DOCSLIB.ORG

Willy Russell

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Willy Russell OUR SPONSORS ABOUT CENTER REPERTORY COMPANY UP NEXT FROM CENTER REP Chevron (Season Sponsor) has been the Center REP is the resident, professional “Freaky Friday captures the best of great Disney leading corporate sponsor of Center REP theatre company of the Lesher Center for the musicals. The catchy, surprisingly deep score by CENTER REPERTORY COMPANY and the Lesher Center for the Arts for the Arts. Our season consists of six productions Tom Kitt and Brian Yorkey is their best work since Michael Butler, Artistic Director Scott Denison, Managing Director past eleven years. In fact, Chevron has been a year – a variety of musicals, dramas and Next to Normal.” a partner of the LCA since the beginning, comedies, both classic and contemporary, – Buzzfeed providing funding for capital improvements, that continually strive to reach new levels of event sponsorships and more. Chevron artistic excellence and professional standards. generously supports every Center REP show throughout the season, and is the primary Our mission is to celebrate the power sponsor for events including the Chevron of the human imagination by producing Family Theatre Festival in July. Chevron emotionally engaging, intellectually involving, has proven itself not just as a generous and visually astonishing live theatre, and supporter, but also a valued friend of the arts. through Outreach and Education programs, to enrich and advance the cultural life of the Diablo Regional Arts Association (DRAA) communities we serve. (Season Partner) is both the primary fundraising organization of the Lesher What does it mean to be a producing Center for the Arts (LCA) and the City of theatre? We hire the finest professional BOOK BY MUSIC BY LYRICS BY Walnut Creek’s appointed curator for the directors, actors and designers to create our BRIDGET CARPENTER TOM KITT BRIAN YORKEY LCA’s audience outreach. DRAA’s role in the productions at Center REP. These are not Based on the novel Freaky Friday by community is all about building partnerships MARY RODGERS touring productions – they’re conceived and and the Disney films with the focused goal of enhancing artistic developed here, the sets and costumes are quality at the LCA and providing opportunities built in our shops, and the actors rehearse in Directed by Jeff Collister for everyone to enjoy the arts. Through our rehearsal hall. Whether the production Music Direction by Daniel Feyer partnerships with the LCA and its producers, is a Bay Area premiere or a Shakespearean Choreography by Jennifer Perry individual donors, corporate and foundation classic, each is devised to be a one of a kind, By Willy Russell sponsors and the City of Walnut Creek, artistic creation that will be a unique theatre March 30 - April 29 DRAA plays a vital role in advancing the experience for our audience. arts for the betterment of the community. Scenic Designer Costume Designer Lighting Designer Please visit us online at www.draa.org. Season What does it mean to be a professional Sponsor The Resident Professional Theatre Company of the Andrea Bechert Michael A. Berg Scott Denison theatre? It means that all our artists and Lesher Center for the Arts MICHAEL BUTLER Lesher Foundation (Foundation Sponsor) artisans are career theatre-practitioners. We Artistic Director Season Partner SCOTT DENISON Managing Director Sound Designer Dialect Coach Stage Manager As the namesake family for the Lesher hire many actors that are members of Actors’ Center for the Arts, the Lesher Foundation Equity Association; many of our directors www.CenterREP.org Jeff Collister Kimberly Mohne Hill Sara Sparks* has provided funding to Center REP and the and designers are members of professional lobby banner.indd 1 2/26/2018 4:18:34 PM Lesher Center since the Center opened in unions. All do theatre because it is their 1990. Their support has had a profound profession and their passion. Starring impact on the quality of Center REP’s THANK YOU TO OUR productions and has greatly enhanced the OPENING NIGHT DINNER SPONSORS: We are very proud to have the opportunity Fleming’s Prime Steakhouse & Wine Bar Kerri Shawn experience for Center REP’s audiences. to produce professional theatre for our Scott’s Seafood Grill and Restaurant Grant-making decisions are based on the community in the beautiful theatres here at vision of Dean and Margaret Lesher who felt the Lesher Center for the Arts. Thank you for quality education, diverse art programs, and your support! THANK YOU TO: Directed by George Maguire healthy children and families are the building Massimo’s Ristorante Waters Moving and Storage blocks of a strong and vibrant community. Associated Services-Alta Water "Shirley Valentine" is presented by special arrangement with SAMUEL FRENCH, INC. THANK YOU TO Center REPertory Company THE STAFF OF THE Michael Butler Artistic Director LESHER CENTER FOR THE ARTS Scott Denison Managing Director Production Services Audience Services Margaret