Popularity of Bollywood Romantic Genre Among Youth
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Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi. -
Indian Film Festival Los Angeles to Open with Imtiaz Ali Evening
HOME > FILM > FESTIVALS FEBRUARY 19, 2020 8:00AM PT Indian Film Festival Los Angeles to Open With Imtiaz Ali Evening By SHALINI DORE CREDIT: AMAN DHILLON The Indian Film Festival Los Angeles will kick off not with a new film, but what is billed as An Evening With Imtiaz Ali, the writer-director of such films as “Jab We Met” and “Rockstar.” He will be joined for an onstage conversation with filmmaker Anurag Kashyap. A screening of Ali’s 2014 film “Highway” will then unspool. The opening night gala presentation takes place April 1 at ArcLight Hollywood. “The MisEducation of Bindu,” directed by Prarthana Mohan and produced by Mark and Jay Duplass, will close the festival on April 5. In between, a bevy of international film festival hits from Tribeca and SXSW to Venice and Toronto will screen including Bhaskar Hazarika’s “Aamis,” Arati Kadav’s “Cargo,” Alankrita Shrivastava’s “Dolly Kitty and Those Twinkling Stars,” Gitanjali Rao’s animated “Bombay Rose” and Geetu Mohandas’ Malayalam-language “Moothoon.” There will also be an array of documentaries and shorts playing during the festival, which runs April 1-5 at Regal L.A. Live. “This year’s lineup exemplifies the boundless creativity on display in the Indian independent film community and its diaspora” said Mike Dougherty, IFFLA’s director of programming. “Visitors to IFFLA this year have their choice of animation, sci- fi/fantasy, romance, documentary, comedy, thriller and more, in films that in typical IFFLA fashion deal with hard-hitting political themes, and that challenge as well as entertain. I couldn’t be more proud of the films we’re presenting.” /. -
CONSIGNES Semaine Du 23 Au 27 Mars Travail À Faire Sur La
CONSIGNES Semaine du 23 au 27 mars Travail à faire sur la thématique des films Pour suivre le cours de cette semaine voici les étapes à suivre : 1- D’abord, vous lisez attentivement la trace écrite en page 2 puis vous la recopiez dans votre cahier. 2- Ensuite, vous compléter au crayon à papier la fiche en page 3. Pour faire cela, vous devez d’abord lire toutes les phrases à trou puis lire chaque proposition et ensuite essayez de compléter les trous. 3- Pour terminer, vous faites votre autocorrection grâce au corrigé qui se trouve en page 4 1 Monday, March 23rd Objectif : Parler des films Film vocabulary I know (vocabulaire de film que je connais) : - film (UK) / movie (USA) - actor = acteur / actress = actrice - a trailer = une bande annonce - a character = un personnage 1. Different types of films - Activity 2 a 1 page 66 (read, listen and translate the film types) An action film = un film d’action / a comedy = une comédie / a drama = un drame / an adventure film = un film d’aventure / an animation film = un film d’animation = un dessin animé / a fantasy film = un film fantastique / a musical = une comédie musicale/ a spy film = un film espionnage / a horror film = un film d’horreur / a science fiction film = un film de science fiction. - Activity 2 a 2 page 66 (listen to the film critic and classify the films) Johnny English Frankenweenie The Hobbit Les Misérables The Star Wars Reborn (French) series - A comedy, - An animation - A fantasy film - a musical - the series are film, science fiction - An action film - an adventure - a drama films and and - A comedy and film - adventure films - A spy film - A horror film 2. -
Lights, Camera, Action: Romantic Comedies from The
