Falling in Love Again : Romantic Comedy in Contemporary Cinema Pdf, Epub, Ebook
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CONSIGNES Semaine Du 23 Au 27 Mars Travail À Faire Sur La
CONSIGNES Semaine du 23 au 27 mars Travail à faire sur la thématique des films Pour suivre le cours de cette semaine voici les étapes à suivre : 1- D’abord, vous lisez attentivement la trace écrite en page 2 puis vous la recopiez dans votre cahier. 2- Ensuite, vous compléter au crayon à papier la fiche en page 3. Pour faire cela, vous devez d’abord lire toutes les phrases à trou puis lire chaque proposition et ensuite essayez de compléter les trous. 3- Pour terminer, vous faites votre autocorrection grâce au corrigé qui se trouve en page 4 1 Monday, March 23rd Objectif : Parler des films Film vocabulary I know (vocabulaire de film que je connais) : - film (UK) / movie (USA) - actor = acteur / actress = actrice - a trailer = une bande annonce - a character = un personnage 1. Different types of films - Activity 2 a 1 page 66 (read, listen and translate the film types) An action film = un film d’action / a comedy = une comédie / a drama = un drame / an adventure film = un film d’aventure / an animation film = un film d’animation = un dessin animé / a fantasy film = un film fantastique / a musical = une comédie musicale/ a spy film = un film espionnage / a horror film = un film d’horreur / a science fiction film = un film de science fiction. - Activity 2 a 2 page 66 (listen to the film critic and classify the films) Johnny English Frankenweenie The Hobbit Les Misérables The Star Wars Reborn (French) series - A comedy, - An animation - A fantasy film - a musical - the series are film, science fiction - An action film - an adventure - a drama films and and - A comedy and film - adventure films - A spy film - A horror film 2. -
Lights, Camera, Action: Romantic Comedies from The
LIGHTS, CAMERA, ACTION: ROMANTIC COMEDIES FROM THE MALE PERSPECTIVE By TERESA TACKETT Bachelor of Arts in Public Relations Oklahoma State University Stillwater, Oklahoma 2011 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE May, 2016 LIGHTS, CAMERA, ACTION: ROMANTIC COMEDIES FROM THE MALE PERSPECTIVE Thesis Approved: Dr. Danny Shipka Thesis Adviser Dr. Cynthia Nichols Dr. BobbiKay Lewis ii Name: TERESA TACKETT Date of Degree: MAY, 2016 Title of Study: LIGHTS, CAMERA, ACTION: ROMANTIC COMEDIES FROM THE MALE PERSPECTIVE Major Field: MASS COMMUNICATIONS Abstract: Romantic comedies are cited as the highest-viewed film genre of the twenty-first century, yet there is a lack of academic research concerning film consumers’ attitudes toward the genre and the plausibility of learning and adopting behavior because of romantic content. This thesis addresses those gaps in the literature. A qualitative interview analysis was conducted with ten male film consumers who reported their ideas, opinions and experiences with the top ten highest-grossing romantic comedies from 2009-2015. As a result, five main themes emerged, which are (a) men cite romantic comedies as setting unrealistic expectations for relationships; (b) men are put off by the predictability of the genre; (c) men do not consume the genre with other men; (d) men use romantic comedies as a learning tool; and, (e) men cite drama in relationships as the most relatable aspect of romantic comedies. The data set was rich and descriptive in nature and the qualitative interview analysis supported the advancement of four theories, including Social Cognitive Theory, Cultivation Theory, Third-person Effect Theory and Spiral of Silence Theory. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
Laughing Allowed! It’S Funny Because It’S True
Using Physical Comedy for Building Resilience Laughing Allowed! It’s funny because it’s true A How-to Guide for Making a Physical Comedy Show to Build Will Weigler + Neighbourhood Resilience Rob Wipond + Michelle Colussi Introduction In the fall of 2014, a group of people in Victoria, and can offer new ways of exploring, discussing Canada who shared both an interest in their and resolving shared challenges. Both the neighbourhood and a quirky sense of humour development process and the show itself created were brought together to explore a question: a vibrant space for people to talk freely about Could they turn their experiences of the ups and their common challenges. The post-performance downs of neighbourhood leadership, activism conversation with the audience and project and volunteering into physical comedy sketches? participants had nearly as much shared laughter Project participants were trained in theatre and and applause as the show itself, with people physical comedy techniques over six weeks and eager to talk about what resonated most for them collaboratively developed a show called Laughing personally in the different scenes. Looking at the Allowed! The Slapstick World of Neighbourhood problems in light-hearted ways led to different Activism. The one-night-only performance drew kinds of conversations about how to bring about one hundred and fifty audience members, most changes. A full-length video and shorter clips of of whom stayed for a focused conversation the show were posted for free online, and they afterwards to explore the show’s themes. too have subsequently been used by other groups Laughing Allowed! was such a success that, to prompt reflection and discussion at their own as the facilitators, we’ve developed this guide gatherings. -
