DOCSLIB.ORG

Graduation Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Graduation Contents Contents 2 Introduction 3 Ceremonial office holders 10 A historical perspective 11 Ceremonial robes 12 Hood and stole colours 14 Michael Fowler Centre ceremonies 15 Te tangi pūoro and haka pōhiri 17 Ceremony 1 Wellington School of Business and Government 27 Ceremony 2 Wellington School of Business and Government and Faculty of Law 35 Ceremony 3 Wellington Faculty of Architecture and Design Innovation and Wellington Faculty of Engineering 45 Ceremony 4 Wellington Faculty of Health and Wellington Faculty of Science 59 Ceremony 5 Wellington Faculty of Humanities and Social Sciences 73 Ceremony 6 Wellington Faculty of Education and Wellington Faculty of Humanities and Social Sciences 84 Music 86 Te Hui Whakapūmau 87 He Maioha 88 Ceremonial office holders 91 Ceremony 7 95 Acknowledgements 96 Welcome to our alumni community Graduation May 2021 Introduction Congratulations to our graduates After years of hard work, countless hours in the lecture theatre, tutorial room, lab, and library, you have completed your studies and are graduating from Te Herenga Waka—Victoria University of Wellington, New Zealand’s globally ranked capital city university. You should be very proud of your achievements. I am pleased to be able to celebrate with you in person considering the unique circumstances we find ourselves in. Graduation is a time of celebration and reflection—the chance to mark what you have achieved and consider where your accomplishments might lead. We celebrate this milestone with you and acknowledge the hard work and perseverance that have brought you here today. Today is also an opportunity to recognise the contribution made by families, whānau, and friends to your success. On behalf of the University, we thank them for everything they have done to support you. Your qualification provides you with a platform to success, in life and in your chosen field. As well as gaining a world-class education, you have developed as a person in ways that may not immediately be obvious, but which will reveal themselves in the years to come. Your ability to learn, to question, to collaborate, and to lead are just as important, if not more so, than the knowledge you have absorbed. Te Herenga Waka—Victoria University of Wellington is proud to have played a part in providing graduates who will drive the economy, lead thinking on major environmental and scientific issues, use creativity and innovation to generate new ideas, and enrich our society through the arts. We hope you have been inspired to contribute in your own way to a better world. Today’s ceremony is the end of one journey but, in many ways, it marks the first step in many others, and we look forward to you staying in touch with the University. On behalf of the entire university community, please accept my warmest congratulations and best wishes to you all for wherever those journeys may lead. Neil Paviour-Smith Chancellor 2–Te Herenga Waka Ceremonial office holders Chancellor Neil Paviour-Smith BCA Wgtn, FCA, ACIS, AFA, CFinstD, FCFIP, MSAA Neil Paviour-Smith has worked in the New Zealand capital markets for 30 years and is the managing director of investment firm Forsyth Barr. He is chair of the New Zealand Regulatory Board of Chartered Accountants Australia New Zealand as well as a fellow chartered accountant, fellow of the Institute of Financial Professionals NZ, chartered fellow of the Institute of Directors, and member of Governance New Zealand and the global CFA Institute. Mr Paviour-Smith also lends his expertise to the art sector as director of the NZ Art Show. He is a former director of NZX and the New Zealand Institute of Chartered Accountants. In 2005, he was an inaugural recipient of a Sir Peter Blake Trust Leadership Award. Mr Paviour-Smith’s connection to Te Herenga Waka—Victoria University of Wellington goes back to when he studied for a Bachelor of Commerce and Administration. He was appointed to the University’s Council in 2013, was elected Pro-Chancellor in 2016, and Chancellor in 2018. Pro-Chancellor Dr Dianne McCarthy CNZM CRSNZ BA BSc MSc(Hons) PhD Auck Dr Dianne McCarthy joined the University Council in March 2020 for a four-year term and was elected Pro-Chancellor in 2021. She has extensive experience in senior management and governance roles in the tertiary education, science, and health sectors. She is a former chief executive of the Royal Society Te Apārangi. She is currently deputy chair of the board of the New Zealand Institute of Economic Research, a director of the Bragato Research Institute, a trustee of the Malaghan Institute of Medical Research, and a member of various governance boards, including the Dodd Walls Centre of Research Excellence. Dr McCarthy was made an Officer of the New Zealand Order of Merit for her services to education in 2008, a Companion of the Royal Society of New Zealand Te Apārangi for her services to science in 2015, and a Companion of the New Zealand Order of Merit for her services to science, business, and women in 2016. Victoria University of Wellington–3 