LIGHTS, CAMERA, ACTION: ROMANTIC COMEDIES FROM THE MALE PERSPECTIVE By TERESA TACKETT Bachelor of Arts in Public Relations Oklahoma State University Stillwater, Oklahoma 2011 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE May, 2016 LIGHTS, CAMERA, ACTION: ROMANTIC COMEDIES FROM THE MALE PERSPECTIVE Thesis Approved: Dr. Danny Shipka Thesis Adviser Dr. Cynthia Nichols Dr. BobbiKay Lewis ii Name: TERESA TACKETT Date of Degree: MAY, 2016 Title of Study: LIGHTS, CAMERA, ACTION: ROMANTIC COMEDIES FROM THE MALE PERSPECTIVE Major Field: MASS COMMUNICATIONS Abstract: Romantic comedies are cited as the highest-viewed film genre of the twenty-first century, yet there is a lack of academic research concerning film consumers’ attitudes toward the genre and the plausibility of learning and adopting behavior because of romantic content. This thesis addresses those gaps in the literature. A qualitative interview analysis was conducted with ten male film consumers who reported their ideas, opinions and experiences with the top ten highest-grossing romantic comedies from 2009-2015. As a result, five main themes emerged, which are (a) men cite romantic comedies as setting unrealistic expectations for relationships; (b) men are put off by the predictability of the genre; (c) men do not consume the genre with other men; (d) men use romantic comedies as a learning tool; and, (e) men cite drama in relationships as the most relatable aspect of romantic comedies. The data set was rich and descriptive in nature and the qualitative interview analysis supported the advancement of four theories, including Social Cognitive Theory, Cultivation Theory, Third-person Effect Theory and Spiral of Silence Theory. -
The Representation of Women in Romantic Comedies Jordan A
Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-24-2017 Female Moments / Male Structures: The Representation of Women in Romantic Comedies Jordan A. Scharaga Ursinus College, [email protected] Adviser: Jennifer Fleeger Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Scharaga, Jordan A., "Female Moments / Male Structures: The Representation of Women in Romantic Comedies" (2017). Media and Communication Studies Honors Papers. 6. https://digitalcommons.ursinus.edu/media_com_hon/6 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Female Moments/Male Structures: The Representation of Women in Romantic Comedies Jordan Scharaga April 24, 2017 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Distinguished Honors in the Media and Communication Studies Department. Abstract: Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. -
Film Genre Moving Image Arts
NEW REVISED GCSE FILM GENRE MOVING IMAGE ARTS 1 Film Genre CONTENTS INTRODUCTION 3 Genre Fact Sheet: HORROR 5 THE WESTERN 8 ACTION/ADVENTURE 11 ROMANTIC COMEDY 14 SCIENCE FICTION 17 CRIME 20 2 Genre: INTRODUCTION 3 The study of genre underpins the entire GCSE Moving Image Arts Course. Students will be expected to recognise specific film genre conventions from the specification’s set list of six core genres, and also to use them in their own creative practice. The current list of set core genres is: • Horror; • Western; • Action/Adventure; • Romantic Comedy; • Science Fiction; • Crime. CCEA will review the list of set genres every two years. Students should be able to recognise and identify the following characteristic elements within each of the set genres: Element Description Iconography Genre films can be identified by key iconic images. Setting Some genres have a distinct location or time period associated with them. Narrative Genre films employ specific story structures and narrative devices. Characters Some characters are associated with particular genres and can attain the status of generic types. Style Genre films can be identified by specific visual and audio techniques. Theme Genre films often have characteristic themes. This booklet contains fact sheets on each of the six set genres and provides some examples of genre specific conventions and characteristics. Some recommended films for each genre are also listed. 4 Genre and the Audience Students should be able to recognise the role of audience and how it informs the storytelling styles and conventions followed by the set genres. It should be clear to students what type of audiences certain genres are primarily aimed at. -
Research Publications of the Faculty
