2018

Pokrovitelji festivala / With a support of SELEKTORKA FESTIVALA / FESTIVAL SELECTOR Ana Vujošević, glumica (Crna Gora) / actress (Montenegro)

ŽIRI / JURY Sonja Vukićević, koreografkinja i predsjedinca žirija (Srbija) / choreographer and president of the jury (Serbia) Crna Gora Grad Podgorica Ministarstvo kulture Andrej Cvetanovski, reditelj (Makedonija) / director (Macedonia) Žana Gardašević, glumica (Crna Gora) / actress (Montenegro)

DIREKTORICA FESTIVALA / festival director: Ana Vukotić NAGRADE / AWARDS Nagrada za najbolju predstavu / Award for Best Show UMJETNIČKI SAVJET FESTIVALA / FESTIVAL ART COUNCIL Nagrada za najbolju režiju (autora) / Award for Best Director Sonja Vukićević, predsjednica savjeta, koreografkinja i balerina (Srbija) / Nagrada za najbolju žensku ulogu / Award for Best Actress president of the Council, choreographer, ballerina (Serbia) Nagrada za najbolju mušku ulogu / Award for Best Actor Dejan Projkovski, reditelj (Makedonija) / director (Macedonia) Željka Udovičić, dramaturškinja (Hrvatska) / dramaturge (Croatia) Dino Mustafić, reditelj (Bosna i Hercegovina) / director (Bosnia & Herzegovina) Branko Baletić, reditelj (Crna Gora) / director (Montenegro) Biljana Srbljanović, dramska spisateljica (Srbija) / dramatic writer (Serbia) Aleksandar Milosavljević, teatrolog, (Srbija) / theatrologist, (Serbia) Ljubomir Đurković, dramski pisac (Crna Gora) / dramatic writer (Montenegro) Boris Liješević, reditelj (Crna Gora) / director (Montenegro) Oliver Frljić, reditelj (Hrvatska) / director (Croatia)

Izdavač: Festival internacionalnog alternativnog teatra / Publisher: Festival of International Alternative Theatre I Za izdavača / For publisher: Ana Vukotić I Urednica kataloga / Catalogue editor Iva Đurović I Prevod / Translation: Ana Đurković I Uvodni tekst / Introduction by: Ana Vujošević I Dizajn kataloga / Catalogue design: Roman Đuranović I Štampa / Print: Fotografika, Podgorica I Tiraž / Circulation: 300 I © Fiat - Podgorica 2018 www.fiat-montenegro.org 7 - 16. SEPTEMBAR 2018. IZVRŠNA PRODUKCIJA / EXECUTIVE PRODUCTION: NU FIAT FIAT TEHNIČKA PODRŠKA FIAT TIM / FIAT TEAM Doktor svijetla / doctor of light: Mili Malović Izvršna producentkinja / Executive producer: Vukosava Tomović Magistar tona / phd of sound: Mladen Nikčević PR: Iva Đurović Tonac / Sound technician: Dražen Milić Organizatori / Organisers: Ana Janković, Janja Ražnatović, Marija Zogović Video genije / video genius: Goran Brnović Prevod / Translation: Ana Đurković Alfa i omega scene / stage alpha and omega: Miloš Novaković Računovodstvo / Accounting: Dobrana Perović Izvađen iz naftalina / out of closet: Radivoje Beli Lopičić Mađioničar / magician: Željko Jovanović Glatki UREDNIK FILMSKOG PROGRAMA / EDITOR OF THE FILM PROGRAM Majstorica higijene / hygiene expert: Mirjana Vuković Vladimir Vučinić, filmski snimatelj / cinematographer Mjesečar / moonwalker: Miško Caušević UREDNIK / EDITOR OF CREATIVE INDUSTRY ART MARKET Šankeri / Bartenders: Milan, Vlado i Nina Edin Jašarović, producent / producer I moja malenkost / and me: Dejan Radonjić

Total dizajn / Total design: Roman Đuranović PARTNERI FESTIVALA / FESTIVAL PARTNERS Dizajn nagrade / Design of the award: Aleksandar Saša Vukotić Telenor fondacija Fotograf festivala / Festival photographer: Duško Miljanić Sekretarijat za kulturu i sport Podgorica / Secretariat for Culture and Sports Podgorica Crnogorsko narodno pozorište / Montenegrin National Theatre KIC „Budo Tomović“ Podgorica / Cultural and Informative Centre “Budo Tomović“ JU Muzeji i galerije Podgorice / Podgorica Museums and Galleries Kulturni centar „Nikola Đurković“ Kotor / Culture centre “Nikola Đurković“ Kotor Mas trade Cetinje Francuski institut Crna Gora / French Institute Montenegro Ambasada Mađarske u Podgorici / Embassy of Hungary in Podgorica Ambasada Izraela u Beogradu / Embassy of Israel in Belgrade Crnogorska kinoteka / Montenegrin Cinematheque Institut ramon llull, Catalan Language and Culture, Barselona, Spain Arhimed Fleka FESTIVAL INTERNACIONALNOG ALTERNATIVNOG TEATRA

Selektorka: Ana Vujošević

Ovogodišnje, 33. izdanje FIAT-a bazira se na raznolikosti umjetničkog izraza, koja će neupitno motivisati publiku da se adaptira, i za- jedno sa izvođačima traga, razumije i doživljava… Zadatak alternativnog teatra jeste, drugačiji, eksperimentalan i autentičan izraz, koji odstupa od uobičajenog, te se ove godine FIAT vraća svojoj suštini… Putem konkursa, što će se nastaviti kao praksa i u budućnosti, prijavilo se 67 projekata iz cijelog svijeta. Nakon odgledanog materijala, odabrane su nadahnute, i u sredstvima izražajne predstave koje dolaze iz Španije, Mađarske, Crne Gore, Francuske, Hrvatske, Srbije, Izraela, Makedonije i Albanije. Svaka predstava je intimno putovanje kojem se prepuštamo. Zajednički motiv je borba. U životu i u umjetnosti uvijek prisutna, neophodna. Borba sa sobom (dušom, umom, tijelom), sa strahom, samoćom, ludilom, borba sa društvom, sa starim i novim, sa uspjehom, porazom, sa muzikom, riječima, predrasudama i licemjerjem, sa bolom, zločinom, tišinom, sa ljubavlju i istinom, sa………………. Pitamo se… Šta naše izmučeno biće može i ne može? Možemo li osposobiti sebe za sve što nam život nameće? Borba ne prestaje! FIAT se ne predaje!

FESTIVAL OF INTERNATIONAL ALTERNATIVE THEATRE

Selector: Ana Vujošević

This year’s 33rd edition of FIAT is based on different artistic expressions which will by all means motivate audience to adapt and seek, comprehend and experience together with the artists. The goal of alternative theatre is a different, experimental and authentic expression, one that differs from the usual, thus this year’s FIAT is going back to its purpose. An open call, a practise that would continue in the future, resulted in 67 projects from all over the world submitted to the Council. After considering all presented materials, the selection of aspiring and expressive performances from Spain, Hungary, Montenegro, France, Croatia, Serbia, Israel, Macedonia and Albania had been made. Each of these performances is an intimate journey we indulge in. The collective motif is fight. Ever present and necessary in both life and art. The fight with one self (spirit, mind and body), with fear, loneliness, craze, a fight against the society, the old and the new, the success and failure, music, words, prejudice and hypocrisy, fight with pain, crime, silence, with love and truth, with………….. We ask ourself… What our tortured being can and cannot? Could we prepare ourselves for everything life imposes on us? The fight doesn’t end! FIAT doesn’t give up! F I A T S E L E K C I J A / F I A T S E L E C T I O N ŠPANIJA / BARSELONA

7. septembar 2018. 21.00h / Dvorište Kuslevove kuće / 50min.

Insectotropics GALAKTIČKA CRVENKAPICA režija: Insectotropics

gluma: Mar Nicolás muzičar: Danio Catanuto slikar: Xanu and iex videoartist: Laia Ribas videoartist: André Cruz videoartist i producent:: Maria Thorson

Što bi bilo da je Crvenkapica odlučila da ignoriše svoju mamu, da se prepustila intuiciji da je vodi i uronila duboko u šumu svojih strahova? Što se dešava kada ne možemo da uradimo ništa protiv ustaljenih normi? Da li ste ikad nekoga ispratili na put inicijacije…? Galaktička Crvenkapica je multimedijalna predstava bazirana na poznatoj priči o Crvenkapici, koja pruža jedinstven pogled na ovu problematiku. Multidisciplinarni komad istražuje različite varijante umjetničkog izraza, kombinacija koje rezultiraju novom i originalnom ekspresivnom formom koja zaokuplja publiku. U predstavi se susreću tri video umjetnika, dva slikara, muzičar i glumica, i zajedno stvaraju “live” film na takav način da publika može jednako uživati u finalnom proizvodu, projekciji na velikom platnu, istovremeno gledajući i njen “making of”.

