Annex 3: Methodology Overview
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RAJAR DATA RELEASE Quarter 1, 2020 – May 14 Th 2020
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations "Please note that the information contained within this quarterly data release has yet to be announced or otherwise made public and as such could constitute relevant information for the purposes of section 118 of FSMA and non-public price sensitive information for the purposes of the Criminal Justice Act 1993. Failure to comply with this embargo could result in prosecution’’. Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 NATIONAL STATIONS STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q1 19 Q4 19 Q1 20 Q1 20 vs. Q1 19 Q1 20 vs. Q4 19 Q1 19 Q4 19 Q1 20 ALL RADIO Q 48945 48136 48894 -0.1% 1.6% 100.0 100.0 100.0 ALL BBC Q 34436 33584 33535 -2.6% -0.1% 51.4 51.0 49.7 15-44 Q 13295 13048 13180 -0.9% 1.0% 35.2 35.5 34.4 45+ Q 21142 20535 20355 -3.7% -0.9% 60.2 59.4 57.9 ALL BBC NETWORK RADIO Q 31846 31081 30835 -3.2% -0.8% 44.8 45.0 43.4 BBC RADIO 1 Q 9303 8790 8915 -4.2% 1.4% 5.7 5.6 5.6 BBC RADIO 2 Q 15356 14438 14362 -6.5% -0.5% 17.4 17.0 16.3 BBC RADIO 3 Q 2040 2126 1980 -2.9% -6.9% 1.2 1.4 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 11459 11416 11105 -3.1% -2.7% 13.1 13.4 12.9 BBC RADIO 4 Q 11010 10977 10754 -2.3% -2.0% 11.9 12.0 11.7 BBC RADIO 4 EXTRA Q 2238 2271 1983 -11.4% -12.7% 1.3 1.4 1.2 BBC RADIO 5 LIVE (INC. -
Layout 1 (Page 2)
RIGFIND THEHT DEAL SPREAD BETTING WITH IG LOSSES CAN EXCEED YOUR INITIAL DEPOSIT 99.5% OF DEALS EXECUTED IN 0.1 SECONDS 100% PLATFORM UPTIME THE POWER TO COPE WITH VOLATILITY CREATE AN ACCOUNT IN UNDER 3 MINUTES IGINDEX.CO.UK/SPREADBET LOSSES CAN EXCEED YOUR INITIAL DEPOSIT ([HFXWLRQÀJXUHVUHODWHWR1RY8SWLPHÀJXUHVUHODWHWR2FW1RY BUSINESS WITH PERSONALITY BUSINESS DIAMOND FIGHTS BACK JUBILEE SIMON DENHAM THE QUEEN MARKS STANDS UP FOR THE SIXTY YEARS ON CITY P26 THE THRONE P12 Issue 1,564 Monday 6 February 2012 www.cityam.com FREE Heathrow TRUTH ABOUT BANKER PAY: flights cut amid snow ▲ ECONOMY IT’S FALLING BY TIM WALLACE ▲ BANKING Investment banks are slashing pay with perhaps worse still to come. HEATHROW airport yesterday can- BY JULIET SAMUEL This coupled with the recent whole- celled half of the 1,300 sceduled COMPANY AVERAGE CUT IMPACT sale redundancies has left morale at flights as snow and freezing temper- BRITISH investment bankers are an all time low,” he added. Bonuses atures hit Britain. braced for deep slashes to their pay Expected cut of 30 per make up the majority of the pay Despite the massive disruption at packets after a slowdown in trading 30% cent could be accompanied packet for many bankers. the UK’s busiest airport, owner BAA saw their US rivals cut bonuses by up by job cuts Tim Hedger of bank recruiter said its snow plan had worked “far to 30 per cent. Marks Sattin says that banks had better” than in previous years. It Industry insiders say that UK Affects senior investment been expected to put up base salaries claimed making a decision about bankers are looking at a pay cut of bankers; some get bonds in response to strict regulation of flight cancellations on Saturday gave 20-50 per cent – in addition to thou- 30% backed by derivatives. -
Reality, Realism and Fantasy: a Study of Ray's Children's Fiction Hirak
