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Press Kit Freestyle #FE24E2
A film by DJ Organic Running Time: 80 min, Super 16mm, Color, Dolby Digital, 2005 Los Angeles: New York Tiare White Ty Bertrand Hip Hop Films 917-459-7976 310-500-8733 [email protected] [email protected] Freestyle: The Art of Rhyme 1 Press Kit WINNER "Documentary Jury Prize" Florida Film Festival WINNER "Best Documentary" “Audience Award” Pan-African Film Festival WINNER "Best Documentary" Urban-World Film Festival WINNER "Best Soundtrack" Los Angeles Independent Film Festival Freestyle: The Art of Rhyme 2 Press Kit WINNER "Best Documentary" "Maverick Award" Woodstock Film Festival WINNER "Best of The Festival" Adelaide International Film Festival OFFICIAL SELECTION Copenhagen International Documentary Film Festival Slamdance Film Festival Mostra De Valencia Film Festival Maryland Film Festival Brisbane International Film Festival Leeds International Film Festival (U.K.) SXSW Film Festival Freestyle: The Art of Rhyme 3 Press Kit "The energy is contagious, the poetry inspired, The most lively and informative movie About hip-hop since WILDSTYLE" — Amy Taubin The Village Voice "...Inspiring, mesmerizing, and creative Revolutionary street poetry.... Eloquent social knowledge, The best of rap! " — Variety " ...Takes on the culture and history of hip-hop, an awesome high-octane art form to behold, Will literally leave you speechless." — Indiewire "Vital, Pure, and un-compromised, Elevated, Zen Like, with a spirit of Scholarly form. The Best Rhymers from both coasts" -- The Chicago Reader Freestyle: The Art of Rhyme 4 Press Kit FREESTYLE: -
DJ Skills the Rise of the Hip-Hop DJ 3
The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Turntablism and Audio Art Study 2009
TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community. -
Interview with MO Just Say
ISSUE 886 $5.00 flpril 28, 1995 an exclusive interview with MO Just Say... VEDA "I Saw You Dancing" GOING FOR AIRPLAY NOW Written and Produced by Jonas Berggren of Ace OF Base 132 BDS DETECTIONS! SPINNING IN THE FIRST WEEK! WJJS 19x KBFM 30x KLRZ 33x WWCK 22x © 1995 Mega Scandinavia, Denmark It means "cheers!" in welsh! ISLAND TOP40 Ra d io Multi -Format Picks Based on this week's EXCLUSIVE HITMEKERS CONFERENCE CELLS and ONE-ON-ONE calls. ALL PICKS ARE LISTED IN ALPHABETICAL ORDER. MAINSTREAM 4 P.M. Lay Down Your Love (ISLAND) JULIANA HATFIELD Universal Heartbeat (ATLANTIC) ADAM ANT Wonderful (CAPITOL) MATTHEW SWEET Sick Of Myself (ZOO) ADINA HOWARD Freak Like Me (EASTWEST/EEG) MONTELL JORDAN This Is How...(PMP/RAL/ISLAND) BOYZ II MEN Water Runs Dry (MOTOWN) M -PEOPLE Open Up Your Heart (EPIC) BRUCE SPRINGSTEEN Secret Garden (COLUMBIA) NICKI FRENCH Total Eclipse Of The Heart (CRITIQUE) COLLECTIVE SOUL December (ATLANTIC) R.E.M. Strange Currencies (WARNER BROS.) CORONA Baby Baby (EASTWEST/EEG) SHAW BLADES I'll Always Be With You (WARNER BROS.) DAVE MATTHEWS What Would You Say (RCA) SIMPLE MINDS Hypnotised (VIRGIN) DAVE STEWART Jealousy (EASTWEST/EEG) TECHNOTRONIC Move It To The Rhythm (EMI RECORDS) DIANA KING Shy Guy (WORK GROUP) ELASTICA Connection (GEFFEN) THE JAYHAWKS Blue (AMERICAN) GENERAL PUBLIC Rainy Days (EPIC) TOM PETTY It's Good To Be King (WARNER BRCS.) JON B. AND BABYFACE Someone To Love (YAB YUM/550) VANESSA WILLIAMS The Way That You Love (MERCURY) STREET SHEET 2PAC Dear Mama INTERSCOPE) METHOD MAN/MARY J. BIJGE I'll Be There -
Fresh Dressed