U saradnji sa: Institut ramon llull, Catalan Language and Culture, Barcelona, Spain

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SPAIN / BARCELONA

7th September 2018 21.00h / Garden of the Kuslev’s House / 50min

Insectotropics LA CAPUTXETA GALACTICA directed by: Insectotropics

actress: Mar Nicolás musician: Danio Catanuto painter: Xanu and iex videoartist: Laia Ribas videoartist: André Cruz videoartist and producer: Maria Thorson

What if the Little Red Riding Hood decided to ignore her mother, to be led by her intuition and delve deep into the forest of her fears? What happens when we react against the established norm? Have you ever accompanied someone on a voyage of initiation…? La Caputxeta Galàctica is a multimedia stage show based on the well-known tale of Little Red Riding Hood, offering a unique view of the popular story. This multidisciplinary piece explores various modes of artistic expression, the combination of which results in a new and original expressive form which immerses the audience. The show brings together three video artists, two painters, a musician and an actress, who together create a film ‘live’ in such a way that the audience can enjoy both the finished work – projected on a large screen – and simultaneously see its ‘making of’.

With the support of: Institut ramon llull, Catalan Language and Culture, Barcelona, Spain

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Slovenija / Srbija / Bosna i hercegovina

8. septembar 2018. 20.00h / KIC “Budo Tomović” / Velika scena / 30 min.

Festival Velenje Slovenia, Tanzelarija BIH, PUBS Serbia, Institute for contemporary dance Belgrade and Balkan Dance Project 2017 Po motivima istoimene farse Ivana Cankara SABLAZAN U DOLINI ŠENTFLORIJANA Režija: Aleksandar Nikolić

Plesači : Mojca Majcen, Ema Janković / Miona Petrović, Zulejha Kećo, Branko Mitrović, Luka Živković / Nikola Pavlović and Jakša Filipovac Koreografija:Aleksandar Ilić Kostimografkinje:Neira Sinanbašić i Melisa Musić Muzička obrada: Lana Toković Inspicijent: Nemanja Naumoski Dizajner svijetla: Davorin Štorgelj

Sablast, sva satkana od sjajnih boja života, strasti, ljubavi, izazova, kao tektonska kataklizma izbacuje na površinu svo samoljublje,laž, dvojni moral, pohlepu, tako brižljivo sakrivane pod plaštom nedužnosti i poštenja. U svojoj burlesci Sablast u dolini Sentflorijanskoj Ivan Cankar izvrgava ruglu svu opasnost društvenog licemjerja suprostavljajući malograđanskim odličnicima dvoje mladih vagabunda, avanturista i kriminalaca – Petra i Jacintu, koji svojom iskrenom željom za ispunjenim životom kao uragan protutnje kroz Dolinu i živote njenih stanovnika, za trenutak uzvitlavši prašinu, sablaznivši sve i na kraju ih izdavši.

Ono najvažnije što želimo da naučite od naših plesača je - sloboda. Oni nam na sceni pokazuju kako igrati zajedno, kako dati jedno drugom šansu da pokažete ono najbolje. Oni igraju - solo, pa u duetu, pa opet u grupi, svi zajedno, sinhronizovano, snažno. Oni dijele snagu, ljepotu, ljubav i strast za stvaranjem…

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Slovenia / Serbia / Bosnia and Herzegovina

8th September 2018. 20.00h / Cultural and Informative Centre “Budo Tomović” / Great Scene / 30min.

Festival Velenje Slovenia, Tanzelarija BIH, PUBS Serbia, Institute for contemporary dance Belgrade and Balkan Dance Project 2017 Based on the motifs of the same name farce by Ivan Cankar SCANDAL IN ST. FLORIAN VALLEY directed by: Aleksandar Nikolić

dancers: Mojca Majcen, Ema Janković / Miona Petrović, Zulejha Kećo, Branko Mitrović, Luka Živković / Nikola Pavlović and Jakša Filipovac Choreographer: Aleksandar Ilić Costume designers: Neira Sinanbašić and Melisa Musić Sound designer: Lana Toković Stage manager: Nemanja Naumoski Light designer: Davorin Štorgelj

The scandal, all made up of shinny colours of life, passion, love, challenges, like the tectonic cataclysm spits out all of the self-admiration, lies, two-faced moral and greed being carefully kept under the coat of innocence and virtue. In his burlesque “Scandal in St. Florian Valley”, Ivan Cankar ridicules all the dangers of the social hypocrisy by confronting the provincials with two young vagabonds, adventurists and criminals Petar and Jacinta. Led by their honest wish to have a full-filled life, they venture through the valley and the life of its citizens like a tornado, rising the layers of dust and betraying them all at the end.

The most important thing we want you to learn from our dancers is freedom. On stage, they show us how to dance together, how to give each other a chance to perform the best you can. They dance solo, than in pairs, then again in groups, all together, synchronised, powerful. They share the power, the beauty, love and passion for creation…

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MAKEDONIJA / SKOPLJE FIAT PUTOVANJE / KOTOR U saradnji sa JU KC „Nikola Đurković“ 8. septembar 2018. NEĐELJA 9. SEPTEMBAR / Pjaca od kina / 22.00 h / 100 min 22.00h / Dvorište Kuslevove kuće / 100min

Udruženje ĆAO PRIJATNO ĆAO, PRIJATNO! režija: Siniša Evtimov

glumci: Atanas Atanasovski, Valentin Kostadinovski

Ćao prijatno je komedija koja se kreće na ivici dokumentarnog teatra, ali u jednom trenutku ismijava ovaj žanr i transformiše se u teatarski dokumentarac. Potpuno je bazirana na netačnim činjenicama o životima i karijeri dva glumca koji je i izvode. Napaljeni dedica, ludi taksista, Isus i afteri, Otelo, čudna ciganka, Betmen, političar i nekoliko drugih, dočaravaju život uopšte, pokušavajući da odgonetnu njegovo značenje, istražujući univerzum kroz oči pozorišta. Ovo je stominutni vrtlog glumačke izvrsnosti, dobrih dijaloga, mnoštva političke satire i istorijsko histeričnog haosa. Sam komad je montažna adaptacija kompilacije velikih umjetnika i pisaca koji su ubijeđeni da su bogovi. Peter Cook, Dudley Moore, NickKroll, John Mulaney, The Monty Python, Douglas Adams, Joseph Heller, Franz Kafka i svim drugima koji počivaju u miru - veliko hvala!

“Kritikujemo banalnost televizije, jutarnje programe koji tretiraju neprikladne teme za taj termin, televizija ima mnogo promašaja u tom smislu. Svaka scena je komentar. Kritikujemo i političare koji i pored velikih plata uredno ne plaćaju svoje troškove, voze se besplatno u našoj predstavi kao što smo vidjeli u sceni sa taksistom“, Atanas Atanasovski.

“Ovo je moderna komedija, cijela predstava predstavlja jedan komentar na teatar u našoj zemlji. Ismijavamo običaj našeg naroda da se ponaša neprikladno, na primjer da razgovara telefonom u pozorištu“, Valentin Kostadinovski.

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MACEDONIA / skopje FIAT JOURNEY / KOTOR With a support of CC “Nikola Đurković” 8th September 2018 Sunday 9th September / Pjaca od kina / 22.00 h / 100 min 22.00h / Garden of the Kuslev´s House / 100min

Association Ciao Goodbye CIAO, GOODBYE! directed by: Siniša Evtimov

Cast: Atanas Atanasovski, Valentin Kostadinovski

Ciao Goodbye is a comedy which surfs on the edge of documentary theatre, but suddenly decides to mock the genre and transform into a theatre mockumentary. It is entirely based on false facts about the lives and careers of the two actors who performing in it. Horny grandad, crazy taxi driver, Jesus and after-hour parties, Othello, a strange gypsy woman, Batman, a politician, and few others, take accounts on life in general, trying to decode its meaning, while exploring the universe and everything else, through the eyes of the theatre. This is a 100 minute whirlwind of actors’ excellence, great dialogues, lots of political satire and historical/hysterical mayhem. The piece itself is a montage adaptation. compilation of great artists and writers that we strongly believe are gods. Thanks to: Peter Cook, Dudley Moore, Nick Kroll, John Mulaney, The Monty Python, Douglas Adams, Joseph Heller, Franz Kafka and all the rest in peace.

