February 20-23, 2002 21

Unless otherwise noted. all Conference activities will take place at the Philadelphia Marriott or the Pennsylvania Convention Center. All locations are clearly marked throughout the program. Maps appear on pages 14-17.

All Affiliated Society business meetings and special sessions are listed chronologically in the pages that follow. All receptions are listed on pages 56-57· All CAA Committee business meetings are listed on pages 58-59· As a courtesy to all Conference attendees, CAA requests that all cellular phones and pagers be turned off in the session rooms and at Convocation. 22 CAA 90th Annual Conference In Philadelphia

Many of the sessions and meetings have been marked TUESDAY, with one or more icons to distinguish category or content. FEBRUARY 19

Tuesday Evening 6:30 - 7:30 p.m. Open Session Sessions identified with this symbol address broader Orientation for areas and disciplines within studio art and art history. Interviewers and Candidates Room 201A-C Off· Site Session Pennsylvania Convention Center Sessions identified with this symbol will be held outside MichaclAm·bach, the Conference site. Vanderbilt University

Laurie Beth Clark, UniversityofWisconsin. Madison Practicum Sessions identified with this symbol offer practical Helen M. Shannon, applications or deal with pedagogical issues. New Jersey State Museum David M. Sokol, University of Ilinois at Chicago Museum Session Emmannellemakis, CAA Sessions identified with this symbol focus on issues of interest to curators and other museum professionals.

Affiliated Society Session Sessions identified with this symbol are sponsored by organizations affiliated with CAA.

CAA Committee Session Sessions identified with this symbol are sponsored by standing committees of CAA.

E·Session Sessions identified with this symbol address the use of digital technology and the internet in studio art, art history, and art education.

Each session has been coded by date and time. TI1e letter refers to the day of the session and the number corresponds to the order of the session in the day. The session code is used in the Index to Participants on pages 135-141 and in Sessions-at-a-Glance on pages 8-13 to identify each participant's and session's place in the program.

Th Thursday F Friday Sa Saturday Wednesday evening 23

WEDNESDAY, THURSDAY, FEBRUARY 20 FEBRUARY 21

Wednesday Evening Art's Place 8:00 - 9:15 a.m. 2:30 - 5:00 p.m. 5:30 - 7:00p.m. Salon A & 8, Level 5 Philadelphia Marriott Fresh Start: Perk up your senses Th3 Convocation Brimming with events and ·with complimentary• coffee, tea, The Automaton, the Salons E & F, Level 5 activities of special interest to or juice. A detailed schedule of Homunculus, and Other Philadelphia Marriott CAA's artist-members, Art's the day's events will be made Artificial Beings: Towards WELCOME AND OPENING REMARKS Place, introduced at the ~001 available. an Interdisciplinary History meeting, will extend over Ellen T. Baird, GAA President CHNRS: Elizabeth King, the full three days of the 9:30- noon Virginia Commonwealth University; PRESENTATION OF AWARDS Conference. Part theater and W. David Todd, Smithsonian part lounge, this "conference­ KEYNOTE ADDRESS (;l ~ Th1 Institution, National Museum within-a -conference" will CAA Services to of American History Reflecting on the Museum in the be the site for innovative Artists Committee ~1st Centu1y: Back to tile Fuwre programming that will range The Metaphorical Relationship Adjusting the Volume: Anne d'Harnoncourt, Director, from meetings and workshops ofArt and Life Fredrika H. Jacobs, Amplifying Artists' Voices Philadelphia Museum of Art to ongoing video, slide, and Virginia Commonwealth University With and Outside the Art multimedia presentations. All Convocation is free and open to the pubfic. Community Art, Nature, and the attendees are cordially invited Homunculus William Newman, to be stimulated, converse, cHAIR: Ellen K. Lery, 7:30 - 9:30 p.m. Indiana University enjoy, and relax at Art's Place. School of Visual Arts 11w Glorious Hand: Tools, Reception Look for Art's Place listings at the The Spirit ofArt as Activism Methodology. and Mechanism The Philadelphia beginning of each day's program. Nina Felsllln, Wesleyan UniYersity in the Making of a 16th-Centmy Museum of Art 11w Departrnent ofSpace and Land Automaton W. David Todd, Ben Franklin Parkway and 26th Street Reclamation Nato Tiwmpson, Smithsonian Institution, National ADMISSION BY TICKET ONLY School of the Art Institute of Chieago Museum of American HistOl)'

Ideological Battle Scenes Talking Heads Jessica Riskin, Tim Rollins, Teacher, South Bronx Stanford University

Speaking71trough Monuments Joan Baixas, KrzysztofWmliczko, Center Institut del Teatre, Barcelona for Advanced Visual Studies at the The Theatrical Inanimate Massachusetts Institute of Technology Leslee Asch, Independent Curator DISCUSSANT: Suzanne Anker, School ofVisual Arts 6:00 - 7:30 p.m.

12:30- 2:00 p.m. HaJlP.Y Hour: CAAhosted celebration of Art's Place with nibbles and cash bar. (;l ~ Th2 CAA Committee on 8:00- 10:00 p.m. Intellectual Property Beyond Copyright: A Beauvais Lyon "talk" Do Artists Have Rights? and other presentations, including: Artists' Disaster Bring your lunch; learn Stories, A Participatory Event about your rights to your work as an artist. Participants to be announced

CHNR: Robert Baron, Independent Scholar

Athena Tacha, Oberlin College, UniYersity of Maryland

Other participants to be announced 24 CAA 90th Annual Conference In Philadelphia

THURSDAY, PROGRAM Mario Pedrosa: 111eAesthetics FEBRUARY 21 SESSIONS and Politics ofArt Criticism in ~otll- Cenhlry Brazilian Visual Thursday Morning Culture Simone Osthoff, MEETING 9:30- noon Pennsylvania State Un.h•ersity

Thursday Morning The Cold lflar lflanior at Th4 7:30 - 9:00 a.m. the OAS Alejandro Anreus, Interpreting Facture William Paterson University Room 201 B Pennsylvania Convention Center TI1e Defining Role ofGerardo Community College Mosquera in Modem Art Criticism CHAms: Anthony Apesos, Professors of Art David Craven, Art Institute of Boston at Lesley and Art History University of New ~fexico University; David Steinberg, Business Meeting Omohundro Institute of Early Sltifra Goldman and Perspectives Independence Salon Ill, Level 3 Ameriran History and Culture on Cl1icanoArt: 17w Debate Philadelphia Marriott Ellie Berkm~itz, Invigoriva alcun sentimento University of Texas, Austin superficiale: Titian and the Spwestilesia ofPainting Rebirth at the Border: Jodi Cranston, Boston University Guillenno Gomez-Perla's Eulogy to BorderArr Guisela Latorre, Mamifactming Meaning in University of lllinois, Champaign Velazquez's The Spinners Lisa Vergara, Hunter College Th6 Inte1preting Facture in 18tl1-centur;· Breasts in Visual Paintings and Prints, Franrois Culture: Part 1 Lemopw and Laurent Cars Salon G, Level 5 Candace Clements, Philadelphia Marriott University of Hartford CHAIR: Lili Cm·bus Bezner, Paint that Dil•ides and Gathers: University of North Carolina, Charlotte Delacroix's Romanticism TI1e Celebration of Breasts in Margaret MacNamidhe, Minoan Culture Bernice R. jones, The Johns Hopkins Unh·ersity Queens College, City University Whistler's Friendships of New York ~ Open Session Rerealed 111rough Facture Savage Breast/Salvaged Breast: joyce Hill Stoner, [! Wet-nursing Colonization in Off·Site Session Winterthur ~fuscum Pero, 15S2-1825 Carolyn Dean, University of California, Santa Cruz [:J Practlcum t'i.'§ Th5 Handling Rubens's Breasts: Association for liii'l Museum Session 11~e Baroque Female Nude Latin American Art and Its .Modem Significance Art Critics and Art Criticism ril3 Affiliated Society Session Benjamin Binstock, in Chicano/a, Latino/a, and New York University Latin American Art ~ CAA Committee Session Room 201A SeJy, Milky. and Mortal Pennsylvania Convention Center ~farcclla HacklJanlt, Kenyon [3 E·Sesslon College; Danielle Hac Miller, CHAIRS: Florencia Bazzano-Nelson, Artist and Curator Georgia Stale Univer;,;ity; Holly Barnet-Sanchez, Do No Ham1: ... or, !fit 'sAil Univcr;,;ity of New Mexico tile Same To You. I'll Keep Mine, 11wnh You Sally Greenhouse, Rew1iting Modernism: Romero Brest American International College and OtherGeneologies for Modem Art Andrea Giunta, Univcrsidad de Buenos Aires Thursday morning 25

~Th7 A11tonioAllegri's Art in Giorgi one's ''Assault": War and Rape Art and Theol)'.llorse and Cart: Panna in Historical Context in Renaissance Venice Paul Kaplan, Observations in Postmodem Art History Open Session Giancarla Periti, State University of New York, Purchase Scholarship Becl~r Hendrick, Philadelphia Architecture TilC Johns Hopkins University University of Texas, El Paso and Urbanism Oftlw Tribe of Lucretia: Interiorizing Uberty Salon C, Level 3 Faces and Names, or the History Violence in Nort11em Prints Oppositional Complimentarity: Philadelphia Marriott of an Epithet: Gianlorem:o Bemini Carol Janson. Strategies of Mashing in Photography as "la fence degl 'ingeni" Western Washington University M. Katluyn Shields, CHAIR: David B. Brownlee, Maarten Delbeke, Oxford University Virginia Commonwealth University University of Pennsylvania TI1e Amari di Giove: Rape Fantasy Alfred Robaut, Etienne Moreau­ and tile Stn1cture of Desire in 16th­ DiscussANT: Dennis Raverty, Classical Standards and Common Nelaton, and WritingCorot Century· Italy Anne 'Vestcott Eaton, Iowa State Unh·ersity Sense Visions: john Dorsey's David C. Ogawa, Union College University of Chicago Pennsylvania Academy of tile Th13 FineArts, r8o5 L·uU'a Bmgger, 71wArtist Biopic and the Text ofArt DISCUSSANT: Babette Bohn, Cities and their Saints Columbia University History Ch.risto}Jher M. Miles, Texas Christian University Room 202 A-B California State UniYersity, Long Beaeh Philadelphia's Centennial Exhibition Pennsylvania Convention Center Th f I as Urban Design: 11Ie Influence Th9 The Daring Eye: CHAIRS: Scott B. Montgomery, of Vienna's Ringstrasse Purpose, Meaning, The History of African· University of North Texas; John W. Stamper, Context, and the Work American Photography Sally J. Cornelison, UniYersity of Notre Dame of Self· Taught Artists Room 204A Virginia Pol)1echnie Institute Laose Canon: Caricature in the Salon 0, Level 5 Pennsylvania Convention Center and State University Architecture ofFrank Furness Philadelphia Marriott CHAIR: Camara Dia Holloway, His or Hers? 111e Competition Preston Titayer, CHAIR: Carol Crown, University of Southern California for Saints in Medie1•al Zurich Mary Washington College University of Memphis JoanA. Holladay, From tile Dark Side: Polk Photographs Comprehensive Planning: University of Texas, Austin Alabama Bnlt: Bill Traylor and of a Different South Amalia Amaki, Paul Cret, Modem Architecture, the U]th of the Outsider Artist University of Delaware Saint Mark's Rest and the and Philadelpllia 's Civic Refonn Jennifer P. Borum, Graduate Stones of Venice: Fragments Mm•ement. '9o3-'9'4· Can the "Social Lundscape" be Center, City University of New York of a ]oumey ElizalJCth Rodini, jonatl1an E. Farnham, Black?: 17Je Status ofAfrican­ Smart Museum of Art UniYersity of Pennsylvania 71te Intimate Existence of Malcolm Americans in t11e 196os New York McKesson Colin Rhodes, Photography World Erina Duganne, The Battle for the Baptist: Cil'ic 1he Importance of Being Loughhorough University Sehool UniversityofTexas, Austin Ri1•alryand the Politics ofDei'Otion Philadelphians: From of Art and Design in Late Quattrocento Siena Furness to Venturi Ulma Simpson, Bodies of Eddence: Timothy B. Smith, George E. Thomas, From the Civil War to Coloring 17w Practice and Reception of De Paul University University of Pennsylvania Books -American Culture in Post modem Photography theArttvork ofHenry Dmger Kellie Jones, Yale University Saintly Patrons in RenaLssance Demonstmfio11: Philadelphia Brooke Da\is Anderson, San Gimignano Dehoral1 Krohn, Architects and Buildings Project: DISCUSSANT: Deborah Willis, American Folk Art Museum Bard Graduate Center for Decorative Documenting Philadelphia 17nough New York University Arts, Design and Culture the Web Sandra L. Tatman, Nellie Mae Rotve: Multiple ConteJ.ts, The Athenaemn of Philadelphia Multiple Meanings Lee Kogan, Th12 COrdoba and theArc1wnge1 St. American FolkA.ti Museum Has Post~Structuralism Raplwel Mindy Nancarmw, ThB Gone Too Far? University of Alabama, Tuscaloosa 17wmton Dial: Vemacular Art and Life, Work, and the Room 201C theNewSoutl1 Charles Russell, Role of Biography in the Pennsylvania Convention Center Rutgers University Writing of Art History CHAIR: Elizabeth K. Menon, Room 2048 Th10 Purdue University Pennsylvania Convention Center Sexual Violence in Early 17te Li1•ely Mausoleum: CHAIRS: C. Jean Campbell, Modern European Art Notes Totrard a Unified Emory Uni\·ersity: Sarah McPhee, Room 204C 71teory of the Image Peter Walsh, Emory University Pennsylvania Convention Center MassaehusettsArt Commission

Giulio CloFio 's Biographical E:t.:-l'oto CHAIR: Yael EYen, Not Far Enough! Scott KoterhaJ'• in Tre1•iso Elena M. Cahillo, University of Missouri, St. Louis East Tennessee State University The Johns Hopkins University Introduction Yael EYen, University of Missouri. St. Louis 26 CAA 90th Annual Conference In Philadelphia

Exporting the Sacred Heart ofjesus: fiill (il Th 14 Th16 Domenico Saverio Calvi, Popular Promises and Pitfalls: Romans Reading Prints and Global Networks of The Place of Galleries and Along the Road Exchange in the 18th Centwy Museums in Academe Salon I & J, Level 5 Jon L. Seydl, Salon C, Level 5 Philadelphia MarrioU University of Pennsyh·ania Philadelphia Marriott