PRESENTS FRESH DRESSED A CNN FILMS PRODUCTION WORLD PREMIERE – DOCUMENTARY PREMIERE Running Time: 82 Minutes Sales Contact: Dogwoof Ana Vicente – Head of Theatrical Sales Tel: 02072536244 [email protected] 1 SYNOPSIS With funky, fat-laced Adidas, Kangol hats, and Cazal shades, a totally original look was born— Fresh—and it came from the black and brown side of town where another cultural force was revving up in the streets to take the world by storm. Hip-hop, and its aspirational relationship to fashion, would become such a force on the market that Tommy Hilfiger, in an effort to associate their brand with the cultural swell, would drive through the streets and hand out free clothing to kids on the corner. Fresh Dressed is a fascinating, fun-to-watch chronicle of hip-hop, urban fashion, and the hustle that brought oversized pants and graffiti-drenched jackets from Orchard Street to high fashion's catwalks and Middle America shopping malls. Reaching deep to Southern plantation culture, the Black church, and Little Richard, director Sacha Jenkins' music-drenched history draws from a rich mix of archival materials and in-depth interviews with rappers, designers, and other industry insiders, such as Pharrell Williams, Damon Dash, Karl Kani, Kanye West, Nasir Jones, and André Leon Talley. The result is a passionate telling of how the reach for freedom of expression and a better life by a culture that refused to be squashed, would, through sheer originality and swagger, take over the mainstream. 2 ABOUT THE FILMMAKERS SACHA JENKINS – Director Sacha Jenkins, a native New Yorker, published his first magazine—Graphic Scenes & X-Plicit Language (a ‘zine about the graffiti subculture)—at age 17. -
BIO Born Matthew Fowler on Feb. 17, 1975, Producer Mumbles Has Lived
BIO Born Matthew Fowler on Feb. 17, 1975, producer Mumbles has lived a life rich with musical diversity and spiritual inspiration. Raised in a family of professional jazz musicians along with older brother Marvin Fowler (Dj Marvski) of the U.N.I.T.Y. Committee, Mumbles developed an ear for jazz and hip-hop music from an early age. His father, Steve Fowler, a professional flute and sax player, along with uncles Bruce, Tom, Walt, and Ed formed a musical legacy spanning from the early 70's with the band, the Fowler Brothers. They played with Frank Zappa and the Mothers of Invention, Bobby McFerrin, Linda Rondstadt, Ray Charles, Diana Ross, James Taylor and Brian Setzer, to name just a few. Being raised in such a diverse and musically stimulating environment, Mumbles tuned his ear early to the complexity of rhythm, melody and harmony. With the influence of his brother Marvski, he turned his attention to hip-hop music from the age of 5 (1980) and never turned back. In the late 1980's, Marvski along with Cut Chemist, Chali 2na, and Marc 7 formed the innovative group U.N.I.T.Y. Committee, which later along with the Rebels of Rhythm turned into the group Jurassic 5. It was during these pivotal years that Mumbles, being inspired by the production and record collections of Marvksi and Cut Chemist, decided to embark on his own mission of record digging, sampling, and beat construction. What started out lightly quickly turned into the digging obsession that most hip-hop producers are familiar with. -
Dan Blaze's Karaoke Song List
Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest -
RP 05 LATYRX the Muzappers Mix LP
