DOCSLIB.ORG

Florida Repertory Theatre 2 0

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Florida Repertory Theatre 2 0 FLORIDA REPERTORY THEATRE 2015-2016 SEASON HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS SPONSORED BY RAYMOND JAMES® STARRING Ensemble Members CARRIE LUND* • BRENDAN POWERS* • PETER THOMASSON* and KATE HAMPTON* DIRECTED BY ensemble member CHRIS CLAVELLI** SET DESIGNER LIGHTING DESIGNER COSTUME DESIGNER RAY RECHT*** KATE SMITH ALEXANDRIA VAZQUEZ ensemble member SOUND DESIGNER PRODUCTION STAGE MANAGER ASST. STAGE MANAGER JOHN KISELICA JANINE WOCHNA* KATINA WHITE ensemble member Produced by special arrangement with Dramatists Play Service, Inc., New York. World Premiere at the Old Globe Theatre, San Diego, California. Artistic Director Jack O’Brien. Managing Director Thomas Hall. The Play was first produced in New York by Roger L. Stevens, Thomas Viertel, Steven Baruch and Richard Frankel. 2015-16 GRAND SEASON SPONSORS Anonymous • The Fred & Jean Allegretti Foundation • Naomi Bloom & Ron Wallace Bruce & Janet Bunch • Gholi & Georgia Darehshori • Ed & Ellie Fox • Dr. & Mrs. Mark & Lynne Gorovoy John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists. CAST (in order of appearance) Bradley...........................................................................................PETER THOMASSON*† John.................................................................................................BRENDAN POWERS*† Ann.............................................................................................................CARRIE LUND*† Nina.......................................................................................................KATE HAMPTON*† TIME & PLACE The play takes place during early evening in early fall in the mid-seventies, in a city in upstate New York. THE COCKTAIL HOUR will be performed with one 15-minute intermission. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Understudy: Ryan Gallerani (John) Wardrobe: Courtney Rigdon Lighting and Sound Board Operator: Rachael Smith Assistant Costume Designer: Meredith Hubbard ABOUT THE PLAYWRIGHT A.R. GURNEY was born in 1930 in Buffalo, New York. He graduated from Williams College in 1952, served as an officer in the Navy, and afterwards attended the Yale School of Drama. For many years, he taught literature at M.I.T., but moved to New York in 1982 to devote more time to writing for the theatre. Gurney has been married to his wife Molly for over fifty years. They have four children, and eight grandchildren, and now live in Roxbury, Connecticut and New York City. His plays include The Cocktail Hour (Lucille Lortel Award), The Dining Room, Sylvia, Love Letters, Scenes from American Life (Drama Desk Award), Children, The Middle Ages, Richard Cory, The Golden Age, What I Did Last Summer, The Wayside Motor Inn, Sweet Sue, The Perfect Party, Another Antigone, The Snow Ball (adapted from his novel), The Old Boy, The Fourth Wall, Later Life, A Cheever Evening, Overtime, Let’s Do It (a Cole Porter musical), Labor Day, Far East, Darlene and the Guest Lecturer, and Ancestral Voices. He wrote the libretto for the opera Strawberry Fields with music by Michael Torke. His other novels include The Gospel According to Joe and Entertaining Strangers. He is the recipient of the 2011 Drama Desk Special Award, a Lucille Lortel Award for Outstanding Body of Work and has won awards from the National Endowment for the Arts, Rockefeller Foundation, and New England Theatre Conference. He is now a member of the Theatre Hall of Fame and of the American Academy of Arts and Letters. †Member of Florida Repertory Theatre’s Ensemble of Theatre Artists. See page 23 for the entire ensemble. The Actors & Stage Manager * employed in this production are members of Actors’ Equity ** *** Association, the Union of Professional Actors and Stage Managers in the United States. DRAMATURGY WASP CULTURE “The acronym WASP derives from White Anglo-Saxon Protestant. It is also referred to as a closed group of