PROMETHEAN EDITIONS Educational Resources 2018
2018 NCEA Resources: Scores and Recordings
Published scores from New Zealand composers Gareth Farr, Helen Fisher, and John Psathas
Teacher Scores to accompany NCEA Resources at discounted rates (up to 50% reduction)
Student workbook scores designed for student use and priced accordingly
Audio Recordings available on CD and download Published scores for music-making in the classroom
Published scores at exclusive discounted rates (up to 50% reduction)
Instrumental music for the accomplished young performer - piano, clarinet, saxophone
Chamber music performance sets for your student chamber ensembles
Band music performance sets for your school brass band Build your collection of essential New Zealand music
Newly-edited and published study scores from Peter Adams, Edwin Carr, Eve de Castro-Robinson, Chris Cree Brown, Graeme Downes, John Elmsly, Gareth Farr, Helen Fisher, Leonie Holmes, Douglas Lilburn, Martin Lodge, John Psathas, and Anthony Ritchie
REGISTER YOUR SCHOOL ACCOUNT AND SAVE 30% ON LIST PRICES OF SELECTED PRODUCTS BEFORE 31 DECEMBER 2017. ONLINE ORDERS FROM REGISTERED SCHOOL EMAIL ADDRESSES ONLY.
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 1 Study New Zealand Composers with essential published scores and exclusive discounts for teachers
Gareth Farr is one of New Zealand’s most exciting and colourful composers of contemporary classical music. His work is vibrant, energetic, percussive and extremely accessible – students love it! Feature Gallipoli this year with Farr’s Onslaught for brass band and percussion, newly published in 2015 as a study score, conductor’s score and complete set of 30 performance parts. Another recent publication of Farr’s is Balinese Pieces, a set of three piano works influenced by gamelan music of Indonesia – exciting music that advanced piano students are sure to enjoy. We also have scores available for three of Farr’s essential works – Sea Gongs, Kembang Suling and Volume Pig.
Olympic composer John Psathas’ music is unique in fusing elements of rock and jazz along with the music of his Greek heritage into a new contemporary classical style. Understand Psathas’s latest music in context by studying the published scores for his three ground-breaking concerti – Omnifenix, Three Psalms and View from Olympus – and chamber works Drum Dances and Abhisheka.
Another NCEA favourite is Pounamu by Helen Fisher – steeped in the sounds of European and Maori musical traditions, this bi-cultural mixture has brought new experiences to performers and audiences worldwide. We have available the published score and performance parts of Pounamu.
New music for Brass Band and Percussion
— Gareth Farr’s The Nor’west Arch and PROMETHEAN EDITIONS
GARETH FARR Onslaught The Nor’West Arch Brass Band
The Nor’west Arch was commissioned by the Christchurch Arts Festival as a memorial to the 181 people who died in the February 2011 Christchurch earthquake. It is a highly emotive work with its combination of sustained chords and simple melodic lines that pass between single instruments throughout the band. The work can be enhanced with poignant text about the earthquake that can be spoken at specific points. Farr’s work can serve as a reflective highlight to any brass band programme.
In 2004, the New Zealand Army Band commissioned Gareth Farr to write Onslaught to mark the 90th anniversary of the Battle of Gallipoli. As many New
Zealanders know, 3000 New Zealand soldiers were part of an amphibious Allied PROMETHEAN EDITIONS invasion that took place at what is now known as Anzac Cove, on Turkey’s Gallipoli GARETH FARR Onslaught Peninsula, on 25 April 1915. Under heavy fire they made their way up the beach in Brass Band an attempt to divert and prevent Turkish forces from strengthening their defence against the main Allied landing further south at Cape Helles. Among those that fought were the members of four New Zealand army bands. By the end of the fighting, the casualty rate was such that there was only one band’s worth of members left alive. Onslaught communicates on a strongly physical and visceral level in its portrayal of the intensity and chaos of battle.
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 2 Discover the new editions of Douglas Lilburn’s music
Douglas Lilburn occupies a pre-eminent position in New Zealand music, with a legacy extending well beyond his compositional output. As a composer, teacher and mentor he presided in innumerable ways over the artistic growth of New Zealand from 1940 onwards. From the early works redolent of the influence of Sibelius and Vaughan Williams, to the electro-acoustic pieces of his later years, his works have been instrumental in establishing a genuine vernacular in New Zealand classical music.