”We criticise the banality of television, the morning shows which deal with unsuitable subject for such prime time and have so many mistakes concerning this matter. Every scene is a commentary. We criticise politicians who fail to pay their dues besides having large salaries, who drive for free, as we have seen in the taxi scene.” Atanas Atanasovski

“This is a modern comedy, the whole performance is a single commentary on theatre in our country. We ridicule the habit of our people to behave inappropriately, for example to use cellphone inside the theatre,” Valentin Kostadinovski.

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CRNA GORA / cetinje

9. septembar 2018. 20.00h / KIC “Budo Tomović”, Velika scena / 150 min

Kraljevsko pozorište Zetski Dom Mirjana Medojević SIN režija: Mirko Radonjić

Glumci: Srđan Grahovac, Marija Đurić, Omar Bajramspahić dramaturškinja: Mirjana Medojević kostimografkinja:Lina Leković dizajn svijetla i seta: Mirko Radonjić asistentkinja reditelja: Marija Backović

Sin Senad je odlučan u svojoj namjeri da započne osvetu protiv svog biološkog oca – čovjeka koji je silovao njegovu majku za vrijeme rata u Bosni. Jedne Božićne večeri Senad se pojavljuje na vratima svog oca predstavljajući se kao prijatelj njegove kćerke. Isplanirana osveta pretvara se u ljudski kontakt koji mijenja sve, zajedno sa Senadovom željom da ubije oca koja prelazi u želju za očevim zagrljajem. Predstava se suočava sa pitanjima odgovornosti, krivice i oproštaja koristeći malu priču o čovjeku i njegovoj djeci koja podstiče univerzalna pitanja o mrtvima koje nismo sahranili pa nas progone. Takođe se i postavlja pitanje: kakav svijet ostavljamo našoj djeci?

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MONTENEGRO / CETINJE

9th September 2018 20.00h / Cultural and Informative Centre “Budo Tomović” / Great Scene / 150 min

Royal Theatre Zetski Dom Mirjana Medojević THE SON directed by: Mirko Radonjić

cast: Srđan Grahovac, Marija Đurić, Omar Bajramspahić dramaturge: Mirjana Medojević costume designer: Lina Leković set and light designer: Mirko Radonjić assistant to director: Marija Backović organiser: Aleksandra Maksimović

Son Senad is decisive about taking a revenge on his biological father - a man who had raped his mother during a war in Bosnia. One Christmas Eve, Senad appears in front of his doors introducing himself as a friend of his daughter. What was meant to be a well prepared revenge turns into a human contact that changes everyone, with Senad’s wish to kill his father being transformed into a need for a fatherly arms. The performance deals with questions of responsibility, guilt and forgiveness. Through a little story about the man and his children it induces the universal questions about the dead which we have not buried thus they arise to haunt us. As well as the question: what kind of world are we leaving to our children?

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FRANCUSKA / Pariz

10. septembar 2018. KIC “Budo Tomović” / Velika scena / 50min

Oriantheatre Dance Company KA-F-KA koncept, režija, koreografija i izvedba:Mehdi Farajpour muzika: Arnaud Rollat video: Stéphane Bordonaro (po konceptu Mehdija Farajpura) tehnički direktor: Arnaud Rollat

KA-F-KA je priča o svima i ni o kome. Čovjek, izgubljen u životnoj rutini, budi se i otkriva da se preobrazio u neko drugo biće. Pati od usamljenosti, gladi i bola, ali i dalje nastavlja jurnjavu oko svakodnevnih socijalno-ličnih obaveza. KA-F-KA Mehdija Farajpura je slobodna interpretacija inspirisana Kafkinim vizuelnim univerzumom uopšte i naročito Metamofrozom. Jednako kao u drugim predstavama Farajpura, KA-F-KA je takođe izgrađen na interdisciplinarnoj (a ne multidisciplinarnoj) strukturi, što znači da ona šeta između različitih disciplina umjesto što ih miješa samo radi efekta.

U saradnji sa Francuskim institutom Crne Gore

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FRANCE / Paris

10th September 2018 Cultural and Informative Centre “Budo Tomović” / Great Scene / 50 min

Oriantheatre Dance Company KA-F-KA Concept, Direction & Choreography: Mehdi Farajpour

Music: Arnaud Rollat Video artist: Stéphane Bordonaro (based on original concepts of Mehdi Farajpour) Technical Director: Arnaud Rollat

KA-FKA is the story about everyone and no one. A man, lost in the routine of his life, awakes to discover that he is transformed into another being. He suffers from isolation, solitude, hunger and pain but yet keeps running through out his social-individual obligations. KA-F-KA by Mehdi FARAJPOUR is a free interpretation based on Franz Kafka’s visual universe in general and his Metamorphosis in particular. Likewise Mehdi’s other performances, KA-F-KA is built up on an interdisciplinary (and not multidisciplinary) structure which means, walking in between different disciplines instead of mixing them just for the sake of it.

With the support of The France Institute Montenegro

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ALBANIJA / TIRANA

11. septembar 2018. 20.00h / KIC “Budo Tomović”, Velika scena ∕ 70 min

M.A.M. Fondation of Contemporary Art Jon Fosse MAJKA I DIJETE režija: Dino Mustafić

glumci: Ema Andrea, Matia Llupa muzika: Ilir Bajri scenograf: Klod Dedja kostimografkinja:Berina Kokona koreograf: Gjergj Prevazi dramaturškinja: Željka Udovičić — Pleština asistentkinja reditelja: Melisa Bećović pijanista: Jonatan Crew

Majka se susreće sa svojim sinom nakon mnogo godina odsustva. Oboje tragaju za izgubljenom komunikacijom. Seksualne frustracije, socijalne frustracije, mržnja i ljubav su tenzije u dijalogu koji otkriva istine i patologije. Potres vjere i sjećanja. Dva svijeta koja nijesu otvoreno komunicirala do samog kraja. Ostaju samo dva usamljena svijeta. Osuđeni bez krivice!

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ALBANIA / TIRANA

11th September 2018 20.00h / Cultural and Informative Centre “Budo Tomović / Great Scene ∕ 70 min

M.A.M. Fondation of Contemporary Art Jon Fosse MOTHER AND CHILD Directed by: Dino Mustafić

Cast: Ema Andrea Matia Llupa Music: Ilir Bajri Set designer: Klod Dedja Costume designer: Berina Kokona Choreography: Gjergj Prevazi Dramaturg: Željka Udovičić — Pleština Director Melisa Bećović Pianist: Jonatan Crew

Mother is meeting with her son after many years of absence. Both are in search of lost communications. Sexual frustrations, social frustration, hatred and love are the tensions of a dialogue that reveals truths and pathologies. Concussion of faith and memories. Two worlds that did not communicate openly to the end. Two lonely worlds that remain. Guilty without fault!

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IZRAEL / TEL AVIV

13. septembar 2018 20.00h / Crnogorsko narodno pozorište / Velika scena / 60min

Ayit ansambl Vizualna adaptacija “Dnevnik jednog ludaka” N. V. Gogolj Bpolar režija: Yoav Michaeli

Glumci: Ofer Freeman, Tal Shlachtman, Avihay Cohen, Reut Gil Atias, Oren Atias, Roi Gur producent: Lotem Bergel svjetlosni efekti: Ronen Ben Harush tehničar: Itzik Menasherov

Ovo je savremena vizualna adaptacija Gogoljeve klasične kratke priče “Dnevnik ludaka” bez ijedne izgovorene riječi na sceni. Predstava kombinuje muziku, pokret, lutkarstvo, nijemo igranje i mnoštvo umjetničkih video projekcija kako bi kreirala jedinstven scenski jezik koji je u raskoraku između “živog bioskopa” i sineastičnog teatra.