Lesher Theatre Production Manager Costume Shop Marketing Associate Coordinator Coordinator March 30 - April 29, 2018 CITY COUNCIL Jeff Collister Manager Morgan Mitchell Toni Kilcoyne Courtney Egg Technical Staff Ticket Office Staff Lesher Center for the Arts Justin Wedel, Technical Director Bethany Deal Education Joshua Lipps Costume Staff Education Directors Steve Pino Jeremiah Vierling Mayor Master Electrician Michelle Kincaid Jeff Draper Alex Bull Rami Kim Season Season Partner Foundation Sponsor Rich Carlston Del Medoff Wardrobe Supervisor Kerri Shawn Chris Currie Robert Nolan ARTS COMMISSION Loella Haskew Carpenters Alea Gonzales Casting Director Hanna Johnson Jennifer Haga Sponsor Cindy Silva Kevin Bennett Props Manager Jennifer Perry Garrick Schuster Laina Hare Anita Sagástegui, Stephen Spleiss Jave Hernandez Chair Kevin Wilk Trevor Frey Roger Anderson Asst. to the Managing Gabriel Johnson Asst. to the Scenic Director Josh Stouffer Elizabeth Martinie Jane Emanuel, Vice CITY MANAGER Josh Yarnell Shannon Taylor Dan Buckshi Caleb Salmon Designer Gail Pfeifer Chair Brennan Shreves Lynn Grant Program/Webmaster Security Gabrielle Wood *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States Glynnis Cowdery DIRECTOR Emmaline Coartney Usher Coordinator Asst. Stage Manager Production Assistant Linda Nomura The Scenic Designer is a member of United Scenic Artists Union Iasmine Klauber Arts + Rec Joe Coe Miranda Ketchum Nick Dowd Pat Mitchell Ann Meredith Kevin Safine Johnny Silveira Center REP is a member of Theatre Bay Area and Theatre Communications Group (TCG), The National Organization for the American Theatre CAST Company, PlayGround, CCMT, DAE, Town the UK. Shirley Valentine has been named Eastern Band of the Cherokee Nation in the KIMBERLY MOHNE HILL (Dialect Coach) has villainous Pierre LeChance on “The Guiding Hall Theatre Company and she is a resident “one of the 10 most influential British plays of mountains of North Carolina for their yearly coached over 120 shows for such companies as Light," and played guitar and harmonica in Unto These Hills Shirley Valentine .................Kerri Shawn actress with Fantasy Forum Actor's Ensemble. the 20th Century.” summer production of . It’s A.C.T., SF Playhouse, TheatreWorks, Berkeley many rock, blues, and country western bands Kerri has been the recipient of the Shellie nice to be back home at Center REP. Rep, San Jose Rep, Arizona Theater Co, at all the notable dives in NYC. Award, the Dean Goodman Award and was GEORGE MAGUIRE (Director) is CityLights, the Aurora Theater, Marin Theater SCOTT DENISON (Lighting Designer/ Company and San Jose Stage Company. She TIME AND PLACE honored by the Eugene O'Neill Foundation thrilled to return to Center REP with their special award, along with Richard and his endearing bond with both Managing Director) has been the General is thrilled to be returning to Center REP for Manager for the Lesher Center for the Arts Shirley Valentine after having served as the James, for twenty five years of participating Kerri Shawn and Shirley Valentine. The mid-1980s since it opened 27 years ago and has worked original production’s Dialect Coach the first in Student Days at Tao House in Danville. She It has been 13 years since the DIRECTOR'S NOTES The kitchen of a semi-detached house for the Arts in this area for over 44 years. Scott time it was mounted here! Kimberly is an has performed in one other one woman show last foray into this remarkable and a Greek Island has directed over 150 productions, including Associate Professor and the current chair of for Center REP. She played Ann Landers in The journey for them. His other The Wizard of Oz, the musical hit Cinderella, the Department of Theater & Dance at Santa Lady With All The Answers In the 1998-99 season at Center REP, a Shirley Valentinewill be performed , directed by her productions with REP are the Shellie Award Disney’s Beauty and the Beast, Hairspray, The Clara University where she teaches Acting, with one fifteen minute intermission. husband Scott Denison. Scott and Kerri have winning Our Town and as an actor Woman Music Man, Les Misérables and for the past 20 Voice & Speech, Dialects, Improv and Musical wildly successful journey of joy began three beautiful daughters; Jennifer, Kelley and in Black opposite Richard James. George has seasons Center REP’s A Christmas Carol as well Theater along with directing shows in their with Kerri Shawn and myself joining Amanda and two awesome granddaughters; directed projects for A.C.T., the Great Lakes as all Fantasy Forum productions since 1970. theater season. Smith & Kraus publishers has forces to create Shirley Valentine for the PROFILES Grace Dawn and Sadie May. All of them are Shakespeare Festival, the Willows Theater, He created and produces the annual Shellie published three of Kim’s books – Scenes in "marvelous, brave, living women" and they New Conservatory Theatre, SummerRep Santa Awards now celebrating 39 years. Scott has Dialect for Young Actors and Monologues in audiences.
