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Stockholm Inhaltsverzeichnis
**Bitte beachten Sie, dass es für viele Zusatzleistungen Kinderpreise gibt. Geben Sie daher bei Buchung immer das Kinderalter mit an.** Stockholm Inhaltsverzeichnis Stockholm Pass ..................................................................................................................... 2 Hop-on Hop-off Tour Stockholm ............................................................................................ 5 Schifffahrt durch die Stockholmer Schären ............................................................................ 7 ABBA The Museum ohne Audioguide ................................................................................... 8 Über den Dächern Stockholms .............................................................................................. 9 Rundgang durch die Altstadt ................................................................................................10 Altstadt, Djurgården & Vasa Museum ...................................................................................11 I Stockholm Pass Der Stockholm Pass ist eine Vorteilskarte zum Sightseeing, mit dem Besucher alles erleben können, was Stockholm zu bieten hat, und dabei Zeit und Geld sparen. Highlights: Verschwenden Sie keine Zeit mit einem Pass, in dem vieles inbegriffen ist Sparen Sie Geld, da alle Eintritte für die aufgeführten Attraktionen inbegriffen sind Profitieren Sie von diesem einfach zu verwendenden Pass und kostenlosem Stadtführer Genießen Sie kostenlose Fahrten mit Hop-On/Hop-Off-Bussen und Booten Mit dem Stockholm -
Museums in Stockholm
Museums in Stockholm PHOTO: OLA ERICSON FOR THE LATEST UPDATES ON STOCKHOLM, VISIT THE OFFICIAL WEBSITE VISITSTOCKHOLM.COM Museums in Stockholm BERGIANSKA TRÄDGÅRDEN BERGIUS BOTANIC GARDEN Discover Stockholm´s museums with their world-class collections, pioneering exhibitions and extraordinary historical objects. Botanical garden beautifully situated at Lake Brunnsviken. A paradise for plant enthusiasts with thousands of trees, shrubs and herbs from around the world. Exotic, heat-loving plants thrive in the Victoria House and Edvard Anderson Conservatory. AQUARIA VATTENMUSEUM Café, shop and restaurant. AQUARIA WATER MUSEUM Opening hours: The Park daily. Edvard Anderson Conservatory: Oct-Mar Mon- Fri 11am- 4pm, Sat- Sun Falkenbergsgatan 2. Djurgården 11am-5pm Apr-Sep daily 11am- 5pm. www.aquaria.se The Victoria House: May-Sep Mon- Fri 11am- 4pm, Sat-Sun 11am-5pm. ARKITEKTURMUSEUM Metro station: Universitetet, Bus:40 MUSEUM OF ARCHITECTURE Bergianska trädgården All you need to know about Swedish architecture and construction from +46 (0) 8 545 91 700 the 19th century until today. Exhibitions featuring drawings, models, design www.bergianska.se and examples of sustainable urban development. Take a tour and participate in creative activities for children on Sundays. Library, BIOLOGISKA MUSEET collections, book store and café. BIOLOGICAL MUSEUM Opening hours: Tues 10am- 8pm, Wed-Sun Lejonslätten, Djurgården 10am-6pm. www.biologiskamuseet.com Metro station: Kungsträdgården Bus: 2, 55, 62, 65, 76 Skeppsholmen BONNIERS KONSTHALL +46 (0) 8 587 270 00 BONNIERS CONTEMPORARY ART www.arkitekturmuseet.se Torsgatan 19. Norrmalm ARMÉMUSEUM www.bonnierskonsthall.se ARMY MUSEUM CARL ELDHS ATELJÉMUSEUM Riddargatan 13. Östermalm CARL ELDH’S STUDIO MUSEUM www.armemuseum.se Lögebodavägen 10. -
Royal Djurgården Royal Djurgården Is a Green Oasis in the Middle of the City, with Vast Areas of Forest and Open Spaces, Beloved by Both Stockholmers and Visitors