LATYRX (LYRICS BORN & LATEEF THE TRUTHSPEAKER) THE MUZAPPERS MIX PRESSED ON DOUBLE-COLORED VINYL (DISC ONE IN PURPLE / DISC TWO IN YELLOW) Bonus cuts feature production by DJ Shadow, DJ Z Trip, and The Herbaliser. Includes DL card for the entire album, A1. Rankin’ No. 1 plus a brand new track from Lyrics A2. Aim For The Flickering Flame Born’s upcoming album ‘Quite A Life’ A3. The Bumpin’ Contraption (The Recalibration) More than 20 years after its initial release, Latyrx “The B1. Lady Don’t Tek No • B2. Cloud #9 Muzapper Mixes” has stood the test of time and with this reissue is sure to enter the pantheon of certified B3. Lost In The Feelin’ Bay Area classics. C1. Regions • C2. Storm Warning Latyrx, the duo consisting of lyricists Lyrics Born C3. The Wreckoning and Lateef The Truthspeaker initially partnered while at UC Davis in the early 90s driven by brothers-in-beats-and-rhymes Blackalicious and DJ D1. Ocho Puntos Shadow. This was the earliest incarnation of the D2. Watch Out (All Night Intro) Solesides collective. Partially by design, and partially (feat. Lateef, Chali 2na, Rakka, Lyrics Born, out of necessity, Latyrx—and the Solesides crew as a Gift Of Gab, DJ Shadow, DJ Q-Bert, Z-Trip) whole—became trailblazers. Lyrics Born Remembers, “We really wanted to explore. New styles, new subject matter, new textures, ARTIST: Latyrx new vocabulary. It came down to even wanting to do TITLE: The Muzappers Mix words in the English language that you had never LABEL: Real People heard in a rap song before. -
Sample Some of This
Sample Some Of This, Sample Some Of That (169) ✔ KEELY SMITH / I Wish You Love [Capitol (LP)] JEHST / Bluebells [Low Life (EP)] RAMSEY LEWIS TRIO / Concierto De Aranjuez [Cadet (LP)] THE COUP / The Liberation Of Lonzo Williams [Wild Pitch (12")] EYEDEA & ABILITIES / E&A Day [Epitaph (LP)] CEE-KNOWLEDGE f/ Sun Ra's Arkestra / Space Is The Place [Counterflow (12")] JOHN DANKWORTH & HIS ORCHESTRA / Bernie's Tune ("Off Duty", O.S.T.) [Fontana (LP)] COMMON & MARK THE 45 KING / Car Horn (Madlib remix) [Madlib (LP)] GANG STARR / All For Da Ca$h [Cooltempo/Noo Trybe (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Theme From "Return From The Ashes", O.S.T. [RCA (LP)] 7 NOTAS 7 COLORES / Este Es Un Trabajo Para Mis… [La Madre (LP)] QUASIMOTO / Astronaut [Antidote (12")] DJ ROB SWIFT / The Age Of Television [Om (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Look Stranger (From BBC-TV Series) [RCA (LP)] THE LARGE PROFESSOR & PETE ROCK / The Rap World [Big Beat/Atlantic (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Two-Piece Flower [Montana (LP)] GANG STARR f/ Inspectah Deck / Above The Clouds [Noo Trybe (LP)] Sample Some Of This, Sample Some Of That (168) ✔ GABOR SZABO / Ziggidy Zag [Salvation (LP)] MAKEBA MOONCYCLE / Judgement Day [B.U.K.A. (12")] GABOR SZABO / The Look Of Love [Buddah (LP)] DIAMOND D & SADAT X f/ C-Low, Severe & K-Terrible / Feel It [H.O.L.A. (12")] GABOR SZABO / Love Theme From "Spartacus" [Blue Thumb (LP)] BLACK STAR f/ Weldon Irvine / Astronomy (8th Light) [Rawkus (LP)] GABOR SZABO / Sombrero Man [Blue Thumb (LP)] ACEYALONE / The Hunt [Project Blowed (LP)] GABOR SZABO / Gloomy Day [Mercury (LP)] HEADNODIC f/ The Procussions / The Drive [Tres (12")] GABOR SZABO / The Biz [Orpheum Musicwerks (LP)] GHETTO PHILHARMONIC / Something 2 Funk About [Tuff City (LP)] GABOR SZABO / Macho [Salvation (LP)] B.A. -
City of Angels
ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.