Vice-Chancellor Professor Grant Guilford BPhil BVSc Massey, PhD UC Davis Professor Grant Guilford became Vice-Chancellor in March 2014. He came to Te Herenga Waka—Victoria University of Wellington from the University of Auckland, where he was Dean of the Faculty of Science and a member of the senior management team. He has led other large academic organisations. Earlier in his career, Professor Guilford undertook teaching, research, clinical, and leadership roles at the University of Missouri and the University of California, Davis (United States) and Massey University. Roles in academic leadership have given him in-depth experience of university strategy, policy, financial and operational management, and led to many successful collaborative and philanthropic ventures. Professor Guilford has held positions on the boards of several companies, research consortia, joint venture entities, and centres of research excellence, including the Maurice Wilkins Centre for Molecular Biodiscovery and the Crown research institute Landcare Research Ltd. Provost Professor Wendy Larner BSocSc Waik, MA(Hons) Cant, PhD Carleton Professor Wendy Larner is an internationally respected social scientist whose research sits in the interdisciplinary fields of globalisation, governance, and gender. She has held academic positions at the University of Waikato, the University of Auckland, and the University of Bristol, and visiting fellowships at the University of Wisconsin-Madison (United States), Queen Mary University of London (United Kingdom), and the University of Frankfurt (Germany). Her research has been recognised with a range of scholarships and awards, including a Canadian Commonwealth Scholarship and a Fulbright Senior Fellowship. Professor Larner is president of the Royal Society Te Apārangi; a fellow of the New Zealand Geographical Society, and the Academy of Social Sciences (United Kingdom); and a principal fellow of the Higher Education Academy. Deputy Vice-Chancellor (Māori) Professor Rawinia Higgins (Tūhoe) DipMāori BA Wgtn, PGDipArts MA PhD Otago, CELTA RSA/Cambridge Professor Rawinia Higgins was appointed Tumu Ahurei/Deputy Vice-Chancellor (Māori) in 2016. She was previously Assistant Vice-Chancellor (Māori Research) and head of school for Te Kawa a Māui/School of Māori Studies. Professor Higgins came to Te Herenga Waka—Victoria University of Wellington as a senior lecturer in 2009 after holding academic positions at the University of Otago for 12 years. Her research expertise is Māori language revitalisation and, more specifically, language planning and policy. Professor Higgins is a member of the Waitangi Tribunal and has served on a number of governance boards for government and her iwi. In 2017, she won the Te Waitī award for te reo Māori and tikanga Māori at the Matariki awards and, in 2018, she won the Education section of the Wellingtonian of the Year awards. In 2018, Professor Higgins was appointed chair and commissioner for Te Taura Whiri i te Reo Māori, the Māori Language Commission. She is the first woman to hold this role. 4–Te Herenga Waka Dean of Architecture and Design Innovation Professor Marc Aurel Schnabel Dipl-Ing UdK Berlin, MEd Syd, PhD Hong Kong Professor Marc Aurel Schnabel was appointed Dean of the Wellington Faculty of Architecture and Design Innovation in November 2016. As Professor of Architectural Technology, he leads research and education in the field of digital media in architectural and urban design. Professor Schnabel has taught and worked in Germany, Australia, and Hong Kong, and is recognised for his work in the areas of computational design and learning environments. He is engaged in research of augmented and virtual reality, parametric-design learning, and inter-professional development programmes. He has featured in a number of international publications about novel perspectives in digital architecture and urban design. Dean of Education Professor Stephen Dobson BA Goldsmiths, GradDip Oppland, Magistergrad Oslo, PhD Nottingham, PhD UCol London Professor Stephen Dobson was appointed Dean of Education in July 2018. He was previously Dean of Education at the University of South Australia, where he continues in an adjunct professor role. Professor Dobson is guest professor at the Centre for Life Long Learning at the Inland Norway University of Applied Sciences and a member of the Teacher Education Expert Standing Committee for the Australian Institute for Teaching and School Leadership. His research and teaching interests include assessment, professional development, refugee studies, bildung—the German tradition of self-cultivation combining philosophy and education—inclusion, and classroom studies. Before entering academia, Professor Dobson worked for 13 years with refugees as a community worker. Dean of Engineering Professor Dale Carnegie BSc MSc(Hons) PhD Waik Professor Dale Carnegie was appointed Dean of Engineering in January 2015. He has a Bachelor of Science in Physics, Mathematics, and Electronics; a Master of Science with First Class Honours in Physics and Electronics; and a doctorate in Computer Science.
