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DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content. -
The Regional Cosmopolitanism of George Woodcock
Transoceanic Canada: The Regional Cosmopolitanism of George Woodcock by Matthew Hiebert B.A., The University of Winnipeg, 1997 M.A., The University of Amsterdam, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE FACULTY OF GRADUATE STUDIES (English) The University Of British Columbia (Vancouver) August 2013 c Matthew Hiebert, 2013 ABSTRACT Through a critical examination of his oeuvre in relation to his transoceanic geographical and intellectual mobility, this dissertation argues that George Woodcock (1912-1995) articulates and applies a normative and methodological approach I term “regional cosmopolitanism.” I trace the development of this philosophy from its germination in London’s thirties and forties, when Woodcock drifted from the poetics of the “Auden generation” towards the anti-imperialism of Mahatma Gandhi and the anarchist aesthetic modernism of Sir Herbert Read. I show how these connected influences—and those also of Mulk Raj Anand, Marie-Louise Berneri, Prince Peter Kropotkin, George Orwell, and French Surrealism—affected Woodcock’s critical engagements via print and radio with the Canadian cultural landscape of the Cold War and its concurrent countercultural long sixties. Woodcock’s dynamic and dialectical understanding of the relationship between literature and society produced a key intervention in the development of Canadian literature and its critical study leading up to the establishment of the Canada Council and the groundbreaking journal Canadian Literature. Through his research and travels in India—where he established relations with the exiled Dalai Lama and major figures of an independent English Indian literature—Woodcock relinquished the universalism of his modernist heritage in practising, as I show, a postcolonial and postmodern situated critical cosmopolitanism that advocates globally relevant regional culture as the interplay of various traditions shaped by specific geographies. -
Canadian Literature
Canadian Literature Issue #50 (accessed: January 21, 2012) $2.00 per copy Autumn, P06TRY OF P. К. РЛС6 Articles BY GEORGE WOODCOCK, A. J. M. SMITH, BRUCE NESBIT, GEORGE BOWERING, С M. MC LAY Poems BY P. K. PAGE Review Articles and Reviews BY G. L. BURSILL-HALL, MIRIAM WADDINGTON, STEPHEN SCOBIE, LEN GASPARINI, LAWRENCE RUSSELL, JIM CHRISTY, MARY JANE EDWARDS, RONALD SUTHERLAND, CLARA THOMAS, L. J. SWINGLE, PETER STEVENS, ROY DANIELLS, PAT BARCLAY, ANTHONY APPENZELL, FRED COGSWELL, JOAN COLDWELL, MIKE DOYLE Illustration BY P. K. IRWIN Opinion BY DONALD CAMERON A QUARTERLY OF CRITICISM AND R€VI€W SWARMING OF POETS An Editorial Reportage George Woodcock WHEN Canadian Literature began, twelve years ago, I promised that every boo! k oTHf Everse by a Canadian poet, as well as every novel published in this country, would be reviewed in its pages. It was an easy promise in a year—1959 — when twenty-four volumes of poetry were all that the bibliographer who compiled our checklist of publications could discover. All twenty-four, I believe, were duly reviewed. Through the Fifties, Northrop Frye, writing his yearly poetry article in the University of Toronto Quarterly, had been able to devote a few sentences or even a few paragraphs to every book of verse that appeared ; they came, in those days, mainly from the regular publishers, who lost money on good poets to give prestige to their lists. There were few small presses; amateur publishing hardly existed; the mimeograph revolution had not begun. The change since then was brought home to me with formidable emphasis on a recent morning when nineteen books of verse arrived for review in one mail delivery. -
Uvic Thesis Template
Serious Play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society by David Eso B.A., University of British Columbia, 2004 M.A., University of Calgary, 2015 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English © David Eso, 2021 University of Victoria All rights reserved. This Dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Serious Play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society by David Eso B.A., University of British Columbia, 2004 M.A., University of Calgary, 2015 Supervisory Committee Iain Higgins, English Supervisor Eric Miller, English Departmental Member Heather Dean, UVic Libraries Outside Member Neil Besner, University of Winnipeg Additional Member iii Abstract This dissertation concerns the satirical Flat Earth Society (FES) founded at Fredericton, New Brunswick in November 1970. The essay’s successive chapters examine the lives and literary works of three understudied authors who held leadership positions in this critically unserious, fringe society: FES Symposiarch Alden Nowlan; the Society’s President Leo Ferrari; and its First Vice-President Gwendolyn MacEwen. Therefore, my project constitutes an act of recovery and reconstruction, bringing to light cultural work and literary connections that have largely faded from view. Chapters show how certain literary writings by Nowlan, Ferrari, or MacEwen directly or indirectly relate to their involvement with FES, making the Society an important part of their cultural work rather than a mere entertainment, distraction, or hoax. -