Reality, Realism and Fantasy: A Study of Ray’s Children’s fiction Hirak Rajar Deshe Arpita Sarker Research Scholar (M.Phil.) University of Delhi India Abstract In my paper I intend to first explain different form of realism by discussing Ian Watt‟s definition of realism, in The Rise of The Novel comparing and contrasting it with Brecht and Luckas‟s idea of realism as explained in Bertolt Brecht: Against George Luckas. Secondly I will discuss in brief the difference between reality and realism in a work of fiction. Thirdly, I will talk about the portrayal of reality and realism in children‟s literature, using socialist realism and Brecht‟s view on it. In order to discuss third part of my paper I will analyze film maker Satyajit Ray and his socialist- realist- fantasy film Hirak Rajar Deshe. The movie is adapted from Ray‟s father‟s collection of work for children name Goopy Gayen and Bagha Bayen. Keywords: Fantasy, Reality, Realism, Socialism, Brecht. www.ijellh.com 50 Children‟s literature is a genre that is vastly dependent on fantastic elements that make it appealing to children and adults. The fantastic elements, on the surface, act as a model for psychologically cushioning that protects the child from the harsh realities of life and bestow moral messages to the masses. But the fantastical element alone cannot reveal the social, political, or moral message the fiction intends to spread. The fantasy element is hence paradoxical complicated by the presence of realism in Children‟s Literature. The use of realism, in the façade of fantasy, and larger than life characters, has helped writers to adhere to the real intention of children‟s literature. -
BBC Annual Report and Accounts 2013/14 59 Strategic Report – Performance Television
Performance Part Two : Strategic report – Performance How we performed against our objectives by content area, genre and channel or network BBC Annual Report and Accounts 2013/14 59 Strategic report – Performance Television Danny Cohen Director, Television ‘‘It was a strong year for BBC Television in an increasingly Day was watched by 12.7 million viewers and audiences were competitive landscape with changing audience viewing thrilled with James Corden’s The Wrong Mans, Jane Campion’s habits putting our reach figures under some pressure. Top of the Lake, and Burton and Taylor starring Dominic West and Helena Bonham Carter. Over the coming months we’re making programmes even more distinctive with high impact drama, natural Distinctive thought-provoking content history and major national events. And, as the media We aim to provide educational and stimulating content for all world changes rapidly and audience expectations get audiences. The very best blue chip factual of Brian Cox’s Wonders ever higher, we’re working hard to ensure quality, of Life sat alongside popular innovation like The Great British Sewing Bee and It’s A Mad World – a powerful season looking at young distinctiveness and innovation across all our output.’’ people and mental health on BBC Three. The best arts, music and cultural programmes are increasingly delivered through Serving all audiences partnership projects: Written on Skin with the Royal Opera House; Whilst BBC Television aims to stimulate and delight audiences Handmade alongside the V&A; and a star-studded performance across the UK we recognise we still need to work harder to reach celebrating the 50th birthday of the National Theatre. -
Li4j'lsl!=I 2 Leeds Student Ma Aj Rnutidoo ®~1 the Bulk of Landlords .Trc \.\Ith News Ump,.'11
THE REVOLT T F TH HT --FULL STORY PAGE NINE -----li4J'lSl!=I 2 www.leedsstudentorg.uk Leeds Student ma aJ rnutIDoo ®~1 the bulk of landlords .trc \.\ith News Ump,.'11. 20 per ce n1 uren ·1 and LIBERAL Democnil MP in the ..crabbl c 10 find holbm,1: S0%of Simon llu~ht-s has helped in LS6. .., ,uden~ forgc1 11t.11 kick-start a new student the) have nghl\." students have hou."iing crlCMJdc. Jame:; Blake, pre,;idenJ ot taken drugs lhc ·m1111 campaign . Ll'l I\ Lib Dem pan), said but they want wluch I\ be ing c;pearheadc<l h) ·-rm so plc:t5cd thut Simon the:" J~ll:, LT111vcr-.U) L1h rkm Hughe!. could launt:h th 1.:. stricter laws part). •~ .ummg In _maJ..i: c:1mpa1~.n· i1 ,hows YrC an• pt.-<1ple more aware. ol 1he1r ',C.."OOU!, nglu .. :L, IC/M Ii t.. Hu~hC!-i. \\ ho was narmwl} pages TennnL!- can dl!m.Jnd 1h i 11 w, hct11cn by Charles Kenned)- in like ',llltllu: de1cc1or... gu~ a le..ader.; lup contest. ~ id: {ee:-. for appl i,mcc\ and '"StuJcn1 .-. olten fc.el 1hat Uni of Leeds found wanting by aik-qualc 101.;b. filling,. becau~ they mm,e around 11 \ government watchdogs Greg Mulholland. a t.-01111 not '-"Onh \. Otmg. We wam 10 tell lhem lh:it ii I\, nnd lhat pages 6 · 7 cillur for l.ttJs ~fonh \\'1....,1 who i.. .il!.O baekm!! the wc · n: n:lc\'an1 ...chcme. ,,;md: ··1t\ the ... mall "If ~IUdent.,;. -