Load more

Recommended publications
  • A History of Music Education in New Zealand State Primary and Intermediate Schools 1878-1989
    CHRISTCHURCH COLLEGE OF EDUCATION LIBRARY A HISTORY OF MUSIC EDUCATION IN NEW ZEALAND STATE PRIMARY AND INTERMEDIATE SCHOOLS 1878-1989 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Susan P. Braatvedt B.A. (Natal), Dip.Arts (Auckland), B.A.Rons (Canterbury) VOLUME II University of Canterbury 2002 Chapter Five 1950-1968 266 The growth ofschool music Chapter Five 1950 -1968 The growth of school music "music is fmnly established as an integral part of the school curriculum."l 5.1 Introduction This 18-year period was dominated by the National Party except for one term when Labour was voted back into office from 1958? When the National Party took office in December 1949, they inherited an educational system in which school music had not been particularly well served. Robert Chapman comments: The underlying changes in the golden 1960s were social rather than political, technological rather than legislative, individual rather than public ....The tertiary education boom, television, and the contraceptive pill were transforming family and personal relationships as well as the method by which politics were perceived. Government expenditure underwrote the surging development of health and education ... 3 In chapter one section 1.2 it was pointed out that the influence of English music education endured for many years. It is in this period that we begin to see a development of a more innovative approach which was more eclectic in its character. 1 AE. Campbell, Director-General of Education, AJHR. E-1, 1966, p.17. 2 R Chapman, 'From Labour to National,' The Oxford History ofNew Zealand, W.H.
    [Show full text]
  • An Operatic Tradition ADRIENNE SIMPSON in Conversation with J.M.THOMSON
    4 The symmetries of his achievement are irresistible. Quintessential early works such as - the overtures Aotearoa, Festival and Drysdale and the cantata Prodigal Country were part of the centennial celebrations of 1940 when Douglas Lilburn was a youthful twenty-five year old. Today, in 1990, we celebrate the composer at seventy-five years and an anniversary of 150 years of nationhood. The works of the intervening fifty years are all about that 'something very strange', - 'the vivid night smell of the bush country' and the challenge to others to make the New Zealand journeys that are their own version of a 'hair-raising' experience in the Marlborough Sounds. Within this exhibition the maps and routes of this musical traveller are laid out for us all to experience and understand. This is an appropriate and timely tribute to the work of this great New Zealand artist for which we owe curator Jill Palmer a resonant accolade. Douglas Lilburn's journey is part of a larger flow. A flow expertly woven and interpreted by curator John Mansfield Thomson to whom I offer congratulations and thanks for the benefits of his wisdom and knowledge in finding and making these pathways. Music is the province and property of all human kind. Of people from all walks of life, backgrounds, origins and beliefs. It is simultaneously their servant, their reflection and their release. And each place and each time has its own music. And each music has the unique ability to translate across time, borders and barriers whatever they may be - social, physical or intellectual.
