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Anica Citazioni Anica Scenario ANICA ANICA CITAZIONI 28/08/2014 Il Sole 24 Ore 7 Una Rai che si fa in due per l'industria audiovisiva ANICA SCENARIO 28/08/2014 Avvenire - Nazionale 10 A Venezia sfilano SUPEREROI in crisi 28/08/2014 Avvenire - Nazionale 11 Hollywood invade la tv di fumetti Il mondo salvato da uomini speciali 28/08/2014 Corriere del Veneto - Treviso 12 Grandi star , meno fans Napolitano: «Sono qui per sostenere Venezia» 28/08/2014 Corriere della Sera - Milano 14 Aule e teatri di posa La Cinecittà del Nord apre a 400 studenti 28/08/2014 Corriere della Sera - Brescia 15 Sbarca a Venezia il «corto» che dribbla il bullismo 28/08/2014 Corriere della Sera - Nazionale 16 Iñárritu e quel Vizio di farci fare Indigestione 28/08/2014 Corriere della Sera - Nazionale 17 Messi o (il triste) Patón metafora dell'Argentina che finisce nel pallone 28/08/2014 Corriere della Sera - Nazionale 18 La protesta non rovina la festa d'apertura 28/08/2014 Corriere della Sera - Nazionale 19 Divi e supereroi A Venezia la coppia Emma-Michael Crisi di un invincibile in «Birdman» 28/08/2014 Europa 21 L'eroe antisocial di Iñárritu 28/08/2014 Gazzetta del Sud - Nazionale 22 Montaldo: «Amate il cinema » Si alza il sipario su Venezia 28/08/2014 Gazzetta di Reggio - Nazionale 23 Oggi al Lido sbarca anche Travaglioli il "Brilliant editor" caro a Sorrentino 28/08/2014 Il Fatto Quotidiano 24 Supereroi in crisi (come il cinema ) 28/08/2014 Il Fatto Quotidiano 26 Il solito Festival nella solita Venezia I politici invece sono ai domiciliari** 28/08/2014 Il Foglio 28 A Venezia tra ritardi, giungle, super Norton e comiche sorprese in sala 28/08/2014 Il Gazzettino - Padova 29 Il cinema delle origini per pianista e orchestra 28/08/2014 Il Giornale - Nazionale 30 Sedie vuote in giuria per i registi in prigione 28/08/2014 Il Giornale - Nazionale 31 Il triste kamasutra dei ragazzi che si danno in pasto alla Rete 28/08/2014 Il Giornale - Nazionale 32 Beauvois «sogna» il furto della salma di Charlie Chaplin 28/08/2014 Il Giornale - Nazionale 33 L' attore narciso e insicuro come i «drogati» da Social 28/08/2014 Il Giornale - Nazionale 35 Sul set di Venezia anche grandi sponsor 28/08/2014 Il Manifesto - Nazionale 36 LLa grande bellezza di Maciste senza voce 28/08/2014 Il Manifesto - Nazionale 37 «Il pubblico si muove su altre piattaforme come internet...» 28/08/2014 Il Manifesto - Nazionale 38 «È stato come camminare su un filo teso senza rete» 28/08/2014 Il Manifesto - Nazionale 39 L'incubo solitudine nel ritratto d' attore 28/08/2014 Il Messaggero - Nazionale 41 Ciak di notte Muccino gira in via Veneto 28/08/2014 Il Messaggero - Nazionale 42 Settembre tempo di festival 28/08/2014 Il Messaggero - Nazionale 44 Birdman conquista il Lido 28/08/2014 Il Messaggero - Nazionale 45 Keaton: «Ancora supereroe ma una volta amavo i cow boy» 28/08/2014 Il Messaggero - Nazionale 46 Venezia, il festival al via tra sobrietà e grandi star 28/08/2014 Il Piccolo di Trieste - Nazionale 47 Fischi e sorrisi alla Mostra in cerca di nuovi mondi 28/08/2014 Il Sole 24 Ore 49 Le Winx tornano in scena fra cinema