Genocide Studies and Prevention: an International Journal
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Jahresbericht 2019
Jahresbericht 2019 Inhaltsverzeichnis Inhaltsverzeichnis 1 Vorwort 3 Der Verein Creative Europe – MEDIA Desk Suisse 4 Der Verein 4 Die Geschäftsstelle 5 Das Jahr 2019 5 Kommunikation 6 Informationsveranstaltungen 6 Printpublikationen 6 Website 6 Newsletter 6 Social Media 7 Presse 7 Branchenaustausch und internationales Netzwerk 8 Überblick über alle Förderlinien 11 MEDIA-Ersatzmassnahmen 2019 11 Gesamtbilanz 2019 12 Projektentwicklung 14 Verleihförderung für europäische Filme 23 Automatische Verleihförderung 25 Selektive Verleihförderung 26 Promotionsförderung 34 Förderung von Weiterbildungsprogrammen 38 Get Trained – Stay Connected! 41 Nutzung des Creative Europe MEDIA-Netzwerks 41 BAK Weiterbildungszuschüsse 41 Finanzen 2019 45 Bericht der Revisionsstelle 45 Bilanz 46 Erfolgsrechnung 47 Inhaltsverzeichnis 1 MEDIA Desk Suisse Neugasse 10 8005 Zürich Schweiz +41 (0)43 960 39 29 www.mediadesk.ch [email protected] @MEDIASuisse #mdssupported #trainingmds MEDIA Desk Suisse wird vom Bundesamt für Kultur unterstützt. Redaktionelle Leitung: Corinna Marschall Texte: Corinna Marschall, Sophie Danner Diagramme & Statistik: Markus König Fotos: von den Produktionsfirmen und Organisatoren zur Verfügung gestellt Gestaltung: Florian Pfingsttag Titelseite: Le Milieu de l’Horizon von Delphine Lehericey, produziert von Box Productions (CH) und Entre Chien et Loup (BE). 2 Vorwort Mitten in der Corona-Krise nimmt sich der Rückblick lung wie Deutschland und Frankreich Sonderge- auf das Jahr 2019 seltsam aus. Schliesslich zerbre- nehmigungen. Besonders Filme mit hohem Potenti- chen wir uns gerade den Kopf, wie die nahe und al werden auf einen erneuten Kinostart nach der fernere Zukunft aussehen könnte und sehen alles Krise warten. Für Nischenfilme wird der Start als andere als klar. Mir scheint, dass wir uns an einem VoD eventuell die einzige Möglichkeit sein, ein Pub- wichtigen Angelpunkt befinden. -
Jemma Purdey
EPILOGUE Jemma Purdey This past December, I led a group of Australian students on a study tour to Indonesia, including a week of language and cultural immersion at a university in Bandung. The coordinators of the unit took the initiative to include a guest lecture in the program for our students and other for- eign visitors, as well as their own graduate students in Citizenship stud- ies. The topic of the lecture was Indonesian history and the Pancasila. As mine is a breadth subject open to enrolments from across faculties, in general my students had only a tacit knowledge of Indonesian his- tory. The lecturer delivered his rather dry account as a chronology of Indonesian “pre-colonial”, “colonial” and “post-colonial” history with a concluding discussion on Pancasila as national ideology. My students found this latter aspect of his lecture to be the more stimulating (the idea of a “national ideology”, particularly with religion as its starting point, as it seems a provocative one for young Australians). Personally, despite his comprehensive chronological listing of historical events com- plete with detail of lives lost in the colonial wars against the Dutch, what struck me was that there was no mention at all of “1965” beyond the 30 September Movement and Suharto’s triumphant suppression of it. Not of the mass killings and purges of Communists. Not even as a footnote. “1965” represents a period in Indonesian history roughly from 1965 to 1966 when an estimated half a million people were murdered (though some authors in this volume put this fgure higher, see in this volume © The Editor(s) (if applicable) and The Author(s) 2018 357 K. -
Comparative Analysis on Faith-Based Filmmaking Sean O'connor Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Communication Faculty Publications Department of Communication 12-11-2015 The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking Sean O'Connor Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/ media_and_applied_communications_publications Recommended Citation O'Connor, Sean, "The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking" (2015). Communication Faculty Publications. 74. https://digitalcommons.cedarville.edu/media_and_applied_communications_publications/74 This Thesis is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Tree of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking A Thesis Presented to the Faculty of School of Communication Arts of Asbury University In Partial Fulfillment Of the Requirements for the Degree Master of Arts by Sean O’Connor December 11, 2015 ii © 2015 Sean Michael O’Connor The U.S. Copyright Act of 2009 protects a thesis with the following clause, “original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device”. iii This thesis has been approved for the School of Communication Arts Dr. Don Simmons, Ph.D., Thesis Advisor Dr. Jim Owens, Ph.D., Dean of School of Communication Arts iv ACKNOWLEDGEMENTS As I reflect on all of those who have encouraged and supported me in the last year as I have pursued my graduate studies, I would first of all like to thank my family. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Survey of Quercus Kelloggii at Pepperwood Preserve: Identifying Specimen Oaks to Reimplement Traditional Ecological Knowledge and Promote Ecosystem Resilience