Promethean Editions published five new editions in celebration of the centenary of Lilburn’s birth in 2015. This ‘centenary’ collection draws on the expertise of Dr Robert Hoskins, an Associate Professor at the New Zealand School of Music (retired), and Rod Biss, who as Production Director of Faber Music and then Price Milburn, was instrumental in first publishing Lilburn’s music in the 1970s. The editors, previous collaborators on the Douglas Lilburn Complete Piano Edition, have carefully considered and clarified Lilburn’s manuscripts and early publications in preparing these volumes as both scholarly and practical editions for performance.
A Song of Islands for Orchestra (PEL23S) Douglas Lilburn A Song of Islands A Song of Islands (1946) is an essential work to study in the history of New Zealand orchestral music. This early work is a fine example of how Lilburn directly intended to capture the essence of New Zealand as a whole. Central to this work is a chorale-like theme that develops through an arch-like form. This critical edition is the first computer-engraved publication of the work.
Douglas LilburN Douglas LilburN Drysdale Overture for Orchestra (PEL21S) DOUGLAS LILBURN Drysdale Overture Centenary Edition Drysdale Overture Drysdale Oveture Douglas Lilburn occupies a pre- eminent position Lilburn was one of many New Zealand composers who travelled to in New Zealand music, with a legacy extending well beyond his compositional output. As a composer, teacher England to continue their studies. He studied under the aegis of Ralph Vaughan Williams and mentor he presided in innumerable ways over the artistic growth of New Zealand from 1940 onwards. From the early works redolent of the influence of Sibelius and Vaughan Williams, to the electro-acoustic pieces of his at the Royal College of Music in London. During his time in London he wrote his first major later years, his works have been instrumental in establishing a genuine vernacular in New Zealand classical music.
Drysdale Overture (1937) is Lilburn’s first major orchestral work. It was written while he was a orchestral work, Drysdale Overture (1937). This remains as one of Lilburn’s quintessential student under the aegis of Vaughan Williams at the Royal College of Music in London. The work won first prize at the New Zealand National Centennial Competition in 1940 and has more recently become established as a staple of orchestral repertoire with regular performances and recordings presented works with its nostalgic portrayal of the New Zealand landscape. The work won first prize by the New Zealand Symphony Orchestra. This edition is the first of four volumes published in celebration of the centenary of Lilburn’s birth in 1915.
The publisher gratefully acknowledges the support at the New Zealand National Centennial Competition in 1940 and more recently it has of Massey University in the publication of this edition. PEL21
Promethean Editions Limited PO Box 10-143 Wellington New Zealand www.promethean-editions.com become established as a staple of orchestral repertoire with regular performances and recordings presented by the New Zealand Symphony Orchestra. Drysdale Overture is now available as a newly published study score, released in celebration of the centenary of Lilburn’s birth in 1915.
Prodigal Country for Baritone, Chorus (SATB) and Orchestra (PEL22S) Douglas Lilburn Douglas Lilburn DOUGLAS LILBURN Prodigal Country Prodigal Country Centenary Edition Prodigal Country Douglas Lilburn For Lilburn’s only full-length choral work, Prodigal Country, the composer set threeoccupies a pre- poems eminent position in New Zealand music, with a legacy extending well beyond his to music – Robin Hyde’s Journey from New Zealand, Allen Curnow’s New Zealandcompositional City and output. As a composer, teacher
and mentor he presided in innumerable ways over the artistic growth of New Walt Whitman’s Song of Myself. Across a single, winding movement, ProdigalZealand from 1940 onwards.Country From the early works redolent of the influence of Sibelius and Vaughan Williams, to the electro-acoustic pieces of his later years, his works have been instrumental in establishing a genuine vernacular in New Zealand conjures nostalgia and strangeness through its sung text and drifting melodicclassical music. contours. For Lilburn’s only full-length choral work, Prodigal Country, the composer set three poems to music – Robin Hyde’s Journey from New Zealand, Allen Curnow’s New Zealand City and Walt Whitman’s Song of Myself. Across a single, winding The imagery of the river dominates the work, which, for Lilburn, seemed to movement,represent Prodigal Country conjures nostalgia and strangeness through its sung text and drifting melodic contours. freedom, while elsewhere Hyde’s evocative landscape is rugged and harsh, Curnow’s text PEL22 emphasises the hesitancy and unease reminiscent of the Depression and Whitman’sISMN 979-0-67452-205-2 Printed in New Zealand • PEL22 • PNY PREPEL22 romanticism is celebrated through Lilburn’s lyrical, melodic treatment.