Load more

Recommended publications
  • Asolo Rep Continues Its 60Th Season with NOISES OFF Directed By
    NOISES OFF Page 1 of 7 **FOR IMMEDIATE RELEASE** February 25, 2019 Asolo Rep Continues its 60th Season with NOISES OFF Directed by Comedic Broadway Veteran Don Stephenson March 20 - April 20 (SARASOTA, February 25, 2019) — Asolo Rep continues its celebration of 60 years on stage with Tony Award®-winner Michael Frayn's rip-roaringly hilarious play NOISES OFF, one of the most celebrated farces of all time. Directed by comedic Broadway veteran Don Stephenson, NOISES OFF previews March 20 and 21, opens March 22 and runs through April 20 in rotating repertory in the Mertz Theatre, located in the FSU Center for the Performing Arts. A comedy of epic proportions, NOISES OFF has been the laugh-until-you-cry guilty pleasure of audiences for decades. With opening night just hours away, a motley company of actors stumbles through a frantic, final rehearsal of the British sex farce Nothing On, and things could not be going worse. Lines are forgotten, love triangles are unraveling, sardines are flying everywhere, and complete pandemonium ensues. Will the cast pull their act together on stage even if they can't behind the scenes? “With Don Stephenson, an extraordinary comedic actor and director at the helm, this production of NOISES OFF is bound to be one of the funniest theatrical experiences we have ever presented,” said Asolo Rep Producing Artistic Director Michael Donald Edwards. “I urge the Sarasota community to take a break and escape to NOISES OFF, a joyous celebration of the magic of live theatre.” Don Stephenson's directing work includes Titanic (Lincoln Center, MUNY), Broadway Classics (Carnegie Hall),Of Mice and Manhattan (Kennedy Center), A Comedy of Tenors (Paper Mill Playhouse) and more.
    [Show full text]
  • The Life Artistic: July / August 2016 Wes Anderson + Mark Mothersbaugh
    11610 EUCLID AEUE, CLEELAD, 44106 THE LIFE ARTISTIC: JULY / AUGUST 2016 WES ANDERSON + MARK MOTHERSBAUGH July and August 2016 programming has been generously sponsored by TE LIFE AUATIC ... AUATIC TE LIFE 4 FILMS! ALL 35MM PRINTS! JULY 7-29, 2016 THE CLEVELAND INSTITUTE OF ART CINEMATHEQUE 11610 EUCLID AVENUE, UNIVERSITY CIRCLE, CLEVELAND OHIO 44106 The Cleveland Institute of Art Cinematheque is Cleveland’s alternative film theater. Founded in 1986, the Cinematheque presents movies in CIA’s Peter B. Lewis Theater at 11610 Euclid Avenue in the Uptown district of University Circle. This new, 300-seat theater is equipped with a 4K digital cinema projector, two 35mm film projectors, and 7.1 Dolby Digital sound. Free, lighted parking for filmgoers is currently available in two CIA lots located off E. 117th Street: Lot 73 and the Annex Lot. (Those requiring disability park- ing should use Lot 73.) Enter the building through Entrance C (which faces E. 117th) or Entrance E (which faces E. 115th). Unless noted, admission to each screening is $10; Cinematheque members, CIA and Cleveland State University I.D. holders, and those age 25 & under $7. A second film on LOCATION OF THE the same day generally costs $7. For further information, visit PETER B. LEWIS THEATER (PBL) cia.edu/cinematheque, call (216) 421-7450, or send an email BLACK IL to [email protected]. Smoking is not permitted in the Institute. TH EACH FILM $10 • MEMBERS, CIA, AGE 25 & UNDER $7 • ADDITIONAL FILM ON SAME DAY $7 OUR 30 ANNIVERSARY! FREE LIGHTED PARKING • TEL 216.421.7450 • CIA.EDU/CINEMATHEQUE BLOOD SIMPLE TIKKU INGTON TE LIFE ATISTIC: C I N E M A T A L K ES ADES AK TESBAU ul 72 (4 lms) obody creates cinematic universes like es Anderson.
