ON the RABBINICAL APPROXIMATION of 7R
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Designing the Talmud: the Origins of the Printed Talmudic Page
Marvin J. Heller The author has published Printing the Talmud: A History of the Earliest Printed Editions of the Talmud. DESIGNING THE TALMUD: THE ORIGINS OF THE PRINTED TALMUDIC PAGE non-biblical Jewish work,i Its redaction was completed at the The Talmudbeginning is indisputablyof the fifth century the most and the important most important and influential commen- taries were written in the middle ages. Studied without interruption for a milennium and a half, it is surprising just how significant an eftèct the invention of printing, a relatively late occurrence, had upon the Talmud. The ramifications of Gutenberg's invention are well known. One of the consequences not foreseen by the early practitioners of the "Holy Work" and commonly associated with the Industrial Revolution, was the introduction of standardization. The spread of printing meant that distinct scribal styles became generic fonts, erratic spellngs became uni- form and sequential numbering of pages became standard. The first printed books (incunabula) were typeset copies of manu- scripts, lacking pagination and often not uniform. As a result, incunabu- la share many characteristics with manuscripts, such as leaving a blank space for the first letter or word to be embellshed with an ornamental woodcut, a colophon at the end of the work rather than a title page, and the use of signatures but no pagination.2 The Gutenberg Bibles, for example, were printed with blank spaces to be completed by calligra- phers, accounting for the varying appearance of the surviving Bibles. Hebrew books, too, shared many features with manuscripts; A. M. Habermann writes that "Conats type-faces were cast after his own handwriting, . -
2006 Abstracts
Works in Progress Group in Modern Jewish Studies Session Many of us in the field of modern Jewish studies have felt the need for an active working group interested in discussing our various projects, papers, and books, particularly as we develop into more mature scholars. Even more, we want to engage other committed scholars and respond to their new projects, concerns, and methodological approaches to the study of modern Jews and Judaism, broadly construed in terms of period and place. To this end, since 2001, we have convened a “Works in Progress Group in Modern Jewish Studies” that meets yearly in connection with the Association for Jewish Studies Annual Conference on the Saturday night preceding the conference. The purpose of this group is to gather interested scholars together and review works in progress authored by members of the group and distributed and read prior to the AJS meeting. 2006 will be the sixth year of a formal meeting within which we have exchanged ideas and shared our work with peers in a casual, constructive environment. This Works in Progress Group is open to all scholars working in any discipline within the field of modern Jewish studies. We are a diverse group of scholars committed to engaging others and their works in order to further our own projects, those of our colleagues, and the critical growth of modern Jewish studies. Papers will be distributed in November. To participate in the Works in Progress Group, please contact: Todd Hasak-Lowy, email: [email protected] or Adam Shear, email: [email protected] Co-Chairs: Todd S. -
אוסף מרמורשטיין the Marmorstein Collection
אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences -
Maharam of Padua V. Giustiniani; the Sixteenth-Century Origins of the Jewish Law of Copyright
Draft: July 2007 44 Houston Law Review (forthcoming 2007) Maharam of Padua v. Giustiniani; the Sixteenth-Century Origins of the Jewish Law of Copyright Neil Weinstock Netanel* Copyright scholars are almost universally unaware of Jewish copyright law, a rich body of copyright doctrine and jurisprudence that developed in parallel with Anglo- American and Continental European copyright laws and the printers’ privileges that preceded them. Jewish copyright law traces its origins to a dispute adjudicated some 150 years before modern copyright law is typically said to have emerged with the Statute of Anne of 1709. This essay, the beginning of a book project about Jewish copyright law, examines that dispute, the case of the Maharam of Padua v. Giustiniani. In 1550, Rabbi Meir ben Isaac Katzenellenbogen of Padua (known by the Hebrew acronym, the “Maharam” of Padua) published a new edition of Moses Maimonides’ seminal code of Jewish law, the Mishneh Torah. Katzenellenbogen invested significant time, effort, and money in producing the edition. He and his son also added their own commentary on Maimonides’ text. Since Jews were forbidden to print books in sixteenth- century Italy, Katzenellenbogen arranged to have his edition printed by a Christian printer, Alvise Bragadini. Bragadini’s chief rival, Marc Antonio Giustiniani, responded by issuing a cheaper edition that both copied the Maharam’s annotations and included an introduction criticizing them. Katzenellenbogen then asked Rabbi Moses Isserles, European Jewry’s leading juridical authority of the day, to forbid distribution of the Giustiniani edition. Isserles had to grapple with first principles. At this early stage of print, an author- editor’s claim to have an exclusive right to publish a given book was a case of first impression. -