Douglas Lilburn Symphony No.1 Symphony No.1 for Orchestra (PEL24S) Lilburn’s Symphony No.1 (1949) is an essential work to study in the history of New Zealand orchestral music. Premiered in 1951 by the National Orchestra (now the New Zealand Symphony Orchestra), it was later established as a staple of orchestral repertoire with regular performances and recordings. This critical edition is the first computer-engraved publication of the work.
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 3 Lilburn Complete Piano Edition: Volumes 1–6
Selected pieces in each of the six volumes are suitable for younger players, and all are ideal as featured works in recitals.
Piano Music Vol.1 (PEL01) 2=C5:/A:7:0C@<E^VcdBjh^X& Piano Music Vol.4 (PEL04) This first volume comprises Lilburn’s Sonatina No.1 (1946), ‘Short Piece’ (1965), Lilburn’s highly individual Prelude (1948), ‘Untitled Piece’ (1965), Untitled Sonata (1949) and a collection Piece’ (1981), and A Musical Offering (1941).
VOLUME 5 of some 20 sketches, studies Works for String Orchestra Piano Music Vol.5 (PEL05) Douglas LilburN Piano Music 5 and personal tributes first published as Occasional Pieces Lilburn’s Chaconne (1946), ‘Six in 1975. Pieces’ (1964), Three Preludes (1943), Fred’s Birthday (1965), Piano Music Vol.2 (PEL02) VOLUME 5 and Rondino for a Birthday (c. Works for String Orchestra Six Short Pieces (1962-63), his early Sonata for Piano 1943). in A minor (1939) and the miniature Moths and Piano Music Vol.6 (PEL06) Candles (1948). The sixth volume comprises Piano Music Vol.3 (PEL03) Lilburn’s Sonata for Piano in F Sharp Minor (1939), Lilburn’s Nine Short Pieces for Piano (1965-66), Three ‘Poco Lento’ (1960), The Young Pine Tree (1945), Sea Changes (1946-81), ‘Seven Short Hommage à D.A.F. (c.1965), Theme from ‘Variations Pieces’ (1965-66), ‘Short Piece’ (1965), Prelude on a Theme by Douglas Lilburn’ (1948), and (1948), and Sonata (1956). ‘Christmas 1942’ (1942).
Piano Music from Gareth Farr
Gareth Farr: Gem for Piano (PE136) . 18 .X C C C C. C. C.X C C C C C C C C X C C X C Y Y Y S C S C S C X X X ! Y Y Y Y C C C C C C I X X X X ppp mf pp # Y Y g g S X X X Y Y YYY X X X X C C C C C C C C C O B mpcon pedale . .Y C. 20 .Y C . . . C . . . C Y C C C C Y C C C C C C C C C C Y C S C C S C C 5 S C C R ! X C C C C 4 C C I I ppp mf pp # g 5 O S O C W C C C C 4 C C B C C C C X C O C C p Gem was commissioned by pianist. Nicola Melville, in memory.Y C. of her teacher Judith Clark. This mysterious work .Y C 23 . . .Y C is a contemplative rubato journey,X C predominantlyY C alongC C the blackC Y C keysC of the piano.Y C ShortY C flourishesC of notes C. C. C. Y C C C Y C Y C reach into the instrument’sC C upper register, releasing notes in delicate droplets, particularly affecting when Y R C 4 S C C S S Y Y Y ! X C C I 4 I Y Y Y p pp ppp Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 4 # W C 4 R Q Y Y C C C O C 4 C C O C Y Y YYY
eva . 25 .X C C C C. C. C.X C C C C C C C C X C C X C Y Y Y S C S C S C X X X ! Y Y Y Y C C C C C C I X X X X ppp mf pp g # Y Y Y C C C C C C C O B S XX X X Y Y Y Y h C C X X X mpcon pedale . .Y C. rallentando 27 .Y C . . . C I . . . C Y C C C C Y C Y C ppp C C C C O C C C C Y C C C C C C C C C W S C C C C O S C S C S ! C C C I C I I C C mf pp # g O S Q ! W C C C C B C O C C C p > ev` a tempo C 30 C - - C- C C C C C O C W X C O C C C C C C C C C C C C C C ! h S T T poco h h pp p mf G f> p I B O W B O C W C ! C C C C B C C O C C X C C C h C