The Scholar Visionary: Malcolm Ross at Ninety
MARY McGrLLIVRAY The Scholar Visionary: Malcolm Ross at Ninety HEN I FIRST HEARD of Malcolm Ross, I was a second-year W student here at Dalhousie. Malcolm Parks, my advisor, spoke so highly of Ross as a scholar and a teacher that I enrolled imme diately in Ross's course in Victorian liter<!ture. So I saw Malcolm Ross a few weeks after I'd heard of him. At the same time, I met him without his being there at all . When I was wandering the Shirreff Hall Library late one night, I picked up a novel I'd never read by a writer of whom I'd never heard: Tbe Stone Angel by Margaret Laurence. It was in paperl.Jack, one ur a series of which I'd also never heard. I had no idea Malcolm Ross had anything to do with the series, or with the writer, but the book grabbed me and I stayed up all night to finish it. In the space of a few weeks, in one case unwittingly, I'd encountered evidence of the several facets of the genius of a man whom I eventually came to see not only as a scholar, but as a kind of visionary. I came to see a man who enacted a vision and an idealism which have nur tured whole communities-communities of scholars, of writers, of artists and actors and teachers. Underlying this vision and idealism is his profound sense of what he has called "the hidden unifying force behind all things, forming and informing everything." 1 1 The text of this article is based on a lecture de li vered at Dalhousie University on 12 January 2001 to celebrate tv! alco lm Ross·s ninetieth birthday. -
POEMS: RECONFIGURATION of the NATION-DISCOURSE in EXPERIMENTAL CANADIAN POETRY (1960S-1980S)
ALTEWNATIONS - LONG(1NG) POEMS: RECONFIGURATION OF THE NATION-DISCOURSE IN EXPERIMENTAL CANADIAN POETRY (1960s-1980s) Alessandra Capperdoni Laurea in Lingue e Letterature Straniere, Universiti degli Studi di Bologna, Italy, 1998 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department of English O Alessandra Capperdoni 2006 SIMON FRASER UNIVERSITY Fall 2006 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Alessandra Capperdoni Degree: Doctor of Philosophy Title of Thesis: AlterINations -Long(ing) Poems: Reconfiguration of the Nation-Discourse in Experimental Canadian Poetry (1960s-1980s) Examining Committee: Chair: Peter Dickinson Assistant Professor of English and Associate Chair Department of English Sandra Djwa Senior Supervisor Professor Emerita English George Bowering Professor Emeritus English Roy Miki Professor of English Richard Cavell Internal External Examiner Director International Canadian Studies Centre Professor of English University of British Columbia Smaro Kamboureli External Examiner Canada Research Chair in Critical Studies in Canadian Literature University of Guelph, Ontario Date DefendedJApproved: UN~WB~WI~SIMON FRASER brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. -
The Beginnings and Background of ACQL/ALCQ Sandra Dajwa
Document généré le 28 sept. 2021 01:19 Studies in Canadian Literature / Études en littérature canadienne The Beginnings and Background of ACQL/ALCQ Sandra Dajwa Volume 41, numéro 1, 2016 URI : https://id.erudit.org/iderudit/scl41_1mem02 Aller au sommaire du numéro Éditeur(s) The University of New Brunswick ISSN 0380-6995 (imprimé) 1718-7850 (numérique) Découvrir la revue Citer ce document Dajwa, S. (2016). The Beginnings and Background of ACQL/ALCQ. Studies in Canadian Literature / Études en littérature canadienne, 41(1), 275–284. © 2016. All rights reserved. Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ The Beginnings and Background of ACQL/ALCQ Sandra Djwa he Association of Canadian and Quebec Literatures/ L’Association des littératures canadiennes et québécoise (ACQL/ALCQ) was a product of the nationalist 1970s Tand the desire to affirm the existence of an English-Canadian and Québécois literature. The Writers’ Union of Canada (1973) and Studies in Canadian Literature (1976) were motivated by a similar impulse. The 1970s financial crisis at McClelland and Stewart, then the major publisher of Canadian writing, threatened writers and readers alike and galvanized writers into forming a professional organization.1 As I recall, Desmond Pacey of the University of New Brunswick, a scholar, writer, and the established critic of Creative Writing in Canada: A Short History of English-Canadian Literature (1952), was one of the founding mem- bers of the Writers’ Union and, in the early 1970s, VP Academic at the university. -
Aspects of Heroism and Evolution in Some Poems / by E.J. Pratt.
ASPECTS OF HEROISM AND EVOLUTION IN SOrJlE POEMS BY E* Jm PRATT by Fred Mensch B.A., University of Lethbridge, 1968 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English @ FRED MENSCH 19'72 SIMON FRASER UNIVERSITY August 1972 APPROVAL Name : Fred Mensch Degree: Master of Arts Title of Thesis: Aspects of Heroism and Evolution in Some Poems by E.J. Pratt Examining Committee: Chairman: Dr. S .A. Black Dr. Sdidra'A. Djwa Senior Supervisor Prof. Gordon R. Elliott - -- Dr. Bruce H. hesbitt TI/DTG-.$t ephens Associate Professor of English University of British Columbia Vancouver, B .C . Date Approved : August 1, 1972 ABSTRACT A study of Pratt's poetry reveals heroism as existing only in relation to an evolutionary metaphor that shows organic life progressing from an amoral environment to an ever more differentiated society. Man is heroic if he can establish, in his opposition to the environment, an order that is based on ethics and a "brotherhood of man" as well as on strong, instinctual emotions that keep him aware--consciously or unconsciously-- of his evolutionary origins. If man loses this awareness he loses his sense of identification with nature and exists within the illusion that the environment can no longer seriously affect him. The cost of this illusion is destruction, because at some time man must confront his environment, and if he has no feeling for it "in the bloodw, he has no effective means of coping with it. The most significant factor defining heroism is the ability to integrate uninhibited emotion with ethical compassion. -
Liberal Education on the Great Plains American Experiments, Canadian Flirtations, 1930-1950
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 1997 Liberal Education On The Great Plains American Experiments, Canadian Flirtations, 1930-1950 Kevin Brooks Iowa State University Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Brooks, Kevin, "Liberal Education On The Great Plains American Experiments, Canadian Flirtations, 1930-1950" (1997). Great Plains Quarterly. 1938. https://digitalcommons.unl.edu/greatplainsquarterly/1938 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. LIBERAL EDUCATION ON THE GREAT PLAINS AMERICAN EXPERIMENTS, CANADIAN FLIRTATIONS, 1930~1950 KEVIN BROOKS In 1929 the University of Chicago plan for cialized and disjointed in the first thirty years liberal or general education was first proposed of the century, although it was far from being by its young president, Robert Maynard the only general education experiment of its Hutchins. Sociologist Daniel Bell, in his his day. The Experimental School at the Univer tory of general education in America says, "The sity of Wisconsin and the General College at Chicago plan sought to draw together the dis the University of Minnesota are usually iden ciplines in three fields-the humanities, the tified, along with Chicago, as the three most social sciences, and the natural sciences-and significant general education experiments of Jo consider problems which, by their nature, the early 1930s. -
18E Rapport Annuel Conseil Des Arts Du Canada 1974-1975
18e Rapport annuel Conseil des Arts du Canada 1974-1975 Monsieur Hugh Faulkner Secrétaire #Etat du Canada Ottawa, Canada Monsieur le Mimstre, Conformément à l’article 23 de la loi sur le Conseil des Arts du Canada (5-6 Elisabeth II, 1957, chapitre 3) j’ai l’honneur de vous transmettre, pour présentation au Par- lement, le rapport du Conseil des Arts du Canada pour l’exercice financier qui s’est terminé le 31 mars 1975. Veuillez agréer, Monsieur le Ministre, l’assurance de mes sentiments distingués. Le Vice-président et président par interim, Brian Flemming Le ler juin 1975 Le Conseil des Arts du Canada, constitué Sur le plan financier, le Conseil vit princi- en 1957 par une loi du Parlement fédéral, palement des subventions que lui vote a pour mission de promouvoir les arts, les chaque année le Parlement. II tire aussi des humanités et les sciences sociales. Sa revenus de sa Caisse de dotation, consti- principale activité consiste à offrir des tuée par le Parlement en 1957, et de cer- bourses et des subventions dans ces do- taines donations provenant du secteur privé maines et dans certains secteurs pluri- et réservées, dans la plupart des cas, à disciplinaires qui s’y rattachent. De plus, des fins particulières. le Conseil participe aux relations cultu- relles du Canada avec l’étranger, administre Ce rapport est distribué par le la Commission canadienne pour I’Unesco et Service d’information, gère quelques programmes spéciaux finan- Conseil des Arts du Canada, cés par des dons et legs de sources privées. 151, rue Sparks, Ottawa, Ontario. -