high-status White Americans of English Protestant ancestry... believed to control disproportionate social and financial power.” And although the term serves as an insult, “scholars agree that the group’s influence has waned since the end of World War II, with the growing influence of Jews, Catholics, African Americans, Asians, and other former outsiders.” Born, raised, and educated in a period of unchallenged WASP ascendancy, A.R. Gurney came of age as a dramatist when that party was ending. He dramatizes this social transition in a number of his plays as a tension between generations, with old WASPs and their middle-aged offspring squaring off against each other. The former look back fondly and longingly at a mode of life that has largely vanished; the latter, while sharing some of this nostalgia, have mostly come to accept the critical view of the WASP world held by those “former outsiders” who are taking over. This leads to conflict between the generations, and conflict leads to drama. GURNEY’S PLAYS AT FLORIDA REP A.R. Gurney’s plays are favorites among Florida Rep audiences, and his play, SYLVIA, still holds the record as Florida Rep’s biggest hit. How many of these A.R. Gurney plays did you see at Florida Rep? Adams Nick Photo: Hoffman Chip Photo: BLACK TIE/April 2012 SYLVIA/Jan 2011 Adam Jones, Carrie Lund, & Peter Thomasson Michelle Damato & Gordon McConnell Photo: Chip Hoffman Chip Photo: Fisher Dorit Photo: INDIAN BLOOD/Dec 2008 THE MIDDLE AGES/Jan 2006 Carrie Lund, Daniel Benzing, & Peter Thomasson Greg Longenhagen & Mindy Woodhead ORIGIN OF THE MARTINI The exact origin of the martini is unclear, though it is widely accepted as a uniquely American invention. Numerous cocktails with names and ingredients similar to the modern-day martini were first seen in bartending guides of the late 19th century. For example, in the 1888 Bartenders’ Manual there was a recipe for a drink that consisted in part of half a wine glass of Old Tom Gin and a half a wine glass of vermouth. In 1863, an Italian vermouth maker started marketing their product under the brand name of Martini, and the brand name may be the source of the cocktail’s name. Make your Own! INGREDIENTS INSTRUCTIONS 1 ounce dry vermouth Fill a metal shaker with cracked ice. Pour in the dry vermouth, stir briefly, and strain out (this may be discarded). Add 4 ounces gin 4 ounces gin (around 94-proof.) Stir briskly for about 10 seconds, strain into cocktail glass chilled cocktail glass, and garnish with an olive or lemon twist. lemon twist SOURCES: THE WALL STREET JOURNAL • The Public Theater • Wikipedia CREATIVE TEAM KATE HAMPTON* (Nina) BRENDAN POWERS*† (John) is very glad to be back at Select Florida Rep credits Florida Rep. Broadway: The over the past eight seasons Best Man, The Deep Blue Sea. include A Christmas Story, First national tour: Spring The Unexpected Guest, Awakening. More NYC: The Dividing the Estate, Around Master Builder (BAM), All the World in 80 Days, The My Sons (Roundabout), Fantasticks, Doubt, Opus, Have You Seen Steve Steven? Boeing-Boeing, and The Glass (13P), The Typographer’s Dream (Clubbed Thumb), Menagerie. He is married to fellow Rep ensemble Over the River and Through the Woods. Regional: Les member Rachel Burttram and also serves as a Liaisons Dangereuses (Palm Beach Dramaworks), Development Associate. Other credits include the Social Security, Lend Me a Tenor (Florida Rep), Talley’s Tony Award-winning play, Art, and The Big Knife, Folly (Peterborough Players), Fallen Angels, God both with Alec Baldwin, the Noel Coward revue, of Carnage, Once in a Lifetime, The Innocents, Las Oh, Coward! at Off-Broadway’s Irish Repertory Meninas, Boeing-Boeing, La Bête, Pride and Prejudice, Theatre, God of Carnage, August: Osage County, Expecting Isabel (Asolo Rep), Absurd Person Singular Our Town, Arsenic and Old Lace, and numerous (Bristol Rep), Neighborhood 3: Requisition of Doom others. TV work includes FBI Agent Rick Cranston (Humana Festival), Loot (The Arden), The Real Thing on Graceland (USA Network), and David Weller (Olney), All My Sons, Hard Times (Williamstown). in the Netflix original series, Bloodline, starring TV: Bones, The Law & Order trifecta, The Education of Sissy Spacek. He can also be seen driving the big Max Bickford, Sex and the City. www.katehampton.net blue Cadillac in a series of national commercials for Alabama Road Trips. His cartoon captions have CARRIE LUND*† (Ann) Co- been winners for various contests including The founder, a company member, New Yorker, Hartford Courant, Denver Post, Moment and Associate Producer of Magazine, Clinical Psychology, Inside Higher Ed, and Florida Rep, and has acted the Greensboro News-Record. BrendanPowers.com in over 90 productions in Southwest Florida. In PETER THOMASSON*† 2012, she was named Best (Bradley) is grateful to Actress of the Year and return to Florida Rep where named one of the “Power he’s an ensemble member Women of the Year” by having last appeared as the Florida Weekly. She produced and acted on Sanibel devilish Mr. Lockhart in Island from 1984-1998 at the Pirate Playhouse and The Seafarer, the scarfaced on Captiva Island with Carrie Lund Presents. She Jonathan Brewster in Arsenic taught theatre at Florida Gulf Coast University and Old Lace, and mean old in its early years, produced theatre companies in Uncle Henri Trouchard in My Three Angels. This past her hometown of Erie, PA and New York City, season he appeared in On Golden Pond as Norman and performed in regional theatres in NY, VT Thayer, Jr. at Roanoke’s Mill Mountain Theater; as and NC, as well as the Three River Shakespeare Mathias Gold in My Old Lady at Sarasota’s Banyan Festival, Pittsburgh Playhouse, and American Ibsen Theater for which he was nominated for a Handy Theatre in Pittsburgh, PA.
Load more

Recommended publications
  • Willy Russell on Educating Rita
    PRESENTS Playing February 21 to March 2, 2013 At Sagebrush Theatre Study Guide wctlive.ca Table of Contents Introduction ..............................................................................................................................1 Curriculum Connections......................................................................................................... 2 Production Personnel .............................................................................................................. 3 Western Canada Theatre Staff................................................................................................4 Inside Western Canada Theatre: Director............................................................................. 5 A Sneak Peak at Directing Educating Rita .............................................................................6 About the Play.......................................................................................................................... 7 Characters.................................................................................................................................8 Playwright, Willy Russell.........................................................................................................9 Willy Russell on Educating Rita.............................................................................................10 Interview with Actor Holly Lewis...........................................................................................11 Accents and Dialects..............................................................................................................
    [Show full text]
  • Drama Audition Female Senior Monologues
    Drama Audition Female Senior Monologues Northmead Creative & Performing Arts High School NSW, Department of Education and Training N S W , Classical and contemporary audition pieces. Department of Education and T r a i n i n g Imagine, Endeavour, A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l – N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. AUDITION PROCESS You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition.