The Early Ibn Ezra Supercommentaries: a Chapter in Medieval Jewish Intellectual History
Tamás Visi The Early Ibn Ezra Supercommentaries: A Chapter in Medieval Jewish Intellectual History Ph.D. dissertation in Medieval Studies Central European University Budapest April 2006 To the memory of my father 2 Table of Contents Acknowledgements .................................................................................................................... 6 Introduction............................................................................................................................... 7 Prolegomena............................................................................................................................ 12 1. Ibn Ezra: The Man and the Exegete ......................................................................................... 12 Poetry, Grammar, Astrology and Biblical Exegesis .................................................................................... 12 Two Forms of Rationalism.......................................................................................................................... 13 On the Textual History of Ibn Ezra’s Commentaries .................................................................................. 14 Ibn Ezra’s Statement on Method ................................................................................................................. 15 The Episteme of Biblical Exegesis .............................................................................................................. 17 Ibn Ezra’s Secrets ....................................................................................................................................... -
Text of the Bible
Early Tanach Printings in the Yeshiva University Library Avrom Shuchatowitz Description: In August 2018, Dr. Parviz Lalazari donated two volumes of early Tanach (Hebrew Bible) printings to the library of Yeshiva University. One was a volume from a Tanach printed in Venice in 1524 by Daniel Bomberg (1483-1553) and the other was a volume from an Amsterdam publication by Moses Frankfurter (1672-1762). Beginning with just these two volumes, YU proceeded to locate other uncatalogued volumes so complete sets could be made. YU now has three Bomberg printings: 1524, 1546, and 1547. These Bible printings contain many early commentaries, as well as additional material on the Masorah, the traditional text of the Bible. Also completed was a set of the 1724 Amsterdam printing. This one also contained a large compilation of early and later commentaries. There were multiple copies, each one from a different owner. One owner appended to the volume handwritten information and newspaper clippings about his family. Other owners were in Poland and England, each bearing their stamps and inscriptions. Avrom Shuchatowitz is a Judaica cataloger at Yeshiva University Library, New York. Yeshiva University library owns many early Bible printings. This presentation will focus on only two. In August 2018 Dr. Parviz Lalezari, a clinical professor of Pathology at Albert Einstein College of Medicine in New York donated three large folio volumes (40 cm) of early Tanakh (Old Testament) to the library of Yeshiva University. Two were from a Tanakh printed in Venice, Italy in 1524 by Daniel Bomberg, and the other was from a set published in 1724 by Rabbi Moses Frankfurter in Amsterdam. -
"Gli Ebrei in Italia Dalla Segregazione Alla Prima Emancipazione"