PE136 – 3 39 C C C C C C C C C C C C C C C C Y C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C ! Y ...... decoratingC the work’sC searchingC theme.C AcceleratedC C ascendingC runs Clead to a climaxC ofC tumblingC high registerC figures in contraryO motionC C withC the leftC hand.C O C # YY C h C B C C C C C C Gareth Farr: Balinese Pieces for Piano (PE128) h 42 > C C C C C C C C C C ig g > Y C C C C C C C C C ! Y B O C C C C C B O C .C .C .C .C C C C C .C O C C .CC C C C C ...... BC O C C C g g T g # Y T C C C C g Y C C C C C C C C B C C C C C C A A A C C Balinese Pieces (1996-2003) is a set of three piano works influenced by gamelan music of Indonesia and is 47 suitable for advancedg school students of approximately Gradeg VIII and above. This set includes Sepuluh CJariC (‘tenC fingers’),Y Tentang Cara Gamelan (‘on the techniqueC ofO gamelan’),C and Jangan Lupa (‘don’t forget’). FarrT C perfectlyC Y C C C C C B C C C C C A B C captures! the.C O excitingC C rhythms.CC Cand beautifulC C sonoritiesC C ofC gamelanC C musicC andC combinesC C it withC soundsC C andC textures .reminiscent. . of. French. impressionism.. . . His writing. . for. piano. in these. .pieces. is exciting,. . with. fast. melodic. passages and complex rhythms. The three pieces can be performed together as a set or separately as stand- # g g g C C C C aloneY works.Y Balinese Pieces isT sure to beC a highlight in any pianoC recital programme.C C C C O h C B C C C C C C B C AC O C C O A A A 52 C C C C C C C C C C C C C C C C C Y InstrumentalC C C C C C C C C C C MusicC C C C C suitableC C C C C C C C forC C C studentC C C C C C CperformanceC C C C C C C C C C C C C C ! Y Peter Adams:. Breath. of Souls. (UME11). . . Gareth. Farr:. Meditation. . . . C j BC O C C C C C C forC Alto SaxC and PianoBC O (PE125)C C C This# setY ofh five waiata (songs or chantsC in MaoriC O C C C C Y h for Viola and Piano (PE126) culture) draws> inspiration from the natural and > spiritual worlds described in the poem Mercy by for Clarinet and Piano (PE127) Greek-Armenian55 poet Olga Broumas. Like the poem, Meditation (2004) is an ideal recital work for Adams’ workC C similarlyC C C exploresC C C themesC C ofC love,C C lossC C C C advancedC C C C secondaryC C C CschoolC C studentsC C CandC aboveC C C and transcendence.Y C C C C TheC elegantC C C archingC C structuresC C C C C lookingC C C to CperformC C contemporaryC C C C music.C C CIt wasC C ! Y cresc. poco a poco and recurring motives derived from a 12-tone row originally written for viola and piano and later was make it a .fascinating. work. for solo. flute. . . adapted. for. both alto. saxophone. and. clarinet.. The C C C C C C workC wasC written toC highlightC the lyricalC qualitiesC of Larry Pruden:O FlightC of theC CAlbatrossC forC Violin O C # Y C C B the solo instrumentC C with a pianoC accompaniment.C C C As and PianoY (PEP12) h such, Meditation provides an opportunityh for the Larry Pruden’s Flight of the Albatross (1980) is an soloist to shine through individual expression, making excellent58 work for secondary students and above it perfect for solo recitals and competitions. lookingY toC performC C C C ClyricalC C C contemporaryC C C C C C C music.C C ItC wasC C C C C C C C C C C C C C C C C C C C C C C C C C C C C originally! Y written as soundtrack music for a nature Farr: Three Little Pieces for Eve for Percussion documentary. and .was later. arranged. especially for and Piano (PE095ff) performanceBC O withC young listenersC CC in mind.C C C “Serious fun” is theB O best way to describe thisC lively # Y C andC entertainingC set of three contrasting pieces. JohnY Psathas: Fragment h C C C B O C C GarethC FarrC wrote Three Pieces for BEve (2006) for the for Vibraphone and Piano (PE076) h S C occasion of a friend’s birthday. It showcasesB Farr’s for Vibraphone and Marimba (PE089) C comic wit and clever writing. The percussionistÒ uses Fragment (2001) was originally written as a tribute to Ò PE128PE128 –– 3030household objects including bottles, flowerpots, the composer’s first piano teacher on the occasion of mixing bowls and a triangle. his retirement. A gentle and delicate work, its atmospheric textures recall the second movement of View from Olympus, the double concerto for percussion and piano.
