EDUCATING RITA Education Pack
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EDUCATING RITA Education Pack Contents Introduction ...................................................................................................................3 A Biography of Willy Russell...........................................................................................4 Liverpool: City of Culture ...............................................................................................7 The Open University ......................................................................................................9 What is ‘Literature’? ....................................................................................................11 Ten Great Works of Literature.....................................................................................13 Literary References In Educating Rita ..........................................................................14 Interview with the Designer ........................................................................................16 Frank’s World: The Study.............................................................................................17 The Pygmalion Myth ....................................................................................................18 Interview with the Cast................................................................................................19 Interview with the Director .........................................................................................21 Credits ..........................................................................................................................23 This Education Pack was designed & written by Beth Flintoff with contributions from John Goode. Photographs by 2 Introduction This pack has been designed to complement your visit to see Educating Rita at The Watermill Theatre. The pack is aimed primarily at those studying Willy Russell for English, with (I hope) articles of interest for anyone studying Drama, or those simply with an interest in the play. While there are some images, the pack has been deliberately kept simple from a graphic point of view so that most pages can easily be photocopied for use in the classroom. Your feedback is most welcome, please email any comments you have to [email protected]. I hope you find the pack useful. Beth Flintoff Deputy Outreach Director The Watermill Theatre Bagnor, Newbury, Berks RG20 8AE www.watermill.org.uk 3 A Biography of Willy Russell ‘Man is man because madly, possibly stupidly but certainly wonderfully, he kicks against the inevitability of life. He spends his life looking for answers. There probably are no answers but the fact that man asks the questions is the reason I write plays.’ Willy Russell Willy Russell was born in Whiston near performed as Blind Scouse and taken Liverpool in 1947, and he left school at to the Edinburgh Fringe and, in 1973, a 15 with no qualifications. He spent six reworked musical version was toured years as a not very enthusiastic ladies’ by the Liverpool Everyman. 1972 saw hairdresser until he decided, at the his play When the Reds produced at age of 20, to change his career. He had the Everyman, a television play, King begun writing folk songs in his teens - of the Castle produced for the BBC and an interest in music had earlier a musical play for children. prompted him to bunk off school in favour of the Cavern - and many of his In 1974 Russell’s John, Paul, George, compositions were performed by Ringo…and Bert transferred from the established artists at folk clubs and Everyman to the Lyric Theatre in concerts. He contributed many songs London’s Shaftesbury Avenue, and to local radio stations and he and his went on to win the Evening Standard group, the Kirby 3, were invited to and London’s Critics’ Awards for Best perform on Granada Television in Musical. 1967. It was around this time that he saw John McGrath’s play Unruly In the next few years came Elements at Liverpool’s Everyman Breezeblock Park (1975), Our Day Out Theatre and decided to take the and One for the Road (both 1976) and plunge back into education, aiming for Stags and Hens (1978), written while ‘O’ and ‘A’ levels, then teacher Russell was a fellow in creative writing training, partly because he figured that at Manchester Polytechnic. the long school holidays would give him time to do what he really wanted The Royal Shakespeare Company’s to do - be a writer. literary manager, Walter Donahue, had been impressed by Breezeblock In 1971 the first of his plays which he Park during its London run, and considered good enough to produce, commissioned Russell to write a play Keep Your Eyes Down was performed for the RSC at the Donmar Warehouse as part of a student production. With - a small theatre with an audience Sam O’Shanker , the two plays were capacity of just two hundred. The 4 resulting piece, Educating Rita , was booked in for only 21 performances. In 1990 Russell produced a screen The show opened with Julie Walters version of Stags and Hens called and Mark Kingston in June 1980, Dancing Thru’ the Dark , and he has transferring to the Piccadilly, where it continued to write for both television became the longest-running play at and radio. TV work includes Break In, that theatre for 20 years, and also The Death of a Young Man, Our Day scooped the 1980 SWET Award for Out, Daughters of Albion and the Best Comedy. Russell co-directed a highly acclaimed Channel 4 series One 1981 production at Liverpool Summer . Playhouse and it went on a major national tour the following year. By He is also a founder member and this time Rita was also making her way director of Quintet Films and an to the big screen in a major film honorary director of Liverpool starring Julie Walters and Michael Playhouse. In October 2000 his first Caine. Since the original RSC novel, The Wrong Boy , was published. production, Educating Rita has never In the 21 st century he has released an been out of production somewhere in album of songs, Hoovering the Moon the world. and co-created a show with fellow playwright Tim Firth, The Singing Next came Blood Brothers , starting out Playwrights . as a non-musical play for schools, but soon becoming a blockbusting full- He set up the W.R.Foundation Award scale musical with both music and to stage new writing at the Edinburgh lyrics written by Russell himself. It Festival and worked with director Alan took the by now traditional route from Parker on a screenplay for Blood Liverpool to the Lyric, where it won Brothers . A long term project is finally three awards. It was revived at the realised in Autumn 2009 with the Albery in 1988 and transferred to the opening of a new, improved, all- Phoenix; it opened on Broadway in singing, all-dancing stage musical 1993. Blood Brothers is now one of the version of Our Day Out . longest-running musicals in the West End. In 2008 Liverpool was the European Capital of Culture and Willy Russell 1987 saw a revival of One for the Road contributed to Liverpool University’s starring Russ Abbot, then came Lecture Series. He also reworked his another blockbuster - Shirley 1978 play to create Stags and Hens – Valentine , which won the Olivier The Remix and in an interview said Award for Best Comedy and also won that the play’s basic theme, whether Pauline Collins, in the title role, the to stay or leave the city, remains as award for Best Actress. In 1989 Shirley relevant now as it was thirty years Valentine transferred to New York and ago. He noted that both Ringo Starr was released as a film, again starring and Phil Redmond had both been Pauline Collins. given a public ‘kicking’ because they 5 left Liverpool. He seems baffled and a Having said that, his home city has little exasperated that what he is honoured his considerable constantly praised for, ‘and it’s contribution in many ways: a nothing to do with my work, is that I doctorate from Liverpool University, a always stayed in Liverpool’. He doesn’t fellowship from John Moores really see the city itself as his University and in 2006 Russell was inspiration and admits, ‘I just take it made a Companion of Honour of the completely for granted’. Liverpool Institute of Performing Arts in recognition of his continuing work with its students. 6 Liverpool: City of Culture In a celebratory poem written for extended to poetry too and Liverpool’s year in the international performance poetry, with the cultural limelight, Willy Russell wrote: publication in 1967 of the seminal volume The Mersey Sound, a selection See, with the Capital of Culture title of poems by Adrian Henri, Roger They've acknowledged what we've McGough and Brian Patten. always known That the greatest of civilizations It was in the early 1970s that, after Wasn't Greece or Egypt or Rome decades of disuse, the great Albert But here - on the banks of the Mersey Dock was finally closed but, by 1983 Where even the stupidest fool work had begin to regenerate this Knows Jesus wasn't born in Bethlehem historic area - which includes the - largest concentration of Grade I listed He was born here in Liverpool! buildings in the country - and in 1988 Shakespeare? He was a scouser! Prince Charles performed the official And what about Vincent Van Gough? reopening ceremony. The complex Born an' brought up in Bootle - now houses Tate Liverpool and various Like his brother Rogermer……. Gough. museums covering subjects as diverse as maritime history, slavery and The Liverpool has been described in many Beatles! different ways, from ‘a black spot on the Mersey’ to ‘the centre of In the early