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Insite Art Practices in the Public Domain San Diego Lijuana
inSite Art Practices in the Public Domain San Diego lijuana N~ws Release FOR IMMEDIATE RELEASE July 2005 Contact: Papus von Saenger, Public Relations, inSite_05 (619) 230-0005 x 17; [email protected] Barbara Metz, Metz Public Relations (858) 677-0720; [email protected] in~ite_05 Announces Public Programming Beginning Aug. 26 SAN DIEGO/TIJUANA - inSite_05, the binational network of contemporary arts events and actions set in the San Diego/Tijuana region, will open its public phase Aug. 26, with public art projects and events ranging from a human cannonball being shot over the fence separating the US and Mexico, to the opening of artists' urban interventions sited on both sides of the border, to a major museum exhibition of contemporary art. Through Nov. 13, inSite_05/ Art Practices in the Public Domain presents a wide-ranging program that also includes on-line projects, dialogues, film and video installations, and performances. Four major weekends of intense activity will take place during inSite_05. Each of these focused weekends is constructed around the four components of inSite_05: 1) Interventions - commissioned artists' projects developed in a creative process of co-participation with communities on both sides of the border. These include projects that take place in physical space - such as Mark Bradford's Maleteros which requires visitors to walk through the San Ysidro border crossing, or Thomas Glassford and Jose Parral's urban park Garden Playas de Tijuana which reconfigures the extraordinary juncture of the US and Mexico where the border fence plunges into the Pacific Ocean. Other Interventions projects will take the form of performance or spectacle. -
Leonard Bernstein Festival of the Creative Arts
LEONARD FREE AND OPEN TO THE PUBLIC BERNSTEIN FESTIVAL OF APRIL 7-14, 2019 THE CREATIVE ARTS The Festival of the Creative Arts was founded in 1952 by the brilliant composer and conductor Leonard Bernstein. Each spring, Brandeis cele- brates the abundant creativity of its students, faculty, staff and alumni, joined by professional artists from around the country. Festival events are free and open to the public unless otherwise noted. For schedule updates, visit brandeis.edu/arts/festival. LEONARD BERNSTEIN Leonard Bernstein (1918-90) was one of the great American he conducted concerts on both sides of the wall. In the early artists of the 20th century. A composer, conductor, pianist, days of AIDS research, Bernstein raised the first million dol- teacher, thinker and adventurous spirit, he transformed the lars for a community-based clinical trials program run by the way we hear music and experience the arts. American Foundation for AIDS Research. Bernstein’s successes ranged from the Broadway stage Bernstein was a member of the Brandeis music department (“West Side Story,” “Candide,” “On the Town”) to television faculty from 1951-56. He received an honorary doctorate from and film, to international concert halls. His major concert Brandeis in 1959 and served as a University Fellow from 1958- works, including the symphony “Kaddish” and the choral 76 and on the university’s board of trustees from 1976-81. He works “Mass” and “Chichester Psalms,” are studied and was a trustee emeritus until his death in 1990. performed around the world. He was a dynamic leader of the world’s greatest orchestras, including the New York For the university’s first commencement, in 1952, Bernstein Philharmonic (1958-69). -
2021 PBS TV Schedule Anchorage, AK Juneau, AK Huntington Beach
2021 PBS TV Schedule Anchorage, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Juneau, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Huntington Beach, CA Thursday, January 28, 2021 - 11:00 PM PT An Evening With Valerie Simpson in Memory of Nick Ashford - KOCEDT.1 (PBS SoCal 1) San Bernardino, CA Friday, January 29, 2021 - 10:00 PM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Saturday, January 30, 2021 - 3:00 AM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Wednesday, February 3, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT.1 (KVCR HDTV) An Evening With Quincy Jones - KVCRDT.1 (KVCR HDTV) Thursday, February 4, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Friday, February 5, 2021 - 2:00 AM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) 2021 PBS TV Schedule Saturday, February 6, 2021 - 3:00 AM PT An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) San Francisco, CA Monday, January 25, 2021 - 5:00 AM PT A Conversation With Henry Louis Gates Jr. -