Dr. Demento Back As Our Guest of Honor to Help Celebrate 50 Years of the Dr
2 Welcome to FuMPFest 2021! We are thrilled to welcome Dr. Demento back as our guest of honor to help celebrate 50 years of The Dr. Demento Show! We’ve got a great lineup for you this weekend, including Dr. Demento’s Festival of Dementia, performances by some amazing artists, The Logan Awards, and, of course, Dumb Parody Ideas. Be sure to grab a Bin- go card and follow along with the ridiculousness. And please wear a mask. We plan to have fun, but we need to keep everyone safe. Table of Contents Page Content Guidelines for Parents 8 FuMP Bingo 14 Guests 5 Local Area Map 15 Merchandise Listing 12 Panels 4 Program Schedule 8 Special Thanks Dr. Demento, John Cafiero, Luke Ski, Insane Ian, Chris Mezzolesta, Bill Rockwell, Bad Beth and Beyond, Bill Larkin, Carla Ulbrich, Carrie Dahlby, Ian Lockwood, Nuclear Bubble Wrap, Ross Childs, Steve Goodie, The Gothsicles, Worm Quartet, Captain Ambivalent, Susan “Sulu” Dubow, Jungle Judy, Beefalo Bill, Artie Barnes, Jeff Morris, Eclectic Lee, Sara Trice, Dr. Don, MadMike, all of our spon- sors, HTB Press, Jacob Dawson and the Dorsai Irregulars, Dina Chi- appetta, Aaron Bastable, Aron Kamm, Don Bundy and Bundy Audio, Brett Ferlin, Jon “Bermuda” Schwartz, Mr. Tuesday, Ellen Macas, Kristina Winslow, Brett Krause, Doornail, James Russell, Ken Sher- lock, and of course everyone who actually showed up to this thing! FuMPFest Staff Tom Rockwell - Con Chair... aka Devo Spice, the guy who does things Luke Sienkowski - Co-chair, aka the great Luke Ski, who tells Devo to do things Chris Mezzolesta - Sound Guy, Tile Guy, Power Salad performer Ian Bonds - aka Insane Ian, hosting, so Devo doesn’t have to 3 Panel Descriptions Friday Opening Ceremonies - Welcome The Sidekicks - Join Sulu, to the con! Join us for an over- Jungle Judy (via Zoom), and view of what we have in store more to discuss being a sidekick this weekend and see this year’s on The Dr. -
The Representation of Women in Romantic Comedies Jordan A
Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-24-2017 Female Moments / Male Structures: The Representation of Women in Romantic Comedies Jordan A. Scharaga Ursinus College, [email protected] Adviser: Jennifer Fleeger Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Scharaga, Jordan A., "Female Moments / Male Structures: The Representation of Women in Romantic Comedies" (2017). Media and Communication Studies Honors Papers. 6. https://digitalcommons.ursinus.edu/media_com_hon/6 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Female Moments/Male Structures: The Representation of Women in Romantic Comedies Jordan Scharaga April 24, 2017 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Distinguished Honors in the Media and Communication Studies Department. Abstract: Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. -
Film Genre Moving Image Arts
NEW REVISED GCSE FILM GENRE MOVING IMAGE ARTS 1 Film Genre CONTENTS INTRODUCTION 3 Genre Fact Sheet: HORROR 5 THE WESTERN 8 ACTION/ADVENTURE 11 ROMANTIC COMEDY 14 SCIENCE FICTION 17 CRIME 20 2 Genre: INTRODUCTION 3 The study of genre underpins the entire GCSE Moving Image Arts Course. Students will be expected to recognise specific film genre conventions from the specification’s set list of six core genres, and also to use them in their own creative practice. The current list of set core genres is: • Horror; • Western; • Action/Adventure; • Romantic Comedy; • Science Fiction; • Crime. CCEA will review the list of set genres every two years. Students should be able to recognise and identify the following characteristic elements within each of the set genres: Element Description Iconography Genre films can be identified by key iconic images. Setting Some genres have a distinct location or time period associated with them. Narrative Genre films employ specific story structures and narrative devices. Characters Some characters are associated with particular genres and can attain the status of generic types. Style Genre films can be identified by specific visual and audio techniques. Theme Genre films often have characteristic themes. This booklet contains fact sheets on each of the six set genres and provides some examples of genre specific conventions and characteristics. Some recommended films for each genre are also listed. 4 Genre and the Audience Students should be able to recognise the role of audience and how it informs the storytelling styles and conventions followed by the set genres. It should be clear to students what type of audiences certain genres are primarily aimed at. -
One Man, Two Guvnors by Richard Bean Based on the Servant of Two Masters by Carlo Goldoni, with Songs by Grant Olding Background Pack