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 5 Anthony Ritchie: Meditation for Violin and accompaniments that vividly evoke the rural New Piano (UME03) Zealand landscape and the characters that inhabited Meditation (2008) is inspired by traditional Chinese Glover’s poems. Also included are two previously folk music and poetry, and demonstrates Ritchie’s unpublished settings by Lilburn of Glover’s poetry, ongoing interest in exploring folk music traditions as ‘Holiday Piece’ for medium voice and piano and ‘The a basis for creating new works. The violin part Magpies’ for mixed voices. exploits expressive glissandi and high harmonics that Gareth Farr: Waipoua for Clarinet and Piano recall the sound of the erhu, a bowed Chinese string (PE021) instrument. Waipoua is an excellent work for advanced Douglas Lilburn: Sings Harry for Baritone and secondary clarinet students who want to perform a Piano (PEL25) lyrical solo work with piano accompaniment. Inspired Lilburn’s Sings Harry (1953/1954) for baritone and by the composer’s visit to a state forest park, the piano is a setting of six poems by New Zealand poet work has a meditative quality that allows the Denis Glover. With simple yet precise word setting, performer to explore individual expression. Lilburn created spare and direct tunes with
Selected New Zealand chamber music for study
Leonie Holmes: A Tedious Brief Scene: Bottom’s note-long note rhythm sometimes transforming into Dance (UME05S) a clipped “scotch snap”.
This work is a fine example of Holmes’ work from her Edwin Carr: Sonata for Solo Violin (UME10) career as a composer and educator in New Zealand The Sonata for Solo Violin (1969) demonstrates the for over 25 years. Holmes was inspired to depict the consummate craftsmanship and refinement in Carr’s character Bottom from Shakespeare’s A Midsummer writing. Central to this work is an exploration of the Night’s Dream in writing this lighthearted work. It is melodic and expressive possibilities of the violin highly engaging and energetic with elements of within the framework of a 12-tone system. The score minimalist techniques of layered melodic ostinati, also calls for extreme dynamic and registral changes, and jazz-influenced and non-tonal harmony. which adds to its virtuosic and challenging appeal as Graeme Downes: Introduction and Scherzo a highly expressive work. It is also intriguing to study (UME09) as a representative 12-tone work in considering the This enigmatic and often playful work for harp reception of European modernism within New incorporates scalar material reminiscent of the Blues, Zealand composition during the late 1960s. with unpredictable shocks of pedal glissandi Anthony Ritchie: String Quartet No.2 (UME13S) peppering the Introduction with a chromatic motif. Ritchie’s second string quartet is an impressive The Scherzo that follows presents a more animated synthesis of sophistication and emotion. The first working out of the Introduction’s materials, with movement is dominated by energetic compound polyrhythmic passages consisting of triplets grouped meters and rhythms, with motivic ideas derived from in fives, in addition to other rhythmic manifestations a magic square, while the second movement’s quiet of the number five. rocking motion is pervaded by minor thirds, a Peter Adams: Look to the Far Horizon (UME16S) common interval in children’s songs.
