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The Amazing Spider-Man #31 (Marvel, 1965)
The Amazing Spider-Man #31 (Marvel, 1965) First appearances of three well-known supporting characters in the Spider-Man saga, namely Gwen Stacy, Professor Warren, and also Harry Osborn. Steve Ditko cover art. There is a CGC 9.6 Twin Cities pedigree copy. #10 most valuable 1 st appearance 1965 silver age Marvel comic. Print run estimate: 320,000 copies. Gwendolyn Maxine "Gwen" Stacy is a fictional character who appears in American comic books published by Marvel Comics, usually as a supporting character in those featuring Spider-Man. A college student, Gwen was originally the first true love of Peter Parker before she was murdered by his nemesis Norman Osborn. Spider-Man writers and fans alike often debate whether Peter's "one true love" is Gwen Stacy, or his subsequent love interest, Mary Jane Watson, though stories written long after her death indicate that Gwen still holds a special place in his heart. The character has been portrayed by Bryce Dallas Howard in the 2007 film Spider-Man 3 and by Emma Stone as Peter Parker's friend and love interest in the 2012 reboot film The Amazing Spider-Man and the sequel The Amazing Spider-Man 2. Created by writer Stan Lee and artist Steve Ditko, she first appeared in The Amazing Spider-Man #31 (December 1965). The Green Goblin kidnapped and threw Gwen Stacy off the George Washington Bridge in The Amazing Spider-Man#121 (June 1973) after his Goblin persona returned as a result of stress in his life. Both the decision to kill Gwen and the method in which Marvel implemented it remain controversial among fans because some believe that Peter himself was the one that caused her death. -
Mark Bagley, Scott Hanna, Richard Isanove
When science geek Peter Parker was bitten by a radioactive spider, he was imbued with amazing abilities: the proportional strength and speed of a spider, adhesive fi ngertips and toes, and a precognitive awareness of danger called “spider-sense.” After inadvertently playing a part in the death of his Uncle Ben, Peter learned that with great power there must also come great responsibility, and now fi ghts crime as the web-slinging, wall-crawling wonder called... MARY JANE! THE RETURN OF Years ago, a mad scientist called the JACKAL cloned Peter Parker and created BEN REILLY, the original Scarlet Spider. Ben fought against him and for a time took up the mantle of the Amazing Spider-Man before sacrifi cing his life to save Peter’s. But his story didn’t end there. In an effort to perfect his cloning technology, the Jackal re-cloned and tortured Ben again and again. Ben snapped, freed himself, and took over as the Jackal, hoping to use the villain’s tech to save the world. Ben created the company New U. Claiming to deliver medical miracles, the company was really replacing ailing patients with near-perfect clones. One of these patients was an employee of Peter’s company, Parker Industries, named Jerry Salteres. Upon meeting the seemingly cured Jerry, Peter’s Spider-Sense went off, prompting him to investigate New U. There, he uncovered the dark truth: Ben has cloned nearly everyone who has died in Spider-Man’s life, from friends and loved ones like Gwen Stacy, Captain Stacy, and Jean DeWolff, to his worst enemies like Doctor Octopus and the Green Goblin, hoping to convince Peter to use Parker Industries’ reach to make New U global. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Spider Woman
a reporter at lARgE spider woman Hunting venomous species in the basements of Los Angeles. bY buRKHARd BilgER arly one morning last year, when the of the brown recluse, but larger and lady! Spider lady! Come to the front!” streets of downtown Los Angeles more venomous. Sometime in the late Torres was standing by the cash register, wereE still mostly deserted, a strange figure nineteen-sixties, apparently, their ances- her hands on her hips. She made Binford appeared in the Goodwill store at 235 tors had ridden to California in costume scrawl out a waiver on a legal pad, then led South Broadway, next door to the Gua- crates owned by a troupe of Shakespear- her down a long, dingy hallway to the dalupe Wedding Chapel. She had on ten- ean actors from Brazil. A year or two basement door. “It’s your own risk,” she nis shoes, dungarees, and a faded blue later, they were discovered at a theatre said, pointing down the stairwell. “If I T-shirt, and was outfitted as if for a safari in the L.A. suburb of Sierra Madre don’t hear from you in two days, I call the or a spelunking expedition. A khaki vest and promptly triggered a citywide panic. authorities.” was stuffed with empty plastic vials; a “50 DeadlY SpideRS FOUND,” a front- black duffelbag across her shoulders held page headline in the Los Angeles Times piders have a bad reputation, largely a pair of high-tech headlamps, a digital announced on June 7, 1969. “VENom undeserved. The great majority aren’t camera, and a venom extractor. -