    [Show full text]
  • List of Play Sets
    Oxfordshire County Council List of Play Sets Available from the Oxford Central Library 2015 Oxford Central Library – W e s t g a t e – O x f o r d – O X 1 1 D J Author Title ISBN Copies Cast Genre Russell, Willy Shirley Valentine: A play T000020903 2 1f Comedy (Dramatic) Churchill, Caryl Drunk enough to say I love you? T000096352 3 2m Short Play, Drama Churchill, Caryl Number T000026201 3 2m Drama Fourie, Charles J. Parrot woman T000037314 3 1m, 1f Harris, Richard The business of murder T000348605 3 2m, 1f Mystery/Thriller Pinter, Harold The dumb waiter: a play T000029001 3 2m Short Play Plowman, Gillian Window cleaner: a play T000030648 3 1m, 1f Short Play Russell, Willy Educating Rita T000026217 3 1m, 1f Comedy (Dramatic) Russell, Willy Educating Rita T000026217 3 Simon, Neil They're playing our song T000024099 3 1m, 1f Musical; Comedy Tristram, David Inspector Drake and the Black Widow: a comedy T000035350 3 2m, 1f Comedy Ayckbourn, A., and others Mixed doubles: An entertainment on marriage T000963427 4 2m, 1f Anthology Ayckbourn, Alan Snake in the grass: a play T000026203 4 3f Drama Bennett, Alan Green forms (from Office suite) N000384797 4 1m, 2f Short Play; Comedy Brittney, Lynn Ask the family: a one act play T000035640 4 2m, 1f Short Play; Period (1910s) Author Title ISBN Copies Cast Genre Brittney, Lynn Different way to die: a one act play T000035647 4 2m, 2f Short Play Camoletti, Marc; Happy birthday 0573111723 4 2m, 3f Adaptation; Comedy Cross, Beverley Chappell, Eric Passing Strangers: a comedy T000348606 4 2m, 2f Comedy (Romantic)
    [Show full text]
  • Educating Rita: to Educate - Transitive Or Intransitive Verb?
    Educating Rita: to educate - transitive or intransitive verb? Carmem Diva Rodrigues Jorge Wilson PUC-Rio One of the hazards of globalisation is the increase of competition at the work place. In fact, the more competitive the market, the more education one seems to require in order to succeed. It follows that, in the past decades, continuous education became a fundamental feature in most technological societies. Consequently, more and more adults are going back to school hoping that education will help them escape the terrible fear of being left behind. It does not matter the age of the learner, the learning process should always be pictured as a social practice, i.e., learning takes place when social subjects negotiate knowledge through social action. Thus, by taking into consideration the socio-constructivist approach to learning and the systemic-functional approach to language I will investigate the learning process that takes place in the fictional story by 10.17771/PUCRio.PDPe.8504 Willy Russel - Educating Rita. I will be looking into important issues, such as: the real agent of the process of education, learner autonomy, power relation between teacher and student, reproduction of social practices and the voices of the participants involved in the process of learning. Key Words: learner autonomy, social practice, social identity, community of practice. BRIEF INTRODUCTION “Our social context teaches us our language, and language makes us ourselves” (Richardson, 1992, 117). Although some linguists still believe that one can actually study language dissociated from its social context, in this paper I will claim that, as social beings, we use language for social interaction and that, consequently, learning should be seen as a social practice.
    [Show full text]
  • Contemporary British Coming-Of-Age Films (1979 to the Present)
    1 Contemporary British Coming-of-Age Films (1979 to the Present) Philippa Zielfa Maslin A thesis submitted to Royal Holloway, University of London, in accordance with the requirements of a Ph.D. in the Department of Media Arts 2 Declaration of Authorship I declare that the work in this thesis was carried out in accordance with the regulations of Royal Holloway, University of London. This work is original, except where indicated by special reference in the text, and no part of the thesis has been submitted for any other academic award. Any views expressed in the thesis are those of the author. Signed: Philippa Zielfa Maslin Date: 19th January 2018 3 Abstract Locating itself in relation to existing work on youth in, primarily American, cinema, the thesis questions the analytical usefulness of conceptualising the ‘youth/teen film’ as a genre and, instead, seeks to establish the value of analysing the ‘coming-of-age film’ as a genre involving the employment of adolescent protagonists. In setting out to do so, it focuses on films which are set in Britain, made from 1979 onwards, and rarely discussed as coming-of-age films (or, indeed, youth/teen films), but which may be seen to benefit from such a critical approach. Following a survey of a range of anthropological, biological, historical, juridical, psychoanalytic, psychological and sociological approaches to adolescence, as well as scholarship on the literary precursor of the coming-of-age film, the Bildungsroman, and on the relationship between adolescence and cinema, a working definition of the coming-of- age genre is proposed.