Look to the Far Horizon sees Adams attempt to Chris Cree Brown: Three Pieces for String capture some of the atmosphere and character of Quartet (UME08S) the skies and seascapes surrounding his home city of These diverse works demonstrate a meticulous Dunedin, New Zealand, and the nearby Otago exploration of timbre and microtonality. It is inspired peninsula. Gentle clusters evoke the typically by the composer’s reflections on puberty and the bleached skies and clouds of the Otago environment, contrast between child and adult worlds. This while a simple modal tune introduces the building emerges in various ways, such as microtonal block from which everything is derived, its short
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 6 flourishes repeated as an obsession and the use of Martin Lodge: Works for Cello Solo and Duo scordatura and harmonics to convey a sense of (UME06) innocence, making for a fascinating collection. Chris This set of four contrasting works, including three for Cree Brown is an Associate Professor of Music at the cello duo and one for solo cello, exploits the wide University of Canterbury, Christchurch, New Zealand. registral and expressive qualities of the instrument to great effect. They also pay homage to senior New Zealand composers David Farquhar (1928-2007) and Douglas Lilburn (1915-2001) while showcasing the breadth of writing for cello in New Zealand.
Orchestral Study Scores
John Elmsly: Pacific Hockets (UME04S) Anthony Ritchie: Symphony No.1 This work stands out as one of Elmsly’s most ‘Boum’ (UME14S) important large-scale works from his career of over Boum is named after a mysterious echo heard by 35 years. It contains a number of intriguing characters in E.M. Forster’s novel A Passage to India. compositional devices that feature in much of his The echo comes to symbolise the mysteries of life output. In this work Elmsly combines hocketing with and death, and was a starting point to a general minimalist additive and reductive processes, which theme of existentialism and human struggle that creates a wide range of orchestral timbre. It is a pervades Ritchie’s symphony. An eclectic range of fascinating work to study for the way in which he influences can be heard across Boum’s four uses repetition and a variety of evolving rhythmic movements. frameworks to develop the music in each of the Anthony Ritchie: Symphony No.3 (UME01S) three contrasting movements. The driving force and subject of Anthony Ritchie’s Anthony Ritchie: Revelations (UME07S) third symphony is the idea of being human, which Revelations (1998) is a journey through states of high encompasses the full range of highs and lows of tension and levity, influenced by Ritchie’s meditation extreme emotions. This work reveals Ritchie’s highly on what happens to us after we die, and the near- personal and compelling writing, and extracts the death experiences that suggest an answer to this inner world of human emotion as a heightened question. After opening with an extended passage of experience through the orchestra. dark drama led by writhing contours in the string Eve de Castro-Robinson: These arms to hold you section, the work is released into lighter material, (UME12S) eventually incorporating fanfare-like statements. Commissioned by the Royal Plunket Society, These Gareth Farr: Ruaumoko (PE041S) arms to hold you channels both tender adoration and Based on the story of the Maori god of the excitement of a new arrival. The children’s choir earthquakes, Ruaumoko sees Farr channeling the maintains an expectant energy in this work with elemental forces of nature across four movements handclaps, overlapping chants, glissandi, ecstatic based on the four seasons. Tender woodwind playing yelps and lullabies. Esteemed New Zealand poet Bill is followed by perilous swirling contours and Manhire provided text for the choir, with excerpts booming percussion, while elsewhere chiming taken from actual Plunket books heard alongside pitched percussion, surging brass drones and Manhire’s own prose. Castanets and temple blocks interlocking choirs propel this dynamic work towards are made curious and playful in this setting as they a triumphant finale. provide a bubbling rhythmic drive for the orchestra.
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 7 Student Workbook scores
Replaceable workbook scores for students to annotate
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 8 2018 Order Form
Register to order online by emailing [email protected] Order online at www.43.co.nz/educational-resources/ Send/scan orders to [email protected]
REGISTER YOUR SCHOOL ACCOUNT TO USE COUPON CODE “EDUPEL2018” FOR 30% DISCOUNTS ON LIST PRICES OF SELECTED TITLES BEFORE 31 DECEMBER 2017. ONLINE ORDERS FROM REGISTERED SCHOOL EMAIL ADDRESSES ONLY.