AN INTRODUCTORY GRAMMAR of OLD ENGLISH Medieval and Renaissance Texts and Studies
AN INTRODUCTORY GRAMMAR OF OLD ENGLISH MEDievaL AND Renaissance Texts anD STUDies VOLUME 463 MRTS TEXTS FOR TEACHING VOLUme 8 An Introductory Grammar of Old English with an Anthology of Readings by R. D. Fulk Tempe, Arizona 2014 © Copyright 2020 R. D. Fulk This book was originally published in 2014 by the Arizona Center for Medieval and Renaissance Studies at Arizona State University, Tempe Arizona. When the book went out of print, the press kindly allowed the copyright to revert to the author, so that this corrected reprint could be made freely available as an Open Access book. TABLE OF CONTENTS PREFACE viii ABBREVIATIONS ix WORKS CITED xi I. GRAMMAR INTRODUCTION (§§1–8) 3 CHAP. I (§§9–24) Phonology and Orthography 8 CHAP. II (§§25–31) Grammatical Gender • Case Functions • Masculine a-Stems • Anglo-Frisian Brightening and Restoration of a 16 CHAP. III (§§32–8) Neuter a-Stems • Uses of Demonstratives • Dual-Case Prepositions • Strong and Weak Verbs • First and Second Person Pronouns 21 CHAP. IV (§§39–45) ō-Stems • Third Person and Reflexive Pronouns • Verbal Rection • Subjunctive Mood 26 CHAP. V (§§46–53) Weak Nouns • Tense and Aspect • Forms of bēon 31 CHAP. VI (§§54–8) Strong and Weak Adjectives • Infinitives 35 CHAP. VII (§§59–66) Numerals • Demonstrative þēs • Breaking • Final Fricatives • Degemination • Impersonal Verbs 40 CHAP. VIII (§§67–72) West Germanic Consonant Gemination and Loss of j • wa-, wō-, ja-, and jō-Stem Nouns • Dipthongization by Initial Palatal Consonants 44 CHAP. IX (§§73–8) Proto-Germanic e before i and j • Front Mutation • hwā • Verb-Second Syntax 48 CHAP. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Download Ebook Spider-Gwen Vol. 1 by Jason Latour
Spider-Gwen Vol. 1 by Jason Latour book Ebook Spider-Gwen Vol. 1 currently available for review only, if you need complete ebook Spider-Gwen Vol. 1 please fill out registration form to access in our databases Download book here >> Series: Spider-Gwen Hardcover: 272 pages Publisher: Marvel (February 14, 2017) Language: English ISBN-10: 1302903713 ISBN-13: 978-1302903718 Product Dimensions:7.5 x 0.6 x 11.1 inches ISBN10 1302903713 ISBN13 978-1302903 Download here >> Description: The breakout star of Spider-Verse takes the comics world by storm with her own series! Gwen Stacy is the Spider-Woman of her world, but you knew that already. What you dont know is whats waiting for her when she comes to the other side of the Spider-Verse! On the most tragic day of her life, Gwen was convinced that the Lizard died in her arms along with Peter Parker. But when a new reptilian rampage begins, she is left in doubt...not only about Peters life, but his death as well. And Gwens troubles pile up as the Osborns of her world make their debut, and she finds herself on S.H.I.E.L.D.s most wanted list! Perhaps another Spider-Woman, Jessica Drew, could share some lessons about power and responsibility!COLLECTING: EDGE OF SPIDER-VERSE 2, SPIDER-GWEN (2015A) 1-5, SPIDER-GWEN (2015B) 1-6 This is the series that has finally got me into comics. I used to only be passively interested in comic characters and such, never really read any before for the most part, mostly watched comic book movies and listened to podcasts and people talk about comics and such. -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office. -
The Gunslinger Omnibus Slipcase Kindle
DARK TOWER: THE GUNSLINGER OMNIBUS SLIPCASE PDF, EPUB, EBOOK Peter David | 1048 pages | 16 Sep 2014 | Marvel Comics | 9780785188704 | English | New York, United States Dark Tower: The Gunslinger Omnibus Slipcase PDF Book Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Add to Watchlist. Estimated between Mon. Verified purchase: Yes Condition: new Sold by: scottscomics. There was no way Furth was ever going to top the novel, and those issues of The Gunslinger Born feel a bit Imprint Marvel. Check out the specials to get started! Ordina: drawing of the three: house of cards omnibus Because of this omnibus! I'm not, myself, necessarily hard-core, but I'm re- interested in the Dark Tower world, and may have to pay it a visit again soon. Having Robin Furth on board with some of Marvel's greatest talent made for this to become an incredible collection. Kostenlos registrieren. You know how this ends, you know that Roland is alone on his quest when we first meet him on the tail of a fleeing man in black, but that doesn't make it hurt any less The actual battle takes place in the final issue of this series. Ordina: gunslinger: man in black omnibus Ordina: treachery omnibus Took me a while to get through the extras but well worth it. They're all well written and fit the backstory of the Roland we've come to know through King's Dark Towe An exceptional way of experiencing Roland Deschain's early journeys. -
