Lake Kariba Cruise: South Africa, Zimbabwe & Botswana
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Construyendo a Sugar Man
Construyendo a Sugar Man Nota: contiene detalles de la trama. De la trama, ¡precisamente! El documental Searching for Sugar Man (Malik Bendjelloul, 2012) cuenta la historia de Sixto Rodríguez, un cantautor del Detroit de principios de los 70 que grabó dos excelentes discos de nulo éxito en su país, pero que descubrió casi 30 años después que su música era bien conocida desde siempre en Sudáfrica, donde sus ventas se contaban por centenares de miles y sus canciones habían llegado incluso a inspirar a los movimientos sociales contra el apartheid. Lo supo gracias a dos fans de Ciudad del Cabo que, creyendo que se había suicidado tiempo atrás (algo que todos los sudafricanos daban por hecho) decidieron indagar en su misteriosa biografía, averiguando que estaba vivo y trabajaba como peón en Detroit, alejado de la industria musical. La historia, indudablemente atractiva, nos la cuentan esos dos fans,Stephen “Sugar” Segerman, propietario de una tienda de discos, yCraig Bartholomew Strydom, crítico musical. Todo arranca en Detroit: varias personas rememoran su primer encuentro con Rodríguez a finales de los 60. Nos describen al cantautor como un espíritu errante, una | 1 Construyendo a Sugar Man especie de vagabundo y poeta de la calle. Hay algo literario en el relato que los productores que lo descubrieron hacen de la noche neblinosa, mágica e inolvidable en que lo vieron actuar por primera vez. Sorprende después el testimonio de Steve Rowland, productor del segundo disco de Rodríguez: tras mostrarnos unas fotos del misterioso músico que Rowland asegura llevar 35 años sin ver (pero que extrae del primer cajón de un mueble del salón de su casa) el productor se entrega a un calculado rasgado de vestiduras a cuenta de que Rodríguez decidiera retirarse tras el nulo éxito de sus dos discos y quedara condenado al olvido. -
KARIBU | MURAKAZE | SOO DHOWOOW | BEM VINDO | BOYEYI MALAMU FREE in This Issue Juneteenth
July 2021 • Vol 4 / No 4 Understanding, Embracing, and Celebrating Diversity in Maine WELCOME | BIENVENUE | KARIBU | MURAKAZE | SOO DHOWOOW | BEM VINDO | BOYEYI MALAMU FREE In this Issue Juneteenth..................................2 Beautiful Blackbird Festival.....3 Publisher’s Editorial..................6 Immigration & the workforce.11 Finding freedom from Trauma Part II..................................12/19 World Market Basket .............14 Food for All Mobile Market African beef & sauce with Eugénie Kipoy Nouveaux Romans: reviews of recent novels by Francophone authors A partnership with Bates College .......................15/16/17 Sending money home ............20 Finance.....................................21 Columns. ......................24/25/26 Nigeria bans Twitter...............27 Bombay Mahal ........................28 Tips&Info for Maine ..............29 ICE in Maine..................30/31 Translations French.................................8 “I wish my teacher knew...” Swahili ................................9 ose interested in knowing more about the internal worlds of young people during the pandemic from Somali...............................10 their own points of view will want to head to Lewiston Public Library, where the digital art show “I wish Kinyarwanda.....................22 my teacher knew…” is on display until August 15. e show is the result of a collaboration between two Portuguese.........................23 educators at Lewiston High School, Deanna Ehrhardt and Sarah Greaney, and students. e work is raw -
Food Discourse: the Communicative Gateway Toward Understanding Formerly Colonized Representation in Parts Unknown
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-30-2018 Food Discourse: The Communicative Gateway Toward Understanding Formerly Colonized Representation in Parts Unknown Mitch Combs Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Communication Technology and New Media Commons Recommended Citation Combs, Mitch, "Food Discourse: The Communicative Gateway Toward Understanding Formerly Colonized Representation in Parts Unknown" (2018). Theses and Dissertations. 850. https://ir.library.illinoisstate.edu/etd/850 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. FOOD DISCOURSE: THE COMMUNICATIVE GATEWAY TOWARD UNDERSTANDING FORMERLY COLONIZED REPRESENTATION IN PARTS UNKNOWN Mitch Combs 102 Pages CNN’s television series, Anthony Bourdain: Parts Unknown, merges food and travel genres to communicate representations of local, indigenous, and other formerly colonized cultures. This thesis will present the significance of Parts Unknown through a review of literature that concerns postcolonial theory and food discourse to which critical insights emerge and explain how indigenous cultures are represented within Western “foodie” television. These insights will then guide a postcolonial investigation of the food rhetoric -