Press Kit Freestyle #FE24E2
A film by DJ Organic Running Time: 80 min, Super 16mm, Color, Dolby Digital, 2005 Los Angeles: New York Tiare White Ty Bertrand Hip Hop Films 917-459-7976 310-500-8733 [email protected] [email protected] Freestyle: The Art of Rhyme 1 Press Kit WINNER "Documentary Jury Prize" Florida Film Festival WINNER "Best Documentary" “Audience Award” Pan-African Film Festival WINNER "Best Documentary" Urban-World Film Festival WINNER "Best Soundtrack" Los Angeles Independent Film Festival Freestyle: The Art of Rhyme 2 Press Kit WINNER "Best Documentary" "Maverick Award" Woodstock Film Festival WINNER "Best of The Festival" Adelaide International Film Festival OFFICIAL SELECTION Copenhagen International Documentary Film Festival Slamdance Film Festival Mostra De Valencia Film Festival Maryland Film Festival Brisbane International Film Festival Leeds International Film Festival (U.K.) SXSW Film Festival Freestyle: The Art of Rhyme 3 Press Kit "The energy is contagious, the poetry inspired, The most lively and informative movie About hip-hop since WILDSTYLE" — Amy Taubin The Village Voice "...Inspiring, mesmerizing, and creative Revolutionary street poetry.... Eloquent social knowledge, The best of rap! " — Variety " ...Takes on the culture and history of hip-hop, an awesome high-octane art form to behold, Will literally leave you speechless." — Indiewire "Vital, Pure, and un-compromised, Elevated, Zen Like, with a spirit of Scholarly form. The Best Rhymers from both coasts" -- The Chicago Reader Freestyle: The Art of Rhyme 4 Press Kit FREESTYLE: -
Art Power : Tactiques Artistiques Et Politiques De L’Identité En Californie (1966-1990) Emilie Blanc
Art Power : tactiques artistiques et politiques de l’identité en Californie (1966-1990) Emilie Blanc To cite this version: Emilie Blanc. Art Power : tactiques artistiques et politiques de l’identité en Californie (1966-1990). Art et histoire de l’art. Université Rennes 2, 2017. Français. NNT : 2017REN20040. tel-01677735 HAL Id: tel-01677735 https://tel.archives-ouvertes.fr/tel-01677735 Submitted on 8 Jan 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE / UNIVERSITE RENNES 2 présentée par sous le sceau de l’Université européenne de Bretagne Emilie Blanc pour obtenir le titre de Préparée au sein de l’unité : EA 1279 – Histoire et DOCTEUR DE L’UNIVERSITE RENNES 2 Mention : Histoire et critique des arts critique des arts Ecole doctorale Arts Lettres Langues Thèse soutenue le 15 novembre 2017 Art Power : tactiques devant le jury composé de : Richard CÁNDIDA SMITH artistiques et politiques Professeur, Université de Californie à Berkeley Gildas LE VOGUER de l’identité en Californie Professeur, Université Rennes 2 Caroline ROLLAND-DIAMOND (1966-1990) Professeure, Université Paris Nanterre / rapporteure Evelyne TOUSSAINT Professeure, Université Toulouse - Jean Jaurès / rapporteure Elvan ZABUNYAN Volume 1 Professeure, Université Rennes 2 / Directrice de thèse Giovanna ZAPPERI Professeure, Université François Rabelais - Tours Blanc, Emilie. -
The Baltimore Museum of Art Presents Mark Bradford's