Free the Amazing Spider-Man: the Night Gwen Stacy Died Pdf
FREE THE AMAZING SPIDER-MAN: THE NIGHT GWEN STACY DIED PDF Stan Lee,Gerry Conway,John Romita,Gill Kane | 196 pages | 01 Sep 2009 | Panini Publishing Ltd | 9781846530968 | English | Dartford, United Kingdom The Peerless Power of Comics!: The Night Gwen Stacy Died! Yes, the Green Goblin killed Gwen by dropping The Amazing Spider-Man: The Night Gwen Stacy Died from the George Washington Bridge, but was Spider-Man's intervention the thing that actually took her life? It turns out the death as depicted has its roots in real-world science. In a panic, Spider-Man quickly shot a thin strand of web to catch Gwen by the leg, saving her from plunging to her death, but as many writers have suggested, the ill-judged move accidentally snapped her neck. The Amazing Spider-Man: The Night Gwen Stacy Died the time, readers were unsure of what exactly happened: was it the whiplash that caused it? Had the Green Goblin already killed her before the fall? Or was it the shock of the fall itself that led to her demise? Topics range from the Flash and friction caused by his intense superhuman speeding to whether Ant-Man could really shrink down to his microscopic size. Kakalios assesses whether Gwen Stacy would really have died the way she did after Spidey caught her. As Gwen was falling her velocity kept increasing, and he hypothesis that Gwen is falling about feet, going at 95 miles per hour. Mike Cuenca is an award-winning writer, director, editor, and musician. By Mike Cuenca Oct 06, Share Share Tweet Email 0. -
Wolverine & the X-Men: Tommorow Never Leaves Volume 1 Free
FREE WOLVERINE & THE X-MEN: TOMMOROW NEVER LEAVES VOLUME 1 PDF Jason LaTour,Mahmud A. Asrar | 144 pages | 18 Nov 2014 | Marvel Comics | 9780785189923 | English | New York, United States 9 Best X-Men images | x men, jim lee art, marvel comics covers Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge Wolverine & the X-Men: Tommorow Never Leaves Volume 1. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Mahmud Asrar Illustrator. Welcome to the Jean Grey School of Higher Learning, where Wolverine, Storm, and a star-studded faculty educate the next generation of mutants! But with their own lives steeped in deadly enemies and personal crises, how can the X-Men guide and educate - let alone defend - the school? And what mysterious organization waits in the shadows to destroy Wolverine's mutant sanctua Welcome to the Jean Grey School of Higher Learning, where Wolverine, Storm, and a star-studded faculty educate the next generation of Wolverine & the X-Men: Tommorow Never Leaves Volume 1 And what mysterious organization waits in the shadows to destroy Wolverine's mutant sanctuary? The mysterious Phoenix Corporati on wants Quentin Quire, but why? And only Evan can save Fantomex from certain death - but dare he? Get A Copy. Paperbackpages. Published November 18th by Marvel first published November 1st More Details Original Title. Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. -
JUMPCHAIN 1000 Spider Points
Greeny / Ver.1.2 JUMPCHAIN Welcome to the Marvel multiverse, jumper. You’ve come at a bad time. Across thousands of different universes, Spider-men and women are being slaughtered by a mysterious family known as the Inheritors. These immensely powerful beings feed off the life force of these so-called ‘Spider Totems’, and seek to rid the multiverse of them entirely. A group of tenacious Spiders now plan to take the war to them, but their victory is far from assured. Whether you intend on joining the Spiders in their fight for survival or teaming up with the Inheritors in their plans for multiversal genocide, you won’t be having an easy time in this world. But hey, at least you won’t be going in empty-handed. You’ve been given: 1000 Spider Points. Green This is a war, jumper, and there are no spectators. Which side are you on? Spider Totems There are plenty of Spider-People across the multiverse, jumper. Most are heroes, some are villains, and a few are something else entirely. Two things bind this misfit group together: their innate connections with the Spider Totem, and their collective desire to avoid an early end at the hands of the Inheritors. As one of these Totems, you may either take the place of an existing universe’s Spider (with the exception of Earth-616) or have a new universe created to which you belong. Either way, you won’t have long to take in the sights before your fellow Spiders find you and recruit you to their cause.