the traditional canon of liberal studies. He ness received help in his endeavor, how­ regales us with illustrations of the obscu­ ever, from the British Shakespeare scholar rity or just plain silliness of many of the and bibliographer, J. 0. Halliwell-Phil­ latest modes of criticism, especially liter­ lipps, who not only provided Furness ary criticism, but his indictment goes .
Load more

Recommended publications
  • The Furness Memorial Library
    3 The Furness Memorial Library Daniel Traister In memory of William E. Miller (1910-1994), Assistant Curator, Furness Memorial Library ilmarth S. Lewis, the great Horace Walpole collector, W once quipped that, if use were the criterion by which people judged the quality of libraries, we should judge that library to be the best which had the largest collection of telephone books. The Horace Howard Furness Memorial Library, now part of the Walter H. and Leonore Annenberg Rare Book and Manuscript Library at the University of Pennsylvania, has never needed to justify itself by denigrating “mere” use in favor of qual- ity and importance of collections. Over the years of its existence, it has always been among the most heavily used of Penn’s special collections (and this without even one telephone book in sight). The quality of its collections has never been in doubt, either. Its use is in part a reflection, obviously enough, of the drawing power of William Shakespeare. The Furnesses, father and son, based the collection on Shakespeare’s works and his stage and print career. Around these same topics their successors have continued to build it. The Furnesses’ chosen author has surely elicited more editions of and words about himself than any other writer in English—more, perhaps, than any other writer in the world. His continuing preeminence at all levels of education, and the popularity of Shakespearian productions on stage and screen, are evidence of an enthusiasm so widespread that it cannot be written off as merely academic. More than three hundred and fifty years after his death, Shakespeare continues to be box office.
    [Show full text]
  • Faith Reforming
    Reforming Faith by Design Frank Furness’ Architecture and Spiritual Pluralism among Philadelphia’s Jews and Unitarians Matthew F. Singer Philadelphia never saw anything like it. The strange structure took shape between 1868 and 1871 on the southeast corner of North Broad and Mount Vernon streets, in the middle of a developing residential neighborhood for a newly rising upper middle class. With it came a rather alien addition to the city’s skyline: a boldly striped onion dome capping an octagonal Moorish-style minaret that flared outward as it rose skyward. Moorish horseshoe arches crowned three front entrances. The massive central At North Broad and Mount Vernon streets, Rodeph Shalom’s first purpose-built temple—de- doorway was topped with a steep gable signed by Frank Furness—announced the growing presence and aspirations of the newly developed neighborhood’s prospering German Jewish community. beneath a Gothic rose window that, in HISTORICAL SOCIETY OF PENNSYLVANIA turn, sat within another Moorish horse- shoe. Composed of alternating bands of phia. In a city of red-brick rowhouses built full Jewish emancipation and equality and yellow and red sandstone, the arches’ halo- primarily in neoclassical styles, Rodeph sparked new spasms of anti-Semitism. like tops appeared to radiate from central Shalom’s new temple mixed Islamic, Pedestrians gazing upon Rodeph disks incised with abstracted floral shapes. Byzantine and Gothic elements. Shalom may have wondered whether their Buttresses shored the sides of the building, Founded in 1795 as the first Ashkenazi wandering minds conjured an appari- which stood tall and vertical like a Gothic (Central and Eastern European) Jewish tion from a faraway time and place.
    [Show full text]
  • Evolving Transcendentalism in Literature and Architecture
    Evolving Transcendentalism in Literature and Architecture Evolving Transcendentalism in Literature and Architecture: Frank Furness, Louis Sullivan, and Frank Lloyd Wright By Naomi Tanabe Uechi Evolving Transcendentalism in Literature and Architecture: Frank Furness, Louis Sullivan, and Frank Lloyd Wright, by Naomi Tanabe Uechi This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Naomi Tanabe Uechi All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4288-5, ISBN (13): 978-1-4438-4288-4 Sanctuary of Unity Temple Photo by Balthazar Korab. Courtesy of the Library of Congress Sanctuary of Unity Temple Photo by Balthazar Korab. Courtesy of the Library of Congress Exterior of Unity Temple Photo by Balthazar Korab. Courtesy of the Library of Congress TABLE OF CONTENTS Acknowledgments ...................................................................................... ix List of Illustrations ..................................................................................... xi Abbreviations ............................................................................................ xv Introduction ................................................................................................
