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To Higher Heights
Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut. -
Korean Television Dramas, Romance, Erotics, and Race
UNIVERSITY OF CALIFORNIA Los Angeles Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Gender Studies by Min Joo Lee 2020 © Copyright by Min Joo Lee 2020 ABSTRACT OF THE DISSERTATION Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race by Min Joo Lee Doctor of Philosophy in Gender Studies University of California, Los Angeles, 2020 Professor Purnima Mankekar, Chair In this dissertation, I examine the gendered and racial politics of women’s transnational sex tourism. I draw on thirteen months of ethnographic fieldwork with women from Europe and North America who travel to South Korea to form intimate relations with South Korean men in a phenomenon known as Hallyu tourism. Hallyu (also known as the Korean Wave) is a transnational phenomenon whereby people from all over the world consume South Korean popular culture including music, films, and television programs. In my dissertation, I focus on the transnational popularity of romantic South Korean television dramas and how they generate erotic desires in their viewers for South Korean men. I build on interdisciplinary debates in the fields of Gender Studies, Asian Studies, and Media Studies to examine the racial, gendered, and sexual politics of the Hallyu tourists’ erotic desires and their intimate relationships with South Korea men. I argue that these transnational relationships of intimacy produce racialized ii discourses of South Korean masculinity emerging at the intersection of South Korean cultural conceptions of gender and transnational discourses of race. Furthermore, I suggest that these intimate encounters between South Korean men and “Western” female Hallyu tourists compel us to reconfigure binary conceptions of West versus East, national versus transnational, sex versus romance, and masculine versus feminine. -
DRAMA KIDS COSTUME SUGGESTIONS for “PARADESIA” Dear Parents: Children Doing “Paradesia” Need to Dress As Though They Live on a Tropical Island
DRAMA KIDS COSTUME SUGGESTIONS FOR “PARADESIA” Dear Parents: Children doing “Paradesia” need to dress as though they live on a tropical island. Our end of the year performance will have a Hawaiian feel. Our performance weekend is May 13-14. They will have a dress rehearsal in class the week prior to the performance. They will need to “show” their costume to their teacher 2 weeks prior to their performance (you can text or email us a picture or bring it in to the class). Then, on their show date, they will need to arrive at the Glenridge Theatre in costume and make- up for their final dress rehearsal and performance. Look at Wal-Mart, Walgreens, Goodwill/Salvation Army, Party Stores, swim stores, on-line, or consignment stores for costumes pieces. Call (941) 922-8121 if you have any questions. Girls: Girls should wear bathing suits with a floral/tropical print or bright color. They should wear a sarong, wrap-around type skirt or large scarf/fabric piece tied around their waist or around neck so as to create an “island-type” skirt/dress. They may also wear a Hawaiian sundress. They can accessories with leis, flowers in their hair, anklets and shell necklaces. *NO GRASS SKIRTS OR COCONUTS. Boys: Boys should wear a bright, tropical print bathing suit or shorts. They should go shirtless, but may wear a Hawaiian print shirt if they are self-conscious or matching tank top. They can also wear shell necklaces, anklets and leis to accessorize. Bare Feet: All children will perform with bare feet. -
Qinqiang Opera Drama Costume Connotation and Aesthetic
2nd International Conference on Education Technology, Management and Humanities Science (ETMHS 2016) Qinqiang opera drama costume connotation and aesthetic implication 1, a Yugang Chen 1Jiangxi Institute of Fashion Technology, Jiangxi, Nanchang, 330201 [email protected] Keywords: Qinqiang opera drama; Clothing; The cultural connotation Abstract. Qinqiang opera drama is one of the most exquisite stylized performance of traditional Chinese local operas. Qinqiang opera drama clothing, and other theatrical performances of traditional clothing similarity is exquisite and stylized, decorative effect as well as the audiences in the symbolization of abstract feelings, dramatic clothes in qinqiang opera drama very expressive aesthetics and art. Introduction Qinqiang opera drama as a