“Dirljiva tour de force sofisticirana adaptacija i moćna izvedba… omadk koji prevazilazi okvire scene… “ - Shani Ben David

“Dovitljiv način da se opiše poremećenost kroz kreiranje atraktivnog iskustva koje je fascinantno po svom opsegu. Ovo je hrabra avantura koju treba vidjeti.” - Ian Foster

U saradnji sa Ambasadom Izraela u Beogradu

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ISRAEL / Tel Aviv

13th September 2018 20.00h / Montenegrin National Theatre / Great Scene / 60min

Ayit ensebmle Visual adaptation of a “Diary of a Madman” by N. V. Gogol Bpolar Directed by: Yoav Michaeli

Cast: Ofer Freeman, Tal Shlachtman, Avihay Cohen, Reut Gil Atias, Oren Atias, Roi Gur production manager: Lotem Bergel lighting programmer: Ronen Ben Harush technician: Itzik Menasherov

Without a single word spoken onstage “Ayit” Ensemble performs a modern visual adaptation, of Gogol’s classic short story, “Diary of a Madman”. The show combines music, lighting, movement, puppetry, speechless acting, and extensive video art projections, to create a unique stage language which straddles the boundary between “live cinema” and cinematic theatre.

“A moving tour de force of sophisticated stage adaptation and powerful performance… a piece that extends well beyond the boundaries of the stage… a theatrical event worth the travel…” - Shani Ben David

“... A canny way of depicting mental illness by creating an immersive experience that is near-overwhelming in its scope… A boldly adventurous piece that deserves to be seen.” - Ian Foster

With the support of Embassy of Israel in Belgrade

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MAĐARSKA / Budimpešta FIAT FOKUS

14. septembar 2018. 20.00h / Crnogorsko narodno pozorište / Velika scena / 70 min.

Maladype Színház KH EGYESÜLET / Qaartsiluni Ensemble

Sándor Weöres Dobar zvuk u naletima režija: Zoltán Balázs

kompozitor: László Sáry László Borbély klavir Ildikó Duffek vokali:Kata Huszárik, László Kéringer, Anna Petrovics koncertna flauta:Anna Rákóczy, Lajos Rozmán klarinet Ágota Szilágyi Asistent producenta: Lórand Bartha Menadžer produkcije: Katalin Balázs Muzički režiser: Lajos Rozmán

Opera Lazla Sarija “Dobar zvuk u naletima” je savršen susret riječi i muzike. Prije Sarija, nikome ne bi palo na pamet da odabere poemu Šandora Voereša “Tema i varijacije” kao libreto za operu. Prema definiciji žanra, u polu-ozbiljnoj operi sve se dešava drugačije od onoga na šta smo navikli, ali sve što je potrebno za kamernu operu je tu: uvertira, dvanaest činova, arije, horovi i finale. Završni komadi su igre zasnovane na Sarijevoj kolekciji “Kreativne muzičke vježbe” dok je postlude parodija klasičnih finala komičnih opera.

Mimo glavnih djelova teksta i muzičkih krilatica, sve u Sarijevom djelu je melanholično i katarzično. Ovakvo predstavljanje rada Sarija pruža izvanrednu priliku za veličanje kompozitora koji u 2015. godini puni 75, a produkcija nudi i rijetku mješavinu savremene muzike i savremenog pozorišta publici. Predstavu je postavio Zoltana Balaša, umjetnički direktor teatra Maladipe. Kreativni odnos Balaš i Sarija počeo je priznatom scenskom adaptacijom kompozitorovog oratorijuma Teomači (Sandora Veoresa) 2003. godine.

U saradnji sa Ambasadom Mađarske u Podgorici

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14th september 2018. 20.00h / Montenegrin National Theatre / Great Scene / 70 min.

Maladype Színház KH EGYESÜLET / Qaartsiluni Ensemble

Sándor Weöres The Great Sound in the Rush Directed by: Zoltán Balázs

Composer: László Sáry László Borbély Piano: Ildikó Duffek Vocal: Kata Huszárik, László Kéringer, Anna Petrovics concertflute:Anna Rákóczy, Lajos Rozmán clarinet: Ágota Szilágyi Assistants to the production: Lórand Bartha Production manager: Katalin Balázs Musical Director: Lajos Rozmán

László Sáry’s opera Great Sound in the Rush is a perfect encounter of words and music. Before Sáry it would have hardly occurred to anyone to choose Sándor Weöres’s poem “Theme and Variations” as a libretto for an opera. According to the definition of the genre, in a semi-serious opera everything happens differently from what we are used to, yet, all that is required for a chamber opera is given: overture, 12 acts, arias, recitatives, choruses, and a finale. The closing pieces are games based on Sáry’s collection Creative Musical Exercises, while the postlude is the parody ofclassical comic opera finales. Beyond the punch lines of the text and the musical quips, everything is poignant and cathartic in Sáry’s piece. Presenting Sáry’s work provides a remarkable opportunity for celebrating the composer who turns 75 in 2015, while the production also offers a rare interchange between contemporary music and contemporary theater to the audience. The performance is staged by Zoltán Balázs Artistic director of Maladype Theatre. Balázs’s creative relationship with Sáry began with the acclaimed stage adaptation of the composer’s oratorio Theomachia (by Sándor Weöres) in 2003.

With the support of Embassy of Hungary in Podgorica

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14. septembar 2018. 22.00h / KIC “Budo Tomović” / DODEST / 70min

Katlan Group MORGAN I FRIMEN režija: Ferenc Fehér

izvedba, muzika, koreografija i režija:Ferenc Fehér (kao inspiracija René Aubry) kostimografkinja:Judit Simon dizajner svijetla: Dávid Kovácsovics profesionalni konsultant: Judit Simon uz podršku: Emberi Erőforrások Minisztériuma, NKA, Katlan Group

Ovo je pametan i lud plesni komad sa nekim ko je sam po sebi lutak: - Kada sam ga upoznao djelovao je kao fin momak, ali onda… Veoma mali oživljeni čovjek. je živahan, u mjeri u kojoj to postaje pokvareno. Veoma rado traži Ime: Friman razloge da mi se podsmijava i izgleda da u tome baš uživa. Svakako, Visina: 35 cm ili manje neću ovo trpjeti još dugo, možda će biti potrebno i da ga ubijem. Neću Broj cipela: 5 cm imati što drugo ako se ne promijeni. On? Da se promijeni? NIKAD. Zloćudnost: enormna Već nešto smjera. Znam to. A još vam ništa nisam rekao o njegovom Je li prijateljski nastrojen? I ne baš… prijatelju zecu. - Morgane kako bi opisao ovog malog čovjeka?

U saradnji sa Ambasadom Mađarske u Podgorici

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HUNGARY / Budapest FIAT FOCUS

14th september 2018. 22.00h / Cultural and Informative Centre “Budo Tomović” / DODEST / 70min

Katlan Group Morgan and Freeman directed by: Ferenc Fehér

Performer: Ferenc Fehér Music: Ferenc Fehér (Inspired by René Aubry) Costumes: Judit Simon Lighting designer: Dávid Kovácsovics Professional consultant: Judit Simon Choreography: Ferenc Fehér Supported by: Emberi Erőforrások Minisztériuma, NKA, Katlan Group

A smart and mad dance piece with someone who is a puppet himself: - Morgan, how would you describe this little man? a little vivified man. Name: Freeman - When I first met him he seemed to be a nice little bloke, but then… Height: 35 cm or smaller He is very lively, what’s more somewhat vicious. He is very eager to Shoe size: 5 cm look for reasons to nag me and he really enjoys it. Surely, I’ll not take Viciousness: enormous this for long, I might need to kill him out. I’ll have no choice unless he Is he friendly? Not really… changes. He? Changes? NEVER. He is up to something. I know. And I have not talked about his friend, the rabbit yet.

With the support of Embassy of Hungary in Podgorica

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HRVATSKA / Zagreb

15. septembar 2018. 22.00h / Dvorište Kuslevove kuće / 60min

Kazalište hotel Bulić, Tvornica kulture

Jelena Svilar i Morana Foretić Dream of life režija: Senka Bulić

izvođači: Senka Bulić, Stipe Kostanić muzika: Neven Svilar, Mario Kovačević, Petar Aleraj scenografija:Tomislav Ćurković kostimografija:Oliver Jularić dizajner svjetla: Nikša Mrkonjić

Predstava o životu Patti Smith je rezultat istraživanja na dugoj liniji odnosa između umjetnika i društva. Patti nije samo prvoborkinja pankerske revolucije, simbol “drugačijeg” r’n’r-la. Patti je simbol borbe za čistu umjetnost.Od Rimbauda, Whitmana do Jima Morrisona, ona utjelovljuje sestru blisku po osjećaju, erudiciji i snazi. Što znači danas utjeloviti njen prevratnički opus? Voljeti sadašnost, revoluciju, snagu. Bježimo od konvencionalnosti u poeziju, smjelost, jednako pjesnički, muzički, snovito!

Pojava Patti Smith na njujorškoj umjetničkoj i muzičkoj sceni početkom 70-ih godina bila je toliko silovita, njen uspon toliko brz i neočekivan, a uticaj toliko snažan da je iz današnje perspektive teško procijeniti njenu ulogu.