CHAlRS: lauren Hackworth Cultured Conquest: Vii•ant Den on's CHA!RS: Marina Pacini, Petel'8en, University of Delaware; Voyage dans Ia Basse ct Ia Haute Memphis Brooks Museum of Art; Sandra R. J oshel, Da\id O'Brien, University of Illinois John Stromberg, Boston New England ConservatOl)'ofMusic University Art Gallery Monuments, Movement, Th18 A Different Kind ofMuseum/Can The Quest for and Memoty: On the Urban Museums Make a Difference? Community Renewal Siting of Emotive Triggers Charles Stainback, and the Transcending Daniel ~L Millette, Tang Teaching Museum and Power of Art University of British Columbia Art Galle!)', Skidmore College Liberty Salon A & 8, Level 3 Directing tile "Roman" Eye: Philadelphia Marriott 17te Scholarship of Exhibitions: Urban Architecture and Poor Cousins? Marirume Doczema, CHAIRS: lily Yeh, Village of the Arts the Viewer Jeremy Hartnett, Mount Holyoke College Art Museum and Humanities; Donald C. Kelly, University of Michigan Donald C. Kelly and Associates Meeting Expectations: Identij)ing Patronage, Piet)'• and the Role(s) fora New College Callery BuildingCommunityThrougllArt Perpetuity in Roman Foundation in Rural Iowa Lesley Wright, Lily Ych, Village of the Arts Monuments Margaret L. laird, Faulconer Gallery, Grinnell College and Humanities Princeton University DISCUSSANT: laura Kaizman, Empathy, Collllection, ''Abusivismo" and Randolph-Macon College Commitment: Community Roman Streetscapes Building as an Art Fom1 Guy P. R. MCtraux, Th15 in Sou them California York University Frames and Framing Betty Aim Brown, Independence Salon HI, Level 3 DISCUSSANT: John Clarke, California State University, Northridge PhHadelphia Marriott University of Texas, Austin Sharing Hands and Heads: CHA!R: Gletm Peers, The Gele and Beaded Prayers University of Texas, Austin r.i,!;J Th 17 Project Sonya Clark, Historians of 18th· Century Universityof\Viscousin, Madison ~ Open Session Mondrian and Rietveld: Art and Architecture Tite Intemal Frame ofAbstraction The Tulip Poplar Press: (! Travels in 18th·Century Art Off-Silo Session Marek Wieczorek, Community-Building by Independence Salon I & II, Level 3 University of Washington the Book Chru·les R. Jru1sen, Philadelphia Marriott lil Practlcum Middle Tennessee State University: American Artists' Frames: CHAIR: Mary D. Sheriff, University Janet II iggins, Middle Tennessee Paintings, Environments, liill Museum Session of North Carolina, Chapel Hill State Uni\·ersity and Viewers Caroline Smi1h, University of California, Santa Barbara Discipline and Measure: r.i,!;l Afflllated Society Session Enlightenment Attitudes Toward The Frame ofReference: To Islamic Art Andt·ew Schulz, ~ CAA Committee Session Demarcate Donation in Byzantine Seattle University Votive Images Cecily J. Hilsdale, [3 E-Sesslon Unh•ersity of Chicago On Captain Cook's Portrait in Tahiti: Reconceptualizing Contact and Framing Our Reading of the Encounter Aime D'Alleva, Divine Comedy Karl Fugelso, University of Connecticut Towson University Lacque des lndes!Lacque de Vienne: ''A merely fanciful boundary": On Lacquered Wood in Maria 1he Frame in Impressionist 11Ieresia 's Vienna Michael Yonan, Painting Elizabeth Easton, St. Louis University Brooklyn Museum of Art; Jared Bark, Bark Frameworks, New York Thursday afternoon 2.7

SPECIALSESSIONS Serious Shepherds: Mari1•aux, 11w Ownging Place ofArt rillJ Th25 AND MEETINGS Watteau and the Politics ofrhe in a Communist Societr The Getty Research Pastoral in 18th-Century France Brooke Cameron, Institute Frames of Viewing Thursday Afternoon Am;r ""~)·ngaard, University of Missouri, Columbia Liberty Salon C, Level 3 12:30- 2:00p.m. Syracuse University Bridging the Gap: Building a Philadelphia Marriott Lundant in Armis: Boucher Meaningful Cuba Exchange CHAlR: Titomas Crow, and Favart PlaJingat War Program Thomas F. Morrisse;r. Tite Getty Research Institute American Society Mark Ledhmy, Community College of Rhode Island for Hispanic Art University of Manchester Painting and Sculprure: Sight and Historical Studies Touch Jacqueline lichtenstein French Delight in Turkey: ~ Th23 Business Meeting TI1e Impact ofTurquerie on CAA Cultural Art and Occlusion Jolm Hyman Salon I & J, Level 5 Identity Construction in !8th­ Diversity Committee Philadelphia Marriott Reviewing the End(s) of Pai11ting Century France Julie Laudweber, Beyond Multiculturalism Chades Harrison Gettysburg College Room 202 A-8 Th19 Pennsylvania Convention Center Horse Blinders: Pop Art and ArtTabie, inc. Perception Michael Lobel Art Paths: Alternative rillJ Th21 CHAIRS: Amy Kirschke, Vanderbilt Careers In the Visual Arts Association for Textual University; Ofelia Garcia, Th26 Independence Salon Ill, Level 3 Scholarship In Art History William Paterson Universisty International Philadelphia Marriott Italian Female Painters Speakers to be announced Association of Art Critics of the 18th·Century CHAlR: Katie Hollander, Critics Respond to Crisis: Room 2018 ArtTable, Inc. An Open Forum Pennsylvania Convention Center ~ Th24 Room 204A Sharon Vatalgr, CAA International CHAIR: Uana de Girolami Chene_r, Pennsylvania Convention Center Solomon R. Guggenheim Museum Committee University of Massachusetts. Lowell Resources and Information CHAlRS: DDltglas Dreishpoon, judith K. Brodsky, Rosalba Caniera: 18th-Centm:r on International Opportun· Albright-Knox Art Gallery; Rutgers Center for Innovative Paper !nnOI'o tor Kathleen Russo, ities for Artists, Scholars, Judith Stein, Independent Participants to be announced Florida Atlantic University Faculty, and Students Curator, Philadelphia Independence Salon I & II, Level 3 Giulia Lama: Venetian Painter and Philadelphia Marriott Poet Liana de Girolami Chene;r. Iii Th27 Association of Art Editors University of Massachusetts, Lowell CHAJR: Chery'l Goldslcger, National Endowment Business Meeting Piedmont College for the Arts Assessing Anecdotes in the Life­ Liberty Salon A & B, Level 3 Museum Collections/ Stories of Women Artists of tile 17th Marisa Pridltodova, Philadelphia Marriott Artist Exhibitions and 18th Centuries Julia Dabbs, Independent curator/art critic, Prague Salon C, Level 5 University of Minnesota, Morris Caroline BoJle Turner, Philadelphia Marriott Pont AYen Program, France Association of Historians cHAIR: Saralyn Reece Hardy, r!.'§ Th22 of American Art Jan Brown Checco, National Endowment for the Arts Community College Business Meeting University of Cincinnati Professors of Art Participants to be announced Room 204C and Art History Tiina Forsman and Eija Salmi, Pennsylvania Convention Center Building and Maintaining University of Art and Design, Helsinki a Meaningful Cuba Ursula Frohne, r!.'§ Th20 Exchange Program ZKM, Karlsruhe American Society for In a Changing World 18th·Century Studies Room 201A Other participants to be announced Serious Play in Pennsylvania Convention Center 18th·Century Art, CHAIR: Tiwmas F. Morrissey, Literature and History 1 Community College of Rhode Island Room 2048 Pennsylvania Convention Center Buena Vista: First Impressions of Cuba's New Deal Sheldon Hurst. CHAIR: Jennifer J\Hlam, Adirondack Community College University of Sydney 28 CAA 90th Annual Conference In Philadelphia

PROGRAM Tables and Thresholds: Metaphors lfii'l Th28 SESSIONS for Public Art Patricia C. Phillips, National Endowment State University of New York, New Paltz for the Humanities Thursday Afternoon NEH Funded Exhibitions, 2:30 - 5:00 p.m. Case Studies: "Dutch ~ (;J Th31 Intimacy and Opulence: CAA Professional Th29 The Art of Home and Practices Committee CAA Distinguished Private Life, 1640-1700;' Has the MFA Outlived its Scholar's Session: Denver Art Museum; Usefulness as a Terminal leo Steinberg !(Picturing America;' Degree? Part 2 SalonE & F, Level 5 The Newark Museum Salon C, Level 5 Philadelphia Marriott Salon D, level 5 Philadelphia Marriott

Philadephia Marriott CHAIR: Da\id Rosand, CHAIR: Bruce Bobick, Columbia University CHAIR: Clay lewis, National State University of West Georgia Endowment for the Humanities Rosalind Krauss, The MR4 Survey: Results Columbia University Scholars/tip in Dutch Art, J64o-17oo Dorothy Joiner, LaGrange College MariCt Westermam1, Sallluel Edgelion VIsual Arts Faculty: Using the Clark Art Institute Williams College National Data Sets to Assess Supply "Dutch Intimacy and Opulence" Alexander Nagel, and Demand John M. SulliYan, Timothy J. Staudring, University of Toronto Arkansas Tech University Denver Art Museum DISCUSSANT: leo Steinberg, Academic Credentials in Higher "Picturing America" Benjamin Franklin Professor Emeritus, Education: TI1e Master of Fine Arts \Vard L.E. Mintz, Uni\·ersity of PennsylYania Degree and the "Canvas Ceiling" The Newark Museum inAcademicAdminisrration CM is grateful to the Samuel H. Kress Richard Tichich, Foundation for funding the second CM Georgia Southern University Distinguished Scholar's Session. Historians of German TI1e Current Status oft1w M.F.A., and Central European Degree Within Academia {!l:J Th30 Art and Architecture Kathleen RiYers-Landes. Studio Art Open Session Board of Directors Meeting East Central University, Oklahoma The Path and the Purpose: Room 401, Level 4 Traversing the Minefield Why a Ceiling? TI1e Visual Philadelphia Marriott of Public Art Arts Should Embrace the Ph.D. :eJ:3 Open Session Uberty Salon A & B, level 3 Brad Buckley, Philadelphia Marriott Sydney College of the Arts ~ Off-Site Session Queer Caucus for Art CHAIR: Penny Balkin Bach, Business Meeting (;J Praclicum Fairmount ParkArtAssociation (;J [3 Th32 Room 201C Distance Education Studio Pennsylvania Convention Center "Crossing the Rubicon": Iii! Museum Session Art Courses in US Colleges Bridges and Alignments in Public Art and Universities: Jody Pinto, Artist, New York r.::§ AfliHa!ed Society Session Is there a Future? Risk, Experimentation, and Artistic Liberty Salon C, Level 3 ~ CAA Committee Session Freedom:Are They Possible in Public Philadelphia Marriott Art? Mierle laderman Ukeles, CHAIR: Ga1y Cassidy, George Mason [3 E-Sesslon Artist, New York Department of University, Northern Virginia Sanitation Community College Building the Wedge: A Chinese Teaching Basic Drawing American Slant on Public Art at a Distance-In Practice Mei-ling Hom, Patricia B. Cheyne, Community College of Philadelphia Pacific University In Defense of the Temporary Peggy Diggs, \Villiams College Thursday afternoon 29

A Leap ofFaith: One Student's Cubist Prank·s and Prag11ist Swanks: CHAIR: Geoffrey Hendricks, r!"§ Th34 Transfomwtion in the Low­ Czech Cubist Caricature, 191~-14 Mason Gross School of the Arts, The Queer Caucus for Art: Residency Vemwnt College Naomi Hume, University of Chicago Rutgers Unh·ersity The Lesbian, Gay, Bisexual, MFA in Visual Art Program and Transgender Caucus Writing and Rewriting In the Event ofDuclwmp Jane Waggoner Desclmer, for Art, Artists, and Meier- Graefe's Modem Art and Ruxus Larry Miller, Vermont College Historians Jemw Anger, Grinnell College Independent FluxusArtist Distance Courses in the Art and Post Queer?: Gender, A reception will immediately 111e Freeing Spirit: Art and Life of Design Curriculum Rosanne Gibel, Sexuality, and the fo/10\VIhe session. Takako Saito, the Most Distant Niece The Art Institute of Fort Lauderdale Subversion of legibility ofDuchamp Midori Yoshimoto, Salon 0, Level 5 The Graduate MFA and DiMance Rutgers University Philadelphia Marriott ri.'§ Th36 Learning Fomwt Carollcotta-Moore, Association of Historians Rate of Silence: joseph Beuys Philadelphia College of Art & Design CHAlRS: Noreen Dean Dresser, of American Art and Marcel Duchamp Artist; Jeffrey Byrd, University 11w New World Program Essentialism, Race, Christopher M. Thompson, of Northern Iowa (1he Col/aborati1•e Classroom) and Identity in Early Maine College of Art DaYe Martinez, Golden Queers Rinaldo Hopf, Artist 20th·Cenlury American Art 111e Newest Very New Music: Washtcnaw Community College Room 201A ReadingtheFarrakan Effect .From Ducliamp 's Musical Errata Pennsylvania Convention Center Distance Leaming in the Studio in Glenn Ligon's Million Man and F1u:ms at Wiesbaden to Em•ironment: Didn't We Like it Best March Series Darby English, CHAJR: Jacqueline Francis, Post-Rock in Clticago Usa Soccio, When Our Professors Left Us Alone? Williams College and Emory Unh•ersity University of Michigan University of Rochester Thomas F. Morrissey, Women, Men, and rlleNonnS: "Native IndianArt"r DISCUSSANT: Alison Knowles, Community College of Rhode Island B)1m Y01mg]u's Cinematography on Angel DeCora 's Essentialist Independent Flu.....-usArtist Photography, Film and Video Art Se,nwllxAbused Victims ofWorld Aesthetics Elizabeth Hutchinson, Teaching on tile Web Donnie O'Hara, War II Jongwoo Kim, Institute Barmrd College Th38 Austin Peay University of Fine Arts, New York University Do I Make Myself 71~eArtist 's Personal Manner: Perfectly Clear? Amazons, Bears, Chickens and Divas: Raphael Soyer, Dancing Lesson, legibility and Readability IiJ Th33 11teABCs of Post Stonewall Body and jewish Art Samantha Baskind, in Graphic Design Difficult Dialogues in Ideal Jack Waters, Artist James Madison University Room 201C the introductory Art Returning the Gaze Deborah Kelly, Racial Signs and the Modernist Body: Pennsylvania Convention Center History Course Public Art Australia; Tina FiYeash Marsden Hartley's Representation Independence Salon I & II, level 3 CHAIR: Gc01·ge H. Marcus, of the North Atlantic Folk Philadelphia Marriott o1scussAm: Susan Obarski, UniYersity of Pennsylvania Donna M. Cassidy, Mt. San Antonio College CHAlR: Wayne Michael Charney, Uniyersity of Southern Maine It'sAll Picasso's Fault! Paul Tosh,

Kansas State University A reception \'11"11 immediately University of Missouri, Kansas City Under Suspicion: Palmer Harden's fo/fow the session. Overcoming that Nasty 3-letter Word: 1.fidsummer Night in Harlem From San Francisco to Zuricl1: "ART" within a Freshman Seminar (!936) and TI1e Janitor Who Graphics Discourse in the Terri Switzer, Millikin University ~ Th35 Paints (1937) Erica Moiah James, Sixties George H. Marcus, Historians of German Duke University University of Pennsylvania Experiencing Visual Difficulties and Central European John A. Hancock, Isamu Noguchi, Sculptl.lral Some Thoughts on Rules and Art and Architecture Piedmont Virginia Community College Abstraction and the Politics of Engagement in T;pographic Shaping the image: Japanese-American Internment Education, Dez Ocko, Censorship in the Art Appreciation Art and the Popular Press Amy Lyford, Occidental College Hofstra University Arena Robert Wojto·wicz, Independence Salon 11!, level 3 Old Dominion University Philadelphia Marriott Reading Scott Makela: [jJ;J Th37 l11e Subversion ofDple:ric Separation of Church and Faith: CHAJRS: DaYid Ehrcnpreis, Studio Art Open Session Deconstroction, Kirsten Strom, Teaching the IntroductorySurvqat a James Madison University; Fluxus and Duchamp Grand Valley State University Catholic University Elizabeth Leavy, Jay Clarke, Art Institute of Chicago Salon G, Level 5 University of California, Berkeley Linear Divergent, or Interactive Ornamental Meaning: Philadelphia Marriott Graphic Design, CraigL. Wan1er, Warning- Offensive Materials 111eArabesque Between Northwest State University Kay Byfield, Tarrant County College Metaphysics and Marketplace Cordula Grewe, German Historical Institute 30 CAA 90th Annual Conference In Philadelphia