Survey of Quercus kelloggii at Pepperwood Preserve: identifying specimen oaks to reimplement traditional ecological knowledge and promote ecosystem resilience by Cory James O’Gorman A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in Biology Committee Members: Dr. Lisa Bentley Dr. Daniel Crocker Dr. Margaret Purser 4/21/2020 i Copyright 2020 By Cory J. O’Gorman ii Authorization for Reproduction of Master’s Thesis I grant permission for the print or digital reproduction of this thesis in its entirety, without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgment of authorship. DATE: ___5/4/2020_______________ ________Cory J. O’Gorman_______ Name iii Survey of Quercus kelloggii at Pepperwood Preserve: identifying specimen oaks to reimplement traditional ecological knowledge and promote ecosystem resilience Thesis by Cory James O’Gorman Abstract Purpose of the Study: California black oak, Quercus kelloggii, plays an important role in the lifeways of many indigenous tribes throughout California. Native peoples tend black oaks using Traditional Ecological Knowledge (TEK) to encourage the development and proliferation of specimen oaks. These mature, large, full crowned trees provide a disproportionate amount of ecosystem services, including acorns and habitat, when compared to smaller black oaks. Altered approaches to land management and the cessation of frequent low intensity cultural burns places these specimen oaks at risk from encroachment, forest densification, and catastrophic fire. Procedure: This project is a collaboration between Sonoma State University and the Native Advisory Council of Pepperwood Preserve. -
The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards
Amy Grey / Ashley Mariner Phone: 818-508-1000 Dish Communications [email protected] / [email protected] The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards Best of Enemies, Listen to Me Marlon & HBO’s The Jinx Also Pick Up Awards LOS ANGELES, December 5, 2015 – Winners in the International Documentary Association’s 2015 IDA Documentary Awards were announced during tonight’s program at the Paramount Theatre, giving Joshua Oppenheimer’s THE LOOK OF SILENCE top honors with the Best Feature Award. This critically acclaimed, powerful companion piece to the Oscar®-nominated The Act of Killing, follows a family of survivors of the Indonesian genocide who discover how their son was murdered and the identities of the killers. Also announced in the ceremony was the Best Short Award, which honored LAST DAY OF FREEDOM, directed by Dee Hibbert-Jones and Nomi Talisman. The film is an animated account of Bill Babbitt’s decision to support and help his brother in the face of war, crime and capital execution. Grammy-nominated comedian Tig Notaro hosted the ceremony, which gathered the documentary community to honor the best nonfiction films and programming of 2015. IDA’s Career Achievement Award was presented to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. He has produced, directed and/or been cinematographer on over 55 films across five decades. A longtime activist for public and community media, Quinn was integral to the creation of ITVS, public access television in Chicago; in developing the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television. -
Genocide Documentary As Intervention
This is a repository copy of Genocide documentary as intervention. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/83470/ Version: Accepted Version Article: Tyson, AD orcid.org/0000-0002-4458-6870 (2015) Genocide documentary as intervention. Journal of Genocide Research, 17 (2). pp. 177-199. ISSN 1462-3528 https://doi.org/10.1080/14623528.2015.1027077 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Genocide documentary as intervention ADAM TYSON Abstract Gifted filmmakers such as Joshua Oppenheimer, director of The act of killing, are attempting to use the power of documentary to provoke social and political change in post-conflict settings. What roles do interventionist filmmakers play in processes of national reconciliation and transitional justice? Can The act of killing really be a catalyst for change in Indonesia? This article contends that the genocide documentary is a form of antagonistic intervention that warrants systematic and critical re-evaluation. -
28Th Annual California Indian Conference and Gathering