e Netflix 28/08/2014 Il Sole 24 Ore 50 Un'apertura coraggiosa, il film sull'ego degli attori 28/08/2014 Il Tempo - Nazionale 51 La protesta di Venezia per i due registi in cella per le loro idee 28/08/2014 La Gazzetta Del Mezzogiorno - Nazionale 52 Il cinema vola alto con «Birdman» 28/08/2014 La Gazzetta dello Sport - Nazionale 53 Keaton rinasce a Venezia e torna supereroe «Con una commedia racconto l'insicurezza» 28/08/2014 La Gazzetta dello Sport - Nazionale 54 Metti a tavola parenti e amici Ed ecco il film su Leo Messi 28/08/2014 La Liberta 55 Golino: la mia Armida umana e tanto fragile 28/08/2014 La Liberta 57 A Pontenure ritorna Daniele Ciprì 28/08/2014 La Nuova Sardegna - Nazionale 58 La Sardegna come luogo dell'anima 28/08/2014 La Repubblica - Napoli 59 C'è "Song 'e Napule" con i Manetti Bros 28/08/2014 La Repubblica - Nazionale 60 L'ex Batman Michael Keaton "Io, splendidamente patetico" 28/08/2014 La Repubblica - Nazionale 61 Ignoranza social Di cosa parla Iñárritu quando parla di cultura 28/08/2014 La Sicilia - Nazionale 62 Al via con "Birdman" Napolitano testimonial 28/08/2014 La Stampa - Nazionale 63 PERCHÉ CI PIACE GUARDARE DAL BUCO DELLA SERRATURA 28/08/2014 La Stampa - Nazionale 64 Houellebecq si dà al cinema due film come attore 28/08/2014 La Stampa - Nazionale 65 In cerca di facce italiane per la tv made in Albania 28/08/2014 La Stampa - Nazionale 67 A Venezia il lato nascosto di Hollywood 28/08/2014 Libero - Nazionale 69 Ma la vera festa sullo schermo è per chi resta in città 28/08/2014 Libero - Nazionale 70 LA STAR IN CRISI CONQUISTA VENEZIA 28/08/2014 Libero - Nazionale 71 Anche «Inferno» di Dan Brown diventerà un film 28/08/2014 Panorama 72 Cinema , 10 cannonate d'autunno 28/08/2014 QN - Il Resto del Carlino - Rovigo 74 «Vogliono boicottare il film sui Serenissimi» 28/08/2014 QN - Il Resto del Carlino - Nazionale 75 «Nobili e patetici Siamo tutti supereroi» 28/08/2014 Uomo Vogue 76 In principio era YouTube, poi sono arrivati Vimeo, Vine e Snapchat. Ed è boom di ONLINE FILM MA KING 28/08/2014 Uomo Vogue 78 NEMICO BOX OFFICE. Da una decina d'anni, vincere il Leone d'oro non significa assicurarsi buoni incassi 28/08/2014 Uomo Vogue 80 IL CINEMA ITALIANO SUL PODIO: storia, riflessioni e pronostici 28/08/2014 Uomo Vogue 81 THE DIRECTOR Alberto Barbera PRIME PAGINE 28/08/2014 Avvenire - Nazionale 84 PRIMA PAGINA 28/08/2014 Corriere della Sera - Nazionale 85 PRIMA PAGINA 28/08/2014 Il Fatto Quotidiano 86 PRIMA PAGINA 28/08/2014 Il Foglio 87 PRIMA PAGINA 28/08/2014 Il Gazzettino - Nazionale 88 PRIMA PAGINA 28/08/2014 Il Giornale - Nazionale 89 PRIMA PAGINA 28/08/2014 Il Manifesto - Nazionale 90 PRIMA PAGINA 28/08/2014 Il Mattino 91 PRIMA PAGINA 28/08/2014 Il Messaggero 92 PRIMA PAGINA 28/08/2014 Il Sole 24 Ore 93 PRIMA PAGINA 28/08/2014 Il Tempo - Nazionale 94 PRIMA PAGINA 28/08/2014 ItaliaOggi 95 PRIMA PAGINA 28/08/2014 La Notizia Giornale 96 PRIMA PAGINA 28/08/2014 La Repubblica 97 PRIMA PAGINA 28/08/2014 La Stampa - Nazionale 98 PRIMA PAGINA 28/08/2014 Libero 99 PRIMA PAGINA 28/08/2014 MF - Nazionale 100 PRIMA PAGINA ANICA CITAZIONI 1 articolo 28/08/2014 Il Sole 24 Ore Pag. 13 (diffusione:334076, tiratura:405061) La propriet intelletuale riconducibile alla fonte specificata in testa pagina. Il ritaglio stampa da intendersi per uso privato Tv. Le associazioni di categoria presenteranno domani una proposta ad hoc a Venezia Una Rai che si fa in due per l'industria audiovisiva L'obiettivo è aumentare budget e qualità delle produzioni Marco Mele ROMA Una Rai divisa in due società, con meno canali ma con più risorse. Con una missione prioritaria: lo sviluppo dell'industria audiovisiva nazionale, da codificare nella nuova concessione che sarà formalizzata entro il maggio 2016. È costruita su queste fondamenta la proposta comune delle associazioni dell'audiovisivo che sarà presentata domani alla Mostra del Cinema al Lido di Venezia con il titolo di "Cambia canali". Produttori, autori e lavoratori dell'industria creativa, insomma, fanno fronte comune, considerando il rinnovo della concessione per il servizio pubblico una delle poche opportunità offerte a chi vuole intervenire su un assetto del sistema audiovisivo che, così com'è adesso, viene ritenuto del tutto inadeguato di fronte a quanto accade nel mercato e nell'industria a livello mondiale. Il Paese è ormai marginale nel campo della comunicazione: il nostro export di audiovisivo è non solo un ventesimo di quello britannico, favorito dalla lingua, ma anche un decimo di quelli di Francia, Spagna e Germania. La concessione è considerata un momento cruciale per ridiscutere ruolo e assetto del servizio pubblico rispetto a un contratto di servizio "prodotto" da una trattativa bilaterale tra azienda Rai e ministero delle Comunicazioni. Le risorse pubbliche assegnate alla Rai - 1,7 miliardi di euro l'anno di canone tra tv e radio (escluse le convenzioni) - vanno considerate il maggiore intervento pubblico per informazione, produzione audiovisiva e intrattenimento. L'intervento statale nei confronti dell'audiovisivo, invece, non supera i 75 milioni annui. Il mondo della tv non è più lo stesso: la digitalizzazione rende meno necessari compiti storici affidati alla Rai, come l'educational e un pluralismo inteso solo come garanzia per il sistema dei partiti, che, a sua volta, garantisce quello televisivo. Le parole d'ordine delle associazioni firmatarie - l'Anica, l'Apt, Anac, 100Autori, associazioni dei giovani produttori, Doc/it, Piccole e media imprese di cinema e audiovisivo - sono due: generare nuovi posti di lavoro e aumentare le esportazioni, ovvero la capacità dell'Italia di narrare proprie storie al mondo. Le maestranze dell'audiovisivo sono un terzo di quelle francesi e metà di quelle britanniche. Il problema è anche che si spende peggio: per ogni milione di fatturato vi sono poco più di quattro addetti per anno contro i sei della Francia e gli oltre sette della Gran Bretagna. Quanto all'esportazione, a fronte dell'egemonia statunitense, da Hollywood ai colossi dello streaming in Rete, il modello di riferimento è quello britannico, dove alla Bbc e a Channel Four, la prima finanziata dal canone, il secondo dalla pubblicità, è affidato il ruolo di volano dell'industria nazionale.
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