Th39 "Our Earthlx Instinct": Propaganda and Protest: 17Ie Mural Artists as Designers 11w Reception of British Modem ism Paintings of Violet Oakley, }olin and Decorative Artists, in Philadelphia Michael Taylor, Singer Sargent, and Diego Ri~·era 1850-1950 Philadelphia Museum of Art Patricia likos Ricci, Room 2018 Elizabethtown College Would You Rather See 17wn Be One? Pennsylvania Convention Center British Identity and '}'Ba's" Early Modemist Murals in America: CHAIR: Amy F. Ogata, Bard Graduate in America Eliza1Jeth Legge, 1910-19~0 Francis V. O'ComlOl', Center for Studies in the Decorative Unh·ersity of Toronto Independent Scholar Arts. Design and Culture 11w }..fural Program at Midtvay Aiming High: Walter Crane at the r!,!;J Th41 Gardens: Frank· Lloyd Wright and Red Cross Hall Morna O'Neill, American Society Public Art Paul Krnty, University Yale University for Hispanic Art of Illinois, Urbana-Champaign Historical Studies Bloomsbury's Post-War Interiors: "Nobody Knows t11e Trouble ... ": Ai·Andaius and Its An Aesthetic of Conscien tioltS The Marian Anderson Mural Reception in Europe Objection Clu-istopher Reed, Competition, 1939-41 Sara Butler, and the Mediterranean Wke Forest College Uni\'ersity of Virginia Room 202 A-8 ':A Close Relationship to the Minor Pennsylvania Convention Center Th43 Arts": josef Hoff"inann's Reception CHAIR: D. Fairchild Ruggles, Optics and Seeing: in America leslie Topp. University of Illinois, Looking for lenses Oxford Brookes University Urbana-Champaign Room 204A Fomr Follows Fetish: Salvador Pennsylvania Convention Center lvOI)' and Wood: 11w Kutubi;ya Dali and Surrealist Design Minbarand the Cordobanivories CHAIR: Carolyn C. Wilson, Elizabeth E. Guffey, Jonathan ~L Bloom, Boston College Independent Scholar State University of New York, Purchase Architecture as Pilgrimage: Mudejar Life 111rough a Lens: Venneer's Isanw Noguchi: The Sculptor as Tradition and Cultural Identity in Unusual Art in the Tradition of Designer Deborah A. GoldlJcrg, the Spwgogue at Cordoba Haley Westem Painting Michael Clapper, School of Visual Arts, New York Waxl1erg, UniversityofToronto Skidmore College

Mudejarand the Doctrine Vision and Aesthetics: r!,!;J Th40 ofRight Names Marcus Burke, 17Ie Camera Obscura 's Role in Art Historians of British Art Hispanic Society of America Production and 11Jeory·in Eighteenth What is British Art? Art Century' England Jenny Carson, Histories on Display Representa rions of tl1e ~ Open Session Maryland Institute Room 2048 Expulsions in Spanish Art Pennsylvania Convention Center Georgina Dopico-Black, 17w Camera Lucida as Camera (! Off·S!te Session New York University Indica: South Asia Titrough CHAIRS: Kimberly Rhodes, the Looking Glass lil Practicum Hollins University; DISCUSSANT: jerrilynn D. Dodds, Fin barr Barq Flood, Julia MarciariAlexauder, City College of New York Smithsonian Institution, liiiil Museum Session Yale Center for British Art Sadder Galle!)' Th42 17Je Boundaries ofBritish ness: r!,!;l Affiliated Society Session The American Mural The Function ofthe Drawing TI1e Macaroni Prints oft he I?70S Painting Tradition: History, in the Work of Ingres and Degas Amelia Rauser, Skidmore College CAA Committee Session ~ Function1 Meaning Douglas R. Giebel, "Our English Art. .. Our English Life", Salon I & J, level 5 Robe1is Wesleyan College [3 E-Sess!on 17Ie "British Portrait Gallerx" and the Philadelphia Marriott D!SCUSSANT: Jeffrey Aht, "Gallery of Modem Pictures" ar the CHAIR: Ingrid Steffensen, Wayne State University Manchester Art Treasures Exhibition Rutgers University of1857 Elizabeth A. Pcrgam, Institute of Fine Arts, New York Unitarianism and the Iconography University of Democracy: Decorations for the Library ofCongress Sally Webster, Exhibiting India for Britain, Lehman College/Graduate Center, Exhibitions for Delhi Coronations City University of New York of VIctoria, Edward VII, and George V Julie Cadell, Arizona State University Thursday evening 31

SPECIAL SESSIONS rl"§ Th46 rl"§ lil Th48 AND MEETINGS Coalition of Women Foundations in Art: Radical Art Caucus in the Arts Organization Theory and Education Business Meeting Thursday Evening The Madonna and the Globalizing Foundations: Independence Salon I & !1, Level 3 5:30 -7:00p.m. Divine Feminine Expanding the Core to Philadelphia Marriott Salon C, Level 5 Include Non-Western rl"§ Th44 Philadelphia Marriott Aesthetics ~ lil Th50 American Council of Room 204A CHAIR: Kyra Bellin, CAAAnnual Southern Asian Art Pennsylvania Convention Center Broward Community College Conference Committee Roundtable Discussion CHAlR: Barbara Nesin, Developing a Session on Recent Iconoclasm Some 11wug1tts on Marian Images Front Range Community College for the Annual in South Asia in Spanish Art Steve.AJ.'hnry, Conference Program Room 204C Radford University A KreyolApproach to the StudrofArt Room 2048 Pennsylvania Convention Center leGraee Benson Arts of Haiti Mary in the Americas: Queen Pennsylvania Convention Center Research Project, Ithaca, New York CHAIR: Janice Leoshko, ofland and Sea Carol Damian, CHAIRS: Bn1ce Robertson, University of Texas at Austin F1orida International University Orienting the Westem Eye Unh'ersity of California, Santa Barbara; Cyntia Maris Dantzic, Catherine Asher, Madonna from Medieval Enunanuellemakis, CAA Long Island University Unh·ersity of Minnesota to Modem Kym BeliD1. Other patlicipants to be announced Broward Community College Below the Surface: Deconstnwting Fredrick Asher, the Traditionallflestem Aesthetic University of Minnesota 111e Divine Feminine in tlteArt of Jeff Hesser, ~ lil Th51 EvelJ7t de Morgan Elise L. Smith, Richard Davis, Rhode Island School of Design CAA Student and Emerging Millsaps College Bard College Professionals Committee Community-based Practices Templum Dei:Arcl!itectural Spnbols Building a Career While Phillip Wagoner, to Promote Global Awareness forthe Virgin MmyVidaj. Hull, Buying an Education: Wesleyan University of the Arts Edward R. Pope, East Tennessee State University Roundtable Discussion Arizona International College at Liberty Salon A & 8, Level 3 the University of Arizona, 1\icson rl§ Iilii Philadelphia Marriott Art Historians of Catalogue Ralsonne CHAIR: Karen White, 19th-Century Art ri."§ lil Th49 Scholars Association University of Arizona Business Meeting National Council Business Meeting Salon I & J, level 5 of Art Administrators R. B1ian Stone, Room 202 A-B Philadelphia Marriott Agony and the Ecstasy: Ohio State UniYersity Pennsylvania Convention Center The Electric Chair Beverly Joyce, SPEAKER: Sharon F1csclter, Room 2018 rl"§ Th45 University of Kansas International Foundation for Art Pennsylvania Convention Center Art Museum Image Research Jamie Johnson, Consortium CHA!RS: Judith Thorpe, University City University of New York Issues in Reproducing ofCotmectieut; Joe Le·wis, Works of Art rl"§ Th47 Fashion Institute of Technology Rick Schuessler, Room 201C Design Forum University of Nebraska From Dimmers to Dark Rooms: Pennsylvania Convention Center Where Do We Go From Overseeing Building Renm'atio1ls Anne Morra, Here? The Future of cHAm: Jennifer Trant, AMICO Frances K. Pohl, Pomona College Museum ofModernArt, New York Design Forum Dianne Nilsen, Creative Center for Salon 0, Level 5 Deborah J. Haynens, Photography, University of Arizona Philadelphia Marriott University of Colorado

Alan Ne·wman, CHAIR: Carma Gorman, Southern Revitalization thn1 Art Institute of Chicago Illinois University, Carbondale Re11ovation Greg Watts, Metropolitan State College, Denver Jenny Wilker, Participants to be announced Philadelphia Museum of Art Samantha Henriette Krukowski, University of Texas at Austin

DISCUSSANT: Power Boothe, Hartford School of Art 32 CAA 90th Annual Conference In Philadelphia

PROGRAM TiteSubject ofClaude Cahtm: First Families: Adam and Eve SESSIONS The Nude and Self- E'.l.posure Meet Cro-Magnon Man in the Sharon Morris, Slade School South of France Bru·hara L'll'son, Thursday Evening of Fine Arts, University of London Syracuse University 8:00 - 10:30 p.m. 1he Transiting Self Dte Nude Nature-Centrism in French Self-Portraits ofTransman Loren Symbolist Art Serena Kesha,jcc, Th52 Cameron and Hemwphrodyke University of\Vinnipeg Fine Design: Can Art be Del La Grace Volcano Design and Design be Art? Wresting the Symbolic Tee A. Corinne, At1ist Liberty Salon C, Level 3 L(lnguageAwayfrom the Church, Philadelphia Marriott Spiritrwlityand Republican (3 Th54 Science Michael Orwicz, CHAIR: Geny Be egan, From Brushstrokes University of Connecticut Rutgers University to Bytes: Art Historical Catholicism, Anti-Naturalism, Dissolve/Reveal Approaches to Digital Art and Gauguin's ''Abstraction" Kenneth Fitzgerald, Room 201C Debora L. SilYcrman, Old Dominion University Pennsylvania Convention Center University of California, los.Atigeles

Limn Gillick and Minimalist Lessons CHAIR: Sabrina De Turk, Georges Sorel and the SJmbolist on Design Clu·istine ~lelu·ing, La Salle Unh·ersity Revolt Against the 11Jird Republic Yale University 17te Problem ofLanguage and tl1e .MarkAtttliiT, Duke University Pouf! Close Encounters Between Critical Reception of Digital Art Art and Design Katia Bandin, Atme Collins Goodyear, Th56 Frac Nord, Pas de Calais National Gallery of Art, Washington, DC Rethinking Modern Illustration in the 11w Mobile Porch Project A Digital Allegory: Marilw Mori's U.S. and Cuba as an E:rample Stefan Saffer, Empty Dream, Gustm•e Courbet's Room 201A Artist, Mottomix Studio, and the Quest fora Digital Pennsylvania Convention Center Art History Jonathan "\Vallis, Th53 Temple University CHAIRS: Caroline Goeser, How Do Lesbian, University of Houston; Eric]. Segal, Tiw Photograph Isn't Always Gay, Bisexual, and Uni\'ersity of California, los Angeles Im~sible: A Dteoryof Digital Transgendered Artists Spectatorship Michele ~'hite, 11w Boy in Bed: 11le Scene of Address the Nude? Bowling Green State University Imagination in N.C. Wreth 's Salon H, Level 5 Wreck of the "Covenant" Philadelphia Marriott Surreal and IIJperreal: ~ Open Session Alexander Nemerov, Yale University Magritte Meets the Media CHAIRS: Tee A. Corinne, Artist; Ellen Handler Spitz, The Illustrated New Negro: Vanity (3 Off-Site Session Sherman Clarke, New York Stanford University Fair, Tiw Sur\'ey Graphic, and University Libraries Fire!! Gregoq :Foster-Rice, m Practlcum Titinf..:ing Tit rough the Screen: The Male Pre-Raphaelite "Stunner": No11hwestern Universit)• Critical Considerations of Nudity and Homosexual Identity l'iil Museum Session Digital Arts Katie Momlloch, CreatinganA~·ant-Garde in Cuba: in the Worh OJ Simeon Solomon University of California, Los Angeles fllustrating Modernity in Re\'ista de Roberto C. Fenari, r.::§ Alllllated Society Session Avance Roclo At·anda-Ah·arado, Florida Atlantic University Th55 Jersey City Museum ~ CAA Committee Session Romaine Brooks, Nat lie Bamey. Science, Religion, nlustrating Social justice, and the Photographic Nude and National Identity in New l-.·fasses and Politicized [3 E·Sess!on Joe Lucchesi, St. Mat}''s French Art, 1871-1914 Visual Culture Helen lang-a, College of Ma1)'land SalonE & F, Level 5 American University Philadelphia Marriott Intimate E:rperiences: 11te Bise.nwl Reading Richmond Bartl11fs Sensibility and the Nude cHAlRS: Maria E. Di Pas(ptalc, Sculpture: 71te Inspiration L'lurie Toby Edison, Artist Independent Scholar; of Illustration ]runes B. Hru·grove, Unh·ersity Queer Desire and tile Margaret Rose VendiJ'es, of Pennsylvania Interracial Nude James Smalls, York College, City University University of Ma:r}'land, Baltimore of New York Thursday evening 33