MINISTE RO PER I BENI CULTU RALI E AMBIENTALI PUBBLICAZIONI DEGLI ARCHIVI DI STATO SAGGI 11 ITALIA jUDAICA "Gli ebrei in Italia dalla segregazione alla prima emancipazione" Atti del III Convegno internazionale Tel Aviv 15-20 giugno 1986 RO MA 1989 UFFICIO CENTRALE PER I BENI ARCHIVISTICI COMI TATO ORGANIZZATORE DIVISIONE STUDI E PUBBLICAZIONI COMMISSIONE MISTA PER LA STORIA E LA CULTURA DEGLI EBREI IN ITALIA d- VITTORE COLORNI - Universi tà degli Studi, Ferrara ni: nato Grisp o, presidente, Paola Carucci, Arnald o D' � ,-,omz,., 't a t oper le pubblicazio Re . FAUSTO PUSCEDDU - Minis tero per i Beni cul turali e ambien ta li, Roma , mualdo Gmffn'd a,L UClO L umG �, m d an. o, nA toni o Den toni Litta, segretario Ro .. oni Sparvol l,' L mgl P rosd' oC 1m1, L e-o GIUSEPPE SERMONETA - The Hebrew University, Jerusalem seppe Pansini, Claudi o Pav one, Vilma Picci pold o Puncuh, Isabella Zanni Rosiell o. SHLOMO SIMONSOHN - Tel-Aviv University Cura redazionale: Is otta Scandaliato Ciciani. PRO G RAMMA Domenica, 15 giuno, Tei Aviv ebrei italiani alla emancipazio ne e l'illuminismo». 20,30 Seduta di apertura. Saluto del Dibattito. le autorità. Apertura della mostra «ItaliaJu daica" nel Beth Hatifutsot. Martedì, 17 giugno, TeI Aviv Ricevimento. 9,00-12,30 M. Rosa (Università di Roma): «Tra tolleranza e repressione: Lunedì, 16 giugno, Tei AvÌv Roma e gli ebrei nel Sette cento». 9,00-13,00 M. Berengo (Università di Ve G. Sermoneta (Università di nezia): «Gli ebrei veneziani alla Gerusalemme): «La cultura caduta della Repubblica». ebraica a Roma nel '700 alla lu B.D. -
F Ine J Udaica
F INE J UDAICA . HEBREW PRINTED BOOKS, MANUSCRIPTS &CEREMONIAL ART K ESTENBAUM & COMPANY TUESDAY, JUNE 29TH, 2004 K ESTENBAUM & COMPANY . Auctioneers of Rare Books, Manuscripts and Fine Art Lot 340 Catalogue of F INE J UDAICA . HEBREW PRINTED BOOKS, MANUSCRIPTS &CEREMONIAL ART Including Judaic Ceremonial Art: From the Collection of Daniel M. Friedenberg, Greenwich, Conn. And a Collection of Holy Land Maps and Views To be Offered for Sale by Auction on Tuesday, 29th June, 2004 at 3:00 pm precisely ——— Viewing Beforehand on Sunday, 27th June: 10:00 am–5:30 pm Monday, 28th June: 10:00 am–6:00 pm Tuesday, 29th June: 10:00 am–2:30 pm Important Notice: The Exhibition and Sale will take place in our New Galleries located at 12 West 27th Street, 13th floor, New York City. This Sale may be referred to as “Sheldon” Sale Number Twenty Four. Illustrated Catalogues: $35 • $42 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art . 12 West 27th Street, 13th Floor, New York, NY 10001 • Tel: 212 366-1197 • Fax: 212 366-1368 E-mail: [email protected] • World Wide Web Site: www.Kestenbaum.net K ESTENBAUM & COMPANY . Chairman: Daniel E. Kestenbaum Operations Manager & Client Accounts: Margaret M. Williams Press & Public Relations: Jackie Insel Printed Books: Rabbi Bezalel Naor Manuscripts & Autographed Letters: Rabbi Eliezer Katzman Ceremonial Art: Aviva J. Hoch (Consultant) Catalogue Photography: Anthony Leonardo Auctioneer: Harmer F. Johnson (NYCDCA License no. 0691878) ❧ ❧ ❧ For all inquiries relating to this sale please contact: Daniel E. Kestenbaum ❧ ❧ ❧ ORDER OF SALE Printed Books: Lots 1 – 224 Manuscripts: Lots 225 - 271 Holy Land Maps: Lots 272 - 285 Ceremonial Art:s Lots 300 - End of Sale Front Cover: Lot 242 Rear Cover: A Selection of Bindings List of prices realized will be posted on our Web site, www.kestenbaum.net, following the sale. -
By Bruce Roth
TOWSON UNIVERSITY OFFICE OF GRADUATE STUDIES ANALYSIS OF THE RABBINIC USAGE OF “BECAUSE OF THE WAYS OF PEACE” by Bruce Roth A Thesis Presented to the faculty of Towson University in partial fulfillment of the requirements for the degree Master of Arts Department of Jewish Studies Towson University Towson, Maryland 21252 December 2014 II Acknowledgements I would like to express gratitude and acknowledgement to my advisor Dr. Avram Reisner. Many people helped, but special mention is due to Zvi Leshem from the National Library of Israel for helping me with data searches, to Chava and Zach my children, and to my beloved wife Rachel for all their encouragement. III Abstract Rabbinic Literature highlights the pursuit of a peaceful and just society. This paper argues that contemporary modes of discourse have utility in understanding the social problems that the Rabbis sought to solve. By reading and interpreting a specific rabbinic decree justified as Mipnai Darchei Shalom “because of the ways of peace” (MDS), this paper demonstrates that the understanding of specific rabbinic laws can be enhanced by using contemporary terms such as “groups”, “power” and contemporary definitions such as “human, cultural and individual values”. The desire to minimize and resolve social conflict sheds light on the sages pursuing an ordered society, much as society aspires to do today. IV CONTENTS INTRODUCTION.………………………………………………………………………..1 CHAPTER ONE: Readings…..……………………………………………………………………….5 Mishnah…………………………………………………………………………....6 Tosefta……………………………………………………………………………13 -
Sixteenth-Century Hebrew Books in the Library of Congress