Predstava nastala iz teksta Jelene Svilar i Morane Foretić prati genezu umjetnika, rast kreacije iz duha vremena. Galerija likova izmjenjuje se kao fascinantan ringišpil, kalidoskopski umjetnički svijet u kojem se susreću Robert Mapplethorpe, Sam Shepard, Andy Warhol, Jimi Hendrix, Janis Joplin...umjetnici – tek djeca. Oni možda nisu važni, ali ono što je izraslo iz njih jeste. A to je ekspresija, nastup, muzika kao poslanje i kao sredstvo komunikacije s publikom.

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CROATIA / Zagreb

15th September 2018 22.00h / Kuslev´s House Garden / 60min

Jelena Svilar and Morana Foretić Dream of life Directed by: Senka Bulić

cast: Senka Bulić, Stipe Kostanić music by: Neven Svilar, Mario Kovačević, Petar Aleraj set design by:Tomislav Ćurković costume design by: Oliver Jularić light design by: Nikša Mrkonjić

The performance about the life of Patti Smith is a result of exploration of the long line of the artist-society relation. Patti is not just the first in line of the punk revolution, the symbol of “different” rock and roll. attiP is a symbol of fight for pure art. From Rimbaud, Whitman to Jim Morrison, she embodies the sister by feeling, erudition and strength. What does it mean to embody her subversive work today? To love the present, revolution and the power. We escape conventionality through poetry, courage, equally poetical, musical, dream-like!

The appearance of Patti Smith on New York’s art and music scene at the beginning of seventies was so powerful, her rise fast and unexpended, and influence so strong that it is hard to evaluate her role even from today’s point of view.

The performance, based on a text by Jelena Slivar and Morana Foretić, follows the genesis of an artist, the rise of the creation from the spirit of time. The gallery of characters turns as a sort of fascinating merry-go-round, a kaleidoscope of the world of art where child artists Robert Mapplethorpe, Sam Shepard, Andy Warhol, Jimi Hendrix, Janis Joplin meet. They may not be important but what had gone out of them is. And it is an expression, the performance, the music as a mission and a mean of communicating with the audience.

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48 / 49 F I A T S E L E K C I J A / F I A T S E L E C T I O N P R A T E Ć I P R O G R A M / s i d e p r o g r a m FIAT TEATAR GERILA

12. septembar 2018. 18.00h / KIC “Budo Tomović” / DODEST / 90 min

Dramski eksperimentalni studio “Đeca cvijeća” Zalutali metak Režija: Branko Kovačević

Riječ je o autorskom projektu Branka Kovačevića u kojem jedinu ulogu tumači Đorđe Grujić. Ovo je priča o zgodama i nezgodama veterana Gospodina X, sakupljača sekundarnih sirovina, kada nelojalna konkurencija, suptilnim metodama, nastoji da ga otjera sa njegovog posjeda.

50 / 51 P R A T E Ć I P R O G R A M / s i d e p r o g r a m FIAT THEATRE GUERILLA

12th september 2018. 18.00h / Montenegro Cultural and Informative Centre „Budo Tomović“” / DODEST / 90 min

Experimental drama studio “Đeca cvijeća” Stray Bullet directed by: Branko Kovačević

This is an authorial project of Branko Kovačević with a main and only role played by Đorđe Grujić. This is a story about fortunate and unfortunate events of the veteran Mister X, the collector of the secondary raw materials, in times when the disloyal competitors try hard to force him out from his property through their subtle methods. FIAT KNJIŽEVNOST 11. septembar 2018. 22.00h / Dvorište Kuslevove kuće San ulice SAN ULICA LOPTA Učinio sam od sebe ono što nisam znao, a ono što sam mogao, to Promocija knjiga Boža Koprivice nisam učinio. Brecht ili Pesoa ili ja.... Zašto prognoza za licemjere? Zato što zanima- nje licemjera ima danas najviše preimućstva. To je Don Žuan, peti čin, I dečak može obećati pojava druga. Pa dalje: Šta misliš, koliko ja poznajem onih koji su sjaj- nom odorom skrili sramotne postupke svoje mladosti, koji se odjećom Fudbalski jezik je pâs. Dupli pâs. vjere služe kao štitom da bi se ponašali kao najveći podlaci.... Damari nara krv mi pretvaraju u plam. Kad si u driblingu, srce te premaša. Dribling je lični sekund mitologije. Progonjeni jelen traži vodu. Božo Koprivica rođen je u Nikšiću 1950. Diplomirao je Svjetsku Dribling nema domovinu. književnost na Filološkom fakultetu u Beogradu kod profesora Preplivati Crno jezero. Vojislava Đurića. Napisao je knjige: “Volej i sluh” (1992), “Vrijeme Dribling je vaga krvi. riječi”, “Razgovori sa Borislavom Pekićem” (1993), “Kiš”, “Borhes”, Rano u nedelju obući belu košulju i predriblovati podne. “Maradona” (1996), “Dribling 1001 noć” (2006), “Samo bogovi mogu Koliko mora stane u oko, toliko lepote stane u dribling. obećati” (Ljevak, Zagreb, 2010; izmijenjeno i dopunjeno Dribling je čistiji san od sna. izdanje – Geopoetika, 2014). Priredio je “Zbornik o Danilu Kišu” Produžiti liniju grčke vaze. za časopis Ars (Otvoreni kulturni forum, Cetinje, 2005, 2009). Večito detinjstvo. Radio je kao dramaturg po pozivu u Jugoslovenskom dramskom pozorištu, Narodnom pozorištu, Bitef teatru, Zvezdara teatru, Kraljevskom pozorištu „Zetski dom“, Crnogorskom narodnom pozorištu, festivalu „Grad teatar“ u Budvi. Sa Emirom Kusturicom Učesnici: snimio je igrano-dokumentarni film „Sedam dana u životu jedne ptice” Balša Brković za francusku televiziju. Igrao je oca u filmu Boa Viderberga “Klinac, Brano Milačić fudbalski reprezentativac”. Đorđe Kustudić Ima dvije kćeri, Ivanu i Jovanu. Obije su grobarke od rođenja. Ana Vujošević Živi u Beogradu. Navija za Partizan.

52 / 53 P R A T E Ć I P R O G R A M / s i d e p r o g r a m FIAT LITERATURE Dream of the Street 11th September 2018 22.00h / Kuslev´s House Garden I have done with myself what I did not know, and what I could have done, I didn’t do A DREAM Brecht, Pessoa or me… Why the prognosis for hypocrites? Because being called a hypocrite has so many prerogatives today. It’s a Don A STREET AND A BALL Juan, fifth act, appearance two. And then: What do you think, how Promotion of the books by Božo Koprivica many of those who cover sinful deeds of their youth by the shinny robe do you think I know, those who use the robe of faith as a cover allowing them to act as the biggest villains…

The boy could make a promise too Božo Koprivica was born in Nikšić in 1950. He gradueated world literature from the Faculty of Philology in Belgrade in a class of the The language of soccer is a pass. A double pass. professor Vojislav Đurić. He has written several books: “Volej i sluh” The strength of pomegranate turn my blood into a fire. (Volley and hearing) (1992), “Vrijeme riječi” (The time of words), When you are dribbling, the heart upbeats you. “Razgovori sa Borislavom Pekićem” (Discussions with Borislav Dribbling is a personal second of mythology. Pekić) (1993), “Kiš”, “Borhes”, “Maradona” (1996), “Dribling 1001 noć” The haunted deer is seeking water. (Dribbling 1001 nights) (2006), “Samo bogovi mogu obećati” (Only The dribbling has no homeland. gods could give a promise) (Ljevak, Zagreb, 2010; edited and revised To swim across the Black Lake. edition – Geopoetika, 2014). He attributed to the “Zbornik o Danilu The dribbling is a scale of blood. Kišu” (Collection on Danilo Kiš for the Ars Magazine (Otvoreni kulturni To wear a white shirt on Sunday and dribble a Noon. forum, Cetinje, 2005, 2009). The dribbling is clearer than the dream. To extend the line of the greek vase. He had worked as a dramaturge upon call at the Yugoslav Drama Eternal childhood. Theatre, National Theatre, Theatre Bitef, Theatre Zvezdara, Royal Theatre “Zetski Dom”, Montenegrin National Theatre, festival “City Theatre” Budva. He made a feature documentary film “Seven Participants: days in the life of a bird” with Emir Kusturica for a French TV Balša Brković station. He played the role of father in Bo Widerberg “Kid, a soccer Brano Milačić representative”. He is a father of two daughters, Ivana and Jovana. Đorđe Kustudić They are both Partizan soccer fans - grobars. He lives in Belgrade. He Ana Vujošević supports Partizan. FIAT LIKOVNI PROGRAM / FIAT VISUAL ARTS PROGRAM Prodajne izložbe / Sales Exhibition