    [Show full text]
  • List of Past Productions
    Stage One Productions from 1985-2020 Ways and Means & Hands Across the Sea March 1985 An Evening of Comedy October 1998 Aladdin December 1985 Millie December 1998 Blithe Spirit January 1987 Natural Causes March 1999 Gaslight (first at Emba) May 1987 Blithe Spirit October 1999 Dine and Dance September 1987 Dreamers December 1999 Breath of Spring January 1988 Outside Edge March 2000 Mixed Doubles June 1988 Run For Your Wife October 2000 Summer Follies June 1988 Culture and Comedy December 2000 Black Chiffon October 1988 Coat of Varnish March 2001 Open Air Theatre (Mesoyi) June 1989 Habeas Corpus October 2001 Farndale Ave Murder Mystery January 1990 Santa In Space December 2001 Rebecca June 1990 Noises Off April 2002 To-night at 7.30 December 1990 A Dog's Life (one night only) May 2002 Whose Life Is It Anyway March 1991 Deathtrap November 2002 An Evening of Contrast December 1991 Farndale Avenue A Christmas Carol January 2003 Jane Eyre April 1992 Bedroom Farce March 2003 The Visitor & The Dock Brief May 1993 The Dock Brief (one night only) May 2003 Love From A Stranger December 1993 Stepping Out October 2003 My Friend Miss Flint April 1994 Arabian Nights December 2003 Dick Whittington December 1994 Conduct Unbecoming March 2004 See How They Run March 1995 Festival of Comedy April/May 2004 Plaza Suite May 1995 Heatstroke Sept/Oct 2004 Drama Suspense & Comedy October 1995 Comfort and Joy December 2004 Jack and The Beanstalk December 1995 The Importance of Being Earnest March 2005 How The Other Half Loves March 1996 Private Lives April/May
    [Show full text]
  • New Work at the Rsc – Key Productions Over the Last 50 Years
    NEW WORK AT THE RSC – KEY PRODUCTIONS OVER THE LAST 50 YEARS More details are available on the RSC performance database 1961 ALDWYCH The Devils - John Whiting (Later tour) 1962 ALDWYCH Playing with Fire (Double Bill with The Collection) - Strindberg (translated by Michael Meyer) / The Collection (Double Bill with Playing with Fire) - Harold Pinter A Penny for a Song - John Whiting NEW ARTS THEATRE CLUB Everything in the Garden - Giles Cooper Nil Carborandum - Henry Livings The Lower Depths - Maxim Gorky (new version Derek Marlowe) Afore Night Come - David Rudkin The Empire Builders - Boris Vian (translated by Simon Watson Taylor) Infanticide in the House of Fred Ginger - Fred Watson TOUR Curtmantle - Christopher Fry 1963 ALDWYCH The Physicists Durrenmatt (translated by James Kirkup) The Representative Rolf Hochhuth (translated by Robert David McDonald) 1964 LAMDA THEATRE CLUB Theatre of Cruelty Season ALDWYCH The Rebel devised - Patrick Garland The Birthday Party - Harold Pinter (also directed by Harold Pinter) Afore Night Come - David Rudkin Expeditions One – An experimental season of short plays Victor - Roger Vitrac (translated by Lucienne Hill) Marat/Sade - Peter Weiss (adapted by Adrian Mitchell and translated by Geoffrey Skelton) Eh? - Henry Livings 1965 ALDWYCH Expeditions Two – A selection of plays on nation and Colonialism The Homecoming - Harold Pinter The Thwarting of Baron Bolligrew - Robert Bolt 1966 ALDWYCH Tango - Slawomir Mrozek (translated by Nicholas Bethell and adapted by Tom Stoppard) Days in the Trees - Marguerite
    [Show full text]
  • LOCANTRO Theatre
    Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth
    [Show full text]
  • Kevin-Rigdon-Cv.Pdf