Inside the Box: Enclosed Spaces and Dimensions of Ecofeminist Art: 77te Dukes ofHasard: Marcel [i."§ Jiil Th 57 tlte "Universal Monastery" of Pius V A New Fomt ofEpic Poetry' Duchamp and the French International Center 6s6s-T~) Emlice D. Howe, Deboral1 Frizzell, Graduate Center, Probabilists Bradley Bailey, of Medieval Art Uni\'ersity of Southern California City University of New York Case Western Reserve University Collecting in the Early Middle Ages, 600-1200 Rethinking the Canon of Mending: Spirit and Process, and the Game as an End ofArt/Game Room 202 A-B EarlyfesuitArt in Rome Role ofImplicate Order in Defining as the End ofArt Laura Gonzalez, Pennsylvania Convention Center Jolm.Marciari, Loyola College EcofeministArt Ma1y Babcock, Instituto Tecnologico y de Eshtdios University of Arizona, Tucson Superiores de Monterrey, Mexico City CHAIRS: Melanie Holcomb, Metropolitan Museum of Art; rn Th59 oJscussANT: Ann Rosenthal, Robert Morris's Blind Man's Bluff Christina Nielsen, Teaching Perceptua I University of Maryland, Baltimore Brian Winkenweder, State University of Chicago Drawing and Painting County UniYersityof New York, Stony Brook in the 21st Century A Collection and its Works: Disciplining Gaming Studies Independence Salon I & !1, Level 3 Adding to an Installation in Early ~Th61 Robert Nideffer, Philadelphia Marriott Medieml Rome Gregor A. Kalas, Art History Open Session University of California, Inrine Unh·ersity of Tennessee CHAIR: Zlli lin, South Asia or UniYersity of\Vashington Transnational Studies Th63 BislwpAethelwold and the Golden Salon C, Level 5 Radical Reversals Virgins Catherine E. KarkoY, Turning the Eye to Philadelphia Marriott and Adapted Ideologies: Miami University the Task Karen Saler, Emigration and Avant~ The UniversityoftheArts CHAIR: Michael W. Meister, OJ Collections and Kings: 11w Case of Garde Practices in the University of Pennsylavania Ottonian Gemwny AdamS. Cohen, Modeling the Model: 20th Century College of William and Mal)' 71te Integration ofSculpture /aponisme in the Art of Room 204A i11to Life Drawing/Life Painting Rabindranath Tagore Pennsylvania Convention Center 11w Public and Private Life of Jerry Cutler, University of Florida Aida-Yuen Wong, Bpan!ine Textiles Jennifer L. Ball, CHAIRS: Jeanne Nugent, University Brandeis University Colgate Unh·ersity Learning Visual Language of Pennsylvania; Nicholas Sawicki, 11trough Observational Study Transnationali:zing 2oth -Century UniYersity of Pennsylvania Made for the Show: 17w MediePal ofNatllre and History Indian Art: Assessing the Impacts of Treasury· of the Ka 'ba in Mecca A School ofEmigrCs: 11te Ecole Zhi Un, University of Washington the Herwit:z Collection Susan Bean, Avinoam Shalem, lnstitut ftir de Paris and Ow Betrayul ofAvant­ Peabody-Essex Museum Kunstgeschichte, Universitat MUnchen 11w Role of Observation in the Garde Principles in France, 1944-64 Development of Language and A joint Enterprise: 17te Building Natalie Adamson, Th5B Imagination Tom Berding, and Conservation of Colonial University of Melbourne Post-Tridentine Art and Michigan State University BombaJ Preeti Chopra, Dadaland: TheAesthetics Religion: Propagation, University of California, Berkeley The Black Bo.t and Other ofExileT.J, Demos, Participation, and Ways to Reintegrate Our Senses Images of Foreigners: Kushans Maryland Institute College of Art Meditation Sanda Illescu, University of Virginia as Patrons ofIndian Art Liberty Salon A & 8, Level 3 An "Italian Constmcti~•ism "? Chandreyi Basn, Philadelphia Marriott Alliances and Polemics between the St. lmnence Uni\'ersity ~ Th60 Italian Futurists and the Central CHAIR: Cynthia lmn·ence, CAA Committee Classical Traditions and Creative European Avant Garde in 1920s Temple Uni\'ersity on Women In the Arts Innovations in the School of Berlin Maria-Elena Versari, The Choir Screen at St. .Michael's Defining Ecoleminist Art Amam~'ati Elizabeth Rosen Stone, Scuola Normale Superiore, Pisa, Italy Abbey in Antwerp: A Counter~ Salon G, Level 5 Metropolitan Museum of Art Traveling Fascism: Lccating de Refomwtion Monument Philadelphia Marriott Chirico in Italian Modem ism Barbara Haeger, Ohio State University Th62 CHAIR: Deborah Mathew, Artist; J emlifer Hirsh, Bryn Mm\T College The Game In/As Display and Contemplation of Duston S}Jear, Independent Curator Visual Modernism Delaunay- Terk and the Domestic C/arissan Spiritllalityat Santa and Artist Room 2018 Fairground Sherry Duckberrough, Chiara in Turin William Stargud, EcofeministArt Practice and Pennsylvania Convention Center University of Hartford Pine Manor College Criticism: A Move Toward Defining CHAIR: Claudia Mesch, A Decor for Meditatic;e Retreat and tile "Not Two" Usa .Arnold, Arizona State UniYersity J,;olitical Subterfuge: Philippe de University of Minnesota Ch~.1mpaigne's Landscapes for Rococo Games and tile Origins of Coming Home to Water Anne' (J/ Austria's Val~de~Grdce Visual Modernism Jennifer Mi1am, Erica Fielder, Artist and Teacher Anne B.c rtrand-Dewsnap, University of Sydney Bard College 34 CAA 90th Annual Conference In Philadelphia

TI!G5 Questionable News: ~ ThG1 The Tensions of T. B. Walker's Rembrandt Controversx Italian Art Society lnterd iscip! ina rity: in the Gilded Age Janet Wllitmore, Death and Remembrance The Competing Claims of University of Minnesota in Italian Art: An!iqui!y Art, literature, and History to the Present The Founding of the Speed Art in 13th-Century Studies Room 204B Museum and its Early Collections Salon I & J, Level 5 Pennsylvania Convention Center Ruth Cloudman, Speed Art Museum Philadelphia Marriott

CHNRS: Sharon Strocchia, Emory A "People's Museum "for Toledo: CHAIRS: Mru:y Vidal, University; Anita Mosko-witz, State 11w Collection and Vision ofEdward University of California, San Diego; University of New York, Stony Brook Drummond Libbey and F1orence Scott Julia Douthwaite, Libbey Brittany M. Hudak, RacingwirhDeath: Circus University of Notre Dame University of Cincinnati Sarcophagi and the Commemoration Interdisciplinarity and theAcademic ofChildren in Roman Italy Mr. And Mrs. Charles Phelps Taft Institutions Bemadet1e Fort, EYe D'Amhra, Vassar College and the Taft Museum John Wilson, Northwestern University Independent Scholar and Curator The Tomb Speaks its Message: Crossroads of the King: The Unitxof The Language of Letter Fonns Of Rembrandts and Van Dycks the Disciplines undertheAbsolute Debra Pincus, Independent Scholar Family Trees Were Made: Monarch James D. Herbert, Gilded Era Collectors Are Ennobled P)Tamids (and Sphinxes) for University of California, Irvine Nancy Minty, New York University Renafssance Princes: Burial The Un-disciplined Enlightenment "all'egiziana" in Cinquecento Marie-HCICne Huet, Rome Brian Curran, [!) Th6'/ Princeton University Pennsylvania State Unh·ersity Work in Progress: Interdisciplinarity: Trends, Presentations by CAA From Exile to Elxsium: Challenges, Hazards J. Paul Professional Development The VIlla ofWdovico Beccadelli Hunter, University of Chicago Recipients on Sipan Nadja.Aksamija, Salon 0, Level 6 Princeton Uni\·ersity Intemwdiality, Creolization, and Philadelphia Marriott Conflict in the British West Indies Ecco Giovanni Era: Photographic Kay Dian Kriz, Bro"m University CHAIR: Stephanie Davies, CAA Portraits in Italian Cemetaries Roger Cnuu, University of Da)10n Early Modem Representations: Paul Chan Possibilities and Problems Brody Condon Kevin Sharpe, University ofWaruick Chitm Ganeah Open Session l'iiii'J ThGG Kerry Morgan Off-Site Session The /(Golden Age" of Shalon Parker American Art Collecting: PrRcticum Sell-Serving Public Charles Pearo Relations~ legacy Building, EYely.n Carmen Ramos Museum Session or Public Philanthropy Room 204C Affllia\ed Society Session Pennsylvania Convention Center

CHAIRS: Eric Zafran, Wadsworth CAA CommiHee Session Atheneum Museum of Art; Aaron De Grof1, The John and E-Sesslon Mahle Ringling Museum of Art Friday morning 35

FRIDAY, FEBURARY 22 SPECIAl SESSIONS PROGRAM AND MEETINGS SESSIONS Art's Place Salon A & B, Level 5 Friday Morning Friday Morning Friday Mornng Philadelphia Marriott 7:00- 8:30a.m. 7:30- 9:00 a.m. 9:00- 11:30 a.m.

FRESH sTART: Perk up your senses with complimentary coffee, tea, rl"§ F8 rl§ oo;J F5 or juice. A detailed schedule of Arts Council of the African Historians of Studio Art Open Session the day's events will he made Studies Association Netherlandish Art Models to Metaphors: available. Strategies for Using the Business Meeting Contemporary Art and New Textbook: Art in Africa Room 4 10, Level 4 Science 9:30-11:00 a.m. Independence Salon I & II, Level 3 Philadelphia Marriott Room 201C Philadelphia Marriott Pennsylvania Convention Center Iris Print demonstration. CHAIR: Robin Poynor, CHNR: Phoebe Adams, A performance on breast University of Florida, Gainesville Kutztown University cancer by BJ Goodwin. Using Art in Africa as a A Pemtutational Unfolding: 11:30 a.m. -1:30 p.m. Two-Semester Text Robin Poynor, Art and the Culture ofScience Unh·ersity of Florida, Gainesville Eve Andree Laramee, Bring your lunch for a forum on Sarah La\\Tence College Artists' Residency Programs Using tile CDRom: Art and Life in Africa, Along with the Text Organic B-Mod: The E•olution 2:00-4:30 p.m. Christopher Roy, University of Iowa of Post-Biological Programming Bill Hill, Jacksonville University Using Art in Africa as a One­ Ft Semester Text RohertT. Soppelsa, Continental Criticism Within Sixth Annual Artists' Washburn University, Science Francis Michael Palazzolo, Interviews Mulvane Art Museum HAIArt Clinic Judy Pfaff will be inteiYiewed Using Art in Africa as a by Irving Sandler F6 Non-Africani.st Resistance, Response, Jolm Moore will be interviewed Speaker to be determined and Empowerment by Titerese Dolan DlscussAm: Monica Visona, in Art: Part 1 Art's PJace encourages everyone Metropolitan College of Denver Room 201A to attend Meet the Candidates, Pennsylvania Convention Center your opportunity to hear from ~F4 CHAIR: Suzanne Preston Blier, those who may represent you CAA Committee Harvard University on the CAA Board of Directors, on Women In the Arts Responding to Rome: Sculptures from 4'45-5'45 p.m. Annual Recognition of Barbarians on tl1e Peripheq Awards Ceremony 6:00 • 7:30 p.m. TI10mas J. Morton, Salon E & F, Leve15 University of Pennsylvania Philadelphia Marriott F2 Imag(in)ing Resistance: Images ARTISTS TALK: Ilya and Emilia Jautte Quick-to-See Smith of Domestic Service as "Didactic Kahakov in conversation with and Janet Cox-Rearick will Fiction" in VIctorian America Rob Storr be honored this year. Anna Vemer Andrzeje'\\o'Ski, PREREGISTRATION REQUIRED, University of Wisconsin 7:30 - 8:30 p.m. The Memory· ofPlace in Happy Hour rl§ Contempora'Y Greek and Turkish Art Eleni Bastea, University of New Italian Art Society Business Meeting Mexico; Carel Bertram, University of Texas, Austin Salon 0, Level 5 Philadelphia Marriott 36 CAA 90th Annual Conference in Philadelphia

Reconfigurations ofEmpowennent: TI1e Medium Channels the Message or r:.§ Ftt Contemporary· Art and Depression I Hear Dead People Diane Bctiolo, Japan Art History Forum Chdstine Ross, McGill University Artist, Brooklyn Art and Commerce in Quelle Liberte! Urban Violence/Urban Japan: 16th-20th Century F9 Fom1 in the Art ofJoseph Francis Independence Salon I & !1, Level 3 Architecture Periodicals, Sumegne Domini£pte Malaquais, Philadelphia Marriott in Practice and as History Sarah Lawrence College Independence Salon 1!1, Level 3 CHAIR: Patriciaj. Graltam, Philadelphia Marriott University of Kansas !iii1F7 CHAIRS: Gabrielle Esperdy, Fashion, Marh·et, and Urban Culture Creating Community: New Jersey Institute of Technology; in Tokugawa]apan Lisa Morrisette, Feminist Art and Aitdnw Shanken, Oberlin College University of Pittsburgh Exhibitions of the 1970s Room 204C DefiningtheArchitectural Profession: Marketing the Artist 111rougl! Pennsylvania Convention Center The American Architect and Portraits: Ikeno Gyokuran and Building News and the New York Mid-Edo Bunjin Mara Miller, CHAIRS: Rebecca De Roo, Washington State Capitol Design Controversy, Independent Scholar University; Aim Reynolds, 1876-J900 Kate Holliday, University of Texas, Austin Merclwndising (Art in) Meiji Japan: University of Texas, Austin Liaisons Between NihongaArtists Lucy Lippard's From the Center: 11~e Inland Architect and and Takasliimaya Department Steps Toward a "New Feminist 11teories ofAmerican Origins Store, J868-191~ Julia Sa]_lin, Criticism" Lori Cavagnaro, Joanna Merwood, University ofWashington Independent Scholar Princeton Unh-ersity "From Baby's First Batl1 ": lf'ltCK! 11w Feminist Re~·olution: Casahella and/or Quadrante: Kao Soap and Japanese Commercial An Exhibition Case Studr in Progress TheArchitecture Periodical as Design Gennifer Weisenfeld, Connie Butler, The Museum of Instn1ment for Change in Fascist Duke University Contemporary Art, Los Angeles Italy Michelangelo Sabatino, Vanguard Economics JOJ: Rewarding Historicizing the 7os University of Toronto the Retvardless Reiko Tomii, Helen Molesworth, Sfwppingfor Periodicals Independent Scholar Baltimore Musemn of Art Da,id Smiley, Columbia Unh·ersity "Dear Sisters": 111e VIsible F12 Lesbian in LocalArts]oumals F10 Signifying Stories: Margo Tiwmpson, The Portrait as Gift Narrative Conventions Illinois State University Room 2048 in Precolumbian Art ~ Open Session Pennsylvania Convention Center Room 204A FB Pennsylvania Convention Center (! Off-Site Session CHAIR: Brandon Brame Fortune, The Truth is Out There: National Portrait Galle!)" CHAIRS: B1yan R. Just, Tulane Photography as !he [iJ Practicum University; Elizabeth Hill Boone, Paranormal A New Invention for an Old Purpose: Tulane University Liberty Salon C, Level 3 11te Renaissance Portrait Medal !iii1 Museum Session Philadelphia Marriott Stephen K. Scher, fllustrated Stories from the Independent Scholar Ancient Maya FloraS. Clancy, r.i,l;l Affiliated Society Session CHAIRS: Mark Alice Durant, University of New Mexico University of Maryland, Baltimore "Out of LOPe for Art'': Rembrandt's (ij CAA CommlHee Session County; Jane D. Marsching, Portraits as Gifts Michael Zell, Multi- Dimensional Narratis•e in Artist, Boston Boston University Classic Period Maya Paintings 13 E:·Sess!on Doric Reents-Budet, The Disembodied Spirit "My Own Picture ... toGiveAway Smithsonian Center for Materials Alison Ferris, Amongst My Friends": IVomen and Research and Education Bowdoin College Museum of Art Portraits in 17t1t-Century· England Elizabeth Chew, Monticello Text and Image in Late Classic Ectoplasms and the Idea Veracnn: Hierogl)phs and Pictorial of Photography Karl Schoonoyer, Pledges ofFidelitp Theodore Narrative on Reo Blanco Ceramics Brown University, Rhode Island School Gericault's Portraits ofChildren Cherra W:yllie, Yale University of Design Museum A. Cassandra Albinson, Yale University Photographs of God: Helene Smith's Spirit Photographs ofSpirit Paintings The Capitalist Portrait Allison Morehead, Paul Staiti, Mount Holyoke College University of Chicago Friday morning 37