traditional Chinese drama conductions, its dramatic clothes also represents the character appearance of traditional drama clothing, under the stylized costumes or wear shows of the respect and inheritance on traditional culture. Studies of qinqiang opera costume for one of the models, style characteristic, found that it contains the cultural connotation and aesthetic implication, the essence of traditional clothing, for the development of qinqiang opera drama has a positive and far-reaching significance. The formation of Qinqiang opera drama clothing Qin has been active in shanxi, gansu and the northwest region is the vast land of an ancient opera. The earliest qinqiang opera originated in shanxi guanzhong area, from the perspective of the change of type c, Qin Sheng, qin three stages. In the qianlong period reached for her best. From the point of geography, shanxi, gansu, ningxia, qinghai, xinjiang northwest five provinces close to geographical culture, so the ancient qin, with its wide sound big voice spoke quickly popular in this area. -
The Queer" Third Species": Tragicomedy in Contemporary
The Queer “Third Species”: Tragicomedy in Contemporary LGBTQ American Literature and Television A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Lindsey Kurz, B.A., M.A. March 2018 Committee Chair: Dr. Beth Ash Committee Members: Dr. Lisa Hogeland, Dr. Deborah Meem Abstract This dissertation focuses on the recent popularity of the tragicomedy as a genre for representing queer lives in late-twentieth and twenty-first century America. I argue that the tragicomedy allows for a nuanced portrayal of queer identity because it recognizes the systemic and personal “tragedies” faced by LGBTQ people (discrimination, inadequate legal protection, familial exile, the AIDS epidemic, et cetera), but also acknowledges that even in struggle, in real life and in art, there is humor and comedy. I contend that the contemporary tragicomedy works to depart from the dominant late-nineteenth and twentieth-century trope of queer people as either tragic figures (sick, suicidal, self-loathing) or comedic relief characters by showing complex characters that experience both tragedy and comedy and are themselves both serious and humorous. Building off Verna A. Foster’s 2004 book The Name and Nature of Tragicomedy, I argue that contemporary examples of the tragicomedy share generic characteristics with tragicomedies from previous eras (most notably the Renaissance and modern period), but have also evolved in important ways to work for queer authors. The contemporary tragicomedy, as used by queer authors, mixes comedy and tragedy throughout the text but ultimately ends in “comedy” (meaning the characters survive the tragedies in the text and are optimistic for the future). -
The Structure of Plays
n the previous chapters, you explored activities preparing you to inter- I pret and develop a role from a playwright’s script. You used imagina- tion, concentration, observation, sensory recall, and movement to become aware of your personal resources. You used vocal exercises to prepare your voice for creative vocal expression. Improvisation and characterization activities provided opportunities for you to explore simple character portrayal and plot development. All of these activities were preparatory techniques for acting. Now you are ready to bring a character from the written page to the stage. The Structure of Plays LESSON OBJECTIVES ◆ Understand the dramatic structure of a play. 1 ◆ Recognize several types of plays. ◆ Understand how a play is organized. Much of an actor’s time is spent working from materials written by playwrights. You have probably read plays in your language arts classes. Thus, you probably already know that a play is a story written in dia- s a class, play a short logue form to be acted out by actors before a live audience as if it were A game of charades. Use the titles of plays and musicals or real life. the names of famous actors. Other forms of literature, such as short stories and novels, are writ- ten in prose form and are not intended to be acted out. Poetry also dif- fers from plays in that poetry is arranged in lines and verses and is not written to be performed. ■■■■■■■■■■■■■■■■ These students are bringing literature to life in much the same way that Aristotle first described drama over 2,000 years ago. -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