    CV of Kevin Rigdon 1 Kevin Rigdon ACADEMIC POSITIONS 2012 – Present John and Rebecca Moores Professor of Theatre; Head of MFA Design & Technology, University of Houston School of Theatre & Dance, Houston 2001 - Present Full Professor — Head of MFA Design & Technology, University of Houston School of Theatre & Dance, Houston 2000 - 2001 Associate Professor and Tenure — University of Houston School of Theatre, Houston 1998 - 2000 Assistant Professor — University of Houston School of Theatre, Houston 1997 - 1998 Visiting Professor — University of Houston School of Theatre, Houston 1991 - 1996 Adjunct Professor — The Theatre School, DePaul University, Chicago Adjunct Professor — Roosevelt University, Chicago 1989 Guest Artist — Illinois State University, Normal 1981 - 1983 Adjunct Professor — Columbia College, Chicago OTHER ASSOCIATIONS 1997 - Present Associate Director/Design, Alley Theatre, Houston 1974 - 1997 Resident Designer, Steppenwolf Theatre Company, Chicago 1994 - 1995 Associate Director, Wisdom Bridge Theatre, Chicago ORGANIZATIONS • United Scenic Artists - Local 829 Member since 1982, Scenic Designer, Lighting Designer • United States Institute for Theatre Technology Board of Directors, 2011-2015 Vice Chair, International Activities Committee, 2013-2015 • International Federation for Theatre Research, Sceneography Working Group PUBLISHED ARTICLES Theatre Design & Technology Spring 2008 USITT Keynote Address PUBLISHED WORK Scene Design and Stage Lighting by R. Craig Wolf and Dick Block, Production Designs Ready, Set, Go Houston Stage Designers, Architecture Center Houston Foundation, Production Designs Reality Principals: From the Absurd to the Virtual by Herbert Blau , Cover Art Steppenwolf 25, Twenty-five Years of an Actors Theatre, by Victor Skrebneski, Photography CV of Kevin Rigdon 2 PUBLICATIONS (Interviewed, quoted, or listed in other than reviews of productions) The Coming of Godot, by Jonathan Croall The Theatre Team, edited by Jeane Luere and Sidney Berger Theatre Yearbook - The Best Plays of 1996-1997, edited by Otis L.
    [Show full text]
  • Festival of European Anglophone Theatrical Societies to Be Held on Helvetic Pictet & Cie Soil
    Nous sommes ia1 ouI' vous nous attendez. NORTHERN Groupe G1 Line organisation mondiale a I'échelle de vos attentes. The FEATS'99 Programme feats 99 geneva FESTIVALOF EUROPEAN ANGIOPHONETHEATRICALSOCIETIES Little Theater of Geneva Geneva 5 THE BEAR by Anton Chekhov >- Village Players Lausanne 6 WALTZ TIME by Brian Hughes Frankfurt English Speaking Theatre Kronberg 7 INTERIOR DESIGNS `` by Jimmie Chinn Copenhagen Theatre Circle Copenhagen 9 THE FROEGLE DICTUM >- by Mark Medoff Anglo-American Theatre Group The Hague 10 THE HORATIAN c by Heiner Muller The Semi-Circle Basel 11 AN ENGLISHMAN ABROAD < byAlan Bennett I English Comedy Club of Brussels Brussels 13 LEONARDO'S LAST SUPPER by Peter Barnes Geneva English Drama Society Geneva 14 Act II BROKEN GLASS by Arthur Miller Z The Bonn Players Bonn 15 Act II AGNES OF GOD : by John Pielmeier 0 ESOC Theatre Group Darmstadt 17 EPITAPH FOR A HARD MAN by Evelyn Hood < Tagora Strasbourg 18 THREE MORE SLEEPLESS NIGHTS by Caryl Churchill L- The Stockholm Players Stockholm 19 THE GHOST SONATA by August Strindberg * At the end of each evening's performances, the adjudicator will share his professional critiques with the audience. * Smoking, food and beverages are not allowed in the auditorium. Smoking is permitted in the bar. * No photography of any kind is permitted. * Access backstage is strictly limited to authorised badge holders. * Please make sure your mobile phones, bleepers, etc. are turned off. _______________________ ___ Welcome to FEATS'99 feats 99 .,IIlIgeneva FEATS99 Sponsors FESTIVAL OF EUROPEANANGLOPHONETHEATRICALSOCIETIES BTL Productions SA Dearfriends, Hotel du Rhne GEDS first participated in FEATS in 1980 in Luxembourg, and has been an ardent supporter ever since, whether competing or not.