7 — 16. septembar2018. 7th— 16th September 2018 Dvorište Kuslevove kuće Garden of the Kuslev’s House

Katarina Tomašević Crawford LOVE IS IN THE AIR

LOVE IS IN THE AIR (Ljubav u vazduhu) je svjetlosna skulptura koja LOVE IS IN THE AIR is a light sculpture which reacts to the sounds reaguje na okolne zvuke. Izrađena je od čelika, galvanizovane žice, from it’s surrounding. It was made out of steel, galvanised wire, fibre optičkih vlakana i LED sijalica na ljeto 2018. godine. optic and sound reactive LED lights in summer of 2018. Katarina Tomašević Crawford, rođena je Titograđanka. Nakon Katarina Tomašević Crawford was born in Titograd. After completing završenih studija na Likovnoj akademiji na Cetinju i Ecole Regional studies in Academy of Fine Arts in Cetinje and Ecole Regional D’ D’ Expression Plastique u Lilu, u Francuskoj, istražila je raznovrsne Expression Plastique in Lille, France, she ventured into exploration of umjetničke discipline, iako je vajanje i dalje njen najvažniji medijum. different artistic disciplines. Nevertheless to her sculpting had always Pored vajarstva tu su i scenografija, kostimografija, modelovanje been most important medium. Besides sculpting, she does set design, stakla u pećima, tradicionalno pravljenje namještaja od punog costume design, furnace glass modelling, traditional wood furniture drveta, a radila je i kao likovni terapeut i likovni pedagog. Izlagala making and works as a painting therapist and pedagogue. She has je na mnogim grupnim izložbama u Crnoj Gori, Španiji, Francuskoj presented her work in many collective exhibitions in Montenegro, i Engleskoj, od kojih se izdvaja „Shrinking childhoods“ iz 2005. Spain, France and UK with noticeable exhibition ”Shrinking godine u galeriji Tate Modern u Londonu. Nedavno se predstavila childhoods“ from 2005 in Tate Modern Gallery in London. na „Montenegrin Cultural Symphony“ u Europe House Westminster She has recently presented her work in ”Montenegrin Cultural u Londonu, u organizaciji Ambasade Crne Gore a na Southern Soul Symphony“ in Europe House Westminster in London, hosted by the Festivalu u Ulcinju je izložila svoju prvu svjetlosnu instalaciju. Živi i radi Montenegrin Embassy as well as the Southern Soul Festival in Ulcinj u Londonu. where she has exhibited her first light installation. She lives and works in London.

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FIAT LIKOVNI PROGRAM / FIAT VISUAL ARTS PROGRAM Prodajne izložbe / Sales Exhibition

7 — 16. septembar2018. / 7th— 16th September 2018 Kusleva kuća / Kuslev’s House

Aleksandar Vukotić ORGANIKA

“Vukoticevi piktogrami su pokušaj likovnih doživljaja, otkrivanja i Vukotić’s pictograms are an attempt to pictorially grasp, expose fiksiranja a time i razumijevanja onoga što na nas ostavlja utisak ili and fixate, as well as comprehend encounters that strike us or even cime smo opsjednuti, sa svojim energicnim vezama i napetošcu - i u obsess us with their energetic relations and tensions - thus, at least tom smislu, makar u jednoj tacki donose svijetlo u zamucenost i sivilo in puncta, they bring some light into the muddle and greyness of our našeg razasutog a opet kompaktnog svijeta. dispersed yet compact world.”

Prof. Dr Phil. Vladimir Vukićević

56 / 57 P R A T E Ć I P R O G R A M / s i d e p r o g r a m FIAT LIKOVNI PROGRAM / FIAT VISUAL ARTS PROGRAM Prodajne izložbe / Sales Exhibition FIAT FILM / POMIJERANJE GRANICA Omaž Gojku Kastratoviću

Crnogorski reditelj i producent Gojko Kastratović je rođen 1938. godine u 13. septembar 2018. Beranama. Fakultet dramskih umjetnosti, odsjek za filmsku i TV organizaciju završio je u Beogradu. 22.00h / Dvorište Kuslevove kuće Kao asistent, pomoćnik režisera i režiser II ekipe radio je na dugometražnim igranim filmovima: “Bitka na Neretvi”, “Sarajevski atentat”, “Čovjek koga treba Urednik filmskog programa: ubiti”, “Veliki transport” i dr. Reditelj je televizijskih drama „Baraba“, gdje je bio Vladimir Vučinić i autor scenarija, „Pusta zemlja“ po djelu Mihaila Lalića i „Suđenje đeneralu Vešoviću“. Između ostalog, režirao je i dokumentarne TV serije „Tuđinci i izvanjci o Crnoj Gori“, „Glasoviti crnogorski junaci“ i „Dinastija Petrović Njegoš“, POMIJERANJE dokumentarne filmove “Evanđelje zla”, “Sili u inat”, “Jovan Tomašević”, te dokumentarne reportaže “Nenadna”, “Tragom pismenosti”, “Vojvoda Miljan GRANICA Vukov”, “Iguman Mojsije Zečević”, “Luča mikrokozma” i druge. Kastratović je bio pomoćnik direktora Televizije Titograd za proizvodnju U segmentu filmskog programa pod nazivom “Pomijeranje granica” programa od 1977. do 1987. godine, u Avala film - Beograd bio je direktor na 33. FIAT-u biće prikazan film Au Revoir Montenegro, Gojka proizvodnje domaćeg filma od 1987-1999. godine. Kastratovića u okviru omaža našem reditelju a drugo veče kratki Bio je producent i izvršni producent na filmovima poput „Mi nismo anđeli“ filmovi Normana McLaren-a. Srđana Dragojevića, „Početni udarac“ Darka Bajića, omnibusu „Kako je propao Pomijeranje granica jeste nešto što u mnogome opisuje rad rokenrol“ Gorana Gajića, Zorana Peza i Vladimira Slavice, dokumentarnog filma „Lajbah: pobjeda pod suncem“ Gorana Gajića i dr. Gojka Kastratovića. Počeo je karijeru u vrijeme velikog zamaha Autor je značajnih publikacija o istoriji filma u Crnoj Gori: „Crnogorska jugoslovenskog filma na projektima poput Neretve, Veljka Bulajića. kinematografija i filmovi o Crnoj Gori“ (1999) i „Istorija crnogorskog filma“ Bio je autor brojnih dokumentarnih filmova koji su opisivali značajne (2006). crnogorske ličnosti i događaje. Kao direktor domaće produkcije Avala Bio je predsjednik Udruženja filmskih radnika Crne Gore, član predsjedništva film producirao je neke od kultnih filmova: “Mi nismo anđeli”, “Kako je Saveza udruženja filmskih radnika SFRJ i član skupštine i predsjedništva propao rokenrol”. Izbor teme, kao i temeljit i studiozan pristup, činili su Festivala jugoslovenskog igranog filma u Puli. da Kastratovićevi projekti postanu nezaobilazan reper. Dobitnik je Trinaestojulske nagrade za 2014. godinu, kao i mnogih drugih Norman McLaren je autor neobične imaginacije, društveno svjestan, priznanja za svoj rad u oblasti kinematografije. humanista. Njegovi kratki filmovi tretiraju odnose u društvu i među Kastratović je bio osnivač i prvi direktor Crnogorske kinoteke u periodu od ljudima na razne neobične načine, poigravajući se sa sinhronizacijom 2000. do 2007. godine. zvuka, muzike i slike, intervencijama na filmskoj traci, McLaren surealnim načinom priča zanimljive životne priče. Film Au Revoir Montenegro / 25 min