MS Coll 00277
MS • Ross, Malcolm Mackenzie, 1911- COLL. 277 Papers, 1970-1994. • 62 boxes. 6 metres. Professor, writer, and editor of the New Canadian Library Series. Correspondence, notes, manuscript drafts of his essays, and addresses. Papers give an overview of Canadian literary studies, Canadian Scholarship, and the development of international interest in Canadian studies, especially literature, during the 1970's and 1980's. Organized into correspondence, literary works, biographical materials, and Christmas cards. Correspondence is arranged alphabetically and literary and biographical materials, chronologically. *Access to some correspondence restricted. • 2 MS. ROSS (MALCOLM) PAPERS COLL. 277 • CHRONOLOGY 1911 Born in Fredericton, New Brunswick, 2 January to Charles Duff and Cora Elizabeth Hewitson 1933 Received BA from University of New Brunswick 1934 Received MA from University of Toronto 1938 Married Lois Natalie Hall 1941 Received Ph.D from Cornell University 1941-42 Taught at Indiana University 1939-41 Lecturer in English literature at Cornell University 1942-45 Worked for National Film Board 1943 Published Milton's Royalism \. 1945-49 Assistant professor and professor of English, University of Manitoba 1949-50 Guggenheim Fellow 1950-62 Professor of English, Queen's University 1953-56 Edited The Queen's Quarterly 1954 Published Poetry and Dogma and Our Sense of Identity: a Book of Canadian Essays which he edited 1955 Elected Fellow of the Royal Society of Canada 1955-78 General editor of The New Canadian Library 1957-62 Head of the English Department, Queen's university 1958 Published The Arts in Canada which he edited 1960 Published Poets of the Confederation which he edited 1961 Edited with John Stevens Man and His World 3 MS. -
Terms Belonging to a Rival Theoretical Tradition. He Does Not Consider Whose Interests the Government of the Time and the Amulree Commission Represented
78 BG STUDIES the "elite" and the "poor," terms belonging to a rival theoretical tradition. He does not consider whose interests the government of the time and the Amulree Commission represented. His critique of Piven and Cloward's thesis on how relief payments regulate and control workers is convincing, and one can read in his conclusion the need for a dialectical treatment of social policy and programs as an outcome of resistance and struggle. But a combination of class and gender analysis with an application of Conley's social reproduction framework could make for a better explanation of Overton's subject matter. It is worth emphasizing two inter-related themes in this timely book which can be usefully applied in future researches on class, gender, and region. One is the analysis of contradictory processes and their effects on consciousness-raising and collective action — e.g., Conley's emphasis on the contradiction between capital accumulation and workers' social repro duction. The other is the use of power by those ostensibly without it. University of Victoria RENNIE WARBURTON Ethel Wilson: Stories, Essays, and Letters, ed. David Stouck. Vancouver: University of British Columbia Press, 1987. Pp. xx, 260. The most diverting and memorable session of the 1981 Ethel Wilson Symposium in Ottawa was the screening of a 1955 CBC interview of Wilson by Roy Daniells, head of the University of British Columbia Eng lish Department. The film delighted the audience for what we perceived to be Wilson's sly and subversive use of a persona of intellectual modesty and genteel decorum to toy gently with the earnest, hapless Daniells.