Service Review
Delivering Quality First in Northern Ireland DELIVERING QUALITY FIRST IN NORTHERN IRELAND EXECUTIVE SUMMARY The BBC in Northern Ireland aims to bring the highest quality, most distinctive programmes and services to local audiences, reflecting the diversity of its cultures, communities and languages, and informing, educating and entertaining all its citizens. Our ambition is to deliver content driven by the unique needs of our local audiences, fulfilling the BBC’s public purposes within the context of political, economic and social change in Northern Ireland. The capacity to evaluate and reflect a Northern Ireland society during this period of significant transformation is at the heart of our proposition. Northern Ireland-specific output such as BBC Radio Ulster/Foyle is extremely popular and highly distinctive. On television, BBC Newsline and the current affairs programme Spotlight combine with live sports coverage and a wide range of non-news programming such as The Estate, Belfast Blitz and House of the Year to deliver significant value to local audiences. In the first quarter of 2011, ten of BBC One Northern Ireland’s top twenty programmes were locally made Northern Ireland programmes. Within a very competitive television news market, the BBC’s television news specifically for Northern Ireland audiences (BBC Newsline) is highly trusted and valued by our audience. When the BBC’s programmes for Northern Ireland audiences opt into the BBC One and BBC Two network schedules, they consistently add to the overall channel performance. BBC Radio Ulster/Foyle reaches on average almost 38% of the Northern Ireland adult population each week – amongst the highest reach of all of the BBC’s national and local radio services. -
ECCB 2018 Program
Presenters Bath, Alistair 583 Carvalho, Filipe 195 Batáry, Péter 588 Carvalho, Silvia 727 Aakala, TUOMAS 404 Bautista, Carlos 347 Ceausu, Silvia 766 Aavik, TSIPE 127 Baynham-Herd, Zachary 377 Cebrian, Merben 326 Abdullah, Md. Rishad 28 Baynham-Herd, Zachary 222 Cerri, Jacopo 8 Abrahams, Mark 503 Beja, Pedro 173 Chamorro, Darío 198 Abrego, Nerea 162 Belinskij, Antti 204 Chatterjee, Anindita Bidisha 336 Acil, Nezha 197 Berggren, Åsa 200 Chatterjee, Nilanjan 319 Aggrey, Siya 15 Bergman, Eva 231 Chaudhary, Abhishek 484 Ahmad, Riyaz 380 Bermudez-Urdaneta, Martin 381 Chen, Ron 158 Ahmad, Irfan 642 Bernardo-Madrid, Rubén 177 Clough, YANN 572 Ahti, Pauliina A. 60 Bernes, Claes 607 Colleony, Agathe 524 Ahti, Pauliina A. 348 Berry, Pam 486 Comor, VINCENT 165 Aimé, Emilie 411 Bertolino, Sandro 729 Conenna, Irene 734 Ajder, VITALIE 62 Bertram, Michael 617 Consorte-McCrea, Adriana 575 Akeredolu, Excellence 736 Bhattacharyya, Debjyoti 427 Consorte-McCrea, Adriana 552 Akonwi Nebasifu, AYONGHE 540 Biancolini, Dino 316 Consorte-McCrea, Adriana 590 Alagador, Diogo 613 Biber-FreudenberGER, Lisa 201 Constable, Amy Louise 472 Albrecht, Matthias 577 Bladon, Andrew 315 Coppes, Joy 156 Alexander, Meghan 728 Boissier, Olivier 476 Correa, Diego F. 258 Alimba, Chibuisi 655 Bombieri, Giulia 478 Correia, Ricardo 489 Aljes, Maria 42 Borderon-Carrez, Séverine 495 Cortés Capano, Gonzalo 205 Allen, Andrew 234 Bosco, Laura 300 Cortés Capano, Gonzalo 21 Andersson, Anastasia 679 Bouarakia, Oussama 172 Cotton, Sam 278 Andrew, Carrie 599 Boyer, Stéphane 410 Crawley, Jennie -
What the RAJAR Midas Audio Survey Tells Us About Listening in the Digital Age Contents