    [Show full text]
  • The Seagull Anton Chekhov Adapted by Simon Stephens
    THE SEAGULL ANTON CHEKHOV ADAPTED BY SIMON STEPHENS major sponsor & community access partner WELCOME TO THE SEAGULL The artists and staff of Soulpepper and the Young Centre for the Performing Arts acknowledge the original caretakers and storytellers of this land – the Haudenosaunee Confederacy, and Wendat First Nation, and The Mississaugas of the Credit First Nation who are part of the Anishinaabe Nation. We commit to honouring and celebrating their past, present and future. “All around the world and throughout history, humans have acted out the stories that are significant to them, the stories that are central to their sense of who they are, the stories that have defined their communities, and shaped their societies. When we talk about classical theatre we want to explore what that means from the many perspectives of this city. This is a celebration of our global canon.” – Weyni Mengesha, Soulpepper’s Artistic Director photo by Emma Mcintyre Partners & Supporters James O’Sullivan & Lucie Valée Karrin Powys-Lybbe & Chris von Boetticher Sylvia Soyka Kathleen & Bill Troost 2 CAST & CREATIVE TEAM Cast Ghazal Azarbad Stuart Hughes Gregory Prest Marcia Hugo Boris Oliver Dennis Alex McCooeye Paolo Santalucia Peter Sorin Simeon Konstantin Raquel Duffy Kristen Thomson Sugith Varughese Pauline Irina Leo Hailey Gillis Dan Mousseau Nina Jacob Creative Team Daniel Brooks Matt Rideout Maricris Rivera Director Lead Audio Engineer Producing Assistant Anton Chekhov Weyni Mengesha Megan Woods Playwright Artistic Director Associate Production Manager Thomas Ryder Payne Emma Stenning Corey MacVicar Sound Designer Executive Director Associate Technical Director Frank Cox-O’Connell Tania Senewiratne Nik Murillo Associate Director Executive Producer Marketer Gregory Sinclair Mimi Warshaw Audio Producer Producer Thank You To Michelle Monteith, Daren A.
    [Show full text]
  • David Rabe's Good for Otto Gets Star Studded Cast with F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perl
    David Rabe’s Good for Otto Gets Star Studded Cast With F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perlman and More t2conline.com/david-rabes-good-for-otto-gets-star-studded-cast-with-f-murray-abraham-ed-harris-mark-linn-baker-amy- madigan-rhea-perlman-and-more/ Suzanna January 30, 2018 Bowling F. Murray Abraham (Barnard), Kate Buddeke (Jane), Laura Esterman (Mrs. Garland), Nancy Giles (Marci), Lily Gladstone (Denise), Ed Harris (Dr. Michaels), Charlotte Hope (Mom), Mark Linn- Baker (Timothy), Amy Madigan (Evangeline), Rileigh McDonald (Frannie), Kenny Mellman (Jerome), Maulik Pancholy (Alex), Rhea Perlman (Nora) and Michael Rabe (Jimmy), will lite up the star in the New York premiere of David Rabe’s Good for Otto. Rhea Perlman took over the role of Nora, after Rosie O’Donnell, became ill. Directed by Scott Elliott, this production will play a limited Off-Broadway engagement February 20 – April 1, with Opening Night on Thursday, March 8 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street). Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures a whole American community on the edge. Like their patients and their families, Dr. Michaels (Ed Harris), his colleague Evangeline (Amy Madigan) and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness, to hold onto the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity.