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Exhibit DMG-6A Services & Pricing Effective December 20, 2019 1-800-xfinity | xfinity.com ATHENS, VT Bellows Falls, Brattleboro, Brookline, Grafton, Guilford, Jamaica, North Westminster, Rockingham, Saxtons River, Vernon & Westminster, VT 1,2 Standard Double Play BUNDLED PACKAGES Includes Limited Basic, Kids & Family, Entertainment, Sports & News, 10 Hour DVR Service, and HD programming for primary outlet and Performance Pro Internet $109.99 QUAD PLAY PACKAGES - with Blast! Internet upgrade add $20.00 QUAD PLAY PACKAGE PRICING BELOW IS ADDITIONAL TO TRIPLE PLAY - with Extreme Pro Internet upgrade add $25.00 - with Gig Internet upgrade add $30.00 PACKAGE PRICING - with Gig Pro Internet upgrade add23 $235.00 with Xfinity Home Security add37 $30.00 Select Double Play with Xfinity Home Security Plus add38 $40.00 Includes Limited Basic, Kids & Family, Entertainment, Sports & News, Digital Preferred Tier, HD programming for primary outlet, 10 Hour DVR Service and Performance Pro Internet $119.99 TRIPLE PLAY PACKAGES36 - with Blast! Internet upgrade add $20.00 $25.00 Standard Triple Play - with Extreme Pro Internet upgrade add - with Gig Internet upgrade add $30.00 Includes Limited Basic, Kids & Family, Entertainment, Sports & News and HD programming for primary outlet, 10 Hour DVR Service, Performance Pro - with Gig Pro Internet upgrade add23 $235.00 Internet and Voice Unlimited $129.99 Signature Double Play34 - with Blast! Internet upgrade add $20.00 Includes Limited Basic, Kids & Family, Entertainment, Sports & News, Digital - with Extreme -
Love Alarm (2019) Primo K-Drama Originale Netflix, La Serie Regala Una Potente Analisi Della Solitudine Adolescenziale
Love Alarm (2019) Primo k-drama originale Netflix, la serie regala una potente analisi della solitudine adolescenziale. Un film di Lee Na-jeong con So-hyun Kim, Jung Ga-ram, Song Kang. Genere Commedia Produzione Corea del sud 2019. In un mondo in cui un'app avverte le persone se piacciono a qualcuno nelle vicinanze, la giovane Kim Jojo scopre l'amore. Lorenza Negri - www.mymovies.it Kim Jo-jo (Kim So-Hyun, 'Goblin') è una studentessa di liceo che affronta quotidianamente difficoltà economiche e attriti familiari; Hwang Sun-oh (Song Kang, 'Touch Your Heart') è un compagno di liceo bello, ricco e corteggiato, il cui migliore amico è il diligente e protettivo Lee Hye-Young (Jung Ga-ram, 'Believer'), figlio della governante di casa Hwang. Tutti e tre, così come il resto della scuola e altri dieci milioni di persone nel mondo, lasciano dominare la propria vita amorosa da Love Alarm, una dating app che ti avverte della presenza di qualcuno innamorato di te nell'arco di dieci metri e che sta velocemente prendendo il sopravvento sulle vite - reali e non virtuali - degli utenti con conseguenze destinate ad avere ripercussioni personali, sociali e politiche. Il primo k-drama (ovvero serie di produzione sudcoreana) originale di Netflix è tratto da un webcomic che sviluppa un'idea alla 'Black Mirror': come in Nosedive, una app social (la Love Alarm del titolo) elude i limiti del mondo virtuale per condizionare i suoi utenti in ogni aspetto della loro vita sociale. 'Love Alarm' è, almeno nelle premesse, il tipico k-drama teen incentrato sulla ragazza squattrinata che conquista l'ambito e bel riccone: Jo-jo è orfana (i genitori si sono suicidati a causa dei debiti), povera (vive in ristrettezze con zia e cugina) e vessata, mentre Sun-oh è il teenager facoltoso, popolare ma infelice (lui lavora come modello, il padre è un politico emergente, la madre un'attrice al viale del tramonto) che si innamora di lei e la conquista. -
Incorporating Fansubbers Into Corporate Capitalism on Viki.Com
“A Community Unlike Any Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Taylore Nicole Woodhouse TC 660H Plan II Honors Program The University of Texas at Austin Spring 2018 __________________________________________ Dr. Suzanne Scott Department of Radio-Television-Film Supervising Professor __________________________________________ Dr. Youjeong Oh Department of Asian Studies Second Reader ABSTRACT Author: Taylore Nicole Woodhouse Title: “A Community Unlike Another Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Supervising Professors: Dr. Suzanne Scott and Dr. Youjeong Oh Viki.com, founded in 2008, is a streaming site that offers Korean (and other East Asian) television programs with subtitles in a variety of languages. Unlike other K-drama distribution sites that serve audiences