PHOTO: HENRIK TRYGG Royal Djurgården Royal Djurgården is a green oasis in the middle of the city, with vast areas of forest and open spaces, beloved by both Stockholmers and visitors. The island has been in possession of the crown since the 15th century. Many of the most popular museums and attractions in Stockholm can be found here, and no matter the season, a walk along Djurgården is beautiful and highly recommended. Attractions and museums Accommodation Royal Djurgården hosts more famous museums and cultural attractions With a tranquil atmosphere but still close to the vivid city life of Stock- than any other area in Stockholm. ABBA the Museum, the Viking holm City, staying at a hotel on Djurgården is an excellent choice. Museum, amusement park Gröna Lund and the world’s oldest Stay in the beautiful surroundings of Villa Källhagen and enjoy the open-air museum Skansen are all located here. Here you will also view of the canal just outside the window. Hotel Hasselbacken is a find the children’s favorite Junibacken, a popular attraction based great option for families with plenty of children friendly activities. Pop on the work of the renowned author Astrid Lindgren and House, the boutique hotel located in the same building as ABBA the Scandinavia’s most visited museum, the Vasa Museum. Another Museum, which makes it a perfect match for all music lovers. popular attraction is the Nordic Museum which is Swedens largest museum of cultural history. Art Galleries Liljevalchs Konsthall is one of Stockholm’s most attractive exhibi- Restaurants tion settings, showing art and design. -
Tyra Kleen and the Paradoxes of Esoteric Art
PER FAXNELD ‘Mirages and visions in the air’ Tyra Kleen and the paradoxes of esoteric art DOI: https://doi.org/10.30664/ar.98199 Attribution 4.0 International (CC BY 4.0) round the year 1900, European discourse with some of the central notions of this on art was becoming increasingly ‘eso discourse. Atericized’. The 1890s saw esoteric art salons create a sensation in Paris, and art critics and theorists painted a picture of the true artist Esoteric art and esotericized art criticism and the esotericist as overlapping figures. There During the second half of the nine- was also at the time a conflict regarding medium teenth century, the reciprocal relationship istic art, a phenomenon initially made popular between esotericism and visual art intensi- through Spiritualist mediums. This debate, as we shall see, had interesting gendered dimensions. fied. While major artists had certainly been In what follows, I will discuss how the Swedish inspired by esoteric currents and motifs female esotericist and artist Tyra Kleen (1874– connected with them earlier (e.g. depic- 1951) attempted to situate herself in connection tions of alchemists by Bruegel the Elder to the concept of the artist as a magus, and the tensions between the positive view of medium and Younger, Rembrandt’s 1652 Faust ism in Spiritualism and the more negative or cau engraving, William Blake’s many visionary tious approach to it in Theosophy, as well as in works), this seemed to become increasingly relation to the attendant gender issues. prominent during the aforementioned period, especially among Symbolists.1 A The material used is primarily Kleen’s more or less fresh theme was the idea of book Form (1908), a sort of artistic mani- (true) art itself as inherently esoteric, and festo that she produced, partially, it would (true) artists thus possessing conscious or seem, in response to ideas about esoteric unconscious esoteric insights.2 Notions of art and women artists prominent at the time. -
Programme for Sweden Live: National Day @ Home
Programme for Sweden live: National Day @ home 8:00 CET Coming up this hour: • The Cantores Sofiae choir sings ‘En vänlig grönska’ • A greeting from the Prime Minister of Sweden Stefan Löfven • At home with Issam Alghaeb and Brita Björs • Cooking with chef Camilla Hamid • At home with Oscar Höglund and Alexandra Pascalidou • Guided tour of the Royal Armory (Livrustkammaren) • A National Day Greeting from Her Royal Highness The Crown Princess and Her Family • Musical performance by Jens Lekman • A view of Holmön 9:00 CET Coming up this hour: • At home with Mouna Esmaeilzadeh and Fredrik Heintz • A monologue in Sami from Giron Sámi Téahter in Kiruna • At home with Jan Eliasson • Swedish Radio’s P2 choir sings ‘Uti vår hage’ • Let’s fika with Maral Moghadasi • Guided tour of the Royal Armory (Livrustkammaren) • Musical performance by Oscar Zia • At home with Johanna Sandahl and Abdulla Miri • Cooking with chef Jessica Frej • Musical greeting by Anne Sofie von Otter • At home with Jonathan Rollins, Basshunter and Amanda Lundeteg • A guided tour of the Vasa Museum • A National Day Greeting from Her Royal Highness The Crown Princess and Her Family • Sweden’s National Anthem performed by Nils Landgren • At home with Fred Taikon and HBTQUL • A view of Gävle 10:00 CET Coming up this hour: • Musical Performance by Jay-Jay Johanson • Let’s fika with Shaima Alraee • At home with Johan Wille Burnett and Bea Åkerlund • Musical performance by ionnalee • A greeting from the Prime Minister of Sweden Stefan Löfven • Cooking with chef Gustav Johansson • -