    [Show full text]
  • Douglas Lilburn's Symphony No. 2 a Brief Background and Analysis
    THE SCI NEWSLETTER … dedicated to the promotion, composition, performance, understanding and dissemination of new and contemporary music … NEWSLETTER CONTENTS XLII: 4, Jul y– August 2012 Analysis Resources Events About Join SCI SCItings Davidson analyzes the Learn about the Upcoming student, Membership info, SCI is an organization Performances, Awards, Second Symphony of Newsletter, upcoming regional and national members of the for composers. Various Commissions, Honors, New Zealand composer SCI Events and our conferences of the National Council/ membership categories Publications and other Douglas Lilburn many online resources. Society. Executive Committee. are available. Member Activities Page 1 Page 2 Page 2 Page 3 Page 3 Page 10 Douglas Lilburn’s Symphony No. 2 A Brief Background and Analysis by Matthew Davidson The work and the New Zealand composer discussed have yet to see much detail as to exactly, using musical herein are not well-known to North American listeners. This terminology, why and in what way it is so important. It is is unfortunate, as a number of Lilburn’s works are quite absolutely imperative that quantifiable steps be taken in this endearing, and a few are quantifiably exceptional. There is a direction, so that what I believe is a significant contribution to marvellous recording of Lilburn’s Second Symphony on a the symphonic literature can be understood within the Naxos CD, 8.555862, Douglas Lilburn: The Three Symphonies context of the history of the genre. performed by the New Zealand Symphony Orchestra under Symphony No. 2 was published by Price Milburn Music the baton of James Judd. The writer of notes for this CD is in New Zealand in 1979.
    [Show full text]
  • Approve of Who Gets in and Who Doesn't. but the Coverage Seems to Be Fair and Balanced. the Information Is Generally Purposeful and Unembellished
    REVIEWS approve of who gets in and who doesn't. But the coverage seems to be fair and balanced. The information is generally purposeful and unembellished. It tries to cover careers from birth to death with emphasis on contributions to Pacific discovery and exploration. It is designed to help readers identify names they might come across in their Pacific readings, not to provide specialized, comprehensive biographies. The briefest entries (such as for Butler) are only the few lines, the longest (such as for Cook) are no more than three pages. On average most 'navigators' get about one page. A very useful bibliography then directs readers to more specialist works. This book is a most useful, if slightly esoteric, reference tool. I certainly wish it had existed years ago. Dunmore is to be congratulated on what must have been a painstaking building of biographic files during his own extensive navigating through the literature of Pacific exploration. And it is somewhat refreshing that someone can write about European discoveries without a hint of the tortured posturing that has been so much a feature of Columbus quincentenary studies. K.R. HOWE Mas sex Unive rsity The National Register of Archives and Manuscripts in New Zealand. Compi led and edited at the Alexander Turnbtill Library. National Library of New Zealand, Wellington. 1991. C. Series, Instalment One, 250 entries, index. NZ price: $27.00 ($35.10 with blue binder). THE National Register of Archives and Manuscripts in New Zealand was first published by the Alexander Turnbull Library and National Archives in 1979. The A-Series was the first instalment of the National Register and succeeded the Union Catalogue of New Zealand and Pacific Manuscripts in New Zealand Libraries.
    [Show full text]
  • The Aotearoa Digital Arts Reader Edited by Stella Brennan and Su
    Contents The Aotearoa Digital Arts Reader 5 Foreword 76 Contemporary Ma ¯ or i Edited by Stella Brennan and Su Ballard Sally Jane Norman Women’s New Media Designed by Jonty Valentine Art Practice © 2008 the artists and authors. All rights reserved. Apart from fair dealing for the purposes of private study, research, criticism 11 Introduction Maree Mills or review as permitted under the New Zealand Copyright Act no part of this publication may be Stella Brennan and Su Ballard reproduced without permission. 86 Kawhia & Kete #1, 22, "Internet; Environment" copyright © Julian Priest 2007, GNU General Public License. 15 ADA: A Web of Sites 20 and 83 ISBN: 978-0-9582789-9-7 Caroline McCaw Lisa Reihana A catalogue record for this book is available from The National Library of New Zealand 21 What is Digital? Concepts 90 Sampling Tradition: and a Chronology The Old in New Media Title: The Aotearoa Digital Arts Reader Douglas Bagnall Janine Randerson Author/Contributor: Brennan, Stella (ed); Ballard, Su (ed) Publisher: Aotearoa Digital Arts and Clouds 28 Cloud Shape Classifier 97 Solar Circuit Aotearoa Douglas Bagnall New Zealand Trudy Lane and Ian Clothier 30 Local Knowledge and Aotearoa Digital Arts Trust Clouds New Media Theory 104 Composition for farmer, www.aotearoadigitalarts.org.nz PO Box 68-187, Newton, Auckland 1145 Danny Butt three dogs and 120 sheep Aotearoa New Zealand www.clouds.co.nz for four-channel video 36 Mushroom installation Brit Buckley Alex Monteith Every effort has been made to trace the copyright holders of the illustrations reproduced in this book. Unfortunately, this has not been possible in all cases.