Freed From the Labyrinth: Balancing the Lop-Sided Wad: FIG (3 F17 Malinche's Identitxin the Exhibiting African History· and Conspicuous Commissions: Exile and the Internet: Indigenous Paintings oft he Conquest Culture in Africa and tlie United Status Signaling Through Artistic Responses Mary Miller, Yale University; States Christine Mullen Kreamer, Art in the Italian Salon I & J, Level 5 Diana Magaloni, Yale University National Museum of MricanArt. Renaissance Philadelphia Marriott Smithsonian Institution Liberty Sa! on A & B, Level 3 F13 Philadelphia Marriott cHAlR: Amy Ingrid Schlegel. Jewish Self-Representation and Copies, Variations, Philadelphia Art Alliance Globaliwtions Beth Hatefnsoth. CHAIRS: Jonathan Katz Nelson, Replicas in 19th-Century Tite Museum of the Jewish Diaspora; Syracuse University in Florence; GoJWME Katherine Carl, State Art: Part 1 Kerri P. Steinberg, Richard J. Zeck1tauscr, John F. University of New York, Stony Brook SalonE & F, Level 5 Unh·ersity of Redlands Kennedy School of Government, Philadelphia Marriott Chronicles Lynne Sachs, Hunter Harvard University Getting Beyond Museology College, City University of New York CHAlR: Patricia Mainardi, Donald Preziosi, University of Introduction: The Economic 1heories Graduate Center, City Spaces of Exile, Technically California, Los Angeles; Oxford of Signaling, Sigr1posting, and University of New York Speaking Sawad Brooks, Artist; Uni\·ersity; Clah·e Fru·ago. StretchingasApplied to Commissions Beth Stryker, a.k.a. HUtensil," Artist 17w Order of Imitation: University of Colorado, Boulder ofArt Richard J. Zeckhauser, 17w Pedagogical Copy in John F. Kennedy School of Cambodian Cultural Survival Circa ~ooo: ViewingAfiicanArt, 19th -Century France Paul Duro, Government, Harvard University Anne Nm1on, Providence College Re-Viewing Africa Ruth B. Philli}lS, Unh·ersity of Rochester University of British Columbia Commissioning Familial FIB "Works ofa Higher Class ofArt": Remembrance: Alberti Patronage DISCUSSANT; Barbru·a Kirshenhlatt­ Installation Art The Decline of the Replica in 19th­ at Santa Croce, Florence, J3o+--iJO Gimhlctt, New York University Salon 0, Level 5 Century· America Kimberly Orcutt, Thomas J. Louglunan, Philadelphia Marriott The FoggA1i Musuem, Rutgers University F15 HarYard UniYersity CHAIR: Robc11 Silherman, Containment, Conflict, Mantegna 's Madonna della University of Minnesota 77te Barbizon School and the and Control: Revisiting Vittoria and the Rewn'tingof Importance oft he Replica the Visual Culture Gonzaga History Molly Boun1e, "Where is an author?": Site and Text Simon Kelly, St. Clare's of the Cold War S)Tacuse University in Florence in the Installation Work ofDaniel International College, Oxford; Room 201 B Buren and Marcel Broodtllaers To Be a Medici: Proclaiming Status, The Metropolitan Museum of Art Pennsylvania Convention Center Rachel Haidu, Columbia University Identity, and Legitimacy in theArt Copying Right: Labor, Property, CHAIR: DaYid McCarthy, PatronageofGiulio de' Medici "Arcltitechlre Is a U:mdscape and Genius in the Age of Rhodes College (Pope Clement VII) Sheryl E. Reiss, We Make": Jessica Stockholder Plwtography Anne McCauley, Cornell University and Painting Space George Tooker, Surveillance, University of Massachusetts, Boston Randal DaYis, Rye Arts Center and Cold War Sexual Politics Leone Leoni Constmcts His Statuettes and the Sculpture Katie Hauser, Skidmore College Identity: Status Signaling Space, Place, and the Sub~'ersion Indusfr]·in Late 19th-Century TI1rough the Casa degli Omenoni ofIdentity in Installations by Paintings, Prints, and Sltrimp­ Britain and France Martina Droth, Kelley Hehnstutler DiDio, Contemporary· African Artists Cleaners: AloMA and the University of Reading Medici Archive Project, Florence Jolm Zarobell, Tulane University Americanization ofFrarJce in the 1950s Ga;r .McDonald, The Dangerous Allure of Hybridity li'iiJ F14 University of New South Wales in Jorge Pardo's Project Museums and Jennifer King, Princeton University "Hard Years": 17w Cold War, Globalization American Art Patronage, and DISCUSSANT: Mark Rosenthal, Salon H, Level 5 Rockwell Kent Mam·a Lyons, The Menil Collection Philadelphia Marriott Drake University

CHAIRS: Saloni Mathur, Barnett Newman's Bible University of California, Los Angeles; Spectacular Sarah K. Rich, Ruth E. Iskin, University of Pennsylvania State University Pennsylvania Beauford Delaney's Silence Michael Plante, Tulane University 38 CAA 90th Annual Conference In Philadelphia

F19 ~ 121 SPECIAl SESSIONS Women as Keepers CAA Special AND MEETINGS of Historical Memory, Advocacy Session 13"10··1920 The Role of Private Donors Friday Afternoon Salon C, level 5 at Public Institutions Noon - 1:30 p.m. Philadelphia Marriott Fourth Floor Meeting Room 413 CHAIRS: Pamela H. Simpson, Philadelphia Marriott ri."§ Washington and Lee University; cHAlR: Stanley N. Katz, Center Art Museum Image Cynthiaj.11Hlls, Smithsonian for the Arts and 01ltural Poilicy Consortium American Art Museum Studies, Princeton University Business Meeting Empress Eugenie and the Room 201C Ted J. Edelstein, Napoleonic Mausoleum at Pennsylvania Convention Center Teri }. Edelstein Associates Pam borough Alison McQueen, McMaster University John Hammer, ri."§ F23 National Humanities Alliance The "Ephemeral Museum" Association of Historians of Women 'sArt: Reviving Lost Bruce Robertson, of American Art History in Fin-de-Si€cle VIenna Los Angeles County Museum of Art Religion and Julie Jolmson, Utah State University American Art History GaryVikan, Room 204C Ludies'Dar, 11~eBaNleof The Walters Art Museum Pennsylvania Convention Center Rowers Parade in SanAntonio, Helen Wechsler, Texas Judith SobrC, CHNR: Sally ?\L Pmmey, The American Association of Museums University ofTexas, San Antonio Uni\'ersity of Maryland, College Park Other parliC!j)an/s to lle announced. Meta Warrick Fuller's Crossing Borders: Religion and Emancipation and the Intersection the Cultural Geography of Colonial F22 ofRace and Memory Renee Ater, American VIsual Culture Medieval and Early University of Maryland, College Park Louis Nelson, University of Virginia Modem Jewish Arl: The View from Within "TI1e Thousand Remembrances ~ 120 Room 202 A-8 Which Rise Over the Soul": Henry Studio Art Open Session Pennsylvania Convention Center Ward Beecher, George Inness, Ready-Mades: and the Role of Religion in the CHAIR: Diane Wolfthal, From Duchamp to Development ofAmerican Aesthetics Arizona State University Consumer Culture Rachel De Lue, University Open Session Salon G, level 5 ff'hen is a few not a few?: of Illinois, Urbana-Champaign Philadelphia Marriott 17w Rxlands Haggadah's Off-Site Session Rethinking Religion and ~oth­ Evil Son julie A. Harris, CHAIR: Judith Trumenhaum, Centur:r American Art El'ika Doss, Northwestern University Pradicum 1-.-fuseum of Art, Rhode Island University of Colorado, Boulder School of Design Birds Head Revisited: Mc1seum Session 17w Birds Head Haggadah Tony Feher, ri."§ {24 and Jewish Identit)' Artist, New York Association of Historians Mai"C Michael Epstein, Affiliated Society Sess!o11 of 19th-Century Art Stuart Netsky, Vassar College Future Directions in CAA Committee Session University of the Arts, Salom Italia 's Engraved Portrait 19th-Century Art History Philadelphia University ofRabbi Menasseh ben Israel: Room 202 A-8 E·Sesslon Pep6n Orsorio, Jewish Identitxand Christian Pennsylvania Convention Center Artist. Philadelphia Hebraism Shelley PerloYe, CHAIR: Tite1·ese Dolan, University of Michigan, Dearborn Kati Rubinyi, Tyler School of Art, Temple University Art Center College of Design DISCUSSANT: Sara Lipton, Voyages: Baudelaire, Manet, and State University of New York, Whistler Suzanne Singletaiy, Stony Brook Philadelphia University

Trains in the Countryside: Railroad Prints and Early Impressionist Paintings Jane E. Boyd, University of Delaware Friday afternoon 39

Attention and Distraction: the Don't Panic: Methods for Beginning Janet Kaplan, Moore College of Art [i!;JF30 Spectatorship ofPosters in Fin -de­ the Proce-Ss TeriJ. Edelstein, and Design, Executive Editor,Art/ottmal International Survey Siecle Paris Karen Carter, Miyazaki Teri J. Edelstein Associates H. PenyClmJlman, University of of Jewish Monuments International University, Japan The Challenge ofArchi~·al Research Delaware, Editor-in-Chief, The .Art Bulletin Room 204A Nancy Yeide, National Gallery of Art Pennsylvania Convention Center [i!;l lanySilver, UniversityofPenns:ylvania, Recent World War II Claims Rwcutive Editor, C4A.Reiiews CHAIR: Carol Herselle Krinsky, Association for TI~addeus Stauber, Esq. New York Unh·ersity Latin American Art Nancy Gntbb, Executive Editor, Business Meeting Art Books, Princeton University Press The Spwgogues of Toronto Salon I & J, Level 5 ~ (;;I F27 Sharon Graham, lee Ripley Greenfield, Director, Philadelphia Marriott CAA Professional Independent Scholar College & Fine Art Division, Laurence Practices Committee King Publishing, London Foreign S)nagogues in Califomia? Research in the 21st· ~ F25 Cal'ol Herselle Krinsky, Century: Practical and Susan Clmn, General Manager CAA Committee New York University Professional Issues for for Electronic Information Planning, on Women in the Arts Studio Art and Art i"Hstory: Office of the Director: Senior Editor for Art and Artists Roundtable Discussion New Media, Editorial Department, The [i!;l /31 Against Child Abuse Liberty Salon A & 8, Level3 Metropolitan Museum of Art, New York Italian Art Society Independence Salon I & II, Level 3 Philadelphia Marriott Continuity and Change Philadelphia Marriott in Italian Art Ct-WRS: Debra Drexler, [i!;l Ct-WR: Lynette M. F. Bosch, Room 2018 University of Hawaii, Monoa; Historians of British Art State University of New York, Geneseo Pennsylvania Convention Center Dewey F. Mosby, Picker Art Galle!)' Business Meeting Haven House: Shelter Against Salon 0, Level 5 Ct-WR: Creighton Gilbert, Irina D. Costache, Violence Muriel Magenta, Philadelphia Marriott Yale Unh·ersity California State University School of Art, Arizona State University Paintings for Nunneries in Late Ellen Konowitz, Art and the Stn1ggleAgainst 1!§ r29 Medieval Italy: 11w Case ofSanta State University of New York, New Paltz Child Poverty in Crossroads, Historians of 18th·Century Chiara in San Gimignano South Africa Kim A. Miller, Gary Keown, Art and Architecture Victol' M. Scluuidt, Transylvania University Southeastern Louisiana University Open Session UniversityofGroningen, Netherlands Room 2048 Detennining Exploitation and Abuse: Michael Am·bach, Reconstructing Qua ttrocen to Pennsylvania Convention Center Eroticism and the Sexualized Child Vanderbilt University St. Peters: 11te Borgia Popes' in the 18th Century Jennifer Milam, Ct-WR: Carole Paul, Fa mil)' Mausoleum in Santa D. Fairchild Ruggles, University of Sydney University of California, Santa Barbara Maria della Febbre Cornell University Christine Esche-Ramshorn, Official Process and Statutes and Stature: 111eAccademia Atma Callnori Holcombe, Independent Scholar Werking Experience Child di San Luca from 1675 to lt<5 Kansas State University Abuse Squad Representative, And!·ia Derstine, Institute of Masters ofTheirShops: Tintoretto Philadelphia Police Department Fine Arts, New York Unh·ersity and Veronese Diana Gisolfi, ~ F28 Pratt Institute o!SCUSSANT: Liana De Girolami 11w Life and Afterlife ofAntoine CAA Publications Cheney, University of Watteau 's Drawing Album Strikes, Hospices, and Rice Paddies: Committee Advice to Massachusetts, Lowell Alicia Weisberg-Rohe11s, The Progressive Paintings and Authors in the Arts Courtauld Institute of Art; Socialist Engagement ofthe Italian Room 201A Victoria Albert Museum Di1Tisionists in the 189os ~ l'iiiJ F26 Pennsylvania Convention Center Vivien Greene, Solomon CAA Museum Committee The Collector's Cut: Mounting TI1is session will be of use to R. Guggenheim Musuem; World War II Art Restitution Drawings in the 18th -Century' authors seeking publication of The Graduate Center. CUNY Claims in Museums: Kristel Smentek, University of a scholarly article or book, text­ Issues and Practices Delaware; Metropolitan Museum of Art book, monograph, dissertation, Independence Salon Ill, Level 3 or general trade art book, as well ':An Elegant Little Entertainment": Philadelphia Marriott as those interested in pursuing a Charles JVilson Peale's Mo1•ing CHAlRS: AndreaS. Norris, Spencer career in art writing. Questions Pict1.1res Dana Pilson, Graduate Museum of Art, University of Kansas; from the audience are welcomed. Center, City Unh·ersityof New York; TeriJ. Edelstein, Teri}. Edelstein Metropolitan Museum of Art Ct-WR: Eve Sinaiko, Director Associates of Publications, CAA 40 CAA 901h Annual Conference in Philadelphia

PROGRAM Golden Emblems ofMatemal SESSIONS Bene~·olence: Breast Imagery Japan Art History Forum in Asante Regalia and Business Meeting Friday Afternoon Funerary Rites Suzanne Gott, Liberty Salon C, leve13 2:00- 4:30 p.m. Kansas City Art Institute Philadelphia Marriott Symbolic Women ofBpantium: ~ F34 Images of Empresses of tile 9th-10th ~ F32 Association for Textual Centuries Kriszta Kotsis, National Coalition Scholarship In Art History University of Washington, Seattle Against Censorship Artist and Word in the Solace, Memory, Dissent: Sacagawea and Son: 11te Visual Renaissance Art After September 11th Constmction of an American liberty Salon A & 8, Level 3 Salon H, level 5 Madonna Patricia Vettel-Becker, Philadelphia Marriott Philadelphia Marriott Montana State University, Billings

CHAIR: Jane Andrews Aiken, CHAm: SYetlana 1Hntcheva, Architecture of the Feminine: Virginia Pol)1echnic Institute Arts Advocacy Project, NCAC U:n1ial, Yucatan Amelia Trevelyan, Ghiberti's Commentarii G€ttysburg College Disn1ptive Consciousness Sarah Blake McHam, Carolee Schneemann, Artist Rutgers University ~ riiJI F3G 71teArt ofAftenvards: Text, Image. and the Machine: American Institute for Artists' Responses to VIolence Francesco di Giorgio and Conservation of Historic Clifford Chanin, Tile L-egacy Project Leonardo da VInci in the 1490s and Artistic Works OurGriefisNot a Crxfor Wan>s. Pamela 0. Long, The Physical Study Enduring Freedom Dread Scott, Independent Scholar of Objects: Art History Artist in Context ''Le cose de/l'arte": Room 202 A-8 9"' A Wake Up Call for Artists Vasari's Language ofPainting Pennsylvania Convention Center Nina Felshin, Wesleyan University Alice B. Knmer,