    [Show full text]
  • Furness-Bullitt Family Papers
    Collection 1903 Furness-Bullitt Family Papers 1824-1967 (bulk 1852-1915) 5 boxes, 1.6 lin. feet Contact: The Historical Society of Pennsylvania 1300 Locust Street, Philadelphia, PA 19107 Phone: (215) 732-6200 FAX: (215) 732-2680 http://www.hsp.org Processed by: Jacob I. Kobrick Processing Completed: August 2002 Additional Processing: Leslie Hunt Additional Processing Completed: March 2005 Restrictions: None Related Collections at HSP: Horace Howard Furness Papers (collection 224), Helen Kate Rodgers Papers (collection Am 06862) © 2002 The Historical Society of Pennsylvania. All rights reserved. Furness-Bullitt Papers Collection 1903 Furness-Bullitt Family Papers, 1824-1967 (bulk 1852-1915) 5 boxes, 1.6 lin. feet Collection 1903 Abstract The Furness-Bullitt Family Papers chronicle the mid-nineteenth to early twentieth- century lives of two prominent Philadelphia families, related by marriage. The majority of the collection centers on two individuals: Horace Howard Furness (1833-1912) and John Christian Bullitt (1824-1902). Their families were united when Walter Rogers Furness, the eldest son of Horace Howard Furness and his wife Helen Kate (Rogers) Furness, married Helen Key Bullitt (who then became known as Helen Bullitt Furness), the daughter of John C. Bullitt and his wife Therese Langhorne Bullitt. Fairman Rogers Furness, the son of Walter Rogers Furness and Helen Bullitt Furness, also figures prominently in the collection. The papers consist primarily of family correspondence between husbands and wives, siblings, parents and children, grandparents and grandchildren, and cousins. The collection also contains a considerable amount of genealogical information about both the Furness and Bullitt families, as well as other related families.
    [Show full text]
  • Notes from the Oriental Seminary
    JOHNS HOPKiNS UNIVERSITY CIRCULARS Published with the approbation of the Board of Trustees VOL. XXIJ.—No. 163.1 BALTIMORE, JUNE, 1903. [PRICE, 10 CENTS. ENTERED AS SECOND-CLASS MATTER AT THE BALTIMORE, MARYLAND, POSTOFFICE. NOTES FROM THE ORIENTAL SEMINARY. EDITED BY PROFESSOR PAUL HAUPT, LL. DA~ More than twenty years ago Delitzsch delivered a lecture on BIBLE AND BABEL. the location of Paradise,0 which contained, perhaps, just as By PAUL HAUPT. much that was new and revolutionary from the traditional point of view as his recent lectures on Babel and Bible, but—the [Abstract of a paper read at the meeting of the American Oriental Society, Baltimore, April 17, 1903.] German Emperor was not present and did not command a repetition of the lecture at the Imperial Palace; nor did he deem The pessimistic philosopher who wrote the original portions of it necessary to define his faith in an open letter. Delitzsch’s the Book of Ecelesiastes, probably not long before the time of 1 says, The race does not belong to the swift, nor Ex Oriente Lux, written about five years ago for the German our Savior, the battle to the strong: everything depends on time and chance. Orient Society, did not stir up a sensation, although he pointed (EccI. 9, 11). If my distinguished friend, Professor Friedrich out there just as plainly I that the Old Testament contained a Delitzsch, of Berlin, had not delivered (Jan. 13, 1902) his lecture great deal derived from Babylonian sources.—Everything depends on Babel and Bible2 in the presence of the German Emperor, on time and chance.
    [Show full text]
  • Frank Furness's Library of the University of Pennsylvania and The
    "The Happy Employment of Means to Ends" Frank Furness'sLibrary of the University of Pennsylvania and the IndustrialCulture of Philadephia I N 1885 THE PROVOST of the University of Pennsylvania, William Pepper, M.D., called for the construction of a new library building to form the centerpiece of his academic program to incorporate research methods into instruction. Restored in 1991 by Venturi, Scott Brown and Associates and reopened as the university's Fine Arts Library, Frank Furness's building has been cleaned of a century of grime to reveal fiery red hues that highlight its exuberant shapes and forms. Designed with the in- put of the era's best-known library experts, it was initially hailed as the most successful college library of its day. However, its original style caused it to be almost immediately forgotten as a model for other libraries.' Frank Furness is now enjoying a surge of popularity, replacing Henry Hobson Richardson as the best-known American Victorian architect. But even to- day the cognoscenti have trouble understanding what Furness intended in his University of Pennsylvania Library. This article offers an explanation for Furness's masterpiece as a manifestation of the city's innovative indus- trial culture while also providing an important clue to Fumess's success in supposedly conservative Philadelphia. In the 1880s the role of the college library was changing. No longer just 'Much of the research for this paper was undertaken a decade ago as the basis for the restoration of Furness's library at the University of Pennsylvania. It owes much to the early interest in libraries of James F.