    [Show full text]
  • The Quest for the Long White Whale: Nature Imagery in New Zealand Classical Music
    THE QUEST FOR THE LONG WHITE WHALE: NATURE IMAGERY IN NEW ZEALAND CLASSICAL MUSIC Peter Beatson [An earlier version of this article appeared in Sites 22:34-53, 1991, and was reprinted with illustrations the following year in Canzona.] INTRODUCTION This article weaves together three intertwining threads. Firstly and most importantly, it is intended as a modest contribution to the academic study of New Zealand classical music. For a very small country, we have an impressive line-up of composers, of whom 105 are listed in John Mansfield Thomson's 1990 Biographical Dictionary of New Zealand Composers, yet the discursive content of their work receives far less analytical attention in sites of intellectual discourse than their literary colleagues. The present article is not intended as anything like a total survey, but I have attempted in its course to introduce the names of a significant number of composers and their works to indicate in purely quantitative terms the size of this rather under-valued component of our national culture. Here, then, is the first thread: putting it simply, I just wanted to write something about New Zealand classical music! However, that initial impulse was a little too vague, inchoate and open-ended. To limit the field, and to give the discussion manageable structure and direction, I made the strategic decision to focus on just one theme, namely the ways in which the natural world is represented in our national music. I will therefore not be discussing self-referential, abstract music with no aspirations to be anything other than a sonata, quartet, symphony or whatever, nor programmatic works (such as operas and songs) with subjects other than nature.
    [Show full text]
  • Consolidated Bibliography
    Consolidated Bibliography Personal Papers Abel Papers: Papers of C. W. Abel, New Guinea Collection, University of Papua New Guinea Library, Port Moresby. Barwick Papers: Papers of Diane E. Barwick, State Library of Victoria [unsorted], Melbourne. Chinnery Papers: Papers of E. W. P. Chinnery, National Library of Australia, MS 766, Canberra. Cleland Papers: Papers of J. B. Cleland, South Australian Museum Archives, Series AA60/03, Adelaide. Davidson Papers: Papers of J. W. Davidson, National Library of Australia, MS 5105, Canberra; and Papers of J. W. Davidson, Australian National University Archives, Series 57, Canberra. D. M. Davin Papers: Literary Papers of Daniel Marcus Davin, Alexander Turnbull Library, MS-Group-0319, Wellington. Winnie Davin Papers: ‘Memories of Wartime Experiences’, Alexander Turnbull Library, MS-Papers-3839, Wellington. Elkin Papers: Papers of A. P. Elkin, University of Sydney Archives, P.130, Sydney. Firth Archive: Archive of Sir Raymond Firth, British Library of Political and Economic Science, London School of Economics and Political Science, London. Florey Papers: Papers of Sir Howard Florey, Australian National University Library, Canberra. Freeman Papers: Papers of Derek Freeman, Mandeville Special Collections of the Geisel Library at the University of California, San Diego, MSS 0522. Greenwood Papers: Papers of Miles Greenwood, National Library of Australia, MS 9805, Canberra. Hancock Papers: Papers of Sir Keith Hancock, Australian National University Archives, Series 77, Canberra. 243 Scholars at War: Australasian social scientists, 1939–1945 Hasluck Papers: Papers of Sir Paul Hasluck, in the possession of Nicholas Hasluck. Hogbin Papers: Papers of H. Ian Hogbin, University of Sydney Archives, P.105, Sydney. Isles Papers: Papers of Keith Isles, University of Tasmania Archives [unsorted], Hobart.