    [Show full text]
  • Past Productions 1976 • Sound of Murder • Ladies in Retirement 1977
    Past productions 1976 • Sound of murder • Ladies in Retirement 1977 • Move Over Mrs Markham • The Owl and the Pussy-cat went to Sea • Relatively Speaking • Witness for the Prosecution • Our Town 1978 • Flibberty and the Penguin • Blithe Spirit • A Midsummer Night's Dream • Three One-act plays • Hay Fever • Sweeney Todd 1979 • Pied Piper • Everything in the Garden • When We Are Married • Trap for a Lonely Man • A Month in the Country • Waltz of the Toreadors 1980 • Goldilocks and the Three Bears • How the Other Half Loves • Ghost Train • Letter from the General • Good Woman of Setzuan • Busybody 1981 • The Plotters of Cabbage Patch Corner • The Caretaker • Arms and the Man • Double Bill • This Year Next Year • Who Killed Santa Claus 1982 • The Incredible Vanishing • Post Horn Gallop • Winter’s Tale • Bedroom Farce • Anybody for Tennis 1983 • Quest for the Golden Key • Hobson's Choice • The Miser • The Potting Shed • Anastasia • Not Now Darling 1984 • Pinocchio • A Lily in Little India • The Importance of being Earnest(1) • Any Number Can Die • House Guest • Noah 1985 • The Gingerbread Man • A Life • An Italian Straw Hat • The Deep Blue Sea • Lloyd George knew my Father • Under Milk Wood 1986 • The Man in the Moon • The Prime of Miss Jean Brodie • Time and Time Again • A Nightingale Sang • A Dolls House • All in Good Time 1987 • The Singing Swans • Arsenic and Old Lace • I Have Been Here Before • The Lady's not for Burning • Flare Path • A Little Hotel on the Side 1988 • Mr Macaroni • Love on the Dole • The Drunkard • Laughter and Song
    [Show full text]
  • 55 Weathervane Seasons
    55 Weathervane Seasons 1966 A Streetcar Named Desire West Side Story Mary, Mary • Never Too Late Cabaret • Forty Carats Murder Most Foul • My Fair Lady The Glass Menagerie Billy Bishop Goes to War 1974 Sunday in New York You Can’t Take It With You Godspel1 • Heartbreak House Under Milkwood • The Knack Play It Again, Sam 1984 Who’s Afraid of Virginia Woolf? Kiss Me, Kate • Romeo and Juliet Camelot • Mass Appeal The Voice of the Turtle Dial M for Murder Children of a Lesser God • The 1967 Fiddler on the Roof • No, No, Nanette Mikado • Candide • Oklahoma! Any Wednesday • Luv They’re Playing Our Song 1975 Barefoot in the Park • U.S.A. Tartuffe The Man Who Came to Dinner The Private Ear and the Public Eye Sherlock Holmes • Mame 1985 A Thousand Clowns Company • Brigadoon H.M.S. Pinafore • Greater Tuna The Miracle Worker Much Ado About Nothing Crimes of the Heart • Joseph and Ah, Wilderness! The Music Man • Private Lives the Amazing Technicolor Dreamcoat The Subject Was Roses Brigadoon • The Music Man 1976 1968 Candida • Guys and Dolls Camelot • Bus Stop The Odd Couple Finian’s Rainbow • Sleuth 1986 A Thurber Carnival • Black Comedy Oklahoma! • The Three Sisters Finian’s Rainbow • Dracula Stop the World, I Want to Get Off Promises, Promises Painting Churches • On the Town The Drunkard • A Delicate Balance The School for Wives A Long Day’s Journey Into Night 1977 Beyond Therapy • Kiss Me, Kate The Star Spangled Girl A Funny Thing Happened on the Way to the Forum 1987 1969 Dracula, Prince of Darkness Fiddler on the Roof • Amadeus The Beauty Part
    [Show full text]