THE BALTIMORE MUSEUM OF ART PRESENTS MARK BRADFORD’S TOMORROW IS ANOTHER DAY, FEATURED IN 2017 VENICE BIENNALE BALTIMORE, MD (August 9, 2018)—The Baltimore Museum of Art (BMA) announces the U.S. debut of Mark Bradford: Tomorrow Is Another Day from September 23, 2018, through March 3, 2019. First presented at the U.S. Pavilion as part of the 2017 Venice Biennale, the exhibition is co-curated by Christopher Bedford, BMA Dorothy Wagner Wallis Director and Commissioner of the U.S. Pavilion, and Katy Siegel, BMA Senior Programming and Research Curator and Thaw Chair of Modern American Art at Stony Brook University. Tomorrow Is Another Day is a complex, multi-layered narrative by Bradford using a variety of media—painting, sculpture, and video. Together, these works reflect the artist’s longstanding interest in how communities—particularly those which have been traditionally marginalized— address issues of social and economic justice, as well as his belief in art’s ability to expose contradictory histories and inspire action in the present day. An integral aspect of Bradford’s engagement in Baltimore is his partnership with Greenmount West Community Center (GWCC), a community art space for children and families two miles south of the museum. The community center provides a safe and positive environment for underserved local youth to create, learn, and share through a program of structured activities and open dialogue. Bradford provided the skills-based training and equipment needed for a silk-screening program at the GWCC with assistance from Noisy Tenants, an entrepreneurial organization that helps communities solve problems they care about by tapping into their inherent creativity, relationships, and resources. -
The Hammer Museum and Art + Practice Present Two Concurrent Exhibitions of Njideka Akunyili Crosby (B
The Hammer Museum and Art + Practice present two concurrent exhibitions of Njideka Akunyili Crosby (b. 1983, Enugu, Nigeria), the first solo exhibitions of the artist’s work in Los Angeles. Her large scale works on paper combine collage, drawing, painting, and printmaking, fusing African and American influences and creative traditions. Reflecting on her Nigerian heritage, contemporary postcolonial African cosmopolitanism, and her experiences as an expatriate in the United States where she has lived since 1999, Akunyili Crosby’s paintings provide an important counter-narrative to the often-troubled representation of Africa’s complex political and social conditions. Curated by Hammer assistant curator Jamillah James, Njideka Akunyili Crosby: The Beautyful Ones will be on view September 12 – November 21, 2015 at Art + Practice in Leimert Park. Hammer Projects: Njideka Akunyili Crosby will be on view October 3, 2015 – January 10, 2016 at the Hammer Museum. Also on view concurrently with The Beautyful Ones is a presentation of two films by Akosua Adoma Owusu in the project room at Art + Practice. The program will include the award-winning film, Kwaku Ananse (2013), about a young American woman’s travels to Ghana for a family emergency, and the experimental short Intermittent Delight (2007), which combines upbeat Ghanaian dance music with imagery of labor, domesticity, and leisure. “Inspired by the success of our concurrent Charles Gaines exhibitions this past spring, we wanted to continue with a joint presentation of exhibitions at the Hammer and Art + Practice,” said Hammer Museum Director Ann Philbin. “This selection of early and more recent paintings of Njideka Akunyili Crosby will resonate in both communities.” Co-founder of Art + Practice Mark Bradford added, “Leimert Park is a rich cultural community that will welcome the opportunity to see the work of a young African contemporary artist.” Hammer Projects: Njideka Akunyili Crosby is comprised of a selection of the artist’s early works that primarily focus on the figure. -
Rose Art Museum's Sam Hunter Emerging Artists Fund Committee
FOR IMMEDIATE RELEASE Contact: Nina J. Berger, [email protected] 617.543.1595 High-resolution images available on request ROSE ART MUSEUM’S SAM HUNTER EMERGING ARTISTS FUND COMMITTEE SELECTS TWO WORKS BY B. INGRID OLSON TO ENTER THE COLLECTION (Waltham, MA) –The Rose Art Museum has announced that work by B. Ingrid Olson has been selected for acquisition by the Sam Hunter Emerging Artists Acquisition Fund Committee. Inspired by the legacy of the Rose’s founding director, Sam Hunter, the fund is generated annually and administered by a committee that aims to collect the work of promising artists on the cusp of recognition. Two works by Chicago-based Olson–Arched fold, bent of another movement, 2017 and Firing distance, scission, 2017–have been