    [Show full text]
  • No. Fifty-One September/October 1973
    CDA No. fifty-one September/October 1973 President: Miles Warren The Journal of the Canterbury Society of Arts Secretary-manager: Russell Laidlaw 66 Gloucester Street Telephone 67-261 Exhibitions Officer: Tony Geddes Receptionist- P.O. Box 772 Christchurch Joanna Mowat Ragistarad at tha Pott Offfc* Kaadquartars. Wellington at a magazina. Editor of News Stuart McMillan New members Happenings We welcome to the C.S.A. in the Gallery Mrs Hilary Ruscoe Mrs Gussie Fenton Variety is the spice of life, they say and some recent Mr & Mrs Michael Thomas Mr Richard Dear exhibitions have proved just that. Furniture was the Mr James A. Slater Mrs Myree Fogelberg order of the day when a June exhibition contained some Mrs N. Abbott Miss C. McCormick selected, modern, imported furniture from Christchurch Mrs D. M. McClelland Mr & Mrs Guy Jansen homes. Hardly any need to say how successful this was as Mr & Mrs B. C. Gatehouse Mr S. L Bennington the exhibition enticed more people into the Gallery than we Mrs D. R. Smith Mr B. S. Cooke have seen for some time. So our appreciation goes to Miss Malvina Overy Mrs Linda Arthur all exhibitors who may have spent any time dining off Mrs Ann Willis apple boxes. Mrs R. S. Black A retrospective exhibition by Mr W. S. Baverstock, Prof. Roy P. Kerr past Director of the McDougall Art Gallery, must have Mrs Beryl Mathias brought back some memorable moments for Christchurch Mr & Mrs William Nichol citizens. Mr Baverstock is indeed a very modest man and if Mrs Betty Wood it hadn't been for a suggestion from Mr Laidlaw we wouldn't Mr & Mrs Michael Abrahamson have had the opportunity to admire the skills of Mr Mr & Mrs Douglas Arthur Baverstock's pen.
    [Show full text]
  • Questions About Richard Fuchs
    1 Questions about Richard Fuchs by Steven Sedley As published in the 2010 CANZONA (Composers Association of NZ) Yearbook On May 9, 2008 The New Zealand Symphony Orchestra, conducted by Kenneth Young, performed the Symphonic Movement in f minor by the German Jewish refugee composer, Richard Fuchs (1887-1947), as part of a “Made in New Zealand” concert in the Wellington Town Hall. Why was this work played for the first time 60 years after the composer’s death? Why was Richard Fuchs totally unknown both in New Zealand, where he lived the last years of his life, and in Karlsruhe, Germany, where he was born and lived for fifty years before finding refuge in New Zealand, and where some of his music was performed in the 1930s? This Symphonic Movement is a rich, colourful, late romantic work, using a very large orchestra. It starts with a Beethoven like chord and develops into music reminiscent of Mahler. A triumphal opening section resolves into a nostalgic passage, then a turbulent interlude leads into beautiful, haunting wind solos interspersed with organ like full orchestral chords. The opening section returns in a subdued mood and finally it concludes the movement as it began, suggesting the inevitability of fate. On first hearing, one gets the impression that there is too much music, there are too many notes, too many ideas, but this was meant to be the first movement of a vast, four-movement symphony. The last 2 movement of the symphony was left incomplete. Some of these themes, ideas, would have been developed in the rest of the work.
    [Show full text]
  • Continuo Vol. 10 No. 1, 1981
    NEWSLETTER OF THE INTERNATIONAL ASSOCIATION OF MUSIC LIBRARIES ARCHIVES AND DOCUMENT AT ION CENTRES (AUSTRALIA AND NEW ZEALAND BRANCH) Volume 10 Number l ISSN 0310-6802 March, 1981 NEWSLETTER OF THE INTERNATIONAL ASSOCIATION OF MUSIC LIBRARIES ARCHIVES AND DOCUMENTATION CENTRES (AUSTRALIA AND NEW ZEALAND BRANCH) WRITING FOR CONTINUO CONTINUO is published three times a year (March, July, November). CONTINUO welcomes manuscripts on any aspect of music librarianship or sound archives. Contributions should be typed on one side only of A4 or foolscap paper, with double spacing. DEADLINE for the next issue of CONTINUO is Friday 19 June 1981. Editors: Ralph Bott, Martin Buzacott, Library, c/o Australia Music Centre, Sydney Opera House, P.O. Box N9, Box 4274 GPO, Grosvenor Street, Sydney 2001 NSW. Sydney 2000 NSW. Telephone: (02) 20588 ext. 252 Telephone: (02) 27 1001. (iii) CONTENTS Edi -tor ial 0 0 0 0 0 0 0 0 0 0 0 & 0 0 0 Q O O O O O O O O O O O O O O O O O O O O O O O O O Q O O O O O O O O O O O O O O O O ( i V) IAMLANZ General :rreeting. Novemter 1980. Report................. 1 Report on activities in "Western Australia................ 3 RidIM report O O O O Q O e O e O O e a O O • 0 0 G $ 0 0 0 0 0 0 0 • 0 0 0 0 0 0 0 D • 0 0 0 0 0 0 0 0 4 Report on activities in Queensland......................