58 / 59 P R A T E Ć I P R O G R A M / s i d e p r o g r a m FILM PROGRAM / SHIFTING BOUNDARIES Hommage to Gojko Kastratović th 13 September 2018 Montenegrin director and producer Gojko Kastratović was born in Berane in 22.00h / Garden of the Kuslev’s House 1938. He graduated in film and TV organisation from The Faculty of Dramatic Arts in Belgrade. As an assistant, assistant to director and director of the second crew, he worked on feature films: Editor of the film program: Vladimir Vučinić “Bitka na Neretvi” (The Battle of Neretva), “Sarajevski atentat” (The assassination of Archduke Franz Ferdinand in Sarajevo), “Čovjek koga treba ubiti” (The Man to Kill), “Veliki transport” (The Great Transport). He is a director SHIFTING BOUNDARIES of TV dramas “Baraba”, for which he had written the screenplay as well, “Pusta zemlja” based on Mihailo Lalić’s work as well as the “Suđenje đeneralu Vešoviću” He directed documentary TV shows „Tuđinci i izvanjci o Crnoj Gori“, „Glasoviti crnogorski junaci“ andi „Dinastija Petrović Njegoš“, documentaries During 33rd FIAT and its film programme named “Shifting Boundaries”, “Evanđelje zla”, “Sili u inat”, “Jovan Tomašević”, as well as documentary coverage “Nenadna”, “Tragom pismenosti”, “Vojvoda Miljan Vukov”, “Iguman we will have an opportunity to see the movie “Au Revoir Montenegro” Mojsije Zečević”, “Luča mikrokozma” and other. by Gojko Kastratović, as a part of the hommage to Montenegrin Kastratović was the assistant of director of Television Titograd, managing director, and selection of short films by Norman McLaren. the programme production from 1977 to 1987, and in Avala Film Belgrade, he Title “Shifting boundaries” clearly describes the work of Gojko worked as a director of domestic film production from 1987 to 1999. Kastratović. He had started his career during the great uplift of the He was a producer and executive producer on movies such as “Mi nismo Yugoslav film, working on projects such as Veljko Bulajić’s “Neretva”. anđeli” (We are not angels) by Srđan Dragojević, “Početni udarac” (The Kick- He was an author of documentaries depicting many important off) by Darko Bajić, omnibus “Kako je propao rokenrol” (The fall of Rock&Roll) Montenegrin personalities and events. As a director of domestic by Goran Bajić, Zoran Pez and Vladimir Slavica, documentary “Lajbah: pobjeda production company “Avala” he produced films such as “Mi nismo pod suncem” (Laibach - Victory under the Sun) by Goran Gajić. anđeli” (We are not angles) and “Kako je propao rokenrol” (The fall He is an author of important publications concerning the history of film of Rock&Roll). The selection of theme, as well as the thorough and in Montenegro: Crnogorska kinematografija i filmovi o Crnoj Gori“ (1999) studious approach made Kastratović’s movies become an unavoidable (Montenegrin Cinematography and films about Montenegro) i „Istorija crnogorskog filma“ (2006) (History of Montenegrin Cinema). achievements. He was a president of Association of Film Workers of Montenegro, the member Norman McLaren was an author with unusual imagination, socially of chairmanship of the Association of Film Workers of SFRY and a member of the responsible, humanistic. His short films treat the relations inside the parliament and chairmanship of the Festival of Yugoslav Feature Film in Pula. society and among people differently. Playing with music, sound and He received an state award “Trinaestojulska nagrada” in 2014 as well as many picture synchronisation, as well as the intervention on the film role, other award through out his work in cinematography. McLaren tells interesting, life stories in surreal manner. Kastratović was a founder and the first director of Montenegrin Cinematheques between 2000 and 2007. FIAT FILM / POMIJERANJE GRANICA FILM PROGRAM / SHIFTING BOUNDARIES 14. septembar 2018. 23.00h / Dvorište Kuslevove kuće / Garden of the Kuslev’s House Norman McLaren

Begone dull care (1949) 8 min A chairy tale (1957) 10 min Hen Hop (1942) 3 min Neighbours (1952) 8 min Pas de deux (1967) 13 min

Norman McLaren (1914-1987) Kanadski autor škotskog porijekla, Norman McLaren (1914-1987) was a Canadian author with Scottish reditelj brojnih kratkih filmova koji su pomjerali granice kombinujući descent, the director of numerous short movies that had shifted the sliku sa zvukom, grabanje filmske trake, direknto farbanje na traku, boundaries of film through graphical sound, hand-drawn animation, bili su neki od metoda koje bi McLaren izabrao da ispriča priču. Za drawn-on-film animation, pixilation as some of the method he choose McLaren-a je, istoričar animacije, profesor Giannalberto Bendazzi to tell the stories. Animation historian Giannalberto Bendazzi has said rekao: “McLaren je bio introspektivni pesnik, delirični sanjar pokretnih that McLaren was an introspective poet, a delirium dreamer of mobile geometrjskih formi i istraživač manje poznatih oblasti filmske geometric forms and explorer into the less known areas of the art of umetnosti. Za jedan ljudski život i više nego dovoljno.” film. This is more than enough for a human life.”

Dobitenik je: Oskara, BAFTE, Srebnog medvjeda u Berlinu, Zlatne He received many awards for his films: Oscar, BAFTA, Silver Bear in palme u Kanu i drugih nagrada. Njegovi filmovi su uvršteni u Berlin, Palme d’Or in Cannes and others. McLaren’s complete works Uneskov program Memorija svijeta (UNESCO's Memory of the World were added to UNESCO’s “Memory of the World” programme. Programme) Maybe, the best way to describe McLaren is through the story concerning the Oscar Award he had received. The news on being Normana McLaren-a možda najbolje opisuje anegdota za dobijanje awarded with this prestigious statue reached him while he was in Oskara. Naime, vijest o prestižnoj nagradi McLaren-a je zatekla u Indiji India (as a part of his social engagement) and the maestros response (jedan u nizu njegovih socijalnih angažmana), a maestro je odgovorio: was: “Thanks, but who is this Oscar?”. „Hvala, ali ko je taj Oskar?“

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FIAT MUZIKA / FIAT MUSIC

16. septembar 2018. 21.00h / Dvorište Kuslevove kuće / Garden of the Kuslev’s House

Marija Božović

Marija Božović je rođena 1979. godine u Titogradu. Muzičku karijeru započinje kao vokalni solista, autor muzike i brojnih tekstova. Dobija brojne nagrade na festivalima i 2008. godine izdaje svoj prvi album pod nazivom “Bez najave”, a 2012. izdaje svoj prvi singl na engleskom jeziku, pjesmu “Misbehave” sa kojom se na MTV Adriji predstavila i regionalnoj publici. Godine 2018. uspješno brani magistarski rad na temu „Uloga riječi, muzike i mašte u usvajanju stranog jezika“ na Univerzitetu Mediteran.

Marija Bozović was born in 1979 in Titograd. She started her career as a vocal solo and an author of music and many lyrics. She received numerous festival awards and released her first album “Bez najave” (Without introduction) in 2008. In 2012 she released her first single in English - “Misbehave” thus presenting her work to the wider regional audience on MTV Adria. In 2018 she successfully completed her master studies in the University Mediteran with a thesis “The role of word, music and imagination in adopting the new language”.

62 / 63 F I A T S E L E K C I J A / F I A T S E L E C T I O N FIAT MUZIKA / FIAT MUSIC Dvorište Kuslevove kuće / Garden of the Kuslev’s House

7. / 8. / 9. / 15. septembar 2018. 11. / 13. / 15. septembar 2018. 12. septembar 2018. 22.00h / 23.00h / 22.00h / 23.00h 22.00h / 23.00h / 23.00h 21.00h / Dvorište Kuslevove kuće / Garden of the Kuslev’s House

DJ Britney’s Tears FM MIRDA Gear Acquisition Syndrome

Nikola Božović je podgorički producent/DJ Klasično radijsko FM Mirda žanrovsko Gear Acquisition Syndrome je elektronski koji je bio dio Hip Hop sastava BRT, pretumbavanje u ključu Geschmackssache duo iz Podgorice koji čine Nemanja a kasnije Trip Hop bend-a Deep Thoughts. - It’s a matter fo taste - Pitanje je ukusa ili Bečanović i Ljubomir Baćović. Danas je dio sastava High Noon i pored jednostavnim foršpanom rečeno - More toga kao DJ Britney’s Tears voli da zavrti of Everything 4 Everybody, sa pregrštom Gear Acquisition Syndrome is an electornic retro zvuk 80-tih, 90-tih, Synthwave & muzičkih bisera koji ne priznaju vremensku duo from Podgorica whose members are Synthpop. distancu. Nemanja Bečanović and Ljubomir Baćović.