Independent Scholar CHAIR: Jim Coddington, Document New York, 9· 11.01 Museum of Modem Art, New York Sally Herships, Artist; Cellini, Daedalas, and the laura Dotterer, Artist Crafting of Renaissance Genius I will make (a) Lamentation: Victoria C. Gardner Coates, A joint Investigation of an University of Pennsylvania Early Netherlandish Triptych ~F33 Et·in L. Webster, Art Gallery Queer Caucus for Art fan Bmeghel~A Court Artist ~ Open Session of Ontario; Maria Sullh·an, Discrimination in in the Republic of Letters Art Gallel)' of Ontario Academia: Challenging the lucy Charlotte Cutler, (! Ofi·Site Session Myth of the Liberal Arts Courtat1ld Institute of Art Rediscm•eringan American Icon: Salon C, level 5 Houdon's Washington [iJ Practlcum Philadelphia Marriott F35 Tracy L. Kamerer, Library The Symbolic Woman: of Virginia; Scott W. Nolley, riill Museum Session CHAIR: R. Darden Bradshaw, A Cross·Cultural Colonial \Villiamsburg University of Arizona Exploration of Gender ~ Affi!lated Society Session Presenting a DisappearingOeu~·re: Ray Alme Lockard, Symbolism: Part1 Curators and Conservators Queer Caucus for Art; Art Libral)' Room 2018 ~ CAA Committee Session Collaborate on an Eva Hesse Society of North America Pennsylvania Convention Center Retrospective Robin L. Clark, 13 E·Sesslon Jim Sanders, cHAIR: Jean M. Borgatti, San Francisco Museum of Modern Art; Community Ali School, Clark University TI1e Graduate Center, CU!\TY Winston-Salem Women and Men: Masking D!SCUSSANT: Charles Rhyne, Ed Check, TraditionsAmongtiie Reed College Texas Tech University Kwakwaka 'wakw Joanne Carrubba, R. Darden Bradshaw, Uni\•ersity of New Mexico, Albuquerque University of Arizona February 20~23, 2002 41

F37 F39 DISCUSSANT: Joan Marter, F13 Prophecy, Time, and Space Toward a History Rutgers Unh'ersity Native North American in the Etruscan Universe of Marxist Art History Artistic Routes: Borders, Salon C, level 5 SalonE & F, Level 5 Boundaries, and (;J F41 Philadelphia Marriott Philadelphia Marriott Geographies of Identity Ethics in the Art World Room 2048 CHAJRS: Richard De Puma, CHAlRS: Andrc·w Hemingway, Room 201C Pennsylvania Convention Center University of Iowa; Helen Nagy, University College, London; Pennsylvania Convention Center University of Puget Sound Alan \Vallach, College CHAIR: Zena Pearlstone, CHAIR: Gail Levin, of William and Mary California State University, Fullerton 71te DistafiVoice: Women and Citr University of New York ProplleCJ'in Etruscan Art and Culture William Morris: Decoration and Native Identity at Home and 1J1e Ethical and the Aesthetic: EYelyn Bell, San Jose State University Materialism Caroline Arscott, Abroad: The Early Development Aestheticized Anthropology in Courtauld Institute of Art ofModem Nali~·eAmericanArt 11w Prophesying Head of Orpheus Katarzpw KozJTa 's "Bath houses" in t1Je Post lflorld-lVorld-II Period Richard D. De Puma, Mar.tism and Scepticism in Katerina Reed-Tsocha, Susan Croteau, University of University of Iowa the Work ofAntlwny Blunt Centre for Visual Studies, O.... -ford California, los Angeles Anthony Colantuono, "11te Faces of the Gods": Etruscan TI1e PM Principle-Power, University of Maryland, College Park Pusltetonequa: Passing on a Images and 11wnder- Divination People, and Money-So, lflhat's Creative Tradition Tish Kealma, Jean Macintosh Turfa, Am old Hauser, Adomo, Lukacs, and the Price? Elaine A. King, Hamline University Bryn Mmn College the Ideal Spectator John Roberts, Carnegie Mellon University University ofWolverhampton NomadicSubjecti~·ities: 17te Power DISCUSSANT: Helen Nagy, MarinaAbramovic's 1Ut)1hm 0: of Place in Contemporary Native University of Puget Sound Marxism and Modemism: Peifomwnce, Audience, Etl1ics American Art Ka.te Morris, Clark, Painting, and Politics Frazer Ward, Maryland Institute California College of Arts and Crafts F38 Paul Mattick, Adelphi University Callingfora Code of Ethics Oriental Erotics Displacement and Emplacement in The Tum From Marx to lVarbwgin in the Indian Art Market Independence Salon I & II, level 3 Postwar Native American Painting: West Gennan Art Histm,-. '970--89 ElizalJcthA. Saclder, Philadelphia Marriott PatricJ.· Des]arlait and George 0. K. Werckmeister, American Indian Ritual Object Morrison Bill Anthes, cHAlR: Joau Del Plato, Northwestern University Repatriation Foundation University of Memphis Simon's Rork College of Bard The Tension Between Law and Ethics Hopi Katsina Canrings in Time Race, Turquerie, and the Exotic (;J ~ l'iiJ F40 in the Restitution of World War Il-era and Place Zena Pearlstone, Orient Adrienne L. Clillds, CAA Museum Committee LQoted Art Sharon Flescher, California State University, Fullerton University of Maryland, College Park Preparing Art Historians International Foundation for Art for Museum Work Research (IFAR) 71Je Modem Harem Painting: Room 204A [3 F44 Monet, Renoir, Bazille, and the Writing The Lost Museum Pennsylvania Convention Center Medium or Media? LegacyofDelacroix Joan DelPlato, and Dealing With Its Afterlife A Discursive Divide Simon's Rork College of Bard CHAlR: Erica Hirshler, Hector Feliciano Salon G, level 5 Museum of Fine Arts, Boston Visual Pleasure and Prostitution: Philadelphia Marriott 19th-Century European Art History in tlte Museum: (;J F42 CHAJR: Susan E. Ryan, Photographs of japanese 11te Curator, the Object, and Classroom Climate: Are We Louisiana State University Women Eleanor M. Hight, the Audience Doreen Bolger, listening to Our Students? University of New Hampshire, Durham Baltimore Museum of Art Independence Salon II!, level 3 Benjamin's Curse Eric Garhcrson, Philadelphia Marriott Virginia Commonwealth University Women Artists in the Harem: Scholarship and Popularity: TI1e Eastern Female Figure as a Site Challenges in Museum Missions CHAIR: Ne\in Mercede, Video: Medium and Image for Feminine Erotica Usa Lodeski, in Education Allaigeal Dnda, Antioch College Yyonne Spiehnann, Independent Curator and Scholar Boston University Braunschweig School of Art Student-Centered Teaching: Matisse, the Maghreb, and 11te Museum and tlleAcademp A View from tile Refoml Artifacting HistOI')·: New Media the Model Ellen M. McBreen, 11w Curatorial BalancingAct Movement in Mathematics Criticism and Contemporary Institute of Fine Arts, New York Glenn Wilhunsou, Education Karl Volkmar, Historiographical Discourse Unh'ersity University of Florida University of Louisiana,lafayette Pah·ick Uchty, RTMark

Con~·erting Sc1wlars1lip i11to Plain Nevin Mercede, Language: 11te Challenges of Antioch College Con~·eJingComplex Infomwtion DISCUSSANT: April Kntz to a General Museum Audience Kelly Hollwrt, Walters Art Museum 42 CAA 90th Annual Conference In Philadelphia

The Aesthetics of Distracting Death, Philosoph)'. and Civic Duty Friday Afternoon Media Mark Poster, in Lanfranco 's Sacchetti Chapel 4:45 - 5:45 p.m. University of California. Ir.ine Frescoes at S. Giovanni dei Fiorentini, Rome Lilian Zirpolo, Meet the Candidates Broadbandingtlie Mind: Rutgers University Salon G, Level 5 The Lion in the Path Douglas Da,is, Philadelphia Marriott Artist/Author, New York Fro Marcello Saccl1etti: A Forgotten Patron ofRoman Become an engaged and Baroque Sculpture for the Knights educated voter! Learn the F45 ofMalta Keith Sciberras, backgrounds and positions of The Gothic Cathedral Uni\'ersity of Malta the candidates for CAA's Board Transfigured of Directors. All CAA members Uberty Salon C, Level 3 Barberini Family Planning at the are strongly urged to attend Philadelphia Marriott Church of the Conception in Rome this important informational louise Rice, Duke University CHAIR: Mary B. Shepard, meeting. Independent Sc-holar, Wichita, Kansas 11te Poetics ofSah>ator Rosa's Landscapes Helen langdon, "Improvements" at Salisbury·. Independent Scholar, london 1789~~ Marion Roberts, University of Virginia; Catherine Walden, Purple Reign: Stuart Festivals University ofVirginia in 18th-Century· Rome Jolm E. Moore, Smith College 11Je Gothic Cathedral Transfonned in French Photography. 18so-6o F4'l William W. Clark, Queens College, Composite Visual City University of New York Narratives: Albums "All of Our France is in Our and Scrapbooks Cathedrals": 11te Reception Salon I & J, Level 5 ofGothicArchitecwre in Fin-de­ Philadelphia Marriott Siecle France Elizahctll Eme:ry, CHAlR: Catherine Whalen, Montclair State University Yale Unh'ersity The Transfiguration of a Historical An Early and Fmitful Collaboration: Topos: Kurt Schwitters and the Idea Paper Portrait Photograph)' and of the Cathedral Curt Germundson, the Popular Autograph Album Minnesota State University, Mankato Daniel P. Younger, Open Session A Neo-Gothic Manifesto in Bryn Olin Art Gallery, Kenyon College Athp1, PA: Arthur Kingsley Porter, Victorian Cut-Ups: Female Creators Off· Site Session Abbot Suger, and the "New of the Hand-Worked Family Album ]emsalem" of Raymond Pitcairn laurie Dahlberg, Bard College Practicum Holly Flora, Institute of Fine Arts, New York University Reconsidering Sallie So a thall

Museum Session Cotten's Scrapbook of the White City Jessica Dallow, oo;) F16 Affiliated Society Session Appalachian State University Art History Open Session italian Baroque Art Poisoned Puncta: Propaganda Albums CAA Committee Session Room 20lA from Ravensbmeck and Dachau Pennsylvania Convention Center Renate 'Vickens-Feldman, York University CHAlR: David Stone, University of Delaware SpeakingtheAibum:An Application of the Oral-Photographic Framework Ma:r1ha Langford, McCord Museum of Canadian History Friday evening 43

PROGRAM TI1e Looking Glass, from the Other The Subject of Renaissance Mastery Moving Bodies: The Erotics and SESSIONS Side: Reflections on jenny Saville's Michael Cole, University of North Obscenity of the Bodxin Motion Propped Isabelle L. Wallace, Carolina, Chapel Hill Lynda Nead, Birheek College, Friday Evening University of New Orleans University of London 6:00- 8:30 p.m. F52 Fugiti~·e Gestures: Figuring "The Girl Behind the Counter": The Architecture of Subjectil•ityin Helene Cixous and Selling Space in Moi'ing Pictures F18 Tourism/The Tourism Annette Messager Beth Lauritis, louisa Iarocci, Boston University Reproducing Mexico: of Architecture University of California, Los Angeles Visual Culture, Gender1 and Salon I & J, Level 5 De Cl!irico, Feuillade, and the Political Society I rom I he oJscussANT: Claire Daigle, Philadelphia Marriott Deceptions of the Modem City Colonial to Modern Period School of Visual Arts, New York Roger Rothman, Agnes Scott College CHAJRS: D. Medina Lasansky, Salon H, Level 5 Comell University; Brian L. Mclaren, Philadelphia Marriott (:J F50 University of Washington r:.§ F54 CHAIR: Mary K. Coffey, Perceptual Drawing in Association of Historians Authenticating Dungeons, New York University Today 1S Higher Education of 19th-Century Art Whitewashing Castles Room 201C The Ethics and Politics Debauchery and Dei'Otion: Cheryl Finley, Wellesley College Pennsylvania Convention Center of landscape Art Contrasting Images ofAlcohol EarlyTrm•elers in the in the 19th Century and Drunkenness in New Spain CHA!R: Laurie Fendrich, Peloponnese and the Im•ention Room 202A-B James M. COrdoYa, Hofstra Uniyersity ofMedieval Architectural History· Pennsylvania Convention Center Tulane University Undrawn Art? Paul H. F:ry, Kostis Kourclis, CHAIR: Brian Lukacher, Peifonning Gender: From New Yale University University of Pennsylvania Vassar College World Amazon to Re~>olutionary Visualizing tile World Simulating France, Seducing Femme Fatale Laura Addison, C. D. Friedrich and the Factory Richard Hertz, the World: The Regional Center Museum of Fine Arts, Santa Fe as Spectacle in Gemtan Romantic Art Center College of Design at the 1937 Paris Exposition UmdscapeArt Margaret Doyle, Women Artists and the Mexican Deborah D. Hurtt, Preservingtlw "Post-Medieval Smithsonian Institution Avant-Gardes oft he 1920s University of Virginia Mind set" Brian Curtis, Tatiana Flores, Columbia University Refonning "Paysage historique": University of Miami From Photographic Fragments Corot and the G-eneration of J83o 11w India Bonita Contest and the toArchitectHrallllusions: Perceptual Drawing? Michael Rees, Susan D. Greenberg, Re-Constitution of Posfrei'Olutionmy 11w "Poble Espanxol" at the Artist, Universal Concepts, New York Yale University Mexican Femininity: Desire, 1929 Intemational Exposition Fecundity, Tradition, and in Barcelona Jordana Mendelson, Commerce and PoetT)': Turner and Domesticit)' Adriana ZaYala, ~ F51 University of Illinois, Urbana­ the Value of Landscape Sam Smiles, Tufts University Renaissance Society Champaign University of Plymouth of America oJscussANT: Stacie G. 'Viddifield, Land ofLmre: Honeymoon Resorts 11w Con court Brothers and the The Renaissance University of Arizona, Tucson in North America Barbara Pemter, Battle Between Paint and Nature Remastered University College, London in Landscape Painting ofthe 185os Salon E & F, Level 5 F19 Pamela]. Warner, Philadelphia Marriott Ecriture Feminine 20 Years F53 University of Delaware later: H61€me Cixous and CHAm:]oseph Leo Koerner, Art and Early Cinema Tradition and Modernity in Contemporary Feminist Art University College, London Salon G, Level 5 the Late Landscapes offohn Room 201A Philadelphia Marriott TI1e Case ofHendrich· Goltzius: E~·erett Millais Jason Rosenfeld, Pennsylvania Convention Center Outwitting Master.r CHAJRS: Michael Leja, University Assumption College CHAIR: Cristina de Gennaro, James]. Bloom, Duke University of Delaware; Margaret ~'c11h, College of New Rochelle Unh,ersity of Delaware Baglione's Vituperath•e Painting: ~ F55 Vi·sualizinga Feminine Body Mastering Caravaggio 'sAmor ''TI1e M01•ing Picture is the Studio Art Open Session Language: Helene Cixous's Ecriture Vincit Omnia Todd Olson, Thing ofthe Future": Hubert von Is Glass the New Bronze? and the Art ofNancy- Spero University of Southern California Herkomer, British Film Pioneer Room 204C ?-.larilynn Lincoln Board, lee MacCormick Edwards, Pennsylvania Convention Center Invidia, Maniera, Mastery State University of New York, Geneseo Sarah lawrence College Uebecca Zorach, CHAJR: John Perreault, UrbanGiass Always Becoming: University of Chicago "Le Voyage dans Ia Lune" and 1J1e Gilded Ghetto: 11w Elitist and Kiki Smith's Models of the the Magical Defonnation of Surprising Process Graham Larkin, Exclusionary Ghettoization of the Female Nude Debra Singer, Visual Culture Robin Kelsey, Han'ard University Studio Glass Mo11ement James Yood, Whitney Museum of American Art Har>'ard University Northwestern University 44 CAA 901h Annual Conference In Philadelphia