UNIVERSITY OF ALLAHABAD RESEARCH PUBLICATIONS OF THE FACULTY DEPARTMENT OF ANCIENT HISTORY, CULTURE & ARCHAEOLOGY Roy, Anamika. (2019).GolakiMatth: Vamadeva and Shahdol Yogini Images.In: Experiencing the Goddess: On the Trail of the Yoginis (edited by Stella Dupuis).pp. 37-62. New Delhi, India: Aryan Books International. Ojha, A P, Edited the Journal ‘History and Archaeology’ (Vol. 1, No. 1, 2019) published by the Department of Ancient History, Culture and Archaeology, University of Allahabad. Kumar, Harsh.(2019).Rta and Vedic Cosmos : An Analysis. In: Bridging the Past. pp 149 -155. New Delhi, India : Anamika Publishers & Distributors. DEPARTMENT OF ANTHROPOLOGY Tripathi M, Mishra SK. Screen time and adiposity among children and adolescents: a systematic review. Journal of Public Health: From Theory to Practice. 2019. https://doi.org/10.1007/s10389-019-01043-x. [Springer-Verlag GmbH Germany] Kumar L, Agrawal N, Pandey VK, Rai AK, Mishra SK, Pandey VS. Era-Interim forced simulation of Indian Summer Monsoon. Marine Geodesy.2019. DOI: 10.1080/01490419.2019.1654050. [Taylor & Francis, France; Impact factor: 0.9] Moharana, K. C. (2019). Can we mitigate climate change with a new culture of consumption? The Eastern Anthropologist.Volume 72 Number 1-2 January-June 2019 pp1-24 Tomar, S.K.S. and Moharana, K.C. (2020). Shadows of the Street: India’s Street Children. Journal of Sociology and Social Anthropology, 11(1-2) 1-10. Patel, R. (2019). Locating Tribes in Indian Forest Policy: an overview on interface of forest rights and Scheduled Tribes. Think India Journal, 22 (2), 568-580. Patel, R and Pal, M.C. (2019). -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student. -
Action | Adventure | Comedy | Crime & Gangster | Drama
Genres and generic conventions Below is a list of some of the main genres in film. For each genre there are broad descriptions of typical plots and characters, some aspects of mise- en-scene and theme. Genre is a very fluid idea however, and a film may not easily fit into just one genre, so sub-genres are also listed. Each description features some gaps for you to fill in- these are the names of each genre. Read the description carefully and choose one of the following genres to add into the gaps. ACTION | ADVENTURE | COMEDY | CRIME & GANGSTER | DRAMA | EPICS & HISTORICAL | HORROR | MUSICAL | SCIENCE FICTION | WAR | WESTERNS EXTENSION: for each, list 2 or 3 reasons why each example film fits in with that genre. Conventions Example films _______ are serious films. They are driven by intense plots that aim to portray realistic characters, settings, situations and stories that involve intense character development. ______ tend to eschew special-effects or action though some of these elements may feature. Traditionally, ______ films are probably the largest film genre but perhaps because it is a very broad genre that can apply to a wide range of sub genres. Some examples include melodramas, epics (historical dramas), or romantic genres. ______ biographical films (or "biopics") are a major sub-genre. 1 _________ films are exciting stories, with interesting experiences and set pieces set in a variety of exotic locales. Whilst featuring many similar aspects to the action genre, _______ films tend to see characters travelling around trying to find a Macguffin. These films can include traditional swashbucklers, serialised films, expeditions for lost continents, explorations of jungles, deserts or even space, treasure hunts and any other form of “search” or “hunt”. -
Current Affairs Questions and Answers for February 2010: 1. Which Bollywood Film Is Set to Become the First Indian Film to Hit T
ho”. With this latest honour the Mozart of Madras joins Current Affairs Questions and Answers for other Indian music greats like Pandit Ravi Shankar, February 2010: Zakir Hussain, Vikku Vinayak and Vishwa Mohan Bhatt who have won a Grammy in the past. 1. Which bollywood film is set to become the first A. R. Rahman also won Two Academy Awards, four Indian film to hit the Egyptian theaters after a gap of National Film Awards, thirteen Filmfare Awards, a 15 years? BAFTA Award, and Golden Globe. Answer: “My Name is Khan”. 9. Which bank became the first Indian bank to break 2. Who becomes the 3rd South African after Andrew into the world’s Top 50 list, according to the Brand Hudson and Jacques Rudoph to score a century on Finance Global Banking 500, an annual international Test debut? ranking by UK-based Brand Finance Plc, this year? Answer: Alviro Petersen Answer: The State Bank of India (SBI). 