Recipes & Cuisine [PDF]
Ugandan Customs and Cuisine Ugandan cuisine is quite the melting pot, taking culinary influences from the Arabs, British, and especially India. The Indian traders left their mark on the region as they introduced their curries, spice blends, and breads. The food is not typically spicy, but seasoned with tomatoes and onions to create flavorful, pleasing dishes. Their diet is based on a combination of a starch and a “sauce” at each meal. The starch may consist of Ugali (a type of cornmeal paste) or Matooke (mashed plantain), and is always topped with a sauce or stew made of groundnuts (peanuts), vegetables, or meat. Although Uganda is home to the largest fresh water lake in the world, the lake has been over- fished, and fresh fish is very hard to obtain unless you live near to the source. But smoked fish can be found quite readily and is often added to a dish containing meat or beans to add complexity and depth. Chicken, beef, goat and mutton are all part of the diet, although among the rural poor meat would not be eaten every day. Cattle are considered a sign of wealth, and not consumed in the everyday diet. Other commonly found foods include bananas, pineapple, beans, cassava, sweet potatoes, cabbage and spinach. Groundnuts are a vital staple and are most often turned into a sauce. Rice is expensive and not typically consumed. Most people, except a few who live in urban centers, produce their own food and generally eat two meals a day, lunch and supper. Breakfast is often a cup of tea or porridge. -
Sounds of Young Afrikaners
Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. -
Lesson 2 the People of Madagascar
LUTHERAN HOUR MINISTRIES online mission trip Curriculum LESSON 2 THE PEOPLE OF MADAGASCAR 660 MASON RIDGE CENTER DRIVE, SAINT LOUIS, MO 63141 | LHM.ORG 0117 LHM – MADAGASCAR Lesson 2 – The People of Madagascar Population On the map, Madagascar is very close to the eastern edge of Africa. This closeness would lead people to conclude that the inhabitants of Madagascar are predominately African. This is not true. The native inhabitants of Madagascar are the Malagasy (pronounced mah-lah-GAH-shee), who originated in Malaysia and Indonesia and reached Madagascar about 1,500 years ago. The language, customs, and physical appearance of today’s Malagasy reflect their Asian ancestry. Nearly 22.5 million people live in modern Madagascar. The annual growth rate of three percent combined with an average life expectancy of only sixty- four years gives Madagascar a young population. About sixty percent of the Malagasy people are less than twenty-five years old. Thirty-five percent of the adult population is classified as illiterate. More than ninety-five percent of the population is of Malagasy origin. The other five percent is made up of French, Comorians, Indo-Pakistanis, and Chinese peoples. The Malagasy are divided into 20 distinct ethnic groups, each of which occupies a certain area of the island. These groups originally started as loosely organized clans. Each clan remained apart from each other clan, marrying only within its clan. The clans developed into separate ethnic groups. Today there is an increased amount of intermarriage between the clans blurring the lines of distinction. All groups consider themselves as equally Malagasy. -
Uganda Guide0.81Mb
YOUR HOLIDAY GUIDE TO BOTSWANA | FACTS & ADVICE ugandaYour holiday guide to CONTENTS UGANDA HOLIDAY GUIDE UGANDA 04 GETTING INTO UGANDA 06 STAYING HEALTHY 06 TIME ZONE 06 TIPPING 07 TALK THE TALK 07 MONEY 07 WEATHER 08 WHAT TO PACK 08 PHOTOGRAPHY 09 BAGGAGE RESTRICTIONS 09 LOCAL FOOD AND DRINK 09 2 CONTENTS ugandaYour holiday guide to CONTENTS 3 UGANDA Still one of the world’s best National Parks and Principal Sights Most of Uganda’s environment is divided into protected kept natural secrets, Uganda areas, taken care of by the Uganda Wildlife Authority receives far less visitors than and the National Forest Authority. Uganda has ten national parks and almost a third of the