11te Gate ofllea~·en: Broken F5'1 17w Missiri of Frejus as Glass Garden ofKoepenick Biography, the Wrillen Moralizil1g Monument: Richanl Posner, Word, and Pacific Artists: A Glimpse into French Military and University of Illinois, Champaign Multivalent Views of Architectural History (19~8-6.1) History and the Individual Christiane jacqueline Gruber, If!Jten Transparency Becomes Room 2048 University of Pennsylvania Manifest Alstair R. Noble, Pennsylvania Convention Center Cornell University Look to the Art oftheAncestors:

CHAIRS: HiJaty L. Scothoru, Florida 11le Influence ofAfrican Sculpture Robert Willson: American in Venice State Unh·ersity; Karen Steyenson, on New NegroArtists in Paris Matthew Kangas, GlASS Quarterly University of Canterbury Titeresa Leininger-Miller, Alwin' On In: Strategic Placements University of Cincinnati King Kalakaua 's 'Iolani Palace, ofAmelican Studio Glass in Public Indigenous Art Patronage Modernism and African Art Collections Martha Drexler Lynn, in Hawaii Stacy Kamchiro, at the Museum of Primitive Art Independent Scholar. Decorative Arts University of Redlands Kate Ezra, Columbia College, Chicago

F56 Collecting at tlte Crossroads: F59 Art Without Frontiers: Mary-and Benjamin Wallis in Fiji, Free Radicals in the International Artists' J84f-S3 Christina Hellmich, Classroom: Maverick Groups in Postwar Europe Peabody Essex Museum Artists/Visionary Educators Room 2018 Biograpliyin tile Life and Art of Liberty Salon C, Leve! 3 Pennsylvania Convention Center jean Charlot: An Analysis ofhis Philadelphia Marriott

CHAlR: Stephen Petersen, Fijian Frescoes Caroline K. Klarr, CHAlR: Linda v;reintrauh, Independent Scholar, Newark, Delaware Florida State University Oberlin College Multimedia in Many Languages: Not Wi!liout a Cost Re-Self3oso: Actualizing the FromArte Nucleare to Zero Jackie Lewis-Harris, Inevitable Evenhwl Marcia LJons, Stephen Petenen. University of Missouri, St. Louis Cornell University Independent Scholar bmomti~·e Tradition: De-Signing Mark C. Taylor, Networked Art and Intemational A Samoan Case StlidJTeri Sowell, Williams College Clianneli11g: Lettrist Poems San Diego State University Craig J. Sa per, Time and Distance Learning: University of the Arts, Philadelphia F58 Video Letters in the Classroom Modernisms, Modernities, linda Montano, Artist The Boite Postale: Team 10 and the Reception of and Collectivity Noah Chasin, De-Sensitizing the Teacher/ ~ Open Session African Art CUNY Graduate Center De-Indil>idualizing the Liberty Salon A & 8, Level 3 Work ofArt Donald Kunze, (! Off· SHe Session Collaboration,Activation, a11d Philadelphia Marriott Pennsylvania State University Anonymity: 17te Intemational. Group CHAlR: Helen M. Shannon, ~ Practfcum Mo~·ement Nouvelle Tendance­ GenerositxlVas My First Mistake New Jersey State Museum recl!erche continuelle (1963-65) Daniel J. Martinez, lii!il Museum Session Valerie L. Hillings, Institute Antique Modemity: Classic Uniyersityof California, Inine of Fine Arts, New York University Impressions ofYombaArts ~ Allflfaled Society Sesslon Kiistine Juncker, Columbia University

~ CAA Committee Session Constructing "Life": Primiti~•ist Jllsual Culture in National [;! E·Session Socialist Discmlrse Prita Meier, Har.·ard University Saturday morning 45

SATURDAY FEBRUARY 23 PROGRAM SESSIONS

ART'S PLACE Saturday Afternoon Saturday Morning Saturday Morning Salon A & B, Level 5 12:15-2:15 p.m. 7:30 - 9:00 a.m. 9:30- noon Philadelphia Marriott CAAAnnual Sa4 FRESH START: Perk up your senses ~ Sa2 Business Meeting Printmaking and with complimentary coffee, tea, CAA Services to Independence Salon Ill, Level 3 Photography in Colonial or juice. A detailed schedule of Artists Committee Philadelphia Marriott and Postcolonial Contexts the day's events will be made Personal and Salon C, Level 5 available. Environmental Health See your CAA Board of Directors Philadelphia Marriott and Safety for Studio in action. You are cordially 9:30 a.m. - noon Artists and Institutions invited to attend this important CHAIRS: Jasmine Aliuder, California meeting to hear the latest reports State University, Los Angeles; CHAIR: Duane Slick, Sa! on what's happening at CAA. Kelly Donahue-Wallace, Rhode Island School of Design From Paints to Paper and University of North Texas Electronic Media: Advice Alan Cantara, Environmental Photogrophrond the Shaping of U.S. and Consultation on Health and Safety Officer, Women's Caucus for Art Immigration Policy, 188o-193o Artists1 Materials Rhode Island School of Design Business Meeting Anna Pegler-Gordon.

LED sv: Joyce Hill Stoner, Tom Ouimet, Industrial Salon D, Level 5 University of Michigan Winterthur, University of Delaware Hygienist, Yale University Philadelphia Marriott "Printabout" in Aboriginal Australia Program on Art Conser...ation Catherine King, Environmental Laurel Bradley, Carleton College Speakers are: Protection Specialist and lias on for japanese Colonial Policy and the EPA College and University On electronic media, photographs, "1he Retum to the Soil" in Korea: Initiative in Region Three, photographic materials: 19~os and '93os Yeon Shim Clnmg, Environmental Protection Agency Debra Hess Norris, Winterthur, Institute ofFineArts, New York UniYersity of Delaware Program Don Messec, Artist, Director Unh·ersity on Art Conservation College of Santa Fe (Non~ Toxic) Transat/antica: Chromolithographs Printmaking Center, College Andrew RoiJb and Sarah as Cntx in Haiti's Sen ]ak of Santa Fe, New Mexico Staudennan, conservators, Dana Rush, University of Michigan The Library of Congress 2:30- 5:00p.m. Representing Idigenismo: On paper, pastels, graphic Pictorialism and Power in materials: Margaret Holben Ellis, Cuzco School Photography lil Sa3 ~TYU Consen·ation Center Catherine Zuromskis, How to Keep Your Art University of Rochester On painting materials: Out of Garage Sales Mark Bockrath, consen·ator at After You've Gone Winterthur Museum, formerly of the (il Sa5 CHAIRS: Ma~r Dritschel, Artist; Pennsylvania Academy of Fine Arts The Active Tense: Research Virginia Maks;pnowicz, with Undergraduate Additional infomwtion on Franklin and Marshall College Art Majors archi~·ally sound paper and Tonya Evans, Esq., Liberty Salon C, Level 3 storage materials: Ahhy Shaw, Pepper Hamilton LLP, Philadelphia Marriott Consen'ation Resources International Volunteer La\\)'ers for the Arts CHAIRS: K. B. Basseches, Shepherd Magda Salvesen, College; Susan M. Hendricks. Independent Scholar University of Maryland

Cla)10n Kirking, From the Ends to the Means: Director, Estate Project Outcomes~ based Assessment for Artists with AIDS and the Art Histor)'Senior Thesis Sara E. Orel. Truman State University Anne Kaplan, Chairperson, Senior Artist Initiative 46 CAA 90th Annual Conference In Philadelphia

Student Artists as Library Sa'? 5,19 Guides: Introducing Peers Kerala's Role: Art and Medicine to the Librarxto Support 111eir linl

Undergraduate Studio Art Practice CHAlR: Cru·ol Radcliffe Bolon, CHAlR: Shelley Cordulack. as Research E1ika Lcppmrum. Smithsonian Associates Millikin University Ohio University 7he Monsoon Mosque: Eye 011 the Brain: Connecting Teaching the Importance of Architecture ofKerala and Eg]ptian and Medieval Spatial Content Within the Art Making South~ East Asia Hemy Brownrigg, Representation to Brain Process GretchenJo Beck Independent Scholar Scan Researc/1 Irene Schifcrl, Concordia University Unh·ersity of Southern Maine A Comparison oftheArchitecwral TI1e Ma}dngof an Exhibition TextsafKerala and Cl1ina Imaging the Partial Body Fonnerly Known as "Prints" Murray Uhersat, Architect Janinc Mileaf, Swarthmore College EYely:u Staudinger Lane, Kerala and java Cecilia Levin, Medical .Models and Visual Wheaton College Museum of Fine Arts, Boston Persuasion Joyce Cutler Shaw, University of California, San Diego SaG DISCUSSANT: ~Iary Beth Heston, Resistance, Response, and College of Charleston Political and Methodological Empowerment in Art: Part 2 Uses of the Contagion Room 204A Sa8 MetapJwr Isabelle Moffat, Pennsylvania Convention Center The Symbolic Woman: Massachusetts Institute ofTechnologr A Cross Cultural CHAIR: Suzanne Preston Blier, Exploration of Gender 8n10 Harvard Uni\·ersity Symbolism: Part 2 Travels in the Interior: Reexamining the Diaspora: Room 2048 Tracing Geological Science 1he Strategy of Oscillation Pennsylvania Convention Center in Visual Culture Joan Kee, New York UniYersity Room 202 A-8 CHAIR: Jean M. Borgatti, Pennsylvania Convention Center Nuances of Resistance and Clark University Accommodation: Painted Responses CHAJRS: Julie Hansen, Duke TI1e Canonical Woman in to the TupacAmam Rebellion of University; Masm1li hiye, University Renaissance Culture: Raphael's 178o-81 Maya Stanfield-Mazzi, of Illinois, Urbana-Champaign Madonnas Kim E. Butler, University of California, Los Angeles Johns Hopkins University 111e Great Stone Booh- ofNature ~·s. Open Session Transgressing Boundaries, Real TI1e Pre~Adamite Earth vs. 17w From Madonna to War Wark: and Imagined: Liminal Space and Religion ofGeologJ· Jane Davidson, Off·Sito Session Knitting in Art FI'Oilia Wissmru1, the Marabout Shrines ofFiginiz, University of Nevada, Reno Independent Scholar, :Morocco Michelle Rein, Pract!cum Bennington, Vermont Pope and Smithson: Unh·ersity of Pennsylvania Earthworks and the Mirror Picturing a Rebellion in the Museum Session Lama Simpson: The Portrait ofNature Mru·k Cheetham, Guise of a Woman Kerry' Morgan. ofRefusal Bridget Cooks, University of Toronto Krannert Art Museum, University of Afflllatec! Society Session Santa Clara University Illinois, Urbana-Champaign Nature's "Architecture" and the Industrialization CAA Committee Session Zulu Bead work's Kq Motif of the West Martin Berger, A Hidden Feminine Transcript State University of New York, Buffalo E·Session Robert A. Pa}lini. KwaMuhle Museum, Durban Penetrating the Volcanic Crater Susan Sh·ard, Columbia University Subversion of Traditional Gender S)7nbolism ofBody and World in Hea~•en 's Other: 11wmas Mormt and the Worh· of11!ree Contemporary the Devil's Landscape ofYellowstone Indonesian Painters Ash·i Wright, Roger Bahn, Rutgers University Unh·ersityofVictoria, British Columbia Saturday morning 47

Writing on Drum Mountain: rnsa11 [;! Sa 18 r;y;;J~,_[JO S 1 r Calligraphy and Landscape Pm Not an The Relevance of Arts Council of the African in Song DJnasty Fuzhou Art Historian BuL. Corporeality in the Studies Association Robert E. Harrist,Jr., Salon G, Level 5 Domain of Electronic African Crossroads Columbia University Philadelphia Marriott Art and New Media Salon I & J, Level 5 Room 201C Philadelphia Marriott Site and Fomt: Reading the White CHAIR: Marilyn Aronherg Lavin, Pennsylvania Convention Center Dagoba at Beihai Marilyn Gridley. Independent Scholar, Princeton CHAIR: Labelle Pntssin, University of Kansas CHAIR: Barbara L. ~Hller, National Museum ofMricanArt Doris M. Srinivasan, Western Washington University University of Memphis Objects, Ideas, and People on tile liii'J So>l7 Eyebiting: Contamination Strategies Move: Rethinking the Presentation Nicola Courtright, Whatls New: Inventing for the Excretory· Eye Carol Pmsa, ofAfrican Arts in Museums Amherst College Museums of Modern and Florida Atlantic University Maty Jo Arnoldi, Contemporary Art Gary Schwartz, Independent Smithsonian Institution, National Altered Flesh, Otherness, Digital Salon E & F, Level 5 Scholar, Amsterdam, Holland Museum of Natural History Constructs Catherine Bernard, Philadelphia Marriott Horst Bredekamp, State University at Old Westbury Slas•ery·and theAns of Resistance CHAIR: Jeffrey "'W'eiss, Humboldt Unh-ersitat and Accommodation: The Influence ''Being Digital Date Trash" or National Gallery of Art, Washington oft he Trans-Saharan Trade on Robert Rosenblum. "Desperately Seeking V- Elvis" Visual Culrure Cynthia Becker, Bridge and Tunnel MaMA: The New York Unh·erity Gregory P. Ganey, Yale University Uni\·ersity of St. Thomas Modem in Transition Robert Storr, Digital Media Center for the Arts Leonard Barkan, Museum of Modern Art, New York Gold and Silver at the Crossroads in Princeton Univerity Transcultural Reflections Highland Ethiopia Ray Sih·erman, SF MOMA 's Points of Departure: Patricia Villalobos EcheYerria, Michigan State University A Case Study in Contemporary Indiana University of Pennsylvania l.!.§ Sn 12 Art Presented 11wmaticallyand Nomadic Jewelry Fomts: The Historians of The Politics ofTransgenetics with Interactis•e Technologies Tuareg Example Tina Loughran, Netherlandish Art Garth Amundson, Western JohnS. Weber, San Francisco Independent Scholar Vision and Desire Washington University; Pierre Gour. Museum of Modern Art; in Northern Europe1 \Vestem Washington University TI1e OdJ"SSCJ'of a Wooden [{Jck: Rachel Teagle, San Francisco 1400-1800 Axum to Surinam Lahelle Pmssin, Museum of Modern Art Room 204C Sa14 National Museum of Mrican Art Skeptics, Art Lovers, and the Art Pennsylvania Convention Center Reassessing the legacy Museum DaYid Carrier, of Meyer Schapiro CHAIRS: Susan Merriam, Harvard oo;J 8<>16 Carnegie Mellon University liberty Salon A & B, level 3 University; Karen Encarnacion, Art History Open Session Philadelphia Marriott No Fun in the Funlwuse: How Harvard University Chinese Art: Part 1 Museums are Reshaping our CHAIRS: Elizabeth Carson Pastan, Room 2018 L