3. Which Northeastern state of India now has four HSBC retain its top slot for the third year and there are ‘Chief Ministers’, apparently to douse a simmering 20 Indian banks in the Brand Finance® Global Banking discontent within the main party in the coalition? 500. Answer: Meghalaya 10. Which country won the African Cup of Nations Veteran Congress leader D D Lapang had assumed soccer tournament for the third consecutive time office as chief minister on May 13, 2009. He is the chief with a 1-0 victory over Ghana in the final in Luanda, minister with statutory authority vested in him. -
Falling in Love Again : Romantic Comedy in Contemporary Cinema Pdf, Epub, Ebook
FALLING IN LOVE AGAIN : ROMANTIC COMEDY IN CONTEMPORARY CINEMA PDF, EPUB, EBOOK Stacey Abbott | 272 pages | 15 Feb 2009 | Bloomsbury Publishing PLC | 9781845117719 | English | New York, United Kingdom Falling in Love Again : Romantic Comedy in Contemporary Cinema PDF Book Advertisement - Continue Reading Below. Nothing beats settling into your coziest loungewear, ordering that burrito you've been craving, and sinking into your couch, ready to have your heart broken in half and then put together again by a romantic movie. Published February 15th by I. Remember, it's the s, when "morality clauses" for homosexuality were acceptable grounds for such arguments. Tauris first published January 1st Facebook Twitter Instagram LinkedIn. Golden Globe. Boy meets girl in awkward circumstances, and boy - eventually - gets together with girl. Librarian view Catkey: The story of lovelorn posh boy Charles and his group of friends made an overnight star of lead Hugh Grant and propelled writer Richard Curtis into the big league. Other editions. Michelle Pfeiffer. That's the core concept of Eternal Sunshine of the Spotless Mind. Soon enough, Therese meets and falls smitten with Carol Cate Blanchett , and the two start a romance. A New Direction in Comedian Comedy? Your name. Well, Harper Zoey Deutch and Charlie Glen Powell , two assistants to high-powered people in New York City, may have learned a thing or two from those iconic clever twins. Due to recent events concerning the coronavirus, some of the movies release dates have been pushed to , but we'll keep them on here since they were originally slated for this year. Falling in love again : romantic comedy in contemporary cinema. -
Analyzing Imtiaz Ali As an Auteur
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2017 by ASCO 2017, Vol. 7, No. 1 Amity University Rajasthan Analyzing Imtiaz Ali as an Auteur Kanika Kachroo Arya Dnyanasadhana College, Mumbai University, India Abstract Imtiaz Ali is a contemporary Bollywood director whose genre is love stories. He has a stream of experimental love stories to his credit, some bench markers are Jab We Met, Rockstar and Tamasha. Not only is his storytelling a well nurtured individualistic style, but the use of techniques of cinema are also experimental. My research paper will analyse this director in the boundaries of Auteur theory. The research will be a qualitative study and methodology used will be in-depth interviews and observation and use of secondary research resources to build up affirmation towards my hypothesis. This director’s style will be compared with other stalwarts of the genre like Raj Kapoor and Yash Chopra. This will carve out his style more specifically. Imtiaz Ali has a unique style aesthetically as well as technically. He understands the psychology of his target audience and that’s what has carved a niche for him in Bollywood - a cult director of romance genre. Key words: Auteur Theory, Direction, Niche, Bollywood. Introduction Imtiaz Ali is one amongst the contemporary directors of Bollywood. His directorial debut was Socha Na Tha released in 2005. Though the movie did not do well but he received a lot of critical acclaim for it. Jab we Met (2007) and Rockstar (2011) brought him into limelight. Jab We Met was a box office success and Rockstar was appreciated in critical circles for superb rendition of a careless musician.