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Published Scores DE CASTRO-ROBINSON: THESE ARMS TO HOLD YOU COUPON (UME12S) _____ @ $69.00 $______ELMSLY: PACIFIC HOCKETS COUPON (UME04S) _____ @ $96.60 $______FARR: KEMBANG SULING: teacher’s score (PE001E) _____ @ $41.00 $______FARR: RUAUMOKO COUPON (PE041S) _____ @ $148.35 $______FARR: SEA GONGS: teacher’s score (PE020E) _____ @ $52.00 $______FARR: VOLUME PIG: teacher’s score (PE010E) _____ @ $52.00 $______FISHER: POUNAMU: teacher’s score (PE006E) _____ @ $31.00 $______LILBURN: A SONG OF ISLANDS COUPON (PEL23S) _____ @ $120.75 $______LILBURN: DRYSDALE OVERTURE COUPON (PEL21S) _____ @ $90.85 $______LILBURN: PRODIGAL COUNTRY COUPON (PEL22S) _____ @ $116.15 $______LILBURN: SYMPHONY NO.1 COUPON (PEL24S) _____ @ $166.75 $______PSATHAS: ABHISHEKA: teacher’s score (PE028E) _____ @ $36.00 $______PSATHAS: DRUM DANCES: teacher’s score (PE008E) _____ @ $46.00 $______PSATHAS: OMNIFENIX: teacher’s score (PE055E) _____ @ $58.00 $______PSATHAS: THREE PSALMS: teacher’s score (PE085E) _____ @ $58.00 $______PSATHAS: VIEW FROM OLYMPUS: teacher’s score (PE073E) _____ @ $58.00 $______RITCHIE: REVELATIONS COUPON (UME07S) _____ @ $96.60 $______RITCHIE: SYMPHONY NO.1 COUPON (UME14S) _____ @ $171.35 $______RITCHIE: SYMPHONY NO.3 COUPON (UME01S) _____ @ $157.55 $______
Workbook Scores FARR: KEMBANG SULING (PE001W) _____ @ $14.00 $______FARR: RUAUMOKO: Mvts. I–II (PE041aW) _____ @ $15.00 $______FARR: RUAUMOKO: Mvts. III–IV (PE041bW) _____ @ $15.00 $______FARR: SEA GONGS: Part 1 (PE020aW) _____ @ $16.00 $______FARR: SEA GONGS: Part 2 (PE020bW) _____ @ $16.00 $______FARR: VOLUME PIG (PE010W) _____ @ $14.00 $______FISHER: POUNAMU: (PE006W) _____ @ $14.00 $______LILBURN: A SONG OF ISLANDS (PEL23W) _____ @ $13.00 $______LILBURN: DRYSDALE OVERTURE (PEL21W) _____ @ $13.00 $______LILBURN: PRODIGAL COUNTRY (PEL22W) _____ @ $15.00 $______LILBURN: SYMPHONY NO.1: Mvt. I (PEL24aW) _____ @ $15.00 $______LILBURN: SYMPHONY NO.1: Mvt. II (PEL24bW) _____ @ $11.00 $______LILBURN: SYMPHONY NO.1: Mvt. III (PEL24cW) _____ @ $15.00 $______PSATHAS: ABHISHEKA (Size A5) (PE028W) _____ @ $7.00 $______PSATHAS: DRUM DANCES (Size A5) (PE008W) _____ @ $10.00 $______
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 9 PSATHAS: OMNIFENIX (PE055W) _____ @ $14.00 $______PSATHAS: THREE PSALMS: Mvts. I–II (PE085aW) _____ @ $16.00 $______PSATHAS: THREE PSALMS: Mvt. III (PE085bW) _____ @ $13.00 $______PSATHAS: VIEW FROM OLYMPUS: Mvts. I–II (PE073aW) _____ @ $16.00 $______PSATHAS: VIEW FROM OLYMPUS: Mvt. III (PE073bW) _____ @ $13.00 $______
Piano Music FARR: BALINESE PIECES, score (PE128) _____ @ $74.75 $______FARR: GEM, score (PE136) _____ @ $31.05 $______LILBURN: PIANO MUSIC VOL.1 (PEL01) _____ @ $66.00 $______LILBURN: PIANO MUSIC VOL.2 (PEL02) _____ @ $57.00 $______LILBURN: PIANO MUSIC VOL.3 (PEL03) _____ @ $72.45 $______LILBURN: PIANO MUSIC VOL.4 (PEL04) _____ @ $67.85 $______LILBURN: PIANO MUSIC VOL.5 (PEL05) _____ @ $72.45 $______LILBURN: PIANO MUSIC VOL.6 (PEL06) _____ @ $59.80 $______