One Man, Two Guvnors by Richard Bean based on The Servant of Two Masters by Carlo Goldoni, with songs by Grant Olding Background pack The National's production 2 Carlo Goldoni 3 Commedia dell'arte 4 One Man, Two Guvnors – a background 5 Lazzi – comic set pieces 7 Characters 9 Rehearsal overview 10 In production: from the Lyttelton to the Adelphi 13 In production: Theatre Royal Haymarket 14 Richard Bean interview 15 Grant Olding Interview 17 Further production detailsls: This background pack is Director Learning Workpack writer www.onemantwoguvnors.com published by and copyright Nicholas Hytner National Theatre Adam Penford The Royal National Theatre South Bank Board London SE1 9PX Editor Reg. No. 1247285 T 020 7452 3388 Ben Clare Registered Charity No. F 020 7452 3380 224223 E discover@ Views expressed in this nationaltheatre.org.uk Rehearsal and production workpack are not necessarily photographs those of the National Theatre Johan Persson National Theatre Learning Background Pack 1 The National’s production The production of One Man, Two Guvnors opened in the National’s Lyttelton Theatre on 24 May 2011, transferring to the Adelphi from 8 November 2011; and to the Theatre Royal Haymarket with a new cast from 2 March 2012. The production toured the UK in autumn 2011 and will tour again in autumn 2012. The original cast opened a Broadway production in May 2012. Original Cast (National Theatre and Adelphi) Current Cast (Theatre Royal Haymarket) Dolly SuzIE TOASE Dolly JODIE PRENGER Lloyd Boateng TREvOR LAIRD Lloyd Boateng DEREk ELROy Charlie -
Popularity of Bollywood Romantic Genre Among Youth
International Journal of Disaster Recovery and Business Continuity Vol.11, No. 1, (2020), pp. 3024-3036 Popularity of Bollywood Romantic Genre among Youth Savita1, Dr Namarta Joshi2 1Research Scholar Guru Nanak Dev University 2Associate Professor Guru Nanak Dev University Abstract Romance remain Bollywood all time favourite genre and has its popularity in India and across the globe. Romantic Genre works like a magic on Box office that its involvement is enough to make the film hit. The most repeatable genre that every Bollywood Film has dealing to popularize is appearance of a hero and heroine in love. The projection of romantic track become priority no matters whether the film belongs to action, comic, horror or suspense-based theme. Romantic genre introduces the idea of escapism and entertainment among the real life of its viewers by fantasizing dreamy world. Romantic Genre of Bollywood teaches how to behave and proceed in love relationship. Youth take these films as supporting guidelines by imitating themselves in particular character of film having popularity or similarity to their life. Usage of romantic dialogue, songs and romantic cultural trends like Celebrating Valentine day, love dates are also becoming common trend among youth. This study is therefore timely a need to investigate popularity of Bollywood romantic genre films on youth. Bollywood is the mirror of the society and a medium of social change. Youth is the segment which is highly influenced and idealized popular romantic narrative the most. The survey would be conducted among the target audience to explore the popularity and impact of romantic genre on youth. -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student. -
Action | Adventure | Comedy | Crime & Gangster | Drama
Genres and generic conventions Below is a list of some of the main genres in film. For each genre there are broad descriptions of typical plots and characters, some aspects of mise- en-scene and theme. Genre is a very fluid idea however, and a film may not easily fit into just one genre, so sub-genres are also listed. Each description features some gaps for you to fill in- these are the names of each genre. Read the description carefully and choose one of the following genres to add into the gaps. ACTION | ADVENTURE | COMEDY | CRIME & GANGSTER | DRAMA | EPICS & HISTORICAL | HORROR | MUSICAL | SCIENCE FICTION | WAR | WESTERNS EXTENSION: for each, list 2 or 3 reasons why each example film fits in with that genre. Conventions Example films _______ are serious films. They are driven by intense plots that aim to portray realistic characters, settings, situations and stories that involve intense character development. ______ tend to eschew special-effects or action though some of these elements may feature. Traditionally, ______ films are probably the largest film genre but perhaps because it is a very broad genre that can apply to a wide range of sub genres. Some examples include melodramas, epics (historical dramas), or romantic genres. ______ biographical films (or "biopics") are a major sub-genre. 1 _________ films are exciting stories, with interesting experiences and set pieces set in a variety of exotic locales. Whilst featuring many similar aspects to the action genre, _______ films tend to see characters travelling around trying to find a Macguffin. These films can include traditional swashbucklers, serialised films, expeditions for lost continents, explorations of jungles, deserts or even space, treasure hunts and any other form of “search” or “hunt”. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved.