Press Kit Freestyle #FE24E2
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Sample Some of This
Sample Some Of This, Sample Some Of That (169) ✔ KEELY SMITH / I Wish You Love [Capitol (LP)] JEHST / Bluebells [Low Life (EP)] RAMSEY LEWIS TRIO / Concierto De Aranjuez [Cadet (LP)] THE COUP / The Liberation Of Lonzo Williams [Wild Pitch (12")] EYEDEA & ABILITIES / E&A Day [Epitaph (LP)] CEE-KNOWLEDGE f/ Sun Ra's Arkestra / Space Is The Place [Counterflow (12")] JOHN DANKWORTH & HIS ORCHESTRA / Bernie's Tune ("Off Duty", O.S.T.) [Fontana (LP)] COMMON & MARK THE 45 KING / Car Horn (Madlib remix) [Madlib (LP)] GANG STARR / All For Da Ca$h [Cooltempo/Noo Trybe (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Theme From "Return From The Ashes", O.S.T. [RCA (LP)] 7 NOTAS 7 COLORES / Este Es Un Trabajo Para Mis… [La Madre (LP)] QUASIMOTO / Astronaut [Antidote (12")] DJ ROB SWIFT / The Age Of Television [Om (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Look Stranger (From BBC-TV Series) [RCA (LP)] THE LARGE PROFESSOR & PETE ROCK / The Rap World [Big Beat/Atlantic (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Two-Piece Flower [Montana (LP)] GANG STARR f/ Inspectah Deck / Above The Clouds [Noo Trybe (LP)] Sample Some Of This, Sample Some Of That (168) ✔ GABOR SZABO / Ziggidy Zag [Salvation (LP)] MAKEBA MOONCYCLE / Judgement Day [B.U.K.A. (12")] GABOR SZABO / The Look Of Love [Buddah (LP)] DIAMOND D & SADAT X f/ C-Low, Severe & K-Terrible / Feel It [H.O.L.A. (12")] GABOR SZABO / Love Theme From "Spartacus" [Blue Thumb (LP)] BLACK STAR f/ Weldon Irvine / Astronomy (8th Light) [Rawkus (LP)] GABOR SZABO / Sombrero Man [Blue Thumb (LP)] ACEYALONE / The Hunt [Project Blowed (LP)] GABOR SZABO / Gloomy Day [Mercury (LP)] HEADNODIC f/ The Procussions / The Drive [Tres (12")] GABOR SZABO / The Biz [Orpheum Musicwerks (LP)] GHETTO PHILHARMONIC / Something 2 Funk About [Tuff City (LP)] GABOR SZABO / Macho [Salvation (LP)] B.A. -
City of Angels
ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D. -
Abstract Rude
"...a skillful MC, capable of expressing extremely soulful sentiments with his mystical themes and deeply pronounced voice." -Robert Gabriel STREET DATE: 5.05.09 ABSTRACT RUDE REJUVENATION As a product of the legendary Goodlife open mic sessions, Abstract Rude splashed onto the scene in 1994 as part of the famed Project Blowed crew that included LA’s Freestyle Fellowship and Aceyalone. As one half of the A-Team (with Aceyalone), one third of Haiku D’Etat (with Aceyalone & Myka 9) and frontman of his group Abstract Tribe Unique (ATU), Ab Rude has RSE-0106-2 endeared himself to fans worldwide through consistent touring and genre Format: Compact Disc / 2LP defining albums such as 1999’s South Central Thynk Tank (currently out of CD Packaging: Recycled Digi Slider print). Once signed to the Beastie Boys Grand Royal imprint, Ab has readied LP Packaging: Full Color Jacket + himself to re-emerge with Rhymesayers Entertainment and his most consistent Digital Download Card and focused work to date, Rejuvenation. Box Lot: 30 File Under: Rap/Hip Hop “A” Produced entirely by Seattle super producer Vitamin D (G-Unit, Redman, Young Parental Advisory: Yes Buck, Gift of Gab, Choklate, Lifesavas, Black Sheep, etc.), Rejuvenation is Street Date: 5.05.09 a hard hitting soulful ryde showcasing Ab Rude’s distinct and unlimited vocal stylings. CD-826257010629 LP-826257010612 SELLING POINTS: +26257-ABAGCj +26257-ABAGBc •Produced by Vitamin D (G-Unit, Redman, Gift of Gab, etc.) •Features Project Blowed members Aceyalone & Myka 9 as DISCOUNT: 3% New Release Discount Until 5.05.09 well as the next generation of Blowedians Sahtyre, Alpha MC, Busdriver, Nocando, Open Mike & Dumbfoundead. -
This Week It Was in July of 1994-16 Months Ago-That We First Fea- Tured Oasis on Our Cover
THE MOST TRUSTED NAME IN RADIO ISSUE 2080 NOVEMBER 10 1995 This Week It was in July of 1994-16 months ago-that we first fea- tured Oasis on our cover. Back then, we noted how long it'd been since a band from Manchester, had stirred up any excitement. GAVIN heard some- Wee thing in Oasis, and the band felt Who confident that they'd be the first ever said is 900d that any lIbliCity? publicity English band to break through Seminarp The New now Music Manhattan American radio in a long time. rhappeningunningall over elicit' a,a, at They were right. Now, they are future 'remains one of several UK acts that have some in the industry talking about the first British invasion in 30 years. Back then, it was the Beatles, the uncertain ' So said Stones, the MHOS on the the Neal TOP NMS eve of the if But, says 15th Who, the Kinks, Josephson, co -fonder seminar The future ofMark the Animals, is thatit will the be anannual continue Manfred Mann, importanceevent ofgreat to industry.' to themusic Petula Clark, For MUSICiall tom line S, the Billy J. Kramer, is that bet - the NMS is a the Dave Clark Place toget Sall and heard, Five, Herman's Hermits, Gerry a rung ontheir hopeful and the Pacemakers, Peter and way up. In CWICOPI with Gordon, Chad and Jeremy, the the Seminal; Moody Blues, and, from Gavintrained issue its Spotlight on last Manchester, Freddie and the time. Aii8PlIaliVe This stage, takes Dreamers. Now, it could be and we as Oasis-rightvisit suchr main 44- corners Oasis, Blur, Portishead (top), left, Ivy there toyour fr Superstar;(top), freak and numerous others, as noted %frig Johnston, Alternativeand Engine.And 4-1' our by Alternative Editor Max Tolkoff Seana gals Linda .........., Baruth Ryanand and tips-aboutgather memories- and fellow close watchers of the the NMS from British music some of +--,' our 1 - rave label scene. -
Over 1000 Breakbeat List
Over 1000 Breakbeat List 1. Stop - Wake Up 2. Superman Ivy - Yes Yes Ya'll 3. Superman Ivy - Yes Yes Ya'll (Remix) 4. Superman Ivy - Yes Yes Ya'll (Acapella) 5. Superman Ivy - Yes Yes Ya'll (Instrumental) 6. Tha Alkaholiks - Make Room 7. Thalia - The Mexican (Disco Circus Remix) 8. The 45 King - The 900 Number 9. The Beginning Of The End - Funky Nassau 10. The Meters - Same Old Thing 11. The Poets Of The Rhythm - North Carolina 12. The Ying Yang Technique - LUDI 13. Black Eyed Peas - They Don't Want Music 14. Third World Lover - Kid Koala 15. Ultramagnetic MC'S - One To Grow On 16. Visionaries - Crop Circles 17. Watch Out Now - Beatnuts 18. Yellow Sunshine 19. Yoshida Brothers - Storm 20. Da Boogie Crew - You Boys (Remix) 21. Zion-I & The Grouch - Trains & Planes 22. RJD2 - The Horror 23. Rob Dougan - Clubbed To Death 24. RUN DMC - It's Tricky 25. Safri Duo - Rise (Remix) 26. Sapo - Been Had 27. Scooter - Bboys/Bgirls Rock Tha House 28. Skrip Breaks - Enemy Crush 29. Sorea - Soul In Panic 30. Souls Of Mischief - 93 Till Infinity 31. Southside Rockers - Jump 32. Stetsasonic - Talkin' All That Jazz 33. Stetsasonic - The Hip Hop Band 34. Superman Ivy - Rivers Crew Theme 35. Superman Ivy - Rivers Crew Theme (Instrumental) 36. Superman Ivy - Rivers Crew Theme (Acapella) 37. Superman Ivy - Seoul Futureshock 38. Superman Ivy - The Freshest Ivy 39. Superman Ivy - The Freshest Ivy (Acapella) 40. Superman Ivy - The Freshest Ivy (Instrumental) 41. Mark Ronson Feat. Ghostface Killah, Nate Dogg, Trife - Ooh Wee 42. -
Bash,” Reviewed, P.64 « “Black and Whiter Reviewed, P.6A “3,000 Miles to Jgfc Land,” Reviewed; P
pi/r butterfly, sugar, baby soundstyle, p.2A kcs toplD, p.3A bad astronai interview, p.4A calendan p.4A “bash,” reviewed, p.64 « “black and whiter reviewed, p.6A “3,000 miles to jgfc land,” reviewed; p I i |¡ | ■ / ■ P M ■Zi'. ¡.-VfV" <>■£'«■ i é m m l l Ì S Ì l » 111111111 Hm i m m SB % s m m 2A Thursday, March 1,2001 Daily Nexus SOUND- SOUNDSTYLE* respectively, and are dealt with in a unique Skies, Broken Hearts... Next 12 Exits. that transitory phase where she can see way. Materialism, R&B singers and gim The Ataris does its best to vary the the better version of herself she will soon micky beats? Nope, it’s totally devoid. sound of its music with catchy riff intros become. W hat he does bring to the table are his and upbeat rhythms, and in the process “You begin like a lion and end like a unmistakable flows, widely varying sub probably fool some local high school kids lam b” De Marrais sings in “Ceremony,” ject matter and a fine array of beats from into feeling happy when they can’t deci but unlike that lyric this band has grown Fat Jack, Joey Chavez and more. pher what vocalist Kris Roe is trying to from its past releases like a lamb into a The finest song on the album is prob say. However, as a signed Santa Barbara stalking lion. It is a confounding and yet ably “Accepted Eclectic.” The production band trying to grow out of the shadows of simple album, with De Marrais’ sweetly on this track steamrolls through unchart Ugly Kid Joe, Toad the Wet Sprocket, and patient voice blended with Sonic Youth ed territory, but Aceyalone rides it like yes, even Snot, the Ataris have a long way guitar and ride-heavy drums. -
Lte Apr10.Pdf
Publisher/Editor Boomerang Design Group Marketing/Sales Ross Orlando 775-588-5657 Joani Buzzetti-Drew 530-318-9994 Entertainment Columnist Photographer • Circulation Ross Orlando Feature Writers Ross Orlando Victor Babbitt • Howie Nave Dave Davis • John Packer Late Nite Billy Art Director Production Tony Drew LAKE TAHOE ENTERTAINER 530.573.1376 P.O.Box 550996 South Lake Tahoe CA. 96155 E-Mail: [email protected] Fax: 530-573-1376 entertainertahoe.com What’s On & Where APPLEBEE'S - 530-544-2113 McP'S PUB TAHOE - 530-542-4435 Happy Hours 3pm - 6pm & 9pm - Close Live Music Every Night - No Cover - Pool Table APRÉS WINE COMPANY - 530-544-9463 MONTBLEU - 775-588-3515 Happy Hours every Mon.-Fri. 4-6pm - Great deals! Bannf Mountain Film Festival - April 5 April 4, 11, 18, 25 at 5pm, Sunday Sippers Wine Tastings, only $10 BLVD & Vokab Kompany - April 9 • Mad Professor - April 17 April 6, 13, 20, 27 at 6pm, Tasting Tuesdays, prices vary, RSVP OPAL ULTRA LOUNGE - Thursday - $1 drinks - dJ Aaron BEACH HUT DELI - 530-541-7873 Fridays - Ladies drink Free All Night Night - dJ Aaron Daily Specials - Catering - Parties - Happy Hour 4pm - Close Saturday - $3 Bubble Vodka drinks - dJ Aaron BEACON - 530-541-0630 BLU NIGHTCLUB Live Music - Lakeview Dining - New Happy Hours Mondays - $1 drinks - dJ Aaron Pep Love - April 3 BISTRO DANIELLE - 775-586-1070 THE ZONE - Sports Book & Sports Bar Happy Hour 4pm - 6pm • New 5 Course Tasting Menu 24/7 Happy Hour BLUE WATER BISTRO- 530-541-0113 HQ-CENTER BAR & CAFE dEL SOUL- 24/7 Happy Hour Spectacular Over-the-Lake Dining - Locals 2 for 1 - Happy Hours MO'S PLACE - 530-542-1095 BROTHERS BAR & GRILL - 530-541-7017 Live Music • Happy Hour 4pm - 7pm - Monday Open Mic Happy Hours 3pm - 9pm -Daily Specials -Rail Jam - Wed & Sat NAKED FISH - 530-541-FISH BUNNY RANCH - 775-246-9901 Sushi & Unique Cuisine World Class Entertainment - Full Bar NEW YORK PIZZA - 530-541-0401 Under New Ownership! Delivery & Dine-in. -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics, 63 Mercer L