California Indian Conference andGathering Indian Conference California October 3-5,2013 “Honor Our Past, Celebrate Our Present, and and OurPresent, Celebrate “Honor OurPast, Nurture Our Future Generations” OurFuture Nurture 28TH ANNUAL | California State University, Sacramento University, State California PAINTINGPAINTING BY LYNL RISLING (KARUK, (KARUK YUROKYUROK, AND HUPA) “TÁAT KARU YUPSÍITANACH” (REPRESENTS A MOTHER AND BABY FROM TRIBES OF NORTHWES NORTHWESTERNTERN CALIFORNIA) letter from the Planning Committee Welcome to the 28th Annual California Indian Conference and Gathering We are honored to have you attending and participating in this conference. Many people, organizations and Nations have worked hard and contributed in various ways. It makes us feel good in our hearts to welcome each and every person. We come together to learn from each other and enjoy seeing long-time friends, as well as, meeting new ones. The California Indian Conference and Gathering is an annual event for the exchange of views and Information among academics, educators, California Indians, students, tribal nations, native organizations and community members focusing on California Indians. This year, the conference is held at California State University, Sacramento. Indians and non-Indians will join together to become aware of current issues, as well as the history and culture of the first peoples of this state. A wide variety of Front cover: topics will be presented, including: sovereignty, leadership, dance, storytelling, The painting is titled, “Taat karu native languages, histories, law, political and social issues, federal recognition, Yupsíitanach” (Mother and Baby). The health, families and children, education, economic development, arts, traditions painting represents a mother and and numerous other relevant topics. -
A Microhistory of Massacre Memory in Clear Lake, California
Genocide Studies and Prevention: An International Journal Volume 9 Issue 2 Time, Movement, and Space: Genocide Article 8 Studies and Indigenous Peoples 10-2015 ‘Reclamation Road’: A Microhistory of Massacre Memory in Clear Lake, California Jeremiah J. Garsha University of Cambridge Follow this and additional works at: https://scholarcommons.usf.edu/gsp Recommended Citation Garsha, Jeremiah J. (2015) "‘Reclamation Road’: A Microhistory of Massacre Memory in Clear Lake, California," Genocide Studies and Prevention: An International Journal: Vol. 9: Iss. 2: 61-75. DOI: http://dx.doi.org/10.5038/1911-9933.9.2.1292 Available at: https://scholarcommons.usf.edu/gsp/vol9/iss2/8 This Article is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Genocide Studies and Prevention: An International Journal by an authorized editor of Scholar Commons. For more information, please contact [email protected]. ‘Reclamation Road’: A Microhistory of Massacre Memory in Clear Lake, California Acknowledgements The author is grateful to the two anonymous reviewers who strengthened this paper with their careful reading and accurate critiques, to Benjamin Madley who offered valuable feedback on an earlier draft of this paper, and to Jamie Lynnae for her nuanced edits and suggestions. This article is available in Genocide Studies and Prevention: An International Journal: https://scholarcommons.usf.edu/gsp/vol9/iss2/8 ‘Reclamation Road’: A Microhistory of Massacre Memory in Clear Lake, California Jeremiah J. Garsha University of Cambridge Cambridge, United Kingdom Abstract: This article is a microhistory of not only the massacre of the indigenous Pomo people in Clear Lake, California, but also the memorialization of this event. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
California Genocide Conference
FINAL CALL and SAVE THE DATE California Genocide Conference: The Genocide, Oppression, Resilience, and Sovereignty of the First Peoples of California Indigenous Film Festival, Meet & Greet & Music November 21, 2019 Conference November 22-24, 2019 San Diego State University in Partnership with the Southern California Warrior Spirit Family Keynote Speaker: Anthony R. Pico, Ph.D. ad honorem Viejas Band of Kumeyaay Honored Speakers to Include: Professor Cutcha Risling Baldy (Hupa, Yurok and Karuk) Honorable Chairwoman Erica Pinto (Jamul Village, Kumeyaay Nation) California Critical Mission Studies; Tribal Community Member Panels Topics to Include: The Genocide of Indigenous Nations and Peoples; Traditional Healing and Indigenous Wisdom; Violence Against Women Act, Murdered and Missing Indigenous Women, Native Feminism & Matriarchal Survivance; History of the Mission System in California; Boarding Schools, Contemporary Oppression of Native School Children & Native Youth Empowerment; Child Welfare and ICWA: Healing Our Children, Families and Communities; Sacredness of Indigenous Food; Contemporary Tribal Law & Restorative Justice Film Festival: Tribal Justice; Doctrine of Discovery, the Code of Domination Contact: Mark Wheeler [email protected] ~ Tamara Strohauer [email protected] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Purpose: To contribute to the truth-telling against false narrative about Indigenous nations and peoples, and to further the processes of healing ongoing historical, cultural, and intergenerational trauma; we will raise awareness about the genocide and the continued oppression of California's Indigenous peoples, while celebrating resilience and survivance. Vision: We envision a world wherein all peoples are respected fully and the wrongs of colonial oppression are acknowledged and rectified. LOCATION: San Diego State University 5500 Campanile Drive, San Diego 92182 n D. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.