Sixteenth-Century Hebrew Books at the Library of Congress A Finding Aid פה Washington D.C. June 18, 2012 ` Title-page from Maimonides’ Moreh Nevukhim (Sabbioneta: Cornelius Adelkind, 1553). From the collections of the Hebraic Section, Library of Congress, Washington D.C. i Table of Contents: Introduction to the Finding Aid: An Overview of the Collection . iii The Collection as a Testament to History . .v The Finding Aid to the Collection . .viii Table: Titles printed by Daniel Bomberg in the Library of Congress: A Concordance with Avraham M. Habermann’s List . ix The Finding Aid General Titles . .1 Sixteenth-Century Bibles . 42 Sixteenth-Century Talmudim . 47 ii Sixteenth-Century Hebrew Books in the Library of Congress: Introduction to the Finding Aid An Overview of the Collection The art of Hebrew printing began in the fifteenth century, but it was the sixteenth century that saw its true flowering. As pioneers, the first Hebrew printers laid the groundwork for all the achievements to come, setting standards of typography and textual authenticity that still inspire admiration and awe.1 But it was in the sixteenth century that the Hebrew book truly came of age, spreading to new centers of culture, developing features that are the hallmark of printed books to this day, and witnessing the growth of a viable book trade. And it was in the sixteenth century that many classics of the Jewish tradition were either printed for the first time or received the form by which they are known today.2 The Library of Congress holds 675 volumes printed either partly or entirely in Hebrew during the sixteenth century. -
Printing, Hebrew Book Culture and Sefer Ḥasidim
Printing, Hebrew Book Culture and Sefer Ḥasidim Joseph A. Skloot Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Joseph A. Skloot All rights reserved ABSTRACT Printing, Hebrew Book Culture and Sefer Ḥasidim Joseph A. Skloot This dissertation is a contribution to the fields of the history of the Hebrew book and ear- ly modern Jewish cultural history. It is a study of Sefer Ḥasidim, a text that originated in the me- dieval Rhineland, in its first two printed editions (of 1538 and 1581, respectively). By analyzing these editions closely, and by comparing them to their manuscript antecedents, it is possible to determine how the work of printing changed Sefer Ḥasidim and how printing shaped readers’ understanding of the text. These investigations advance the argument that the printing of Hebrew books was a creative act, not merely a process of reproduction and dissemination. Like all cre- ative productions, moreover, these editions can be read as witnesses to the particular social and cultural contexts from which they emerged—in this case, a period of upheaval in Jewish life and European society. Moreover, the varied cast of characters who produced these editions—printers, editors, proofreaders, press workers, among others—were influenced by commercial, intellectual and religious interests unique to the sixteenth century and to Italy. These interests left their mark on the texts of Sefer Ḥasidim that emerged from their presses (in the form of censorship and emendations), as well as their associated paratexts (e.g. -
Temas Medievales 25
TEMAS MEDIEVALES 25 TEMAS MEDIEVALES 25 CONSEJO NACIONAL DE INVESTIGACIONES CIENTÍFICAS Y TÉCNICAS INSTITUTO MULTIDISCIPLINARIO DE HISTORIA Y CIENCIAS HUMANAS BUENOS AIRES, 2017 Ilustración de tapa: Diagrama del tímpano de la fachada oeste - Priorato de Villesalem (Vienne - Francia) Diseño y diagramación: Juan Pablo Lavagnino Temas Medievales se propone como un ámbito interdisciplinario de reflexión, discu- sión y divulgación de asuntos referidos a historia, filosofía, literatura, arte medieva- les… Creada por un grupo de investigadores argentinos, intenta nuclear y acoger los trabajos y contribuciones de estudiosos de la especialidad. Artículos y notas críticas aspiran a dar razón de los intereses actuales de la histo- riografía del período, de sus tendencias y realizaciones, constituyendo volúmenes en que prime un eje temático sin dejar de incorporar otros varios enfoques. El presente volumen ha sido parcialmente financiado por la Sociedad Argentina de Estudios Medievales (SAEMED). TEMAS MEDIEVALES Instituto Multidisciplinario de Historia y Ciencias Humanas (IMHICIHU) Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Director Nilda Guglielmi Consejo Consultivo Carlos de Ayala Martínez (Universidad Autónoma de Madrid – España) Michel Balard (Universidad Paris I, Panthèon Sorbonne – Francia) Franco Cardini (Università degli Studi di Firenze – Italia) Carla Casagrande (Università di Pavia – Italia) Salvador Claramunt (Universitat de Barcelona – España) Jean Delumeau (Collège de France – Francia) Peter Dinzelbacher (Universität Wien – Austria) Léopold Génicot (†) (Université Catholique de Louvain – Bélgica) Jacques Heers (†) (Université Paris I, Panthéon Sorbonne – Francia) Denis Menjot (Université Lyon 2 – Francia) María Giuseppina Muzzareli (Università di Bologna – Italia) Gherardo Ortalli (Università Ca’Foscari di Venezia – Italia) Geo Pistarino (†) (Università di Genova – Italia) Adeline Rucquoi (C.N.R.S.