Instrumental Music CARR: SONATA FOR SOLO VIOLIN (Performance Set) (UME10) _____ @ $35.65 $______DOWNES: INTRODUCTION AND SCHERZO, Harp (Score) (UME09) _____ @ $31.05 $______FARR: MEDITATION, Clarinet & Piano (Performance Set) (PE127) _____ @ $51.00 $______FARR: MEDITATION, Alto Sax & Piano (Performance Set) (PE125) _____ @ $51.00 $______FARR: MEDITATION, Viola & Piano (Performance Set) (PE126) _____ @ $51.00 $______FARR: THREE LITTLE PIECES FOR EVE, Percussion & Piano (Performance Set)(PE095) _____ @ $45.00 $______FARR: WAIPOUA, Clarinet & Piano (Performance Set) (PE021) _____ @ $41.00 $______LODGE: WORKS FOR CELLO SOLO AND DUI (Performance Set) (UME06) _____ @ $57.00 $______PRUDEN: FLIGHT OF THE ALBATROSS, Violin & Piano (Performance Set) (PEP12) _____ @ $34.00 $______PSATHAS: FRAGMENT, Vibraphone & Piano (Performance Set) (PE076) _____ @ $25.00 $______PSATHAS: FRAGMENT, Vibraphone & Marimba (Performance Set) (PE089) _____ @ $32.00 $______RITCHIE: MEDITATION, Violin & Piano (Performance Set) (UME03) _____ @ $51.00 $______RITCHIE: STRING QUARTET NO.2 (Score) (UME13S) _____ @ $62.10 $______
Chamber Music ADAMS: LOOK TO THE FAR HORIZON (Study Score) (UME16S) _____ @ $44.85 $______CREE BROWN: THREE PIECES FOR STRING QUARTET (Study Score) (UME08S) _____ @ $51.75 $______PRUDEN: STRING TRIO (Performance Set) (PEP11) _____ @ $77.00 $______FARR: MONDO RONDO, String Quartet (Score) (PE033S) _____ @ $58.65 $______FARR: MONDO RONDO, String Quartet (Parts) (PE033P) _____ @ $79.35 $______FARR: MONDO RONDO, Piano Trio (Performance Set) (PE079S) _____ @ $65.55 $______FARR: VOLUME PIG, Percussion Quartet (Score) (PE010S) _____ @ $51.00 $______FARR: VOLUME PIG, Percussion Quartet (Parts) (PE010P) _____ @ $69.00 $______FARR: LITTLE SEA GONGS, Percussion Quartet (Score) (PE079S) _____ @ $34.00 $______FARR: LITTLE SEA GONGS, Percussion Quartet (Parts) (PE079P) _____ @ $52.00 $______HOLMES: BOTTOM’S DANCE, Two Pianos, Eight Hands (Score) (UME05S) _____ @ $57.00 $______HOLMES: BOTTOM’S DANCE, Two Pianos, Eight Hands (Parts) (UME05P) _____ @ $54.00 $______PSATHAS: AEGEAN, Piano Trio (Performance Set) (PE181) _____ @ $77.00 $______PSATHAS: ISLAND SONGS, Piano Trio (Performance Set) (PE075) _____ @ $62.00 $______
Brass Band FARR: THE NOR’WEST ARCH (Study Score) COUPON (PE134S) _____ @ $74.75 $______FARR: THE NOR’WEST ARCH (Conductor’s Score) (PE134CS) _____ @ $94.30 $______FARR: THE NOR’WEST ARCH (30 Parts) (PE134P) _____ @ $135.70 $______FARR: ONSLAUGHT (Study Score) COUPON (PE133S) _____ @ $100.05 $______FARR: ONSLAUGHT (Conductor’s Score) (PE133CS) _____ @ $119.60 $______FARR: ONSLAUGHT (30 Parts) (PE133P) _____ @ $110.40 $______
Free shipping for all orders over $300.00 received before 31 DECEMBER 2017 (PLEASE ALLOW UP TO 28 DAYS FOR DELIVERY) TOTAL $______
TERMS AND CONDITIONS OF SALE OF GOODS The majority of the goods for sale featured in this brochure are made to order and some are sourced from independent suppliers. Therefore all orders are subject to the following conditions of sale: All orders are firm orders – no returns, no refunds or exchanges. Shipping may take up to 28 days – urgent orders may attract a 15% surcharge. New prices effective 1 November 2017.
Promethean Editions - Education Resources November 2017 - All prices inclusive of GST 10