Nikola Božović is a producer/DJ from Classical radio FM Mirda genre toss and turn Podgorica who used to be a member of the - Geschmackssache - It’s a matter of taste or HIP HOP band BRT, and later trip-hop band simply said More of Everything 4 Everybody Deep Thoughts. Today, he is a member with the handful of musical pearls not of High Noon who likes to spin the retro susceptible to the time distance. sounds of ‘80s, ‘90s, Synthwave & Synthpop as a DJ Britney’s Tears. FIAT CREATIVE INDUSTRY ART MARKET

PROGRAMSKI UREDNIK FIAT CREATIVE INDUSTRY ART MARKETA Assistant professor, Phd Edin Jašarović Doc. dr Edin Jašarović EDITOR OF THE FIAT CREATIVE INDUSTRY ART MARKET

Razvoj kreativnih industrija u Crnoj Gori u proteklim godinama Development of creative industries in Montenegro over the last obilježen je snažnim i sve većim rastom samozaposlenih unutar years is marked by a powerful and growing rise of self-employment sektora. Ova tendencija vidljiva je u sve većem broju malih pogona za inside this sector. Such tendency is visible through a growing number dizajn, arts&crafts radionicama, ali i smjelijem nastupu aktera koji se of small design manufacturers, arts&crafts workshops, the much bave razvojem softvera i gaminga, online portala, ali i konvergencijom daring presentation of software and gaming developers, online novih medija. U takvim okolnostima promjene unutar kreativnog portals, as well as the convergency of a new media. Following such sektora uslovljene su nužnom samoregulacijom putem tržišta, dok circumstances, the changes inside the creative sector are conditioned sa druge strane, već poslovično nepovoljni sistemskim uslovi i dalje by the necessary self-regulation through market. On the other hand, negativno utiču na jasnije razumijevanje kreativnog sektora i njegovih already unfavourable conditions of the system continue their negative ukupnih potreba. Otuda na ovogodišnjem FIAT-u i potreba da se takvo impact on a clearer understanding of the creative sector and its stanje sistematski ispita i secira u svrhu objektivnijeg i praktičnijeg overall needs. uvida koji ima za cilj ne samo da raspravi razvojne dileme unutar Thus, on this year’s FIAT, there is a need to systematically explore sektora nego i da pokaže jedan nesumnjivo zanimljiv kolaž novih such state and dissect it in order to reach a much objective and aktera savremene crnogorske kulturne produkcije. practical point of view, with a goal not only to discuss development dilemmas inside the sector, but to present an unquestionably interesting collage of new actors of contemporary Montenegrin cultural production.

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FIAT CREATIVE INDUSTRY ART MARKET

Nina Ilić Nina Ilić Luka Joksimović Istoričarka umjetnosti Stvarajući predmete od umjetničkog stakla i odašiljući u prostor i vrijeme energiju “slika u staklu”želim da stvorim bolji svijet. U ateljeu Ja šila Glassdizajn se rađaju najrazličitiji oblici i boje inspirisani svim onim Modni dizajn studio sto čini život: radost, tuga, sjećanje, stremljenje i želja. Nina će se na Ja šila je modni dizajnerski studio koji su osnovale dvije umjetnice ovogodišnjem FIAT-u crnogorskoj publici predstaviti sa nekoliko svojih (Ema Alihodžić i Marija Raosavljević) koje su svoje primarne profesije radova u staklu i metalu. arhitekturu i muziku pretočile u ideje o drugačijoj crnogorskoj modnoj priči. Unikatan, ručno rađeni modni dizajn, prepoznaje se po veoma Luka Joksimović ekstravagantnim, dinamičnim formama i teksturama, čineći dizajnirane Akademski slikar komade pristupačne svima. Marija i Ema će nam se na ovogodišnjem Rođen u Bijelom Polju. Akademiju likovnih umjetnosti završio Creative Industry Art Marketu predstaviti sa svojim modnim u Trebinju! Živi i stvara u jednoj, dvije, tri i više dimenzija. Na kreacijama. ovogodišnjem FIAT-u, Luka će nam se predstaviti sa svojim slikama I grafikama. Andreja Pavićević-Nahmijas Diplomirani arhitekta enterijera i Master inženjer urbanizma i Sinonim regionalnog razvoja Arts&crafts radionica Bavi se projektovanjem enterijera, dizajnom namještaja i rasvjete. Sinonim je otelotvorenje višegodišnjih misli skica, ljubavi, linija, U slobodno vrijeme crta, slika, proizvodi upotrebne predmete. (p)okreta, larpurlartizma naslaganih u glavama dvije arhitekte i jednog Učestvovala na brojnim grupnim dizajn izložbama. grafičkog dizajnera. Naš nakit konzumentu pruža slobodu da uz Osnivač brenda Šestar i dizajn studija Parapet. pomoć boja i jednostavnih oblika na diskretan način iskaže raskoš svog karaktera. Sinonim izrađuje dizajnirani nakit, odjevne detalje Anđelko Vasiljević i upotrebne predmete, a sve ideje realizuje kreativni tim u sastavu: PROSVJETLJENJE Miloš Radulović, Andjela Đaković i Milena Raspopović izrada i prodaja dekorativne kucne rasvjete

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Nina Ilić Synonim Andreja Pavićević-Nahmijas Ja šila Art Historian By creating objects made of artistic glass and emitting the energy of Ja šila “painting in the glass” into a space and time, I wish to create a better Fashion design studio world. The atelier ”Glassdizajn” is a place where different shapes and “Ja šila” is a fashion design studio founded by two artists (Ema colours are born, inspired by all of those things the life itself is made Alihodžić i Marija Raosavljević) who transformed their major of: joy, sadness, memory, aspiration and wish. She will present several profession, architecture and music, into a different Montenegrin of her her works made of glass and metal to the Montenegrin audi- fashion story. Their unique and hand-made fashion design is ence during this year’s FIAT. recognised for its extravagancy, dynamic forms and textures, making these design pieces accessible to everyone. Marija and Ema will Luka Joksimović present their fashion creation during this year’s Creative Industry Art Painter Market on FIAT. Born in Bijelo Polje. Graduated from the Academy of Fine Arts in Trebinje! He lives and created in one, two, three and more Andreja Pavićević-Nahmijas dimensions. He will present his paintings and graphics during this Graduated in interior architecture and received a master year’s FIAT. degree in urbanism and regional development. She designs interiors, furniture and lighting. Sinonim (Synonim) In her free time she draws, paints and creates everyday objects. She Arts & Crafts workshop took part in many group design exhibitions. “Sinonim” is an embodiment of many years of drafting, love, line She is a founder of two brends “Šestar” and design studio ”Parapet”. work, movements, l’art pour l’art -ism, all piled up in the heads of the two architects and one graphic designer. Our jewellery provides Anđelko Vasiljević our consumers with freedom to use colours and simple shapes to ENLIGHTMENT discreetly show the grander of his/her character. decorative house lighting manufacture FIAT FORUM FIAT FORUM

12. septembar / 12:00h / Kuslevova kuća September 12th / 12:00h / Kuslev’s House Izazovi razvoja kreativnih Challenges for the industrija u Crnoj Gori Development of Creative Industries in Montenegro

Učesnici i sagovornici na Forumu biće predstavnici institucija: Participants and speakers at the Forum will represent the following Univerzitet Mediteran u Podgorici, Institut za preduzetnike i institutions: University Mediterranean (Univerzitet Mediteran) ekonomski razvoj, a moderator razgovora biće doc dr. Edin Jašarović in Podgorica, The Institute for Entrepreneurship and Economic sa Fakulteta dramskih umjetnosti - Cetinje. Development (IEED). Discussion host would be assistant professor, Phd Edin Jašarović from the Faculty of Dramatic Arts in Cetinje.

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TEENLIFTING® elektrostimulacija mišića lica, tijela i zdjelice je neinvazivna metoda pomlađivanja i rehabilitacije, inovatorice dr. Sanje Malbaše Gošović. TEENLIFTING Lica je elektrostimulacija svih mišića lica i vrata u svrhu: zatezanja čela, podizanja obrva i kapaka, podizanja obraza, nestajanje podočnjaka, izvlačenje usana i brade, nestajanje podbratka, zatezanje vrata i sužavanje cijeloga lica.

TEENLIFTING® - electro-stimulation of the facial, body and pelvis muscles is a noninvasive method of rejuvenation and rehabilitation used by the innovator, doctor Sanja Malbaša Gošović. Facial TEENLIFTING is an electro-stimulation of all the facial and neck muscles with a goal to achieve facelifting, brows and eyelids lifting, cheek lifting, under eye bags diminishing, lips and chin boost, double chin diminishing, neck lifting and overall face constricting. Crna Gora Grad Podgorica Pokrovitelji Ministarstvo kulture

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