acquired for the Rose Art Museum’s collection. Straddling sculpture and photography, Olson’s work plays fascinating games with perception and vision. Olson was recently featured in a two-person exhibition at The Renaissance Society in Chicago, and her first solo museum show will open at the Albright-Knox Art Gallery in March 2018. Her work will also be included in Being: New Photography 2018, at the Museum of Modern Art, New York (March 2018) and in a group show at the MCA Chicago, Picture Fiction: Kenneth Josephson and Contemporary Photography (April 28– December 30, 2018). “Ingrid is an extraordinary photographer, pushing the bounds of the medium while engaging with pressing issues of gender identity and representation,” say Leslie Aronzon, a member of this year’s committee. “Her work fits in well with the Rose collection, and we are so excited to add her impressive and fresh works to our permanent collection.” Joining Aronzon on this year’s committee are Kim Allen-Niesen, Steven Bunson, Tory Fair, Betsy Pfau, and Lisa Wyett. -
CCR AR 2014.Pdf
The Center for Constitutional Rights is dedicated to advancing and protecting the rights guaranteed by the United States Constitution and the Universal Declaration of Human Rights. Founded in 1966 by attorneys who represented civil rights move- ments in the South, CCR is a non-profit legal and educational organization commit- ted to the creative use of law as a positive force for social change. Design: Nicholas Coster, [email protected]. Photo credits: p 2: Yanick Salazar • p 4: Pam Bradshaw • p 6: Pam Bradshaw • p 7: Juan Manuel, Herrera/OAS • p 11: Qa’id Jacobs • p 12: Qa’id Jacobs • p 14: Alexis Agathocleous • p.15: Snowden: Laura Poitras/Praxis Films. Assange: Cancillería del Ecuador. Manning: courtesy of www.bradleymanning.org • p16: © RON- ALD KABUUBI/epa/Corbis • p.19: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p.20-21: Picture 2: Laura Raymond. Picture 5: Organization of Women’s Freedom in Iraq. Pictures 6, 11, 15: Pam Bradshaw. Picture 10: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance. Picture 12: Aliya Hana Hussain • p 22-23: Pictures 2, 6: Pam Brad- shaw. Pictures 4, 5: Sameer A. Khan • p 23: Pictures 4, 5 by Sameer Khan • p 27: Pam Bradshaw • p 29: David Hicks: Adam Thomas (devdsp@flickr) • p 30: Top left: Shayana Kadidal • p.32: Chelsea Manning by Alicia Neal, in cooperation with Chelsea herself, commissioned by the Chelsea Manning Support Network • p 33: Top: Pam Bradshaw. Bottom: Kevin Gay • p 34: Bot- tom left: Alexis Agathocleous • p 36: Bram Cymet (bcymet@flickr) • p 41: Bottom: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p 46: Douglas Gorenstein • p 62: Ruby Dee: Courtesy of MDCarchives The Center for Constitutional Rights is a 501(c)3 nonprofit organization. -
Holiday Sale Members Only! Hammer Members Receive 20% Off in the Hammer Store December 8–15
Hammer Museum Winter 2011/12 Non Profit Org. 10899 Wilshire Boulevard Los Angeles, California 90024 USA US Postage PAID Winter 2011/12 Calendar For additional program information: 310-443-7000 Los Angeles, CA www.hammer.ucla.edu Permit no. 202 100% recycled paper HOLIDAY SALE MEMBERS ONLY! HAMMER MEMBERS RECEIVE 20% OFF IN THE HAMMER STORE DECEMBER 8–15. (DETAIL), 1964. INK AND CHARCOAL ON PAPER. 71 7/16 X 1964. INK AND CHARCOAL ON PAPER. (DETAIL), BIRMINGHAM TOTEM CHARLES WHITE. GEORGIA; PURCHASE WITH FUNDS ATLANTA, 40 1/16 IN. (181.5 X 101.8 CM). HIGH MUSEUM OF ART, ENDOWMENT FOR THE ARTS. FROM EDITH G. AND PHILIP A. RHODES THE NATIONAL 2 3 news director the 1 A MESSAGE FROM THE DIRECTOR from If you have been to the museum recently I am sure you Amiri Baraka. Other highlights of the season include two noticed the construction taking place in the courtyard. We additional Conversations—one with the legendary Angela Davis are very excited to see some important and long overdue and author Robin Levi, and another with writer Hilton Als message improvements to our space finally realized. Although it and artist extrordinaire Kara Walker. a will not interrupt any of our programs and activities, the construction will continue through the spring of 2012 and Additionally, as part of the Pacific Standard Time Performance will improve the overall look and function of the courtyard Festival, in January the Hammer will present two important spaces. We will be adding a new space—The Lab—which performances—one by the legendary Eleanor Antin, and 1 FREE SUNDAYS! will provide a much needed area for student workshops, one by Now Dig This! artists Maren Hassinger, Senga Nengudi Through January 8, 2012 seminars, and other educational and community activities. -