outside of South Korea, Viki utilizes fan-volunteers, called fansubbers, as laborers to produce its subtitles. Fan subtitling and distribution of foreign language media in the United States is a rich fan practice dating back to the 1980s, and Viki is the first corporate entity that has harnessed the productive power of fansubbers. In this thesis, I investigate how Viki has been able to capture the enthusiasm and productive capacity of fansubbers. Particularly, I examine how Viki has been able to monetize fansubbing in while still staying competitive with sites who employee trained, professional translators. I argue that Viki has succeeded in courting fansubbers as laborers by co-opting the concept of the “fan community.” I focus on how Viki strategically speaks about the community and builds its site to facilitate the functioning of its community so as to encourage fansubbers to view themselves as semi-professional laborers instead of amateur fans. -
CONSIGNES Semaine Du 23 Au 27 Mars Travail À Faire Sur La
CONSIGNES Semaine du 23 au 27 mars Travail à faire sur la thématique des films Pour suivre le cours de cette semaine voici les étapes à suivre : 1- D’abord, vous lisez attentivement la trace écrite en page 2 puis vous la recopiez dans votre cahier. 2- Ensuite, vous compléter au crayon à papier la fiche en page 3. Pour faire cela, vous devez d’abord lire toutes les phrases à trou puis lire chaque proposition et ensuite essayez de compléter les trous. 3- Pour terminer, vous faites votre autocorrection grâce au corrigé qui se trouve en page 4 1 Monday, March 23rd Objectif : Parler des films Film vocabulary I know (vocabulaire de film que je connais) : - film (UK) / movie (USA) - actor = acteur / actress = actrice - a trailer = une bande annonce - a character = un personnage 1. Different types of films - Activity 2 a 1 page 66 (read, listen and translate the film types) An action film = un film d’action / a comedy = une comédie / a drama = un drame / an adventure film = un film d’aventure / an animation film = un film d’animation = un dessin animé / a fantasy film = un film fantastique / a musical = une comédie musicale/ a spy film = un film espionnage / a horror film = un film d’horreur / a science fiction film = un film de science fiction. - Activity 2 a 2 page 66 (listen to the film critic and classify the films) Johnny English Frankenweenie The Hobbit Les Misérables The Star Wars Reborn (French) series - A comedy, - An animation - A fantasy film - a musical - the series are film, science fiction - An action film - an adventure - a drama films and and - A comedy and film - adventure films - A spy film - A horror film 2. -
The Migrant Surge and the Border Mess
EARNING YOUR TRUST, EVERY DAY. 04.24.21 VOLUME 36 NUMBER 8 THE “IT JUST FEELS NICE AFTER A YEAR OF THIS. … WE’RE ALMOST THROUGH.” —EMERGING FROM A PANDEMIC, P. 38 P. PANDEMIC, A FROM —EMERGING THROUGH.” ALMOST WE’RE … THIS. OF AFTER YEAR NICE A FEELS JUST “IT MIGRANT SURGE AND THE BORDER MESS P. 44 FEATURES 04.24.21 VOLUME 36 NUMBER 8 58 REFUGEES’ GAMBIT Top chess players from Iran are seeking asylum elsewhere, following a long history of chess talent using international events to escape persecution at home by Emily Belz 38 44 52 HOPE AFTER A PANDEMIC BORDER BACKTRACKING COURTING CHRISTIANS Following a year of coronavirus The U.S.-Mexico border isn’t open, In Israel’s battle to form a coalition lockdowns, illness, and death, but a migrant surge and a mishmash government, the spotlight turns to Americans rejoice at a vaccine and of messages and policies ethnic Aramean Christians long little steps back to normal living have created another crisis overlooked by Jewish politicians by WORLD reporters by Sophia Lee by Mindy Belz HOLLIE ADAMS/GETTY IMAGES 04.24.21 WORLD DEPARTMENTS 04.24.21 VOLUME 36 NUMBER 8 5 MAILBAG 6 NOTES FROM THE CEO 68 A scene from the Netflix Korean drama series Crash Landing on You Dispatches Culture Notebook 11 NEWS ANALYSIS 21 MOVIES & TV 65 EDUCATION Major League Baseball’s The Falcon and the VIEWERS foray into voting law Winter Soldier, The Map 67 LIFESTYLE debates of Tiny Perfect Things, CONNECT TO Roe v. Wade, Sound of 68 MEDIA 13 BY THE NUMBERS Metal, The Professor K-DRAMA Broadcasting clean, and the Madman romantic fun, K-drama 14 HUMAN RACE EMOTIONALLY grows in popularity in 26 BOOKS EVEN IF the United States 15 QUOTABLES 28 CHILDREN’S BOOKS THEY DON’T 16 QUICK TAKES Voices 30 Q&A UNDERSTAND Ze’ev Chafets 8 Joel Belz IT ALL.