country is its neighbouring countries. covered by water. Lake Victoria, the largest in Africa, Characterised by dramatic dominates the south while Lakes Edward and Albert lie scenery throughout, it is to the west. home to deep lakes, stunning BWINDI IMPENETRABLE FOREST Bwindi Impenetrable Forest is a UNESCO World Heritage waterfalls, towering mountains site situated in the southwest corner of Uganda. The and incredible wildlife. park is 331 square kilometres and impresses with a truly theatrical landscape and bio-diversity – this is a region of volcanoes, jagged valleys, waterfalls, lakes and Uganda also has the highest concentration of primates dramatic mountain ranges. Birders come thousands of on earth, including the mountain gorilla – now one of miles to see the more than 350 species that live within the rarest animals on the planet. There are just over the area. 1000 mountain gorillas in the world and over 400 of them reside in Uganda – mainly found in the epic Bwindi There are also rare forest elephant, giant forest hog Impenetrable Forest. -
Album Review: Rodriguez, Cold Fact
NZ Herald Album review: Rodriguez, Cold Fact By Lydia Jenkin 7:00 AM Friday Jul 6, 2012 Like a young Bob Dylan crossed with Jose Feliciano, with the poetic story-telling skills of Don McLean or Paul Simon, imparting the cold facts with a sly attitude, Sixto Rodriguez is an unsung hero of 70s counter-culture. A true rock 'n' roll star. Born and raised in Detroit to Mexican parents, and discovered by a couple of producers who saw him playing in a dive bar, Rodriguez is a rare songwriter, who can encapsulate a whole world of emotion in two potent lyrical lines. He has a knack for winding wry observations into a melody that produces elusive musical magic. That magic should've made him a big name when Cold Fact was released in 1970, the songwriting matched by skilful production, which leaves his world-weary American drawl to the fore, and builds up beautiful classic instrumental layers, along with the odd scorching guitar lick. The tenderness of Crucify Your Mind contrasts with the jaunty cheek of I Wonder, the cheerful resignation of Establishment Blues with wistful-on-reflection Jane S Piddy. Oddly, it was ignored in America, as was his second album Coming From Reality. Despite the songs full of insight into American urban life, they didn't connect with the wider public. But there were thousands of liberal young groovers in South Africa, Australia and even a few in New Zealand who regarded him as highly as The Beatles or Jimi Hendrix. Forty years on, a brilliant documentary called Searching For Sugar Man, which details his remarkable story, is being released (it's playing at the NZ International Film Festival) and there's been a resurgence of interest in Rodriguez, hence the re-release of both albums. -
09. Recipes in Malagasy and Other Languages
RECIPES IN MALAGASY AND OTHER LANGUAGES* Ileana Paul Diane Massam University of Western Ontario University of Toronto [email protected] [email protected] This paper looks at null arguments in recipe contexts. While much of the literature has focused on English and the availability of null definite patients, this paper shows that null agents and null patients are possible in recipes in a range of languages, including Malagasy, Niuean and Tagalog. It is argued that null agents in recipes arise due to a variety of syntactic strategies, but null patients are licensed via a null topic in all the languages considered. 1. Introduction Null arguments are a common feature of recipes, as long noted in the literature. In (1) below, there is no overt agent for any of the verbs and the verbs cut and add are missing their patient argument. (1) øagent Take 2 carrots. øagent Cut øpatient finely, before øagent adding øpatient to potato mixture. The literature on recipes has typically focused on the phenomenon of null definite patients, perhaps because these are otherwise ungrammatical in English (e.g. Haegeman 1987a,b, Massam & Roberge 1989, Massam 1992, Cote 1996, Culy 1996, Bender 1999, Ruppenhofer & Michaelis 2010, Ruda 2014, Weir 2017). But as just noted, null agents are also found in recipe contexts. In this paper, we show that null agents and patients are a feature of recipes in a range of typologically and genetically diverse languages. The agent corresponds to the addressee or the person following the recipe. The patient is what we will call the object of manipulation (Massam et al. -