Carl Kylberg. with Colour Beyond the Surface 18 June – 25 September, 2016
Carl Kylberg. With colour beyond the surface 18 June – 25 September, 2016 Flowing brushwork and vibrant colours distinguish the Swedish artist Carl Kylberg’s (1878-1952) paintings of landscapes, figures and still lifes. He combined his artistic practice with a spiritual quest that imbues his oeuvre with an existential dimension. The dissolved shapes in his works were debated in both art and politics. This exhibition shows parts of Kylberg’s entire body of work, from the early paintings and cartoons from the 1910s, the children’s books and more colourful paintings from the 1920s, to his famous classical motifs from the 1930s and 40s. Kylberg’s breakthrough to the wider public came late, but he is counted as a key figure of Swedish art since the 1930s. The exhibition highlights the artist role and puts his paintings in the context of the period before, during and after the Second World War. Ernest Thiel, the founder of The Thiel Gallery, stopped collecting art after selling his collections to the Swedish state in 1924. In 1937, Thiel was asked in an interview in Nya Dagligt Allehanda, one of the national daily papers, what he thought of the latest modern art. Thiel replied that he had recently seen Carl Kylberg’s exhibition at the Royal Academy Of Fine Arts in Stockholm: “It was a revelation. Swedish art is in a promising state of development...” Thiel never bought any works by Kylberg, but there are parallels between the artist’s spirituality and Ernest Thiel’s interest in belief systems and philosophy. Kylberg’s constant self-examination and search for meaning beyond material values still is relevant today. -
Behind the Scenes of the City: the Hidden, the Forbidden, the Forgotten November 18–19, 2020 Stockholm City Museum
Behind the Scenes of the City: The Hidden, the Forbidden, the Forgotten November 18–19, 2020 Stockholm City Museum Wednesday November 18 11.00–13.00 Conference registration and lunch Stockholm City Museum, auditorium, 2nd floor. Light lunch and coffee will be served during registration. 13.00–13.10 Welcome and introduction Fredrik Linder, Director, Stockholm City Museum, Rebecka Lennartsson, Associate Professor, Stockholm City museum, and Karin Carlsson, PhD, Department of History, Stockholm University. 13.10–13.50 Keynote speaker: Beatriz Colomina Howard Crosby Butler Professor of the History of Architecture, School of architecture, Princeton university, USA. 14.00–15.00 Parallel sessions I. Thresholds, Borders and Spaces in Between Chair: Heiko Droste, Professor, Head of Institute of Urban History, Stockholm University. How to Make Differences: Entrances and the Role of the Doorman in Residential Buildings During the Turn of the 20th Century Karin Carlsson, PhD, Department of History, Stockholm university. Dad on Display: Commercial Construction of Gender and the Modern Man in the 1930s Shop Windows Orsi Husz, Senior Lecturer, Associate Professor and Researcher at Department of History, Uppsala University and Klara Arnberg, Associate Professor and Researcher at the Department of Economic History and International Relations, Stockholm University. II. Spaces and Places in Transformation Chair: Thomas Wimark, Senior Lecturer and Associate Professor, Department of Social and Economic Geography, Uppsala University. Hidden Projections: Cinematic Resistance From the Urban Interiors of Australia Martin Abbott and Jennifer Minner, Associate Professor, City and Regional Planning, Cornell University, USA. Impact of the Botkyrka Project on Gender Equality and Youth Participation: A Capability Approach Perspective on #UrbanGirlsMovement Vittorio Esposito, Master student, Department of Civil and Architectural Engineering, Royal Institute of Technology, Stockholm. -