    [Show full text]
  • Read Article
    Conscious Arts Artist in focus – Spiritual Music One of Earth’s Angels LIA SCALLON “Although ‘The Sounds of Sirius’ may be described as music, I didn’t set out to become a singer or musician!”, says Lia. “Somehow, I’ve been gifted a way to tap into that river of creative soul energy, which expresses itself through me, in sacred song and sacred language. It’s a constant wonder to me and I feel blessed to be able to bring comfort, joy and even transformation to others. Because they touch people so deeply, I describe these ‘sounds’ as Soul Healing”. ne of eight children from an Irish, Catholic Acting also gave Lia the means to come to Australia. “I love family, Lia was educated at boarding school, this country”, says Lia. “It was in Australia that I started to Oby nuns. “From a young age, I was interested really grow up, to learn independent thought, to stand up in things spiritual, which created quite a deal of conflict for myself, to question the strict religious dogma I’d grown for me” says Lia. “I always felt that I had some sort of up with and to open up spiritually”. mission to perform and I became terrified that meant I Here too, Lia found the freedom to discover her gift would have to become a nun!” of channelled song. “1990 began a period of intense soul Instead of becoming a nun, Lia became an actress! She searching for me”, she says. “I became ill and knew I had to has shared the big screen with the likes of Cate Blanchett, go deep inside myself, for the answers.
    [Show full text]
  • Rewriting Theatre History in the Light of Dramatic Translations
    Quaderns de Filologia. Estudis literaris. Vol. XV (2010) 195-218 TEXT, LIES, AND LINGUISTIC RAPE: REWRITING THEATRE HISTORY IN THE LIGHT OF DRAMATIC TRANSLATIONS John London Goldsmiths, University of London Grup de Recerca en Arts Escèniques, Universitat Autònoma de Barcelona Although the translation of dramatic texts has received considerable scholarly attention in the last twenty years, a great deal of this energy has been devoted to theoretical or practical issues concerned with staging. The specific linguistic features of performed translations and their subsequent reception in the theatrical culture of their host nations have not been studied so prominently. Symptomatic of this is the sparse treatment given to linguistic translation in general analyses of theatrical reception (Bennett, 1997: 191- 196). Part of the reluctance to examine the fate of transformed verbal language in the theatre can be attributed to the kinds of non-text-based performance which evolved in the 1960s and theoretical discourses which, especially in France, sought to dislodge the assumed dominance of the playtext. According to this reasoning, critics thus paid “less attention to the playwrights’ words or creations of ‘character’ and more to the concept of ‘total theatre’ ” (Bradby & Delgado, 2002: 8). It is, above all, theatre history that has remained largely untouched by detailed linguistic analysis of plays imported from another country and originally written in a different language. While there are, for example, studies of modern European drama in Britain (Anderman, 2005), a play by Shakespeare in different French translations (Heylen, 1993) or non-Spanish drama in Spain (London, 1997), these analyses never really become part of mainstream histories of British, French or Spanish theatre.
    [Show full text]
  • Study Guide: the Elderquest in Today’S Movies and Novels
    THE ElderquestIN TODAY'S MOVIES AND NOVELS A Study Guide Developed by the Osher Lifelong Learning Institute (OLLI) At the University of Massachusetts Boston Funded in part by a grant from The National Endowment for the Humanities Visit Our Website: www.olli.umb.edu\elderquest © Copyright, 2006, the Gerontology Institute, John W. McCormack Graduate School of Policy Studies, University of Massachusetts Boston. Gerontology Institute University of Massachusetts Boston 100 Morrissey Blvd. Boston, MA 02125-3393 Call: (617) 287-7300; fax: (617) 287-7080 e-mail: [email protected] Gerontology Institute website: http://www.geront.umb.edu/ Osher Life Long Learning Institute website: http://www.olli.umb.edu Study Guide: The Elderquest in Today’s Movies and Novels Introduction For Facilitators and Discussion Leaders The background information and many of the questions for discussion contained in this study guide seemed essential since the Elderquest, its history, its nature, and its implications are such new subjects, ones that have been researched, developed, and tested by Chuck Nicholas and the other members of the project staff. The insistence that all facilitators have doctorates in the humanities is, on the other hand, a requirement that the National Endowment for the Humanities builds into all its educational program grants. Some of you have had to ask for exceptions to this requirement, and in all instances, we have approved these exceptions because you have come up with people who are both experienced teachers and also have a special interest in film, literature, and/or aging. In short, we are fully confident that you will all do an excellent job introducing your students to this new, timely, entertaining and yet extremely important subject, one that promises to have a direct personal impact on its participants.