    [Show full text]
  • Almanac February 1, 1983
    Thesday, February 1, 1983 Published by the University of Pennsylvania Volume 29. Number 19 IN BRIEF The Toureador, nicknamed the Indian Fights, i a Goya Draft ... Open Expression: On the February 9 etchingfrom theset of33 on agenda ofUniversity Council are discussions of entitled La Tauromaquia exhibit in the new Arthur Open Expression guidelines and implementa- Ross Gallery. Theset of tion (Almanac 25, and of the January P. 2) was in Mad- to federal etchings printed University's response proposed regu- ridin 1816. Seepage 3. lations which would cut off federal aid to stu- dents who fail to register for the draft. Dr. Thomas Langfitt, vice president for health affairs, and Dr. Barry Cooperman, vice pro- vost for research, give a report on industry- University relations. Nuclear War For the upecoming conference, "Toward Preventing Nuclear War," two key sessions have been scheduled: An address by United Nations Secretary General Javier Perez de Cuellar on March 24 at Irvine Auditorium Computer Requirement in Religious Studies (time TBA), and a debate March 30 between research. And it will help us do old things more Senators George McGovern and John Warner Computer literacy has been made a require- ment for in studies at efficiently." on the viability of a nuclear arms freeze (time graduate degrees relgious For students, he said, the addition of Penn, a vote of the administrative commit- compu- and place TBA). by ter skills, will make them "more in tee ofthe Graduate in Studies. competitive Oral The Board to the Vice Group Religious a market them with skills History Advisory with those who enter in tightjob by providing Provost for University Life has a Starting September other candidates won't have." begun project 1984, candidates for the master's and doctorate necessarily to collect on tape the history of women at the over the must demonstrate computer literacy to win the University past six decades.
    [Show full text]
  • Walt Whitman Collection Ms
    Walt Whitman collection Ms. Coll. 190 Finding aid prepared by Leslie Smith. Last updated on August 24, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1997 Walt Whitman collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 7 Arrangement...................................................................................................................................................9 Administrative Information......................................................................................................................... 10 Controlled Access Headings........................................................................................................................10 Collection Inventory.................................................................................................................................... 12 Correspondence......................................................................................................................................12 Financial papers and correspondence....................................................................................................16
    [Show full text]
  • 1 Copyright Matt Singer, 5-19-20 Reforming Faith by Design: Frank
    1 Reforming Faith by Design: Frank Furness’ Architecture and Spiritual Pluralism among Philadelphia’s Jews and Unitarians Matthew F. Singer Philadelphia never saw anything like it. The strange structure took shape between 1868 and 1871 on the southeast corner of North Broad and Mount Vernon streets, in the middle of a developing residential neighborhood for a newly rising upper middle class. With it came a rather alien addition to the city’s skyline: a boldly striped onion dome capping an octagonal Moorish-style minaret that flared outward as it rose skyward. Moorish horseshoe arches crowned three front entrances. The massive central doorway was topped with a steep gable beneath a Gothic rose window that, in turn, sat within another Moorish horseshoe. Composed of alternating bands of yellow and red sandstone, the arches’ halolike tops appeared to radiate from central disks incised with abstracted floral shapes. Buttresses shored the sides of the building, which stood tall and vertical like a Gothic cathedral. Carved in Hebrew and English above the two side entrances, a biblical passage proclaimed a universal message from Jewish scripture: “My House Shall Be Called a House of Prayer for All People” (Isaiah 56:7). This new home—and first purpose-built synagogue—of the city’s venerable Congregation Rodeph Shalom was the first major commission of young architect Frank Furness (1839–1912). What an exotic figure this building must have cut in staid Quaker Philadelphia. In a city of red-brick rowhouses built primarily in neoclassical styles, Rodeph Shalom’s new temple mixed Islamic, Byzantine and Gothic elements.