Audio Time What the RAJAR Midas Audio survey tells us about listening in the digital age Contents Surround Sound .........................................3 Soundbites ..............................................4 Share of Audio by listening type.........................5 Share of Radio by device ................................8 On-demand music services ........................... 10 Podcasts .............................................. 12 Listening Location ..................................... 13 RAJAR Midas Audio – How we do it ................... 14 About RAJAR ......................................... 14 Articles: Audio Innovation - Matt Deegan ........................8 Stream Powered - Richard Marks ..................... 10 In Pod We Trust – Alison Winter........................ 12 2 Surround sound The audio landscape has been undergoing continual Broadcast On-demand change at the hands of new technology since the early days of recorded music and the very first radio services. The speed and extent of change has been accelerating of late as a consequence of digital technology. The combination of new devices and delivery systems have liberated audio, presenting audiences with an unprecedented range of content and services that can now be accessed in more places at more times and in more ways to fit conveniently into our lives. Every part of the audio spectrum is evolving and adapting. Radio now lives well beyond the radio set, its unique audience proposition has been transformed with new brands and services, distributed through analogue, online and DAB. The additional utility of Apps and media players such as Radioplayer and BBC iPlayer Radio have made accessing radio content more flexible and easy. Further technological advances combining both DAB and IP will continue this journey into an exciting hybrid future. Music can now be acquired and accessed more easily. On-demand music services are transforming the music industry, whilst audio sharing platforms are making audio content more searchable and social. -
Radiocentre's Response to the BBC Trust Review of the BBC's National Radio Stations in Northern Ireland, Scotland and Wales
RadioCentre’s response to the BBC Trust review of the BBC’s national radio stations in Northern Ireland, Scotland and Wales 1. Executive summary 1.1. We welcome the fact that a significant degree of scrutiny is being applied to the BBC Nations services, via the BBC Trust’s ongoing service licence review process. The Nations services were largely overlooked during the 2010 BBC Strategy Review process – we considered this to be unfortunate given the relatively high level of licence fee funding invested in them, their potential market impact, and - most importantly - their disproportionate political and social importance. 1.2. The BBC’s radio services in the Nations – BBC Radio Ulster/Foyle (Northern Ireland), BBC Radio Scotland and BBC Radio nan Gàidheal (Scotland), BBC Radio Wales and BBC Radio Cymru (Wales) – should embody the ideals of public service broadcasting: that is, providing distinctive, high quality, informative speech content that adds significant value to the body politic. 1.3. We believe that the BBC’s Nations services do largely fulfil this role. However, aspects of these services fail to meet such high standards, in the following areas: ‐ Music/speech output. The service licences of the English language Nations services state that they should be ‘speech-led’, yet they all broadcast a significant amount of music during daytime. We believe that the service licences of all English language BBC Nations services should be amended, to require them to broadcast 100% speech during daytime. ‐ Audience profile. The English language Nations services currently lack a target age demographic. We believe that all BBC Radio service licences should contain a specific target age range, in order to ensure maximisation of public value and avoid duplication with the commercial sector. -
Primary Spanish: ¡Mi Madrid!