Connecting Collecting 30 Years of Samdok LEADER
S A M D O K • S V E N S K A K U L T U R H I S T O R I S K A M U S E E R I S A M A R B E T E SAMTID &museer No 2 2007. Volume 31. Connecting Collecting 30 years of Samdok LEADER & No 2, November 2007. Volume 31. Contents Towards extended Towards extended collaboration 2 Christina Mattsson collaboration A network for developing collecting and research 3 Eva Fägerborg By Christina Mattsson Reflecting collecting 4 Thirty years ago, the Swedish It is we museum employees who pass Eva Silvén » museums of cultural history judgement on what is to be remem- Updating Sweden – contemporary created the cooperative organization bered and what is to be forgotten, what perspectives on cultural encounters 6 Samdok to steer attention away from future generations should see. No other Leif Magnusson the old peasant society towards the rap- institutions take the responsibility for What’s it like at home? 8 idly changing industrial society. With preserving material culture. The muse- Mikael Eivergård and Johan Knutsson the aid of Samdok, the museums would ums’ collecting work is also significant Leisure as a mirror of society 10 describe the entire transition from self- for today’s people, by observing and Marie Nyberg and Christine Fredriksen sufficiency to the information society, participating in contemporary proc- Between preservation and change – the perhaps the most dramatic period in esses. built environment as a mirror of the times 12 the life of individuals in Sweden – the Museums in different parts of the Barbro Mellander and Anna Ulfstrand time when people experienced more world have similar missions, and our Nature – an exploited heritage 14 changes in their living conditions than problems are in general the same. -
Theatre in Sweden 2019.Pdf
STOCKHOLM UNIVERSITY DEPARTMENT OF CULTURE AND AESTHETICS THEATRE, DANCE, AND PERFORMANCE STUDIES Prof. Tiina Rosenberg [email protected] THEATRE IN SWEDEN HISTORICAL AND CONTEMPORARY PERSPECTIVES SEPTEMBER/OCTOBER 2019 (TVERA1, 15 ECTS) PROGRAM & TIMETABLE PART I WEEK 36 1.Lecture: Introduction to Theatre in Sweden: Historical and Contemporary Perspectives, Friday, September 6, 10:00-13:00, Department of Culture and Aesthetics, Room 300: Library (Tiina Rosenberg) Reading: News from Swedish Theatre. Focus: Young Audiences. News from Swedish Theatre. Focus: Gender Equality. News from Swedish Theatre. Focus: New Plays. News from Swedish Theatre. Focus: Regional Theatres. All these booklets are available as at www.teaterunionen.se (Swedish ITI). Diana Taylor. (2016). “Framing [Performance]” and “Performance Histories.” In Performance. Durham & London: Duke University Press, 1–42, 43–72. 2. Study visit: Drottningholm Court Theatre, Friday, September 6, 14:30–15:30. Meeting point: We go together from class, but if you want to travel independently, the subway station is Brommaplan and from there you take a bus to Drottningholm. A tour lecture will be given in the court theatre. The Drottningholm Court Theatre (Drottningholms slottsteater) is a theatre located at Drottningholm Royal Palace in Stockholm. It is one of the few 18th century theatres in Europe that is still used as a theatre with its original stage machinery. Reading: Frederick J. Marker & Lise-Lone Marker, “The Gustavian Age.” In A History of Scandinavian Theatre, Cambridge: Cambridge University Press, 76–95 (PDF available at Athena). 1 Willmar Sauter. 2014. “The Rediscovery of the Drottningholm Court Theatre” and “A Guided Tour of the Theatre.” In Willmar Sauter & David Wiles (eds.). -
'I'm a Devilish Fellow Who Can Do Many Tricks'