    [Show full text]
  • Learning from Frank Furness: Louis Sullivan in 1873
    Old Dominion University ODU Digital Commons Art Faculty Publications Art 12-2013 Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth- Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness Robert Wojitowicz Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/art_pubs Part of the American Art and Architecture Commons Repository Citation Wojitowicz, Robert, "Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth-Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness" (2013). Art Faculty Publications. 3. https://digitalcommons.odu.edu/art_pubs/3 Original Publication Citation Wojtowicz, R. (2013). Review: Learning from Frank Furness: Louis Sullivan in 1873; Furness in Space: The Architect and Design Dialogues on the Late Nineteenth-Century Country House; Frank Furness: Making a Modern Library--From Gentleman's Library to Machine for Learning; Frank Furness: Working on Railroads; Building a Masterpiece: Frank Furness' Factory for Art; Face and Form: The Art and Caricature of Frank Furness. Journal of the Society of Architectural Historians, 72(4), 606-609. doi:10.1525/ jsah.2013.72.4.606 admirably composed.
    [Show full text]
  • Full Case Text
    WHITMAN IN CAMDEN and PHILADELPHIA Walt Whitman lived his last two decades in Camden, New Jersey, just across the Delaware River from Philadelphia. There Whitman’s brother George was building a large house at 431 Stevens Street to accommodate their ailing mother Louisa and developmentally challenged brother Eddie. Louisa died on 23 May 1873, only months after Whitman himself had suffered a debilitating stroke while living in Washington, D.C. Whitman moved to Camden that summer to recuperate at his brother George and sister-in-law Louisa’s house. He would live with them for over a decade. At Stevens Street, his irregular habits were a source of irritation. Gradually Whitman came to spend more and more time away from the house, visiting friends near and far, for a day, a week, sometimes even months. During his first decade in Camden, Whitman regularly took the ferry over to Philadelphia or joined the Stafford family, first at their farm at Timber Creek and later at their store in Glendale, New Jersey. Whitman met the Staffords through their son Harry, an errand boy working in the Camden print shop where the reissue of the fifth edition of Leaves of Grass was being repackaged as the “Author’s Edition” (see the “Publishing Whitman in Camden and Philadelphia” case). Not wanting to follow his brother to Burlington, New Jersey, fifty miles from Camden, where George was building a farmhouse, Whitman bought a small wooden house for himself at 328 Mickle Street (now 330 Dr. Martin Luther King Jr. Boulevard) in 1884. Incapable of caring for himself, he eventually convinced Mary Oates Davis, a widow who lived nearby, to move into the Mickle Street house as his housekeeper.
    [Show full text]
  • Portraits in the University of Pennsylvania Agnes Addison
    University of Pennsylvania ScholarlyCommons History of the University of Pennsylvania Penn Press January 1940 Portraits in the University of Pennsylvania Agnes Addison Follow this and additional works at: http://repository.upenn.edu/penn_history Addison, Agnes, "Portraits in the University of Pennsylvania" (1940). History of the University of Pennsylvania. 1. http://repository.upenn.edu/penn_history/1 All rights reserved. Except for brief quotations used for purposes of scholarly citation, none of this work may be reproduced in any form by any means without written permission from the publisher. For information address the University of Pennsylvania Press, 3905 Spruce Street, Philadelphia, Pennsylvania 19104-4112. Reprinted from Portraits in the University of Pennsylvania, edited by Agnes Addison (Philadelphia: University of Pennsylvania Press, 1940). This paper is posted at ScholarlyCommons. http://repository.upenn.edu/penn_history/1 For more information, please contact [email protected]. Portraits in the University of Pennsylvania Abstract This volume includes descriptions of the two hundred and sixty-seven portraits in oil and pastel owned by the University of Pennsylvania, of which one hundred and two are here illustrated. Portrait statues, busts, and medallions, pen-and-ink, charcoal, and pencil drawings have been omitted. The ubjs ects are arranged chronologically by date of birth. At the end of the brief biographies, the measurements of the portraits are given in inches, height by width, together with the name of the artist where available, and the location of the portraits in the University buildings. Numerals provide cross references to the biographies and illustrations. Where there is more than one portrait of a subject an asterisk (*) in the descriptive details indicates which is illustrated.
    [Show full text]