OFF·SITE Writing and theArtist's Book SPECIAl SESSIONS SESSIONS Susan Vigners, AND MEETINGS The University of the Arts Saturday Afternoon (! Sa18 earlsaylwritelseelvisllitlme 12:30- 2:00p.m. On Collaboration Vlarrcn Lehrer, Fabric Workshop and Museum, Stale University of New York, Purchase 1315 Cher~y Street, 5th floor ri.'§ ~ Sa21 The NewSltape of Content Association of Latin CHAIR: Diane A. Mullin, Kathy Walkup, Mills College American Art Minneapolis College of Art and Design SteYe Clay, Granary Books, Inc. Salon I & J, Level 5 Collaboration in Contemporary· Philadelphia Marriott Reflections on Artists' Books Project Worh- Jolmnie Gratton, Karen Schiff, Clemson University CHAIR: Kellen Kcc Mclnf)Te, UniYersityCollege, Dublin UniversityofTexas, San Antonio Anatomical Dil•ersions: Man Ray. (! ~ l'iiilsa20 Housing the Dead: Funerary' L£e Miller, and the Surrealist Art History Open Session Architecture ofMoche Elite Image Whitney Chadwick, A Question of Place: Jean-Francoise Millaire, San Francisco State University Philadelphia's Artistic University of East Anglia Inter-Subjectively Modem: Landscape Reading Colonial Tocapu: Cewnne!Pissarro and fohns/ Pennsylvania Academy of Fine Arts, Empty Sign or Andean Semiotic Rauschenberg Joachim Pissarro, Broad and Cherry Streets System in Matrimonio de Garcia UniYersity of Texas, Austin CHAJR: Sylvia Ymmt, de Loyola con Nusta Beatriz 111e Co/laborati~·e Camera High Museum of Art Marie Tittilierlake, Ma1jorie Weinstein, Savannah College of Art and Design A National Voice: Tiw "Philadelphia University of Minnesota Photographer, .. ,864-1914 Two Narrati~·es in Siquieros 's Mural The Language of Collaboration in Kate Nearpass Ogden, The Richard for the Mexican Electricians' Peifomwnce Jane Chin DaYidson, Stockton College of New Jersey Syndicate Jennifer Jolly, Independent Scholar Northwestern University World War II and Modem Russia at the Philadelphia Museum ofArt: (! ~Sa19 The Onistian Brinton Collection, ~ [;;1(3 Sa22 Studio Art: Open Session '94'-45 Andrew Walker, CAA Education Committee Artists As Writers/ Art Institute of Chicago Segregation or Integration? Writers As Artists Paradigms for Teaching From E:rhibition House to Slwji1so: Open Session University of the Arts Digital and Other Reconstmcting Meaning and Memorx 211 S. Broad Street New Technologies in Philadelphia's Faimwunt Park Off·Site Session Room 201C CHAIR: Patricia M. Smith, Matthe·w Postal, Independent Scholar Pennsylvania Convention Center The UniYersity of the Arts Pracllcum Reim,enting Modernism in a Local CHAJR: Steyen Bleicher, Idiom: The Painting of Warren Rohrer Art Institute of Fort Lauderdale Museum Session Susan Rosenberg, Philadelphia Museum of Art PetrOnio A. Bendito, A!Hllated Society Session Purdue University

Sue Gollifer, CAA Committee Session University of Brighton, London Institute E·Session Rich

Dennis Ichhiyama, Purdue University Saturday afternoon 49

PROGRAM Breasts in Visual ~ liJ Sa23 r:.I;J Sa25 SESSIONS Culture: Part 2 CAA Vice President Women's Caucus for Art Salon G, Level 5 for Committees Past, Present, and Saturday Afternoon Philadelphia Marriott How to Join a Future: Collaboration 2:30 - 5:00 p.m. CAA Commiltee and Community CHAIR: Lili Cm·bus Bezner, Independence Salon I & II, Level 3 in Contemporary University of North Carolina, Charlotte Sa27 Philadelphia Marriott Women's Art More Than Just a Pretty Bitten and Suckled: 17Je VIsual Salon 0, Level 5 CHAIR: Michael Aurbach, Face: Architectural Culrure of the Breast in LateAntique Philadelphia Marriott Vanderbilt UniYersity Sculpture in Context Eppt ElizalJCth S. Bolman, CHAIR: Barbara Wolanin, WCA Room 201A Temple Unh·ersity Pennsylvania Convention Center Josephine Withers, Infomwlit)'. femininit)'. Matemity, Design Forum University of Maryland. College Park CHAIRS: Jennifer Ahlfeldt, and Eroticism: 11te Breast in Business Meeting Columbia University; 18th-Century japanese Prints Barbara Kerne, Independence Salon HI, level3 Clemente .Marconi, Saralt E. Tiwmpson, Artist Philadelphia Marriott Columbia University University of Oregon, Eugene Joan Mister, Classic Moments: Time in the Breasts Performing in Artist Parthenon Frieze Jenifer Neils, Public Spaces Audrey Colby, Foundations in Art: Margaret Paris, Case Western Reserve University School of the Art Institute of Chicago Theory and Education Artist Interpreting Classic Ma)"O Kiki Smith's Unmly Breasts: Business Meeting Annette Polan, Architectural Sculpture from Copdn, Rethinking Corporeality in VIsual Rooms 401-403, level 4 Artist Honduras Barbara Fash, Culture Mru·garct Wilkerson, Philadelphia Marriott Peabody Museum of Archaeology University of Maryland, College Park Ellouisc Schocttler, and Ethnology, Han•ard University Artist Milk and Tears: Perfomting 17wArcliitectural Matemity Sarah 'Vebb, Artist Pacific Arts Association Samh·a Wasko-Flood, Sculpture of William Rush Business Meeting Artist Jcmtifcr A. Amundson, Salon C, Level 5 [jJ;J Sa29 University of Delaware Philadelphia Marriott Studio Art Open Session OFF-SITE Acoustics, Irradiation, and Violence: The Signal SESSION 11te Function of Works ofSculpture in Room 201C r.i,!;J Sa 24 Le Corbusier's Public Projects of the Pennsylvania Convention Center Visual Culture Caucus [! r.i,!;J Sa 2 6 '93os Christotllter Pearson, Visual Culture Inside/ American Institute CHAIR: Cotutic Coleman, University of Oregon Outside Art/Art History of Conservation The University of the Arts Room 2018 Learning Through DISCUSSANT: Clemente Marconi, (Anti)Essential Video AttitaAllyn Pennsylvania Convention Center Looking: Examining Columbia University Pa!inalion Sa28 Traveling at t1te Speed of Light: CHAIR: Laurie Beth Clark Rodin Museum Peifonnance and the Body Beyond UniYersityofWisconsin, Madison Benjamin Franklin Parkway at 22nd Street the Electronic 111reslwld Nicholas Mirzocff, Susan C. Bickford CHAIR: Andrea Kirsh, SUNY Stony Brook University of Oregon Video Portraits: Reflection and Pcggr Phelan, New York Unh-ersity Reality Kathy Desmond Workshop and Discussion with Erica Rand, Bates College Andrew Uns, Senior Objects Directing Time Bomtie O'Hara Conservator, Chairman of In the Loop: Women and Video Consen'ation, Philadelphia Jacqueline Goss Museum of Art

This session is by reservation only. 50 CAA 90th Annual Conference In Philadelphia

~ s,3o ~ [;;! s,s2 8881 Copies, Variations, Replicas Studio Art Open Session National Art Education in 191h·Cen!ury Art: Part 2 Mural Arts: An Exploration Association Salon H, level 5 of the Social, Political, and Pedagogy and the Philadelphia Marriott Artistic Impact that Murals Graduate Assistant: Have on the Life of a City Preparing Studio Teachers CHAJR: Patricia Mainardi, Graduate Room 204A for the Field Center, City University of New York Pennsylvania Convention Center Liberty Salon C, level 3 Intimate Nature: Casts and Philadelphia Marriott CHAJR: Jane Golden, Composition in the Early Mural Arts Program, Philadelphia CHAJR: Carole Henry, Photograpl1ic Work of Talbot, University of Georgia Daguerre, Hubert, and Bayard David McShane, Geoffrey Batclten, Mural Arts Program, Philadelphia Carole Henry, University of Mexico Uni\'ersity of Georgia Rohin Rice, "Fabrications": Replication Mural Arts Program, Philadelphia Lar1y W. Millard, in tlteArt offames Tissot University of Georgia Tim Drescher, Nancy Rose Marshall, San Francisco State University Deborah Rockman, University ofWisconsin, Madison Kendall College of Art and Design CaYinJones, T11e Peculiar Perception ofPuvis de Mural Arts Program, Philadelphia linda Hightower, Cltmrannes's Mural Painting Rochester Institute ofTechnolog,r Reductions, or Reductio ad ... Mark Stern, Aimee Brown Price, Unh·ersity of Pennsylvania Kathleen Desmond, Independent Scholar, New York Central Missouri State University Sa31 The Five Versions oft he Toteninsel Catholic Art by Arnold Bock/in: A Compromise £3 [;;! Sn33 in Marginal Spaces Between the Demands ofrheArtist New Media and !he Art Independence Sa! on HI, Level 3 and the Market Josef Schmid, History Classroom: The Philadelphia Marriott Independent Scholar, Schorndorf, Good, !he Bad, and !he Ugly Germany CHAIR: Usa Hecr, Salon I & J, level 5 Boise State University Philadelphia Marriott Not Painting Poussin: Degas and Cezanne at the Lmwre Recreating the Catlwlic Image: CHAJR: Susan Luftschein, Richard Kendall, Independent Archaism and Presence in Parsons School of Design Scholar, Nyack Hendrick Te~brugghen 's Crucifixion Open Session Boxing the Ether: Turning Web Natasha Seaman, Boston University Ephemera into L<~stingAssets ~ Sn35 Off-Site Session "Why is Christ Bound to Incarnate?" Susan jane Williams, Studio Art Open Session A Chinese Version ofJerome Nadal's Yale University Stieglitz and His P1ac!icum Illustrated Gospel Evangelicae Interactivityin Undergraduate Descendants: The Historiae Imagines in the 17th Art History Classes: Trials and Continuing Poetic Museum Session Century· Hui-Hung Chen, Tribulations Margaret Finch, Tradition in Photography Brown University Universitr of Hartford liberty Salon A & 8, level 3 Aff!!iated Socloty Session Re/Fonningthe Indian Soul: The Philadelphia Marriott Art History and Multimedia: Uses oftlw Ornamental Grotesque in CAA Committee Session An Exercise in Collaborative CHAJR: Brirut H. Peterson, the Spiritual Conquest ofNew Spain Learning Kathleen Cohen, James A. Michener Art Museum Monica Dominguez ToTI'es, E·Sossion San Jose State University University of Toronto Ste}lhenAlthouse, From Website to On-Site: Notes on Barry University Considering the Capital: A Catholic New Media in the Art HistorySwvey Church in Libreville, Gabon Jean N.locey, Classroom Rosemruy O'Neill, Jessica Lcyin, Harvard University Cornell University Parsons School of Design

DISCUSSANT: Wendy Wassyug­ Lyssa Palu-ay, The "New Media": Do We Control Roworth, University of Rhode Island Massachusetts College of Art Them, or Are We Cor! trolled by Them? Karen Goodchild, Wofford College Philip Van Kem·en, Southern Methodist University

Katherine Hoffman, Saint Anselm College Saturday afternoon 51

A Collection in Context: The Chinese OFF-SITE ~ s,aG [! oo;J 8wl2 Paintings ofVladmimir Gregorie>>itch SESSIONS Historians of Islamic Art Art History Open Session Simklwvitch Adl'iana Proser, Authorship in Architecture: The Museums Philadelphia Museum of Art Uncovering the Art [! oo;J Sw/0 of Philadelphia and Craft of Building The Making ofCultural Icons in Studio Art Open Session Pennsylvania Acadamy of Fine Arts in Islamic Societies China: Figure Painting and Poet1y The Crafts Ideal Broad and Cherry Streets Room 202A-B Richard Pegg, Columbia University University of the Arts CHAIR: Andrew McClellan, Pennsylvania Convention Center 211 S. Broad Street Tempomlizing the Zhe &hool: Tufts University

CHAlR: Kishwar Rini, Yale University Regional Identity in Politics and CHAIRS: Susie Brandt, University The Lost Treasures ofHorticultural Paintings in Wanli (1573-16~o) Oiina of the Arts; Sharon Church, Signature Buildings and Building Hall Elizabeth Milroy, Jennifer Purtle, Uni\·crsityofOJicago University of the Arts Signature& Kaluyan, Keluk, and Wesleyan University SahipAta Ethel Sara Vlolper, Disclosing TnHh and the Value Sa38 Fiske Kimball and the WP.A.: High University of New Hampshire of Craft in Contemporar,-Society Hybrid Vigor: New CultHre in the Great Depression Ho·ward Risatti, Virginia Building on India's New Sultanate Territories in Painting Mark Meigs, Independent Scholar Commonwealth University "Frontier:" 11w Role oftlteArtisan, Independence Salon I & II, Level 3 11w Walls Talk: 1J1e Barnes Architect, and Patron in the Philadelphia Marriott Laurie Churclunan, Collection Fretlerick S. Oshon1e, Kingdom offaunpur Anna Sloan, North Carolina State University CHAIR: Jackie Tileston, Pennsyh·aniaAcademyofthe Fine Arts Smith College University of Penns)·lvania Tite Internet's Underwear 17w Barnes Foundation Defining the Architect in Early Laura Trippi, Technical University Deep Play, Dissolution, Collection ofAfrican Sculpture: Safm>id Iran: 1Jw Case of Mirza Shah of British Columbia and Ecstasy Jackie Tileston, Uncovering a Photographic Husayn in Isfahan Kishwar Rizli, University of Pennsyh·ania All Art is Created Equal Legaq Christa Clarke, Yale University Virginia Da,is, Artist and Researcher Neuberger Museum of Art, State Paintants FaMan Marcaccio, Artist A Literary Source for the Islamic University of New York, Purchase DISCUSSANT: Warren Seelig, Architect: Sinon 'sAutobiography 11w Womls in the Walls of University of the Arts Mining the Mutter: By Im>itation EsraAkin and Howard Crane. Mondrian 's House, Jennifer Reeves Only Rosamond Purcell, Ohio State University DISCUSSANT: Saul Ostrow, Photographer and Author [! oo;J Sa41 Designers ofIdentity: Pahlavi University of Connecticut, Storrs Art History Open Session Architects and the Production Colonial latin American Art ofNational Monuments in Sn39 Philadelphia Museum of Art Modem Iran Talin Der-Grigorian, The Italian Van Pelt Auditorium Massachusetts Institute of Technology Renaissance Print 26th Street and Ben Franklin Parkway Room 204C DISCUSSANT: Nasser Rahbat, Pennsylvania Convention Center CHAlR: Katie Luber, Massachusetts Institute ofTeehnologr Philadelphia Museum of Art CHAIR: Mark Zucker, Louisiana State University Clara Bargellini, oo;J Sa37 Universidad Naeional Aut6noma Art History Open Session Reconstructing Reception: de Mexico, Mexico City Chinese Art: Part 2 The Prints offacopo Rubieri in Room 2018 Context Da,id S. Areford, Coco Alcala, Pennsylvania Convention Center National Gallery of Art, Washington Independent Curator, Madrid

CHAIR: Nancy S. Steinhardt, Issues of Connoisseurship in Antonio Johanna Hecht, University of Pennsylvania Pollaiuolo's Battle of the Nudes Metropolitan Museum of Art Shelley R. Langdale, Another Cultural Re>•ival~Tang EdwardSulli\'an, Cleveland Museum of Art Hou's (mid-~~sos-mid iJ10s) New York University Criticism in the Debate of Mantegna and His Printmahers Joseph Rishel, Anti-Southern Song Style Revisited Suzrume Boorsch, Philadelphia Museum of Art Diana Yeongchou Chou, Yale University Art Gallery University of Kansas Marcantonio Raimondi's Twelve Printed Paintings: New Contexts Caesars and the Value of Prints and Media for Registering Resistance hladcleine Viljoen, in Yiwn (1~6o/79-i368) China Philadelphia Museum of Art Roslyn Hammers, Editing Early Italian Engrat•ings University of Michigan Tom Rassieur, Museum of Fine Arts, Boston