    [Show full text]
  • 41835 Shades Grey 2
    BOXING CLEVER AND HOLLYWOOD REMEMBERING PAST GROWS UP TIMES Movies offering big characters, An album featuring Frank Ifield’s Golden Greats, a grown-up dramas and tales of 1963 Eagle football annual and a Keith Show late-blooming love are proving to catalogue dating back to 1951 are among the have mass appeal – and it’s latest items sourced for Moray Libraries’ estimated that around a third of reminiscence boxes. forthcoming Hollywood Since their introduction last year, reminiscence productions are being made with an boxes have become very popular, the objects eye on older audiences. they contain sparking off great chat and And three films from that so-called ‘golden discussion about past times. generation’ genre have been amongst the most Each box contains a selection of objects from the borrowed from the Moray Libraries Service DVDs 1950s-1970s, and regular borrowers include care collection. homes, day services and sheltered housing. Carers ‘Quartet’ stars Maggie Smith, Tom Courtenay and and relatives are also welcome to borrow Pauline Collins and Billy Connolly as residents of a reminiscence boxes, which are loaned for a period home for retired musicians whose plans for an of up to four weeks, free of charge. annual fundraising concert on the birthday of Principal librarian Sheila Campbell said: “The Giuseppe Verdi take a twist. reminiscence boxes have become an important ‘Hope Springs’ sees ageing married couple Meryl part of our stock. They have generated very good Streep and Tommy Lee Jones seek therapeutic feedback. Among the comments received have help with their moribund sex life. been, ‘they created good group discussion,’, ‘residents were very enthusiastic to talk about In ‘The Best Exotic Marigold Hotel’ Bill Nighy, Celia their memories’ and ‘the box brought back many Imrie, Dame Judi Dench and Dame Maggie Smith memories – can’t wait for the next one’.
    [Show full text]
  • 1 the Programme for the 56Th BFI London Film Festival in Partnership
    The programme for the 56th BFI London Film Festival in partnership with American Express launched on Wednesday 5 September XQGHUWKHQHZFUHDWLYHOHDGHUVKLSRI%),¶V+HDGRI Exhibition and Festival Director, Clare Stewart, bringing a rich and diverse programme of international films and events from both established and upcoming talent over a 12 day celebration of cinema. The Festival will screen a total of 225 fiction and documentary features, including 12 World Premieres, 12 International Premieres and 35 European Premieres*. There will also be screenings of 111 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, master classes, and other special events. The 56th BFI London Film Festival will run from 10-21 October 2012. 7KLV\HDUVHHVWKHLQWURGXFWLRQRIVHYHUDOFKDQJHVWRWKH)HVWLYDO¶VIRUPDW1RZWDNLQJ place over 12 days, the Festival expands further from its traditional Leicester Square cinemas ± Odeon West End, Vue West End, Odeon Leicester Square and Empire ± and the BFI Southbank to include four additional new venues ± Hackney Picturehouse, Renoir, Everyman Screen on the Green and Rich Mix, which join existing London venues the ICA, Curzon Mayfair, Ritzy Brixton and Ciné Lumière. GALAS 7KH)HVWLYDORSHQVZLWKWKH(XURSHDQ3UHPLHUHRI7LP%XUWRQ¶V'DQLPDWLRQ )5$1.(1:((1,(ZKLOVW0LNH1HZHOO¶VYLVXDOO\VWXQQLQJDGDSWDWLRQRI*5($7 EXPECTATIONS, starring Helena Bonham Carter and Ralph Fiennes will close the Festival, with key talent from both films expected to attend. Among the highly anticipated Galas is the American Express Gala World Premiere of CROSSFIRE HURRICANE, a documentary celebrating 50 years of rock legendsThe Rolling Stones who are also expected to attend the Festival. For the first time this year both the Opening Night Gala and the American Express Gala red carpet events and screenings will be screened simultaneously to cinemas across the UK.