FACTS ABOUT SWEDEN | AUGUST STRINDBERG sweden.se P P H H O O T T O: O: S N T ORDI RIND S B K ER A MU GS MU S EE S T EE T August Strindberg: self-portrait from Gersau, Switzerland, 1886. Jealousy Night, painted by Strindberg in Berlin, Germany, 1893. AUGUST STRINDBERG: ‘I’M A DEVILISH FELLOW WHO CAN DO MANY TRICKS’ A hundred years after his death, August Strindberg (1849–1912) continues to fascinate. He was a trailblazer and innovator in his time and still manages to provoke audiences in theaters around the world. There is always an aspect of Strindberg’s everyday language, and today his texts led. His literary development largely fol- character – from the raging sociopoliti- feel remarkably modern. lowed the twists and turns of his private cal polemicist to the psychologically life, including the crises arising from his introspective writer – that fits the prevail- Man of many talents marriage break-ups and political contro- ing spirit and intellectual climate of the People are amazed by Strindberg’s ver- versies. times. His thoughts on morality, class, satility. He tackled most genres. Aside power structures and familial politics from being an innovator in drama and Upbringing and studies are still relevant today. The unflagging prose, he was a poet, a painter, a pho- Johan August Strindberg was born on struggle for free thinking and free speech tographer, even a sinologist. 22 January 1849. He would later claim that he waged throughout his life is more Strindberg’s stormy private life also that his childhood was one of poverty important than ever in a time when cen- explains his enduring appeal, especially and neglect but the family was not poor. -
The Cambridge Companion to August Strindberg Edited by Michael Robinson Frontmatter More Information
Cambridge University Press 978-0-521-60852-7 - The Cambridge Companion to August Strindberg Edited by Michael Robinson Frontmatter More information the cambridge companion to august strindberg August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognized novelist, autobiographer and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg’s highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the naturalist dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on later twentieth-century drama. His plays are contextualized for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics and the visual arts. michael robinson is Professor Emeritus of Drama and Scandinavian Studies at the University of East Anglia, Norwich. He is the author of Strindberg and Autobiography (1986) and Studies in Strindberg (1998), and has translated a two-volume selection of Strindberg’s letters (1992), a collection of his essays (1996) and five of the plays (1998). He has edited five volumes of essays on Strindberg and Ibsen, and is also the General Editor of the Cambridge Plays in Production series. His three-volume International Annotated Bibliography of Strindberg Studies was published by the MHRA in 2008. -
Stockholm Lesbian Guide
Stockholm LesbianGuide PHOTO: PH/AD LANDEROS PHOTO: JEPPE WIKSTRÖM What if there was a city where the water was clear and the air was fresh? What if this city was full of history, beautifully preserved houses and an abundance of culture? And what if such a city was also one of the most open-minded gay and lesbian friendly places on earth? Located in the very heart of Scandinavia, where lake meets sea and nature meets modern life, that city exists: Stockholm. In the Old Town of Stockholm, you will immediately notice two things: clear water surrounding you and rainbow flags decorating many of the buildings. Chances are high that your third discovery will be a gay couple going for a drink at Torget or two girls kissing in the street. It’s that easy to be out in Stockholm. Sparkling with city life yet close to nature, it’s not strange that so many visitors have found their way back over and over again. “Beauty on Water”, “The Capital of Scandinavia” – when people fall in love with a city, they tend to rename it. Stockholm can offer not only a rich variety of shops, restaurants and hotels, vibrant nightlife and a wide range of cultural activities, but also an active LGBTQ community. PHOTO: MIKAEL SJÖBERG PHOTO: STOCKHOLM PRIDE PHOTO: ELISABETH DUNKER Högkvarteret F12 Girls’ night out If in some countries you have to look for a “gay friendly” bar to dare hold your girlfriend’s hand, in Stockholm you can skip that step. Straight clubs not only tolerate but welcome gays and lesbians to join the party.