Primary Spanish: ¡Mi Madrid! Age 8 - 10 Resources to support Spanish language learning at Key Stage 2 KS2 Spanish - ¡Mi Madrid! Teacher’s Notes by Clare Seccombe Page 1. ¡Hola! ¿Qué hay? (Hello, how are you doing?) 6 2. ¡Fiesta! (Party!) 9 3. Al zoo (At the zoo) 12 Age 8 - 10 4. La sierra (The mountains) 18 The titles in blue used in this pdf have been hyperlinked so that you 5. Soy un genio (I am a genius) 22 can navigate with ease to the online page for each programme and to 6. ¡Masterchef! (Masterchef!) 24 the audio downloads for each pro- gramme 7. ¡Ay! ¿Qué me pongo? (Oh dear! What shall I wear?) 31 Credits: 8. ¡Hala Madrid! (Come on Madrid!) 34 Charlie - Ela Sandín Prior Quique - Jorge Álvarez Sofía - Raquel Gribler 9. Mi gente (My people) 38 Tío Manu - Emmanuel Lehmann Teresa - Yuriria del Valle Jimena - Aurora Wright-López 10. Somos una piña (We are a tribe) 41 Other voices : Paco Manzanedo and Cristino Romero Music and Lyrics: Emmanuel Lehmann with André Espiñeira Performed by: Emmanuel Lehmann, André Espiñeira, William Gerard Murphy, Angélica Leyva and Elisa Arbesú Written by: Lisa Stevens Produced by: Nicolas Jackson An Afonica production for BBC Learning For the BBC: Consultant: Clare Seccombe Producer: Kathryn Blennerhassett 2 Using these Notes The headings used in these Notes ‘Before listening’ Introduction Listed here is a range of activities which can be used to intro- duce or revise the key vocabulary featured in the episode. The content in this series has been designed to comple- It is recommended teachers present all or some of these ment a school’s existing programme of work for teaching activities to help children follow the content. -
A Short Report Into Community Radio in Wales
National Assembly for Wales Culture, Welsh Language and Communications Committee A short report into community radio in Wales November 2019 Recommendations Recommendation 1. The Welsh Government should fund a community radio body for Wales. The body would offer practical support to stations, perform a representative role and co-ordinate cross station co-operation and knowledge sharing. Practical support might include performing common tasks for stations like HR, marketing or grant writing. The body should also help forge links between community stations and other interested bodies like commercial and BBC radio. Recommendation 2. The Welsh Government should place more government advertising, particularly public information campaigns, with Community Radio stations and provide guidance to other public sector bodies in Wales to draw their attention to the possibilities of using the sector more. Recommendation 3. The BBC should actively engage with community radio to give access to the output and promote the use of their Local Democracy Reporting Service. Recommendation 4. The BBC and commercial radio should work with community radio to develop a pathway for community radio volunteers to gain experience at their radio stations as a means of developing talent across Wales. www.assembly.wales A short report into community radio in Wales Recommendation 5. The BBC should offer community radio stations preferential rates and first refusal when selling off radio equipment they no longer use. Recommendation 6. Radio Joint Audience Research (RAJAR) should develop a less complex and cheaper audience survey that community radio could use. Stations that chose to use this new service should then be able to access the advertisers that place adverts using RAJAR ratings. -
Comparative Data Chartspdf
RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 NATIONAL STATIONS SAMPLE SIZE: TERMS WEEKLY The number in thousands of the UK/area adult population w ho listen to a station for at least 5 minutes in the Survey period - Q2 2015 REACH: course of an average w eek. SHARE OF Code Q (Quarter): 22,340 Adults 15+ LISTENING: The percentage of total listening time accounted for by a station in the area (TSA) in an average w eek. TOTAL Code H (Half year): 46,216 Adults 15+ HOURS: The overall number of hours of adult listening to a station in the UK/area in an average w eek. TOTAL HOURS (in thousands): ALL BBC Q2 14 546723 Q1 15 553852 Q2 15 554759 TOTAL HOURS (in thousands): ALL COMMERCIAL Q2 14 443326 Q1 15 435496 Q2 15 464053 STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q2 14 Q1 15 Q2 15 Q2 15 vs. Q2 14 Q2 15 vs. Q1 15 Q2 14 Q1 15 Q2 15 ALL RADIO Q 48052 47799 48184 0.3% 0.8% 100.0 100.0 100.0 ALL BBC Q 35227 34872 35016 -0.6% 0.4% 53.3 54.4 53.0 15-44 Q 15258 14583 14687 -3.7% 0.7% 39.6 40.5 38.4 45+ Q 19970 20290 20329 1.8% 0.2% 62.4 63.2 62.4 ALL BBC NETWORK RADIO Q 32255 31671 31926 -1.0% 0.8% 45.5 46.9 45.5 BBC RADIO 1 Q 10795 9699 10436 -3.3% 7.6% 6.8 6.4 6.4 BBC RADIO 2 Q 15496 15087 15141 -2.3% 0.4% 17.7 18.1 17.6 BBC RADIO 3 Q 1884 2084 1894 0.5% -9.1% 1.0 1.2 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 10786 11265 10965 1.7% -2.7% 12.5 14.0 12.8 BBC RADIO 4 Q 10528 10886 10574 0.4% -2.9% 11.6 12.8 11.7 BBC RADIO 4 EXTRA Q 1570 2172 1954 24.5% -10.0% 0.9 1.2 1.2 BBC RADIO 5 LIVE (INC.