    [Show full text]
  • The Semi-Circle Library of Plays Tony O'sullivan 061 692 39 01 As at Sept 2017
    The Semi-Circle Library of Plays Tony O'Sullivan 061 692 39 01 as at Sept 2017 Title of Play Writer Writer Length Last Name First Name . Play On Abbot Rick Full Length Pythagorus Abse Dannie Full Length Bites Adshead Kay Full Length The Christ of Coldharbour Lane Agboluaje Oladipo Full Length The American Dream Albee Edward Full Length The Zoo Story Albee Edward Full Length Who's Afraid of Virginia Woolf? Albee Edward Full Length Ardele (book) Anouilh Jean Full Length Restless Heart (book) Anouilh Jean Full Length Time Remembered (book) Anouilh Jean Full Length Mademoiselle Colombe (book) Anouilh Jean Full Length Ring Round The Moon Anouilh Jean Full Length The Waltz Of The Toreadors Anouilh Jean Full Length Antigone (book) Anouilh Jean Full Length The Lark (book) Anouilh Jean Full Length Poor Bitos (book) Anouilh Jean Full Length Leocardia (book) Anouilh Jean Full Length Old-World Arbuzov Aleksei One Act The Waters of Babylon (book) Arden John Full Length Live Like Pigs (book) Arden John Full Length The Happy Haven (book) Arden John Full Length The Acharnians (book) Aristophanes Full Length The Clouds (book) Aristophanes Full Length Lysistrata (book Aristophanes Full Length Fallen Heros Armstrong Ian One Act Joggers Aron Geraldine One Act Bar and Ger Aron Geraldine One Act The Ascent of F6 (book) Auden W. H. Full Length On the Frontier (book) Auden W. H. Full Length Table Manners (book) Ayckbourn Alan Full Length Living Together (book) Ayckbourn Alan Full Length Round and Round the Garden (book) Ayckbourn Alan Full Length Henceforward...
    [Show full text]
  • Noises Off | Full Playbill
    PLAYBILL 2021 SEASON COMMUNITY CIRCLE THEATRE, INC. | FUN HOME | JULY 12-28 1 GENERAL INFORMATION BOX OFFICE HOURS MONDAY - FRIDAY | 12PM - 5PM MONDAY - FRIDAY PERFORMANCE DAYS | 12PM - CURTAIN SATURDAY | 2PM - CURTAIN SUNDAY | 12PM - CURTAIN LATE ARRIVALS Patrons arriving late will be seated at the House Manager’s discretion. NO STANDING No standing is permitted in the back of the theatre. If you become uncomfortable and/or have to move out of your seat for any reason, you may stretch your legs in the upper or lower lobby. ELECTRONIC DEVICES Please turn off all electronic devices that light up or make noise. Please, no texting. The taking of pictures and/or recordings (audio or video) is prohibited; the device may be taken from you and held until after the show. EMERGENCY CALLS If you anticipate the need to be reached in the event of an emergency, you may leave your name and seat number with the House Manager. A House Manager will also be available in the House during the run of the show. Our emergency contact number is 616 632 2996. In the event that someone is not available at this number, Aquinas College Campus Safety’s number is 616 632 2462; a dispatcher is available 24/7. YOUNG AUDIENCE Most Main Stage productions are geared toward mature audiences and may not be appropriate for younger audiences. Our Magic Circle productions provide wonderful family entertainment and an introduction to the live theatre experience. Please call the box office at 616 456 6656 for information on age appropriateness of any of our shows.
    [Show full text]
  • The Daily Egyptian, February 15, 1990
    Southern Illinois University Carbondale OpenSIUC February 1990 Daily Egyptian 1990 2-15-1990 The aiD ly Egyptian, February 15, 1990 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_February1990 Volume 75, Issue 100 This Article is brought to you for free and open access by the Daily Egyptian 1990 at OpenSIUC. It has been accepted for inclusion in February 1990 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily Egyptian Southern Illinois University at Carbondale Thursday, February 15. 1990, VoL '75, No. 100,20 Pages Death threats no concern to Bush Daily Egyptian wire services based drug cartels have marked from Indiana kidnapped by leftist way deemed appropriate to belp MedeWn cartel, told police and Bush f<r death in reuiliaIion f<l" his guerriUas remained in captivity resolve this situation. The United journalists where they could find President Bush will wear a buI· :!:lO",o: .nri~ stmd and efforts 10 Wednesday. A second American States government cannot allow the COUDtIy's tbn:e largest cocaine Iet·proof vest f<l" much of his >lay b...~g thfo rlrug loms to jUo:lo:'::: ;., 1cidnapped was said to have been Ihn:aIS of IemJrism 10 influence ::s processing labs, police in BogOla in Colombia for the anti-<:ocaine U.S. courts. f't".Ieaseo. lAo.. y':~':" - I"'flU!d nor con­ policies Ill' its activities. " said Wednesday. summit but says be's oot worried However, Colombia's mOSlIlOll>­ firm tIJe rq,.,.;.., Police confmned Wedoesday About 25 journalists accompa­ about his safety or that of his rious drug cartel turned over to In Washington, White nu.
    [Show full text]