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics, 63 Mercer L. Rev. 597 (2012) Kim D. Chanbonpin John Marshall Law School, [email protected] Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Legal Education Commons, Legal Ethics and Professional Responsibility Commons, and the Legal Writing and Research Commons Recommended Citation Kim D. Chanbonpin, Legal Writing, the Remix: Plagiarism and Hip Hop Ethics, 63 Mercer L. Rev. 597 (2012). https://repository.law.uic.edu/facpubs/4 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). -
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YEAR ONE Breaking Ground Dear Friends, I hope you've had a lovely 2014! As you may have heard by now, Art + Practice is alive and well in Leimert Park, Los Angeles. Conceived and founded by artist Mark Bradford, philanthropist and collector Eileen Harris Norton, and social activist Allan DiCastro, Art + Practice Foundation (A+P) is an arts and education private operating foundation. A+P’s mandate is to create a developmental platform that, on the one hand, supports the acquisition of practical skills for foster youth and, on the other, stresses the importance of creative activity within a larger social context. A+P has four areas of focus, which together support the Foundation’s dual goals of empowering foster youth and promoting contemporary art: a technology lab and classrooms, a dedicated film and lecture space, artist studios, and an exhibition space for visual art. These four areas embody the commitment to art and social practice that define the core values of the organization. Art + Practice occupies a 17,000 sq.ft. campus from which it programs the various programs and activities. Additionally, the foundation will partner with institutions and organizations that share its core values. Currently, those partners include the Hammer Museum and The RightWay Foundation. A+P is also working in collaboration with EsoWon Bookstore. Through a public engagement partnership supported by the James Irvine Foundation, the Hammer Museum (a leading university-based art institution) will collaborate with A+P to curate exhibitions and public programs on the A+P campus. The RightWay Foundation, whose mission is to deliver mental health services and job readiness training to foster care youth, will oversee all of A+P’s foster youth training services. -
STEUER What About Project Blowed As a Nightclub? Project Blowed’S Not Really a Club
Inside: A Tklk with Much, Home Show 2, The Diviners and Student Filins his Saturday is Extravaganza, the annual all-day outdoor music lestival in Harder Stadium. Among the many performers at the free concert (which in cludes NOFX, Tha Alkaholiks and Skankin’ Pickle) is a legendary L. A. b-boy by the name of Aceyalone. This veteran rapper was a member of the now defunct, infam ous crew of hip-hop innovators Freestyle Fellowship, and has also been a leader in the creation of Project Blowed, an L.A. freestyle venue. An album made up of tracks by Project Blowed’s most respected contributors, aptly titled Project Blowed, has been a huge underground phenomenon. Project Blowed, like Acey’s 1995 solo debut, A ll Balls Don’t Bounce, is a display of amazing lyrical dexterity. Both records prove Acey- alone’s dedication to creating unique and original hip-hop music. A r ts w e e k spoke with the man. Are you still signed to Capitol? No. They’ve closed down the entire urban music division at Capitol and offered their artists to EMI, who took everybody they wanted and left the rest. So, I’m just on hiatus. I’m just going to continue making a new record right now regardless of who decides to put it out. Capitol did a pretty poor job of marketing your m aterial anyway. Are you upset that you’re no longer with them? No, it’s not a problem. It’s just a situation, and one I’ve been through before at that. -