    [Show full text]
  • Contemporary New Zealand Piano Music
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 Contemporary New Zealand Piano Music: Four Selected Works from Twelve Landscape Preludes: Landscape Prelude, the Street Where I Live, Sleeper and the Horizon from Owhiro Bay Joohae Kim Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC CONTEMPORARY NEW ZEALAND PIANO MUSIC: FOUR SELECTED WORKS FROM TWELVE LANDSCAPE PRELUDES: LANDSCAPE PRELUDE, THE STREET WHERE I LIVE, SLEEPER AND THE HORIZON FROM OWHIRO BAY By JOOHAE KIM A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2012 ! ! ! ! Joohae Kim defended this treatise on April 26, 2012. The members of the supervisory committee were: Read Gainsford Professor Directing Treatise Evan Jones University Representative Joel Hastings Committee Member Heidi Louise Williams Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ! ""! ! ! Dedicated to my mother, Sunghae Cho (!"#) and my father, Keehyouk Kim ($%&) ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! """! ACKNOWLEDGMENTS I would like to express my sincere appreciation to four New Zealand composers, Mr. Jack Body, Mr. John Psathas, Mr. Gareth Farr and Ms. Jenny McLeod. I would not even be able to have begun this research without their support. I enjoyed so much working with them; they were true inspirations for my research. My greatest thanks goes to my major professor, Dr. Read Gainsford, for his endless support and musical suggestions.
    [Show full text]
  • 2020 Pre-Congress Report – New Zealand.Pages
    New Zealand / Aotearoa National Report 2020 Submited by Rhys Thorn, President NZ Executive board members • Rhys Thorn (University of Otago) – President • Phillippa McKeown-Green (University of Auckland) – Past President • Elizabeth Smith (Massey University, Wellington) – Secretary. • Phillippa McKeown-Green (University of Auckland) – Treasurer. • Erika Arthur (National Library of New Zealand) – Commitee member. • Michael Brown (Alexander Turnbull Library/National Library of New Zealand) – Commitee member. • Amanda Mills (Hocken Collections, University of Otago) – Commitee member. • Marilyn Portman (Auckland City Libraries) – Commitee member. Branch commitee meetings held during the year • 18 June 2019 • 27 August 2019 • 22 October 2019 • 3 December 2019 • 4 February 2020 • 3 March 2020 • 28 April 2020 • 2 June 2020 Annual branch meetings Friday 8 November 2019, from 9 am to 10.30 am. Held at the University of Otago, School of Performing Arts, Dunedin. 9 members in atendance. Branch membership figures Membership of IAML (NZ) Branch for 2020 is expected to be down again from 2019 due to the COVID-19 lockdown and the unknown impact that had on institutional budgets. We hope to retain a steady-state for individual membership. Branch constitutional maters At the AGM Paul Emsley resigned from his role on the commitee. He was thanked for his service and we wish him well in his retirement. Rhys Thorn was elected President. Phillippa McKeown-Green was elected Treasurer. Elizabeth Smith was re-elected, Secretary. Erika Arthur from the National Library of New Zealand was elected to the executive commitee. 2020 Pre-Congress Report – New Zealand 1 Branch activities 2019 Conference Dunedin was once again the destination for our annual conference.
    [Show full text]