Framework for the Future
THE FRAMEWORK FOR THE FUTURE FINAL REPORT January 2020 The Framework for the Future: Prefatory Remarks Brandeis University is at an important crossroads in its 72-year history. Founded by the American Jewish community on the principles of academic excellence and openness in hiring and admissions practices, Brandeis has achieved an inspiring degree of success — not just as a young university committed to educating undergraduates in the liberal arts but also as a major research institution. The Framework for the Future provides a scaffolding for the university’s coming decades. It is rooted in the institution’s history and builds upon its unique place in higher education. The Framework is the synthesis of more than three years of broad consultations with focus groups, including prospective students, current students, alumni, faculty, staff, trustees, friends, and parents. It is also based on responses from multiple alumni surveys; information gleaned from 30 “self-reflection” documents written by faculty and administrators; and the work of four task forces, composed of 11 working groups, which forwarded for consideration more than 250 recommendations. The synthesis of these sources does not include many of the recommendations that came out of the task force reports. Rather, it offers some overarching themes that require our attention most urgently as we seek to plan and advance Brandeis’ future. And while the Framework provides guideposts within which we will pursue many initiatives, its purpose is not to identify all the university’s plans, strengths, and achievements. Instead, it outlines a series of strategic initiatives and investments, especially in areas where we have over the years underinvested, which will allow us to build a stronger Brandeis over the next several years. -
“Ari” Zev Emanuel BACKGROUND (GENERAL/CAREER) Education Macalester College - 1983
Ariel “Ari” Zev Emanuel BACKGROUND (GENERAL/CAREER) Education Macalester College - 1983 St Paul, MN 55105 (The Yale Center For Dyslexia & Creativity, Accessed 11/19/16) Work Experience 2009-Present: William Morris Endeavor Co-CEO (LinkedIn, Accessed 11/19/16) 1995-June 2009: Endeavor Agency Founding Partner (LinkedIn Accessed 11/19/16) 1992-1995: International Creative Management Senior Agent (LinkedIn, Accessed 11/19/16) 1990-1992: Intertalent Partner (LinkedIn Accessed 11/19/16) 1987-1990: Creative Artists Agency Agent (LinkedIn Accessed 11/19/16) QUESTIONS FOR ARIEL “ARI” ZEV EMANUEL Political Vulnerabilities Lifelong Democrat Background: Emanuel is a lifelong Democrat and the brother of Rahm Emanuel. While his fundraising and donation history is sporadic, he was considerably active for Democrats and Obama in 2008 and 2012. • As a registered Democrat, and someone who has financially supported Democrats, do you have any reservations about working in a Republican administration, and if so what are they? • Will you agree to cease all political activity and donations in support of Democratic candidates and causes inconsistent with the political goals of the President-elect while working within the administration? • Do you believe the aggressive rhetoric of this past campaign season has damaged Mr. Trump’s ability to governor? Hedging on Mr. Trump during the Campaign Deadline Background: During the campaign, Emanuel refused to answer whether he would welcome Trump back as a client if he lost the election. However, it should be noted Emanuel does have a lengthy positive professional history with Trump. • Given your history working with Mr. Trump, your lack of support during the campaign was notable.