Artistic Knowledge and Performance Identity Formation in Toronto's Hip
Artistic Knowledge and Performance Identity Formation in Toronto’s Hip-Hop Communities of Practice by Maria Myrtle D. Millares A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Music University of Toronto © Copyright by Maria Myrtle D. Millares, 2020 ii Artistic Knowledge and Performance Identity Formation in Toronto’s Hip-Hop Communities of Practice Maria Myrtle D. Millares Doctor of Philosophy Faculty of Music University of Toronto 2020 Abstract This research project illustrates, through the voices of Toronto hip-hop artists, how the complex, mutually influential interactions between individuals and their communities shape and create knowledge, while encouraging the articulation of difference through unique performance identities. Their learning spaces are not institutional classrooms, but rather public spaces such as community centres, church basements, and concrete city squares, where the line between teacher and student is crossed and blurred. I employ narrative methodology as a means of obtaining the rich accounts necessary to illuminate these community-based learning processes. Hip-hop’s history is passed on orally and aurally as artists cultivate their craft. Artists’ personal stories are essential to the way hip-hop’s history, together with its teaching philosophies, are internalized and passed on in community spaces. Narratives elicited through interviews, conducted as dialogue, have the potential to more respectfully trace these individual-communal relationships. As such, the body of my data consists of the narratives of three Toronto hip-hop artists – B-boy Jazzy Jester, DJ Ariel, and MC LolaBunz – presented and interpreted according to the themes or moments that they have voiced as significant to the development of their skills and of their performance identities. -
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00:00:00 Promo Promo Music: Moving string music. Speaker 1: In Cherokee Nation, a feud has been simmering for more than 180 years. Speaker 2: I always joked that Bridges and [laughs] the Rosses were like the Montagues and the Capulets. We’ve been fighting for so long that people don’t really know why, but in Cherokee we know why. Speaker 1: That’s next week on Code Switch, from NPR. 00:00:20 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:22 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by the Go! Team. 00:00:29 Jesse Host Time, now, for The Song that Changed My Life: a segment where we bring on people who make great music and talk with them about the song that defined who they are. This time, it’s Cut Chemist. Born Lucas McFadden and raised right here in Los Angeles, Cut Chemist is a DJ and producer. Together with Chali 2na, Akil, Soup, and more, he cofounded the Jurassic 5—the iconic underground rap group. 00:00:53 Music Music “Quality Control” by the Jurassic 5. Hey yo, my quality control captivates your party patrol Your mind, body, and soul For whom the bell tolls Let the rhythm explode Big, bad, and bold B-boys of old Many styles we hold, Let the story be told [Music fades out as Jesse speaks.] 00:01:05 Jesse Host Cut Chemist also made a name for himself as a solo artist. And when we first had him on the show, he’d just released Die Cut.