Estudio Del Héroe Desconocido: "Searching for Sugar Man"
ESTUDIO DEL HÉROE DESCONOCIDO: SEARCHING FOR SUGAR MAN Raúl García Sáenz de Urturi Universidad de Alicante 1. INTRODUCCIÓN El documental Searching for Sugar Man de Malik Bendjelloul se ha convertido en uno de los productos audiovisuales más aclamados del 2013, y en uno de los documentales musica- les más reconocidos en los últimos años, alcanzando una difusión para el gran público que parecía exclusiva de los recientes trabajos de Martin Scorsese sobre músicos como Bob Dylan o George Harrison. Este estudio se propone explorar la particularidad del enfoque de este documental sobre la figura del desconocido compositor y cantante Sixto Rodríguez. A partir del análisis de la estructura de la narración de la película y de la dosificación de la informa- ción que maneja el director, se pondrá en valor la propuesta que diferencia este documental musical de otros estudios clásicos de la música reciente. A través de la revisión documental, del análisis comparativo del discurso y de los recur- sos narrativos utilizados, se diferencia esta obra del estándar habitual gracias a tres pilares fundamentales para su aceptación entre crítica y público: la presencia de un autor maldito, la recompensa final e inesperada para con su obra, y el formato de investigación sobre su trayectoria. Searching for Sugar Man (2012), el documental del director sueco Malik Bendjelloul so- bre la figura del desconocido Sixto Rodríguez, supone uno de los mayores éxitos de crítica y público del género rockumentary de los últimos años. Este género es definido por Matt Stahl como “una forma de documental que se centra en la experiencia subjetiva de una obra particular dentro y fuera de las industrias culturales capitalistas contemporáneas” (citado en Abeillé, 2012: 56). -
The Fantastic Butterfly Collectors
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document and is licensed under All Rights Reserved license: Gardner, Abigail S ORCID: 0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181 Official URL: http://www.tandfonline.com/doi/full/10.1080/15405702.2016.1193181 DOI: http://dx.doi.org/10.1080/15405702.2016.1193181 EPrint URI: http://eprints.glos.ac.uk/id/eprint/3540 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. Raiders of the Lost Archives Abstract Fantastic Man (2014) and Searching for Sugar Man (2012) mobilize tropes of discovery occurring in the filmed process of collecting and curating the work and identities of two reluctant, elusive and resistive figures. They are part of a discourse of collectability which is marked by the urge to discover and to narrate a “quest” that has its precedents in record collecting as obsessive cultural practice (Straw, 1997; Shuker, 2012), and in the fetishizing of obscurity (Thornton, 1995; Hesmondhalgh, 1997). -
Entertainment in Madagascar Dining Options Include Eating out At
Entertainment In Madagascar by newsdesk Dining options include eating out at some of the in-house restaurants in the big hotels to small street side cafes and restaurants. The French influence is evident in a few elegant restaurants in Antananarivo and the native flavour can be savoured in smaller establishments that churn out local delicacies. Elegant French dishes are served at the island's finest restaurants and hotels, catering mostly for foreign tourists. Madagascar is famous for its fresh seafood, particularly its wonderful seafood salad platters seasoned with ginger and limejuice. The melting pot of African, Arabic, French and Indian cooking styles, Malagasy cuisine uses plenty of spices to create a fragrant, rich and exotic new cuisine. The Malagasy cuisine takes full advantage of the country’s rich bounty of fresh fish, fruits and vegetables. The standard Malagasy diet is a varied one, usually comprising of heaps of rice topped with beef, pork, chicken, crab, fish, corn, peanuts and potatoes. Spicy curries are popular and owe much to the influence of the Indian community. There are numerous discos around the hotels and a few halls that host live shows and films for French speaking visitors and locals and even English speaking visitors can enjoy some good film and cultural shows. To get a taste of Malagasy culture, do attend a Hira Gasy, generally held on Sunday afternoons near the Alliance Francaise in Tana. There are a few discotheques, some with bands and solo musicians in the larger cities. Casinos can be found in the capital Antananarivo and tourist centres of Toamasina and Nosy Bé.